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Status Updates posted by Tokage
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Imagine getting into a drunk fist fight with Klaha
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one day i will defeat u trombe and beocme the kang f ''likes''
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2D Beat 'em up games are boring as fuck goddamn
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imagine my avatar doing to you what no man or woman has ever done to you before
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A SMILE YOU CAN TRUST
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IGM_Oficial reacted to this
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hahahaha what the fuck why do americans love the pumpkin holiday so much
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fact that World's End Girlfriend probably wont get to appear in the 25 days of ChristMHas is quite frankly unforuntate......
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Anyone familiar with this group?
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https://en.wikipedia.org/wiki/Yamantaka_//_Sonic_Titan
hey they have a wiki im surprised!!
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hey guys its me, kamijo from visual kei
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wow i love mana-sama's music *_*
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IGM_Oficial reacted to this
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not intending to meme here or anything, but have there ever been jrockers (not necessarily vk musicians) who have come out about having aspergers/autism/anything like this?
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The only japanese autism musician who I know is the composer Hikari Ōe, and yes mental "ailments" is still a taboo in Japan , only few musicians talk about this subject like Ryo the singer of Baroque and Kannivalism who suffered of adjustment disorder.
He had written his autobiography Utsu-byo Rocker (Depressed Rocker), in his book Ryo describes his grueling struggle with the illness in five chapters each called 'Mental Breakdown', 'Adjustment Disorder', 'Life in Hospital', 'Return to Society' and 'Life and Death'.You also have Fukase the singer of the jrock band Sekai no Owari he was interned in specialized institute for treat his attention deficit hyperactivity disorder
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Himeaimichu reacted to this
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The major problem is for many asian countries (Japan, China, Korea, Philippinnes,Vietnam, Hong-Kong,Singapore etc...) they associated that with weakness, guilt, and shame.
For them say to their familly or friends they suffer of mental "ailments" they will "lose their face" infront of them and in asian societies when you 'lose your face" you lose your social standing, reputation, influence, dignity, and honor, so for "save their face" they prefer keep that for them.
I hope one day they will change their point of view about that.
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suji and Himeaimichu reacted to this
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pls bring back 'visual kei animorphs'
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collecting funds to get professional help for the people who are still using last.fm in 2017
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have there been any vk bands in like... the last decade or so that have only made instrumental music? i somehow feel like having a frontman of some sort is kind of like an implied requirement for vk bands
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Hizaki's solo work is all instrumental. But if you don't like his style, I suppose that won't do anything for you.
My #humbleOpinion is that vkei bands tend to stick to 5-member lineups because it looks good in promo pics and it means more checkis and ~personalized~ merch they can sell, so having no face of a band wouldn't work.
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thingken about.... KYOKUTOU GIRL FRIEND.....
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throwback to when one of those ''funny japanese human tetris'' shows totally used Metronome's Computer as bgm
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remember when they used to appear in kids' shows in daytime television and the kids were scared of シャラク? good times!
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Tokage and CELESTIAL CIEL reacted to this
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so that junji ito series turned out to be a huge fucking disappointment.. anime, never again
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still waiting for dir en grey or some other vk metal band to step it up and incorporate saxophone or some kinda hammond organ in their music for shits & giggles
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I want an alternate timeline where after DUM SPIRO SPERO the DEG guys just go even more completely mental and release something like this (note the saxophone feature! :D)
https://drughonkey.bandcamp.com/track/cloak-of-skies-ft-saxophone-by-bruce-lamont-of-yakuza
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Anyone know if any of the members from Miss Jelly Fish ever went on to do anything else?
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SHILFEE & TULIPCOROBOCKLES is apparently supposed to release another new album in June titled BIOTOPE, preview versions of 4 of the tracks are available on Bandcamp:
https://finch-liqueur-records.bandcamp.com/album/biotope-flying-four
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the world is ready for a fully instrumental vk band
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definitely wanna see this happening, the instrumentals done by plastic tree were so good, and plus it would be an interesting mix. if this were to happen i'm thinking the visual aspects of art-kei would be most fitting for the music.
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bring me the instrumental 9goats blackout-type stuff
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plastic_rainbow reacted to this
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it's been quite a while now and i STILL dont get what Dir en grey were conceptually going for w/ the 人間を被る pv
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@cheesy_VK_Freak well, it is after all just how I see it, but to me it feels right because the colours match exactly the colours of auras and it would explain the extra empty chair to complete the 7!
Unraveling (♡♡♡ Jesus it was 2013? Been that long already?) I can't say much else about than that it seems to be about child abuse - the boy is isolated from the family and the one that's abused the most, by mom. The kids write on the paper with crayons "mommy is scary", drawing a scary picture of her, etc, and you see it's her acting off at the dinner table (she and the girl are seen to evidently react to hearing noises from upstairs from the brother)+it's her that goes into the room to abuse the boy later on (and put them to sleep under plastic bags, clearly taping down the boy down). There's the few flashes of the x-rays with a broken collar bone and broken arm as well.
