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help someone is hacking the mainframe IM GOIN IN GUYS *furiously types on 2 keyboards*

Unless the people getting hurt are just absolute pussies getting hurt only because they can. More like, when someones opinion intentionally hurts other people its no longer an opinion only and you don't need to respect that.

I honestly give a fuck. It is true many vocalists don't have a meaning in mind when writing lyrics, Naru from Diealo even said he wrote about popular relateable subjects like lost love and despair, even if he didn't feel it, because he knew fans would like it and it would sell. OK, so Hiroki already said most of what I wanted to say and already explained different meanings and nuances of a word.. While translating songs could be a good excersise to practise your japanese, I would advice to always keep working on your Japanese and improve your level as much as possible. Translating from ANY language is hard, not only from Japanese, because language and culture are so closely intertwined they influence each other and it will be impossible to not find words that are deeply rooted in or influenced by culture. I will have to say nothing is truly untranslateable, and the reason many think certain words have "no translation" it's because the do not posess and exact equivalent in the target language, but it doesn't mean the concept cannot be explained. And there is where you'll have to get creative and see how you can convey the ideas better in English. Another important tip is to NEVER translate word by word. In any language. Each language has it's own gramatical rules and translating word by word will end terminate in odd and gramatically incorrect sentenses in English. Make sure your final product makes sense in English. I encountered not long ago a girl that translated Matenrou Opera's blog entries and her posts made no sense in English. Subject wasn't there half of the time and connectors were missing everywhere. When I pointed it out to her she said "I wanted to preserve the particularities of Japanese language". Please, PLEASE don't do that. Translation means taking the message from Language A and conveying it as best as possible into Language B in a way so that the core content of the message isn't lost AND it makes perfect sense and it's perfectly understandeable in Language B. Not a weird hybrid of both. I also cannot stress enough the importance of context, which is also why word-by-word translation is NEVER a good idea. The longest part of a translation is always the correction. You can never go through the translated text too many times. There will often be that sensence that made sense when you translated it but doesn't anymore after reading it three times, or the words and connectors that suddenly don't fit. It's ok if you have to correct it twenty seven times, professionals do to and that's what makes a good translation good, not the initial perfection but the work put into it to make the final product as flawless as possible. Feel free to include as many footnotes as you want to explain meaning where it can't be explained (because you can't keep a verse in a song ridiculously long) I have some really really good translations of Do As Infinity lyrics that included tons of notes from the translators explaining why they did this and that and what they think the writer could have meant where meaning was vague, I can show them to you if you need. Best of luck, and if you need clarification, help or anything let me know here or drop a PM.

グリモア-GRIMOIRE- websaito YouChube Members Vo: RyNK (I) Gt: Kie (Wolf) Gt: Amu (Owl) Ba: Lune (Sheep) Dr. Mel (Rabbit) ~Looks~ ~Discography~ ひとりトピア (Hitoritopia) 2015.09.02 1. ひとりトピア 2. げんそうシンドローム ぼくとタルパ (Boku to Tulpa) 2015.12.16 1. ぼくとタルパ 2. ゼロとくろ ワールド エンド トゥリー (World End Tree) 2016.05.04 1. ネバーエンド 2. からくりパルム 3. ブラッディマイパレード 4. 「シン」せかい 5. アルギュロスのはね マイムマイム (Mime Mime) 2016.11.23 1. マイムマイム 2. エデンのそこ フラブジャスナハト (Frabjous Nacht) 2017.3.01 1. フラブジャスナハト 2. せいたんデビル 3. プラスチックシアター (type A) 3. クロノメイト (type B ) グリモワール (Grimoire / "Gurimowaaru") 2017.06.28 1. [　　　　] 2. あましずくとマクガフィン 3. フラブジャスナハト 4. クライクライネ 5. ネバーエンド 6. ぼくとタルパ (タルパVer.) 6. げんそうシンドローム (げんそうVer.) 7. いらないもの 8. ねじれインサイド 9. マイムマイム 10. タロットゲーム 11. アルカイクスマイル 12. ゆめのまほろば トリックホリック (Trick Holic) 2017.10.31 1. トリックホリック ウラノメトリア (Uranometria) 2017.12.13 1.ウラノメトリア 2.すいそうのうみ 3.ハロー＆グッバイ ~Videos~ ~Let us eat the fruits of fate~

