Leaderboard

Hi! I've visited this site once and a while and now that I see myself on it more I made an account. Some of my favorite VK bands are Kannivalism, xtripx, 9goats black out, Deathgaze, and Baroque. I've been also getting into more non-visual Japanese bands like Lamp in Terren, People in the box, and Super Beaver. I've never actually read any of the introductions here so this is probably posted all wrong but I'm looking forward to sharing my opinion on stuff here!

So... their new maxi-single ""雨ニ、スピーカー" (Ame ni, Speaker)" will be released at 2017/05/31 (2 types) Limited edition (2160Y) will include CD (2 songs) and DVD including "蒼イ林檎" (Aoi Ringo) PV, multi-angle PV and PV documentary Regular edition (1620Y) will include CD (3 songs) ony [tracklist] 1. 蒼イ林檎 2.SA・KU・RA・N 3. 美しき裏切り者 [regular edition only] their new petit album Vol.2 "人間失格" (Ningen Shikkaku) will be released at 2017/05/31 too (2800Y) [tracklist] 1. 紫餡ノ百合籠 2. < 骰 / 骰 > 3. たんぽぽ畑 4. 秋入梅 5. 後悔謝罪嗚呼融解 6. 排他的被虐人形

it was announced at BugLug oneman live "5+君=∞" at 2017/05/07 at Nippon Budoukan, that their new maxi-single (title not yet finalized) will be released at 2017/08/09 their live DVD including scenes of that oneman live at Nippon Budoukan will be released at 2017/09/06 they will hold their oneman live tour "RESTART WITH A NEW LIFE" since 2017/09/03 at Kawasaki CLUB CITTA’ to 2018/02/17 at Shinkiba STUDIO COAST they will hold their free oneman live "自由～ASOVIVA～区域 Revenge" at 2017/08/09 at Yoyogikouen Yagai Stage

TOP 10 ANIME BATTLES..........

Overrated : - Tsuzuku (Mejibray) - Karma (ex Avelcain) - Yuuki (ex Lycaon, Initial'L) - Kamijo Underrated : - Asagi (D) - Kaya - Ryo (9GOATS BLACK OUT) - nigu (ex-cocklobin) - Sou (emmurée)

I recommend not taking the train to Sapporo unless you’re already going to be near there. I’ve made the trip from Tokyo to Sapporo by Shinkansen with a JR pass and it was around 9 hours one way. The Shinkansen train on the northern route isn’t as fast as the Tokyo~Osaka segment, and IIRC somewhere north of Sendai you have to transfer to a regular slow train for the rest of the way. If you’ll be commuting between Kyoto and Tokyo it’s worth getting a JR pass for that. But for Sapporo, it’s best to fly if you can manage it. I’d only take the train to Sapporo if that segment of the trip is falling during a time when you would have a JR pass anyway for other reasons. If you would have to buy a longer JR pass in order to fit in Sapporo, it might better to get a short one and do Sapporo separately as a plane trip on a discount airline. It's better to buy in advance. Lower prices, better ticket numbers. For my favorite band I asked my friends who are also hardcore fans to help me get tickets to see them, but for the other bands I want to see (that my friends don't like) I asked a shopping service. One of the lives I want to see is almost certain to sell out before I arrive. I used White Rabbit Express. They entered the preorder lottery on e-plus for me, shipped the tickets, and I received them safely already. p.s. My trip is in late July, so I will miss you.

I feel like Mako from deadman is pretty underrated. Also, I know he gets (or used to get a lot of shit), but my heart has a soft spot for Sakito from Dué le quartz. Back in the day I felt like Asagi from D was super overrated. I can't stand his voice.

That's a lot! I'm sure you'll have a blast! If a band will allow you to buy or reserve tickets in advance from overseas, I'd do that since day of tickets usually cost more (and you run the risk of them selling out). Or if you know someone in Japan they could purchase them for you. If not, you can just purchase them all at once at a Loppi machine when you touch down. As far as experiencing the night life, if you'll be by yourself, I recommend going to a "snack", which is a bar usually run by an older lady. There will probably be more older gentleman clientele than anything else, but many of them would be more than happy to sing karaoke with you there, buy you some drinks, and maybe take you to a few other local drinking spots in return for your company and some English practice. It might sound sketchy but it's not, and it'll make for some fun memories. Plus the snack will have reasonably priced drinks and different dishes of home cooked Japanese food to compliment them. Edit: I'm not sure what kind of presents are "best". Bangya give anything from alcohol (cheap to expensive), jewelry, fan art/letters, cologne, bags, or whatever else they think the band might like (or talk about wanting on their social media). If there's any kind of food or snacks your home country is famous for (especially if they pair well with alcohol), I'm sure they'll appreciate it. I personally wouldn't bother buying anything too expensive and save your money for fun times when you get here. ^^