I'm going off a limb and guessing that the boy isn't the child of the father like the girl is. I feel like at the end the dad is taking the girl the hell outta there, but didn't care to take the boy with him, being either unaware of him or not being his dad and plain not caring? We don't get to see his reaction to the sounds upstairs during dinner, so I'm not sure. Also as they are leaving the boy isn't locked into the room as he seems to otherwise be. The girl also waves happily to mom, as if keeping up appearances
They're not married at least I imagine since I don't see any wedding rings. I wonder if they have a kind of custody agreement where the girl lives with dad, and the dad visited with the girl while the boy lives there full time - or if he did a let's gtfo.
In short, basically never believe me if I say I don't have much to say about something, I can really ramble on -
@SubThatSong Wow, thanks for your insight! I kinda thought she killed the kid, but during the last shot you see him so I was like: ehh? Was this all imagination?
LOL
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@cheesy_VK_Freak Np! If they didn't show him at the end and the plastic wriggling a bit while it's taped down I would've thought the same tbh!
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like 75% of the time i look up some vk song's translated lyrics i always end up wishing i hadn't
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In general there's just sooo much generic repetitive trope-y stuff that's on the level of juvenile 'tfw no (boyfriend/girlfriend)', 'BULLYING and also WRISTCUTTING', "this one goes out to all the FREAKS & OUTCASTS \m/ \m/" and 'FUCK YOU MOM & DAD' stuff on the one hand, or that ''teens react to living in a society" kinda stuff on the other. I've been somewhat lukewarm about Mamireta from the start for example but BOIIII, their lyrics are just... hot garbage lol
The ones I generally tend to find myself enjoying are the lyricists who try to go for more 'out there' subject matter just by virtue of being straight up goofy (like Dokusatsu Terrorist w/ their songs poking fun at just about everything, Sandwich de 120pun? w/ their stuff about girls having bombs implanted in theri vaginas & stuff like that), at least somewhat unique within the context of the scene (like The Gallo's WW2-related songs, Inugami Circus Dan, early Metronome and their weird cyber buddha stuff) or those with at least SOME sort sense of poetic imagery & wordplay (Plastic Tree, Temari's stuff in general) even if it can still come across a bit hackneyed at times (that might also be cuz in some cases it feels like translators seem to intentionally try to go for the fanciest sounding words their thesaurus gives them just to make stuff sound deeper tho)
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Hnn, I'm really not concerned about the world around me since I don't really think of lyric influence huh (yikes). But I do also suppose I'm still newish to the VK scene, I was more or less in my bubble for about 15 years lol
I've really enjoyed the majority of lyrics I've translated, I'd say, but my judgement also most definitely isn't quite there since I don't really feel affected by any of it despite there being the bad themes 🤔
The overly silly lyrics don't really keep me very interested, it's nice once in a while but I like my... bad dark themes lol
Some translations are for sure very unnatural, but to be fair there's also a lot of "translations" out there. Which I personally do hate because it misrepresents the original meaning of the song, and I'm a complete nutter for lyrics, I absolutely love it when there's a proper line of thought put into the lyrics that makes you think. Well, it is what it is
Thanks guys ^___^
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ok but for real - have there been ANY full-length vk albums in 2019 worth listening to beyond sukekiyo's? i legit cant think of any others
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I like the one's Jig mentioned, plus Virge's album too. But if you weren't into Phantasmagoria at one point, you probably wouldn't like that either.
Here's a list so far:
Looking back, I actually forgot about a lot of things that came out this year too. I also enjoyed some songs off of D'erlanger's album, and I liked Scarlet Valse's album too.
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@Peace Heavy mk II That reminds me, I still haven't given the MORRIE album a shot! Not much oyaji-kei I liked this year so far... D'ERLANGER was my only hope but their album was reaaaaaally weak.
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unpopular opinion: there has p much never been a single ''good'' vk interview. the amount of interviews i've read where the musicians actually had anything remotely insightful or interesting to say is legit close to zero.
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It's definitely something that is really noticeable, neither do they make an effort nor the questions are good, in 99% of the cases
Few times I felt it was a good read is usually made by japanese outlets/interviewers
One example comes to mind was this series of interviews, really interesting questions and lengthy answers: https://www.shiinamio.com/special
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I also think its different if you can interview them face to face, Which happens in 99% of the japanese cases. Then bands also reply longer and better.
also you see often the interviewer reply such as, oh is this so? why? and suggestion kind of response.
but something it also feels as they don't wanna really promote themselves to overseas audience. because a bunch of interviews also have been done face to face by overseas media.
So maybe, if doing an email interview, its better to ask if you can respond to their answers to Which they reply again.
Or to tell them to give proper amswers to promote themselves really good.
But that's something I wanna figure out in the near future.
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fact: if we survive this virus shit & the subsequent economic collapse nu-metal WILL make its comeback this decade