LADYBEARD (formerly in LADYBABY) has teamed up with female bodybuilder Reika Saiki to form their new kawaii group, "DEADLIFT LOLITA". They will debut their first song on March 31, and they will be releasing previews during the wait on their OHP. ♥ Kawaii x Muscles x Energy! ♥

ENDON will release their new album "THROUGH THE MIRROR" on March 8th, 2017! The album is mixed by Kurt Ballou of Converge! Through The Mirror 2016.03.08 (vinyl on Hydra Head and cassette on Sige will follow in May 2017) 01.Nerve Rain 02.Your Ghost Is Dead 03.Born In Limbo 04.Pensum 05.Postsex 06.Perversion ‘Till Death 07.Through The Mirror 08.Torch Your House http://endon.figity.com/ https://twitter.com/TOKYODIONYSOS https://www.facebook.com/tokyodionysos @Zeus, @bonsaijodelfisch, @The Reverend, @plastic_rainbow, @Lestat, @Tokage

@nekkichikeep up the good work xoxo

They should team up with BFN's Ice and call themselves DEADLIFT GOTHIC LOLITA

Also ngl I'm a bit disappointed they didn't go with SWOLITA

that soko ni naru is sick wow...what the f*ck this is kreator, x-japan and j-indie's love child memai siren was pleasant too someone get them on an anime !!! i think we all know how much i love temari n grimoire so those were awesome wink wink