Underrated : - Shougo (Anfiel) - Masashi (ex FoLLoW) - Sakurai Yuki (ex Raphael, rice) - Angel-Taka (UCHUSENTAI:NOIZ) - Danchou (Shinkou Shuukyou Gakudan NoGoD) - Keiyuu (Kra) Overrated : - Tsuzuku (Mejibray) - Karma (ex Avelcain) - Yuuki (ex Lycaon, Initial'L) - Kamijo - Subaru (Royz)

I used to live in Tokyo and when I go back for visits I try to stay near Shinjuku station, in that area around Shin-Okubo, Okubo, Nishi-Shinjuku. I think there are a couple of business hotels near Like an Edison for around 7,000 yen per night. Since I like to go for 2 to 3 weeks and stay in Tokyo the whole time, I’ve been getting places on Airbnb so I can have a kitchen. For my next trip I got a studio apartment near Shin-Okubo for about $800 (USD) for 2 weeks. It’s a lot more than normal rent, but cheaper than a business hotel in the area. Airbnb also has some guesthouse-style places with private bedrooms and shared kitchens and bathrooms which are much cheaper. As a resident of Japan I was usually stuck on Willer Bus when I traveled to other cities, but as a tourist I get the JR pass and travel in luxury on the Shinkansen. Worth it. If you’re getting on the Shinkansen in Tokyo and going west/south, try to use Shinagawa station instead of Tokyo station. Shinagawa has a nicer layout and is much easier for transfers, and it has better bentos for sale. Those of you coming to Tokyo from other cities might want to get off in Shinagawa instead of Tokyo too. Outside Tokyo I normally get business hotels on Rakuten, but In Osaka I’ve usually stayed at Hotel Chuo in the Dobutsuen-mae area. That neighborhood is sketchy by Japanese standards, but it’s clean and safe compared to Western cities. This is one of the better hotels in that area. It has private guest rooms and shared bathrooms, and advance bookings are 2600 yen/night for a single. Every time I’ve been there the clientele seems to be a mix of bangya and foreign backpackers. http://www.chuogroup.jp/chuo/english/index.html

I was bored and ... it happened.

MERRY has announced at their live at 5/5 that their new album, "エムオロギー" (M-ology), will be released later this summer. Details tba. They will also hold their nationwide tour, "システム エムオロギー" (system m-ology), from September to February 2018 to commemorate the album's release.

Based on this topic on the general section about 2017 Japanese Music Ratings, here 2017 Global Music Ratings. Feel free to post your favorites non-japanese release !