Greetings, MH! The ORZ staff are back with our latest batch of recommended tracks! Feb. was a pretty delectable month, so let's waste no time and dig right in! (We apologize if some videos aren't available due to region restrictions!) @emmny's Picks "アイラク偽心" by 游彩 "Airaku Gishin" by Yusai ex-Zin members' (minus ex-vocalist Riku) new band Yusai offers more or less of the same thing Zin were known for: a japonesque sound that was decent but not quite Kiryu. That's not as bad of a thing as it sounds, Kiryu's ADHD sound is a bit much at times. Yusai keep the angular guitarwork, sharp melody, funky rhythm and traditional instrumentation accents while keeping it concise and catchy. Amane (once on guitars as Luy) has a husky yet nasal voice which adds an interesting contrast to the instrumental track. This shouldn't be too much of a surprise given Zin's uncanny strength in composition. Keep 'em on your radar, ladies and gentlemen! "幽囚谷のバッタ" by ラッコ "Yuushuudani no Batter" by LACK-CO. Vk troublemakers LACK-CO. are back with another wacky song (and even wackier accompanying music video) which I happened to enjoy more than their prior output. As now typical of their everything-but-the-kitchen-sink style, the song has thrashy verses, a breakdown, swing sections and delicate jazzy, clean passages reminiscent of Moran and Chemical Pictures. I can't even tell what's going on half the time, but this jazz-kei bastard child has enough going on between the complex guitar work, lovely yet forceful vox and wild rhythm section to keep me amused for its brief three minute run. "失明" by グリーヴァ "Shitsumei" by Grieva Grieva is dead. The vintage DEG and Madeth gray'll kote-kei satan spawn is no longer. What have we done to deserve such a fate? The end was near with the release of Konton no hako and the nail in the coffin was hammered in by "Liar..." and its alt-metal-isms. It was probably Grieva's roughest era, being all over the place stylistically. Now we have the next phase, a splice of their old sound and....*gasp* TMOAB-era DEG. I'm proud to report that it is the best thing the band have done in a while. "Shitsumei" removes the worn 90's riffs and fills them in with mid-00's metalcore riffing, all while keeping the 90's charm and incredible ear for melody intact. Grieva sound entirely re-energized and ready to plagiarize some more, thank god! @Zeus's Pick "Lineage" by Versailles Versailles is a band that takes pompous as a compliment, and from music to visuals they've built their brand on being larger than life. Lineage is both the release and the song that restores luster to a band that had lost their way. I extolled the virtues of "La Musique" in my full-length review of Lineage〜薔薇の末裔〜, but this is the track that defines the mini-album. I'm loving how the violin and keys direct the melody without overpowering the metal. The progressive elements come in at the right moments and introduce enough variance to prevent stagnation. KAMIJO's charisma is still as infectious as ever and the instrumental portions of songs feel much more theatrical and less like a showcase for HIZAKI and TERU's skills. Versailles does not often release namesake tracks on singles - in fact I believe this is the first - so not only is this a pleasant surprise, but it speaks to the confidence of KAMIJO in his band and this song when he penned it. This is a track I can play all day. @fitear1590's Picks "フラブジャスナハト" by グリモア "Frabjous Nacht" by GRIMOIRE Since 2015, GRIMOIRE has risen to become one of my favorites among indies neo VK. They've consistently delivered atmospheric, haunted house tunes mediated through high-concept visuals and surprisingly glossy PVs. While I can understand their main criticism--that they can be a bit too 'samey'--"Frabjous Nacht" looks to break the spell. On top of being their most standout title (lol, I still can't get over the word 'frabjous'), it's one of their most unique compositions. Verses have a slow, hypnotic quality and the track sports some of their most technical guitarwork so far. They're now apparently on Timely Records (home to the likes of other all-caps bands like XAA-XAA and DADAROMA), so I hope more people will take note of GRIMOIRE in all their 'frabjous' glory. "偽物の宴" by 眩暈SIREN "nisemono no utage" by memai SIREN Somewhere down the line, memai SIREN was recommended to me on YouTube. "Nisemono no utage" has a lot of interesting crossover appeal. It's part anime OP song, part Paramore-style power pop, part uplifting VK number (that guitar melody at :14 is something classic I could see MegaMasso doing). On top of that, the video is pretty striking, combining the pseudo-silhouettes of the band members over projected imagery that oscillates between organic and geometric designs. "夕闇に鳴動する衝動と幸福の在処" by Soanプロジェクトwith手鞠 "yuuyami ni meidou suru shoudou to koufuku no arika" by Soan Project with Temari Last month, Soan (ex-Moran) showed us a darker/heavier side in his surprising collaboration with Akuta (Chanty, ex-Administrator). This month, the art kei dial got turned up to 11 by enlisting the help of Temari (ex-Amber gris). It's a complete 180 from the previous release, nixing percussion and rock instrumentation in favor of a more sublime, orchestral sound. From the crisp piano that could adorn any Ghibli feature to the heart-wrenching, dramatic strings, Soan and Temari have crafted something divine. Soan Project is clearly a multi-faceted venture, so even if the first mini didn't tickle your fancy, you still owe it to yourself to check this one out. @CAT5's Picks "Change your mind" by 雨のパレード "Change your mind" by ame no parade I've long been critical of ame no parade (amepare for short) and not out of some unrooted distaste for their music, but because I am genuinely fond of them and would like to see the band succeed. Kohei's pristine and soulful croon has made him one of my favorite male voices of today, and the band is competent in both playing and invoking atmosphere. They're cooking with some amazingly potent ingredients, though they've yet to serve anything truly fulfilling. Instead they've been using the same boring recipe of recycled vocal melodies, bland, minimalistic verses, and big-for-nothing choruses. In promotion of their upcoming second album, the ironically titled Change your pops, amepare has dropped the MV for "Change your mind", which is a surprisingly welcome 'change' of pace for the band. Their standard formula is still in play, but the drab minimalism of the past has been enhanced with groovy synths and danceable drums that actually manage to engage you. From the very start of the song, it's evident that they're playing with renewed conviction, and it gives me hope that amepare might actually 'change THEIR pops'! @Original Saku's Picks "New York City" by Tempalay Tempalay has surprised me so much this month with music that I just typically don't listen to much. I discovered them earlier this month by chance while I was browsing JPS. They weave this weird blend of psychedelic and chillout rock that is just so addicting. It was love at first listen and I haven't looked back since. The weirdly named "New York City" serves as the opener of 5曲 (5 Kyoku) which instantly becomes less bizarre once you watch the PV. Most interesting is the concept of the album. I highly recommend you check out the whole thing if you like what you hear. "ノクチルカの夜" by まじ娘 "Noctiluca Night" by majiko majiko made her major debut this month with her mini album Cloud 7. We all know about the 'major curse' that plagues indie groups and artists once they go major. I was more than a little worried at the prospect that the same curse could afflict majiko, thankfully those worries were for naught. In fact I can only see an improvement in this record. "ノクチルカの夜" showcases a clear departure from her mellow pop-oriented utaite roots, and we can see a shift to a more mature, darker sound with much more depth and production quality. The new musical shift does wonders for her beautiful voice and meshes really well with her haunting singing style. It really brings a certain level of intensity to her music. "一休さん" by 水曜日のカンパネラ "Ikkyu-san" by Suiyoubi no Campanella After a mini album that most would call 'stale' or 'more of the same' last year, people were already counting Suiyoubi no Campanella as a one trick pony. This notion was immediately disproved this month with their new album SUPERMAN which does more than enough to validate their musical prowess and innovation. "Ikkyu-san" showcases what makes this group so awesome and addicting, with an infectious beat and a stunning vocal performance from KOMUAI, accompanied by eccentric electronica sounds aplenty. I know this is a REC track thread but I really just want to say how cohesive this album is from start to finish and I couldn't recommend it more! It might even be better than their previous album Zipangu for me. "明日も" by SHISHAMO "Ashita mo" by SHISHAMO This is a group I've been infatuated with over the last few years. SHISHAMO brings forth my love of female fronted indie rock bands like no other. They have the 'it' factor in their music, that feeling of euphoria and mellowness that wraps around you and makes you just feel legit good. They're a part of the few all female rock bands that currently are keeping the dream alive in Japan. I enjoy and appreciate them so much! These girls have been spitting out material so fast that it hasn't even been a full year since we got their last album, but we already have SHISHAMO 4 to start 2017 off with a party. "明日も" Is a fun pop rock jam that asserts that these girls' instruments are not for show and that they can jam when it's time to. Like with all my other RECs, please check out the full album for the true experience. Do yourself a solid. Guest Recommendations: @TheStoic's Pick "METALIN" by そこに鳴る "METALIN" by Sokoninaru Breakdowns. Blast beats. Gang chants. Chaotic soloing. These are not typical elements that describe the music the rock trio そこに鳴る. Since releasing their debut EP in 2015, the group has gone under the radar on the pages of MH. It's a shame given their technical abilities and impressive songwriting in the indie rock scene. However, their latest single "METALIN" (featured on the album of the same name) is more than worthy of appropriating the metal moniker. The band effortlessly melds their upbeat melodic choruses and core indie sound with a fresh dash of tremolo thrash metal riffs, neckbreaking breakdowns, and a frenetic energy that is a blast to listen to. If you have not given them a proper listen, "METALIN" may be be your gateway drug, as this single shows that they have the hunger to give indie heavyweights like 凛として時雨 (Ling Tosite Sigure) a run for their money. @Ada Suilen's Picks "Lineage" by Versailles I think that the visual kei scene is living a sort of rebirth, with many shiny comebacks, giving the genre a new shape. Probably the most awaited one comes from the symphonic metal act Versailles, starting off with the compilation The Greatest Hits -2007/2016- last September, and now with their second mini-album Lineage -Bara no matsuei-. In general, the sound echoes the inheritance of this band, taking even some elements from the side projects of the single members where this track represents its peak. With an incredible, virtuous metal sound, powerful riffs and more mature vocals, "Lineage" will surely stick in your head. Welcome back Descendants! "Remember the Name" by アイオリン "Remember the Name" by Aiolin One of the newest products of the scene, formerly known as code name Px, debuted with their first album at the beginning of the month and the final result was pretty shocking. As you can see from the name, their music (especially in this lead-track) is filled by a melodious violin (provided by the singer) mixed with electronic elements, energetic sounds and harsh vocals: the ideal ingredients for a sure success. Probably one of the most promising acts of 2017 and I hope that they will continue down this path. - Thanks for checking out our recommendations this month! And another big thanks to our guest contributors @TheStoic and @Ada Suilen! If you have any thoughts on our list, or if you have any recommendations of your own, please feel free to comment below! If you're interested in being a guest contributor, contact @CAT5or @doombox.