merrygoround is dead by Merry Go Round 1. 同化 (Doka) 2. 失楽 (Shitsuraku) 3. 液状 (Ekijou) 4. 造形 (Zokei) 5. NARCISSE 6. 君は蜜よりも甘く(Kimi wa mitsu yori mo amaku) 7. 赤い絲 (Akai ito) 8. 切断TV (Setsudan TV) 9. ザクロ色の月と狂った恋の旋律 (Zakurairo no tsuki to kurutta koi no senritsu) 10. Beast 11. CHEMICAL CANDY SHOW CASE 12. FISH 13. XX体質 (xxTaitshitsu) 14. 毒蟲 (Dokumushi) 15. 桜の満開の木下で (Sakura no mankita no shita de) 16. SUICIDE DANCE Ladies gentlemen and gays, I present to you the most underrated band of the indies (and major, believe it or not) scene in the 90's: Merry Go Round (otherwise stylized as Merry Go Round, Merrygoround, メリーゴーランド, affectionally refered to as メリーゴ/merigo by japanese fans). I'm sure the rarez queens on here would beg to differ and probably offer up some other band with a bunch of apostrophes and misspent words in their title because Merry Go Round are too popular but NO. They have a point, as anyone worth their weight in Nagoya kei history knows the impact of Merry Go Round on the local scene at the time, but the lasting influence of Merry Go Round isn't as widely known. Here I've come, along with the aid of this thread to help decode the mystery that is Merry Go Round through their swan song best-of release from 2003, merry go round is dead. There's no better time to go into this, as gibkiy gibkiy gibkiy marked the return of Kazuma to the scene, and they are hot off the heels of a fairly large country-wide tour and now a 3man series of lives with DALLE and 101A. Gibkiy continue onward with merigo's legacy of avantgarde experimentation, pushing the boundaries of not only the visual kei scene, but the underground alt-rock scene. Merry Go Round's cult following continues onward long after their eventual demise, over 20 years after they had started in '91—they even have a fan-run “memorial site” in their honour, still updated to this day. At the party zoo event lives, there's been merigo respect sessions, with MUCC members playing in them. Their releases catch a decent value on the secondary market, with their best-of albums easily catching upwards of 8000 yen. Something's in the water with these guys, and I don't think its any coincidence they are still mentioned in the same breath with the major label successes of the Nagoya scene despite their relative obscurity outside of the scene: Laputa, ROUAGE, Merry Go Round. The short answer is that they were legendary in every sense of the word; everything merigo did was fucking iconic. There was a sense of genuine darkness about the band, no one was flashing around their goth clothes for the chicks only to switch it up afterward when they got bored. The twitter thread was quite helpful, as they pinned a lot of influence to Merry Go Round that I didn't otherwise know. They claim that Kyo (DEG) and Daisuke (Kagerou) were quite influenced by Kazuma, and while I don't have anything to back this up, I totally believe it. Kiyoharu and his very obvious influence on like...99% of visual kei aside, Kazuma's edgy antics have clearly played a role on Kyo. He was the first person to rock the metal face piercings-all-over look, which Kyo later donned in the 2000's, coming to a fever pitch in the 2010's with band guys literally filling their faces with as many piercings as possible. Of more importance is the inheritance of an independent and unique being that merigo embodied; they were so unique that even the japanese source had to struggle from talking in hyperbole. Honestly, I'd argue that Kyo's closest comparison point is Kazuma, in terms of avantgarde leanings and their individualist persona that was cultivated through their almost outsider leaning art. They also pin Merry Go Round as the prototype for menhera love songs, whatever the fuck that means; my understanding of Kazuma's lyrics are limited but there's a lot of sex...s&m...sex...S&M! Of equal importance was this new influence of a darker perspective--taking into consideration the misfortunes of the world and informing one's art, which encapsulated a lot of themes which would later pop up in kotekei and the boom of menhera in the 2010s. Kazuma alone is not to credit for this, but along with the early Nagoya's kei scene's influence in ushering in this new era of ~yami~, he made a decent impact on the darker bands that would follow in later years. Throughout their history, even through lineup changes, their brooding energy stayed constant and so did their experimental, post-punk edge. While firmly rooted in the history of the scene, they sounded equally distant and removed from the scene. Whereas other bands mixed in sharp melody and pop sensibilities to the doom and gloom of the time, Merry Go Round nixed conventional song structure altogether. They had the melancholy down pat, but they added an almost relentless sense of repetition. Songs wouldn't move much as compositions, focusing on a guitar motif or rhythm and pushing it to the desired running length. It's a sound that is hard to describe without listening to their songs, but also a sound that varies with time. Notable is a 1997 cover of Bauhaus's “Hair of The Dog”, in which the spacey guitar lead of the original is turned into a fast-flicking, treble-y riff; the rhythm replaced with a syncopated drum beat. Kazuma sings coldly, screaming and cackles hysterically, pushing the frantic energy of the song into maniacal heights. The end result is so fucking merigo that I'd have a hard time believing this wasn't the band's own composition. This speaks to the quality of the re-arrangement of the cover but also their brilliance, in turning the frantic yet restrained energy of the original into a fully realized, uniquely dark visual kei song. The guitar tone and technique are a definite echo of the indies sound at the time, but the chord progressions dubbed over the melody