Komorebi already explained the importance of fidelity in translation but i'll just add this: even if you're not "putting it forward as though it was something the artist actually said" a translation by definition finds an equivalent or at least a very good approximation to the original. A translation isn't simply a "review" of the original or whatever happens to be the translator's opinions on it. So it's my belief that every single translator whether you're doing for fun or professionally should have the basic commitment to convey the meaning of the original. As for what you're saying about interpretations: of course it's valid, but ideally a translator would strive to uncouple his/her interpretation of the text from the meaning of the text, so as to allow for readers to make their own interpretation from a translation that's as close to the source text as possible.

Ok... only here for Lucifer's underground. Poor Nagoka kei...

Those who follow MH's Recommended Tracks series know that any time GRIMOIRE has a new release, they're bound to end up on the list. I'm pretty picky when it comes to contemporary VK, but this band has become one of my favorites currently active in the scene. From their their bedtime/zodiac outfits to their surprisingly well-produced gothic PVs, this band takes full advantage of their visual element. Musically, I like to describe them as 'dark graveyard carnival kei.' Considering that all the musicians all stem from the guilty-pleasure pop band PIECE, I was a little more than surprised when my host boys started churning out chugalicious riffs. Somehow, the style works for them and it's the best (and most technical) they've ever sounded. While their output can be a bit 'samey,' I can't knock them for sticking to a niche concept that is so meticulous (everything from thematic cover art to the scribbly 'handwritten' text on every PV). From what I've read, some people aren't fans of their first release, Hitoritopia, which featured noticeably more amateur production, but lawd, I loved how atmospheric it was. I'm hoping they'll bring back that vibe in full-swing, now that they have the production to properly back it up. They seem to have just recently signed with Timely Records (DADAROMA, XAA-XAA, etc.), so I see big things in GRIMOIRE's future! Anyway, it's about time we had a thread for them here! Who else is a fan? Favorite song/PV/release/member? All discussion is welcome!

Versailles' plagiarism until the very end I see.

spendiNG MONEY ON THE WRONG BANDOMEN

ok so like, if visual kei could stop existing and i could stop wasting all of my money on it, that'd be fantastic

I just needed the sextape, not this...

So... I tried last.fm, still don't get it, idk why people use it instead of their own player on their own computer.

Unfortunately this will be never realized in such a big echo chamber like this one. Basically you have like each and every agitator practicing their foul deeds and when they get called out for their rude opinions or any bullshit, e.g. faux-ubermensch entitlement in bigotry because of their self-proclaimed "not a str8 waipipo, fak off homofob" privilege (common issue among most trolls here, yet the staff does not even bat an eye), they escalate the situation and play the victim instead while there were no signs of "hate crime" or some sort in the first place. I shalt still refer to my status replies because some trolls and otherwise easily offended ones still fail to realize this and prefer shooting the messengers as pastime. Maybe someone should do something about identity talks as the basis of MH opinions nowadays. Yes, those talks have to be stopped, take it back to tumblr, livejournal, youtube, whatever pleases you. I just cannot fathom these days how someone's sex, orientation or ethnicity has to be involved when all we do mostly is drool over either Final fantasy cosplaying call boys' nasal anthems or chinese freak porn cartoons or anything that makes /jp/ blush - and WITHOUT problems! Aren't we basically all the same in the eyes of outsiders though? Why would we segregate each other further? Forum's demise will be totes promised if the staff prefers to gloss over aforementioned, damaging aspects. Not a threat, just something that one of your red admins noted two years ago (still relevant).

Looking forward to the Fen record. Always loved the band, yet I've kinda forgotten a bit about them. Can't remember when I last gave one of their albums a spin. That sounds great.

The previews makes this comes off as some half assed cash grab that wasn't needed. Granted that some of these songs sound fresher but i don't feel compelled to go out my way to grab this tbh. The only thing from Dir en grey's "rerecording phase" that they could've taken note from was using the same people who did post production work on their previous album and the string of works after. Ted Jensen was that guy for the GazettE if im not mistaken. The mixing is pretty bad....this can't be him. Still very against this hard on here that they should've followed Dir 's steps and "deconstructed" the songs. Again, these songs were good as is. Niggas really wasted money in the studio for this lmao Count me out.

this is so aesthetically fabulous slay, elegant queen

bsbet↖ウ『→ ＫＲ８４７.ＺＺ.ＡＭ←』ウ↙bsbet

Use a program called iTMS Scrubber but it needs to be updated. See:

was this posted already? idk

(Edit: I realized after typing that my post is pretty long... sorry for that.) There are a lot of reasons why translation is difficult, and especially so for languages that are not genealogically affiliated. If you ask me i think it's inevitable that at some point you're going to feel dejected that you've "butchered" the lyrics of a song you love, but hopefully I can show you that at least a part of that feeling stems from the fact that by and large Japanese doesn't translate very well into English at all, which isn't your fault (although of course, even though there's no perfect translation, there are translations that are blatantly incorrect). In general, here are some challenges confronting anyone attempting to translate: 1) You need to ensure not only a complete correspondence of just the denotative meaning of the word (possibly multiple), but also its connotations, nuances, implications, cultural 'flavor' that you need to drag from one language to another. Cultural expressions like 宜しくお願いします have to be translated variously according to the context but even so it's not exactly the same. Some words like 何番目 have no English equivalent. 2) The etymology of the word that gives rise to its "internal" meaning, as well as its residual "meaning" that has accrued through its multiple usages in history (we call this the "trace" of a word). So for instance if you come across the word "individual" in 16th-century Renaissance poems, it actually refers to "that which is indivisible from the community/society" instead of what it means today ("that which stands apart from the society"). Attempting to translate the word into Japanese as 個人 compromises linguistic complexity because as a Sino-Japanese concept the word 個人 does not retain the same linguistic history of what "individual" means in English. This is kind of a nightmare when you're dealing with non-contemporary works. 3) The "metonymic" aspect of a word and how it functions in a sentence. What this means is that for every language, one word relates to the other words in a sentence in completely different ways, and this presents a serious impediment for translation because sometimes a language's syntax simply don't allow you to word things in a certain way. A classic example would be the perennial problem English translators of Franz Kafka encounter thanks to the author's extensive use of syntax and linguistic structures exclusive to the German language. In the context of Japanese, I recall the phrase "君を信じた僕を信じて" from BLESSCODE's Imperial City, which is cumbersome to translate into English because the pronoun "I" in English cannot be modified as by a phrasal verb like in Japanese. It's not impossible; but the feel is significantly different. 4) The "metaphoric" aspect of a word, i.e. how it triggers other words and concepts by association. A lot of this is cultural ("rose" for us signifies "love", which may not be the case for a different linguistic community) - so even if you translate the word-image correctly, you're losing what's arguably the more important dimension of the word if it's operating figuratively. If you think that's already hard, in Japanese you'll find idiomatic expressions (四字熟語), cultural idiosyncracies (various kinds of 慣用語), and notorious onomatopoeia (擬態語 and 擬音語) that abound not just in lyrics but also in day-to-day conversations. 5) And finally there's everything else which affects how a word is perceived by a reader/listener that linguists can't exactly put their finger on... so they happily call all of that 'context'. As mentioned above, lyrics are one of the most difficult things to translate and there are reasons for this. I'm not a professional translator, although I'm required to translate academic essays by Japanese writers as part of my job. For my purpose I assume that there's a message the writer wants to convey (in good faith) which I focus on delivering. Effectively that means points 2~5 above are relatively less important when I'm doing my translations. However the converse is true in the case of lyrics: because for lyrics you aren't translating a single "meaning" but a field of potential meanings that a reader can possibly rope off from the original lyrics. So 2~5 become as important (if not more important) as the denotative meaning of the words in a song. Obviously mapping that field 100% is an impossible task, so it's completely natural to feel like as a translator you're already intruding and helping the eventual reader of your translated lyrics make interpretations in advance. One last point I forgot to mention: Japanese has 3 different scripts while English has 1. As a result there's invariably some level of homogenization that takes place when Japanese is translated into English. This is less of an issue in day-to-day usage of the language since the division of labor between the three scripts is pretty straightforward... but not in lyrics. I'll give you an example. I was just talking to my friend about the solo project of Ryutaro (Plastic Tree vocalist), whose debut release is called "デも". As you know でも is "but" and デモ is like "demo(nstration) cd". If you dig deeper into the "metaphoric" level, you'll realize that でも can be a sort of protest, a breaking off from the original (it's his solo project anyway), and so on. and デモ naturally signifies a "first" and a fresh beginning. In this case splitting his title into 2 different scripts has a kind of mutually enhancing effect (in other places, like in DIV lyrics, you find that they create a tension). So you really have to make a choice here when you translate; alternatively you can transliterate it as "Demo" which would convey none of all of that unless you append a few paragraphs of footnotes. tl;dr: Translation is difficult. Borrowing the words of John Ciardi (eminent translator of Dante's Divine Comedy): the translator strives not for success but "the best possible failure."

Yeah, like other people have said, songs are really tough to translate because the wording can be so vague. I also find it kind of difficult to figure out where lines start and end sometimes. I've facepalmed many, many times after reading other peoples' translations of songs I butchered, but I tried, and botching things horribly is the best way to learn sometimes, so oh well. I'm definitely not an expert, but the best method I've found is to write the song out in romaji first (using Rikaichan for any kanji I don't know) and then to read through it quickly (using Rikaichan where necessary, but without googling grammar, expressions, names etc.) and see how much makes sense. If I feel like I get the gist of about 65~70% or so, I'll usually give it a shot. If I get really stuck, I usually just post the romaji and come back to it later. (Like three years later, in some cases, but still...later) I try to go back through the ones I skipped every now and then to see if I've improved. Like plastic_rainbow mentioned, if you're not feeling confident about something, making a note of it in the post is a good idea. While people are usually reluctant to go through a whole song, they're often happy to help correct a line or two if they come across your translation - especially in a forum like this, where so many people are either studying Japanese themselves or devoted fans that will understand obscure references and slang you might be missing after it is translated into their native tongue.