of the original are totally post-punk, dour and dire. It all makes a lot more sense when hearing "Ame to muchi", which is an original composition yet it manages to sound quite close to “Hair of The Dog”. This is a perfect representation of merigo's traditional sound, equally visual and goth. Besides, when was the last time you heard a visual band cover fucking Bauhaus? These two tracks are part of their old sound before '99, which was more typical of mid 90's gloomy-kei and Nagoya bands, but as they went on things got weirder and weirder, peaking with their 2000 full length. Past then, things got a bit more sober and streamlined, with a more rock sound but were still quite distant from the third generation of Nagoya kei, which included the more goth-inclined Lamiel, kein and later Blast and deadman. Merry Go Round - "HAIR OF THE DOG" Bauhaus - "Hair of the Dog" Merry Go Round - "Ame to Muchi" Speaking of all this history, lets get into the band's tea. merigo is messy to say the least, and there's not much I have to add that isn't already on the net, so I'll offer the interesting points. Merry Go Round's history is marked with stuff that doesn't happen at all anymore, including massive lineup changes, being together for 10+ years (believe it or not), falling in and out of major label contracts and a weird discography, with only 1 full length album and a scattering of minis and singles to count for the fajillion years Merry Go Round was a thing. Vocalist Kazuma and ex-Laputa guitarist Hideno were pretty much the only constant in the band's recording history, excluding their pre-demo years. Before '95 was probably a whirlwind, they cycled through 2 guitarists, 2 bassists and a drummer over the course of 4 or so years, with only recorded 1 demo (before their official demo) to show for their early years. None of the members at that time went onto any other bands after their time in merigo and so what went on in those years is entirely unknown, but totally interesting. I'd like to think the band was a volatile group of goths going around Nagoya with violence (a-la X-Japan), crappy music, drugs and S&M orgies but we might never know. The reality of the situation is likely a lot more boring, with Kazuma refusing to let go of his little project despite the financial and personal difficulties that come with trying to get a band going, especially considering it was before visual kei's mainstream popularity in Japan. They found stability after 1995, with their first main lineup's output stretching from '95-'98 before losing their only other composer, the now deceased Junna and drummer Kyo. Hideno then became the sole composer of the band's music, and whether for his personal taste or just overall circumstances, shit got very dark, very quickly. Song lengths could be brief, with weird minute-long voice solos or drag on for seven, eight minutes at a time with their typically minimal instrumentation, leaving Kazuma's croon to fill in the spaces. This was hinted at in their earlier days, as S featured the 12 minute monster “Dokumushi”, one the creepiest songs ever put to tape, which was composed by none other than Hideno. Catchy choruses became even more sparse, as songs were more about mood than melody. The jazz and industrial influence became stronger, with an alt-rock vibe creeping up on them in the later years, replacing the remnants of their old school style. Basically, as an album, merry go round is dead is not much more than an afterthought. There's actual little reason to purchase the album, as its limited 1200 press has ascended it to god rare status and it doesn't show up often or for anything remotely cheap and all the tracks have been released before. That said, most of the stuff from their marder suitcase/Fuji days are impossible to find now. Nothing was done with purpose in terms of arrangement, inclusion of tracks, etc. The track list is mostly chunked from the original releases, with little integration. The first chunk was their new stuff from 2003, then most of the tracks from the 1999 singles, with only 2 other b-sides that went to their 1999 best-of REDDISH COLLECTORS NO DEAD ARTIST. There's a lot of overlap between these compilations, and REDDISH... is a weird enough album that it deserves its own article. There's a lot of repetition in their discography, but also a lot of remixes/re-recordings and little tracks thrown in as interludes. Their first full length is also entirely absent absent here, as well as pretty much anything during their second lineup. The only song unique to merry go round is dead was "NARCISSE", which was later thrown into a marder suitcase V.A comp. The last chunk was a throwback to their older days, with the whole IMPERIAL DRUGS single and “xxTaishitsu” thrown in for whatever reason, as it is the only track solely composed by Junna. The classic “Sakura no mankita no shita de” appears as well, with “Dokumushi” cut down to a slightly more palatable 4 minutes. “SUICIDE DANCE” is the only song composed by Kazuma and ends the album as a throwback to their eaaaaarly days, as the song has been around in some way since their first unofficial demo in the early 90's. In terms of the tracklist contribution, I'd chalk it to who owned the rights for the tracks as well as aesthetic representation. Even if the band wanted to include their stuff from the semi-major days, my guess is that they didn't have the rights to those songs, which were conveniently mostly Junna compositions. So whether by design or coincidentally, it's mostly Hideno composed, reflecting the musical design of the band from 1999-2004. On to the music itself, it is spectacular to say the least. No matter how much you prime yourself to hear something of comparative style to other artists, or rather the inverse—expecting to hear