Probably also an unpopular opinion since fanfics etc are pretty normal in this fandom but I always found shipping real people weird and kinda gross. They're not fictional characters. But as long as people don't bother the actual bandmembers then I guess it's okay.

It never ceases to amaze me to what lengths fans obsession could go. Never in my life do I want to have such obsessive friend/girlfriend near me -___-

Joel Grind of Toxic Holocaust fame knows and collects more than just metal, and his memphis rap mix is dope as fuck. I need to check out most of these artists a bit closer, and that 3 Memphis Kniccas track's beyond most rap I've heard in a long time. Brilliant!

It could be Lime. Look at those bands at this event. DOG in The PWO, UNITE, D=OUT... they aren't dark so...

I wasn't able to go to their 4man last night, but judging from their tweets it sounds like it went really well!! Hiroki said he's going over the footage now so maybe he'll post some videos later! And Omi completely fell off the stage haha he even posted a video: And Ryo fucking drew attention to it lololol Anyway, here's the setlist: They all sound really happy with brilliant. I can't wait to hear it in full! It wasn't my favorite from the preview, but maybe the full song is better haha I think it was received well last night too! Picspam from last night: Lives coming up: Date: 10, Mar. 2017 (Fri) Lineup: TRA TRA TRA / KAVKA / CANIVAL / Sick. Venue Umeda Zeela Details: 【Time】OPEN/START 17:00/17:30 【Tickets】Preorder/Day of 3300/3800 (plus drink fee) 【Ticket detalis】eplus Date: 11, Mar. 2017 (Sat) Lineup: TRA TRA TRA / KAVKA / PARANOID≠CIRCUS / ビバラッシュ Venue: Nagoya HeartLand Details: 【Time】OPEN/START 17:00/17:30 【Tickets】Preorder/Day of 3300/3800 (plus drink fee) 【Ticket details】eplus Date: 18, Mar. 2017 (Sat) Lineup: TRA TRA TRA / KAVKA / 彩-イロドリ- / VAN9ISH Venue: Shibuya REX Details: 【Time】OPEN/START 17:00/17:30 【Tickets】Preorder/Day of3300/3800 (plus drink fee) 【Ticket details】eplus

We could talk ourselves in circles about this, but I've said my part. There's a difference between keyboard crusaders and those who act in real life. I was just trying to instill in people that the difference is in how you react to those who slur shit online and not in person. I didn't mean to get anybody's knickers in a twist for taking a positive-seeking spin on things. Il'll see my way out now.

There's a difference between being a keyboard crusader and doing this stuff in real life. As I said in my earlier post. Had this been something that was done to anybody personally, then it's a different story. And not to dive into my personal story too much, I was once a bible-thumping (it's thumping by the way) "Christfag" and went around the country "spreading the ministry" and found out the leader was against gays, etc. His daughter came out and they disowned her and tried to scare her straight. It didn't work, obviously, and I vehemently stood up against him and his family and organization. I'm obviously not a religious person anymore, nor was I ever a bigot, but like I said before, hate thrives on attention. And seriously, in a conversation about bigots, you're liberally throwing around the word fag ... so yeah.

Yeah, that's the case. How it opens up and everything is interesting....

New songs previewed in trailer. Shit slaps hard.

I like everything these guys have released so far, but Gu Yan needs to be the starting point. Their best! Love the traditional folk music they add to the mix, but only in small doses, and it's so classy. Just a bit of it that truly adds som flavour to the mix, not so that they turn into a folk metal band or anything.

There is chain of pet stores in England that sells bunnies, geckos, hamsters ...I think they handle cats and dogs too sometimes, but I'm not sure. Either way, my friend who works there says the employees are trained to be able to tell if an owner is able to handle the pet or not, that goes for fish too. So they can asses the person's knowledge, personality ,etc while and before the sale is complete and allow the pet to be sold or not. I think that should be standard practice everywhere tbh.

I watch a lot of dog-related (rehabilitation) television shows and with small dogs it's almost always the case that they're being handled like small children and people forget that they are dogs. People stuff their dogs in clothes, carry them everywhere, allow them on the furniture and speak to them as if they were infants. Of course a dog will grow anxious when they aren't provided with mind-stimulating goals, such as learning commands or learning what is and what is not appropriate behaviour. Their 'mommies' understimulate their brains and their only instinct is to protect these said 'mommies' because everything else in their natural behaviour is surpressed. Which is why some of them become aggressive and snap at everything in reach. My aunt is an example, she has a Shih Tzu and she treats him like a child, what happens is that the otherwise intelligent dog does not know any commands, will not listen at all and jumps on the furniture and defacates in the house. I really do love her but she is just so unhelpful to the poor dog. We're lucky that he doesn't bite or snap at anyone because of this, but it could have very well been the case. It's so unaccomodating that especially small dogs are essentially being seen as 'fashion items' nowadays, because how many people do you see with Chihuahuas who have grown out to be demonic little monsters, simply because the owner has no idea how to handle the dog? I feel like everyone should take some sort of test to prove that they can be a responsible owner, that would be a much better improvement than to simply blame everything on the dog.

| The spiritual successor to Lyrical Sympathy, hands down. This is what I've been waiting for since 2010. The collection album Versailles released at the tail end of 2016 was necessary but not enough. Self-covers set a low bar for a comeback - even if they blew my expectations out of the water - so I've low key been spinning the two new tracks from The Greatest Hits 2007-2016 on repeat. I've been looking for clues to where this band is headed next, and all roads point to Lineage〜薔薇の末裔〜. Lineage is the first original Versailles release since their disastrous self-titled, and with this release all my apprehensions are eradicated. This is how you redeem yourself. There are three reasons why Lineage is a successful album. The first reason is that it is compact; six to nine tracks seems to be the sweet spot for Versailles albums. Compact albums lend themselves well to multiple listens. This goes along with the second reason, which is that they've restored the regality to their sound. Reflecting on releases such as Holy Grail (2011) and Versailles (2012) made me realize that they were slowly stripping away the aristocratic elements in favor of power metal. With Lineage, Versailles has made a complete 180. "La Musique" opens up the release with an immediacy I haven't heard since "Aristocrat's Symphony", and the interlude before the solo is just ace. Songs feel textured with simple riffs leading into complex solos, fast verses leading into slow choruses, and in general, each moment feels meticulously crafted. Contrast this with their solo efforts, where at times both parties felt one-dimensional in their approach to symphonic metal. This leads into my third point, which is the chemistry between the band members has been found again. It sounds like they are working together far better than they have ever before. What I want most from Versailles is close to what Lineage delivers; a Kamijo solo project in all but name with occasional songs and instrumentation by Kamijo, Teru, Yuki, and Hizaki. I don't have composer notes handy, but if I had to trust in my ears, it still sounds like Kamijo and Hizaki are primary composers, but they're collaborating rather than proposing their individual songs. I used to be able to tell what songs were Kamijo's and what songs were Hizaki's and I can't do that with this particular release, which turns out to be a really good thing. To that end, I would love for Teru and Masashi to contribute even more as well. Tracks like "LIBIDO" and "Thanatos" are amazing additions to Versailles' discography because they stand out in a good way, and a remarkable trait about Lineage is that each track is both unique and memorable. Finally, I should mention the stellar production job. Everything between JUBILEE (2010) and Versailles sounds strange, whether it be a weird filter on KAMIJO's voice or an odd guitar tone. The re-recordings on The Greatest Hits 2007-2016 only clarify the problems for tracks like "MASQUERADE". Thankfully, whoever handled The Greatest... also blessed this release, and I hope Versailles continue to collaborate with these sound engineers in future releases. Lineage marks the beginning of a third stage for Versailles, one where they feel cleanly separated from past activities and expectations. Not only does it speak to the strengths of what a good hiatus can do for a band, but it sends a more subtle message that sometimes less is more. Lineage may only be six tracks but it feels like a full album. I've changed my opinion of this band's activities from cautious to optimistic, and I wouldn't be surprised if that's the case for others too.

artwork

i come to x threads to cleanse myself of the ebola that goes on in 80% of MH there will never be any shortage of elegant and wildly original yoshiki drags...thank u all