something completely alien, the experience itself is neither. Tracks 1-6 were their post-2001 output, a mix of melancholy ballads and crunching alternative rock numbers. The sense of theatrics is mostly toned down for a primal rock energy. “Shitsuraku” is straight up aie chords played for seven minutes on end with what sounds like Kazuma on xanax. He takes the track towards a lullaby, threatening to pierce that threshold and roar yet it never approaches those heights. “Zokei” is among the best of the new material, with a percussive rhythm accented by dissonant guitar chords and Kazuma totally riding the track with vocals oozing sensuality. These tracks are a perfect example of merigo's penchant for repetition, as there are few diversions from the introductory chords and melodies. Hideno overlays a new motif or two to keep the songs from being mind numbingly repetitive, and it works to keep interest but otherwise keep the tracks hypnotic. “Narcisse” and “Kimi wa mitsu yori mo amaku” are shocking in that they're almost—joyful—ballads, not creepy or brooding (spare the intro to “Kimi...”) and a departure from anything they had done in the past. These were a look into merigo's possible future, a fascinating look at what could have been. I'm not sure it would have been a future we'd have wanted, but thankfully gibkiy gibkiy gibkiy came up 10 years later and swooped up the remnants of Merry Go Round's old craziness instead of letting this acoustic cheese bloom. That said, I like them in the context of the album's melange of mess. Merry Go Round - "Zokei" Then begins the older output (this album goes in reverse chronological order, basically, LOL), the more essential or classic Merry Go Round songs. “Akai ito” is the song that more or less got me hooked on art kei (I was already a Diaura stan, #sorrynotsorry), as the song was so...un-visual. It is a naked and haunting ballad, and it struck me as visual kei style vocals over a sped up Low or Codeine song. The guitar line had the dissonant feel of a darkened post-rock or midwest emo track, and I'm a huge fan of all of that so its safe so say I was shaking in my boots. To this day, it is my favourite Merry Go Round track and I literally melt the second I hear those opening chords. This haunting sound is echoed by “Zakuroiro no tsuki to kurutta koi”, which is in the same stylistic vein but a more drudgy, spacey number. Kazuma kills both with his vocals, dipping in and out of vocal acrobatics, occasionally pushing the border between fascinating and gratuitous but never overstepping his bounds. The template for these ballads is toward the closing of the album, with Merry Go Round's classic “Sakura no mankita no shita de”, which more or less birthed true emo balladry. It is covered in sessions to this day, and from merigo, it is the one track that is remembered from non-fans and fans alike as an iconic bit of Nagoya kei history. “Setsudan TV”, “Beast” and “FISH” are the flipside to the traditional melancholy rock balladry, as the band step into dub, industrial and jazz sounds. “Setsudan TV” is absolutely insane, with a thumping, urgent instrumental, not too far off from a cyberpunk anime soundtrack. Kazuma's vocals are...[redacted]. It's the peak of madness for the album and a track so bizarre it warrants a listen, just for the shock experience. “CHEMICAL CANDY SHOWCASE” is a look into merigo's traditional sound, as its a straightforward, punky rock piece. Merry Go Round - "Akai ito" From the traditional sound to the straight up old school, “xxTaishitsu” brings the vintage heat, as it is one of the older tracks. The looping/glitching vocals from “Setsudan TV” are here in a lower dosage, contributing to the intensely psychedelic vibe of the track. The track comes to a climax with a bizarrely spaced and composed solo, in a much higher pitched voicing than the rest of the track; it's orgasmic to say the least. If you're not air guitar-ing to it, then what kind of a wannabe guitar player are you? From then on comes “Dokumushi”, unfairly cut down from its originally wonderfully messy glory. In fact, the horrific and disturbing effect of the original is almost entirely lost in this 5 minute edit, as the song is made all the more creepy for how long it goes on for. The album ends with “SUICIDE DANCE”, an otherwise unremarkable song for how much it resembles other, better merigo hit songs; however, credit is due as this was the template for pretty much all of Merry Go Round. Merry Go Round - "Dokumushi" (Live) And so the snake swallows its tail, merry go round is dead. Hideno has pretty much fallen off the face of the earth, and that's a real shame. Otherwise, Kazuma's contribution in gibkiy gibkiy gibkiy keep the spirit of the old school alive, and that is testament to the strength of the Nagoya scene. There is nowhere else in vk, aside from the legends of the late 80's-early 90's that musicians have remained active for so long. Peers play with up and coming musicians along with their influences, producing new and dark sounds, equally indebted to the past as they are to the future. Here's to our darkened future, and the merry go round which will spin eternally. gibkiy gibkiy gibkiy trailer References: please note that this is mostly limited to english sources, the gaps in my knowledge could possibly be filled by japanese sources or defunct english pages. please let me know of other additions and translations if possible, do it for the oldies!!! 1.) this awesome nagoya kei intro thread (JP) 2.) western news sources: jame (s/o to the girl who upped the band bio in 2010, it was of great help) vk wikia junna memorial blogs compiled on shattered tranquility 3.) memorial site 4.) yunisan (song credits, lineup information, press numbers)

ラッコ (LACK-CO.) new one-coin single "溝鼠賛歌" (Dobunezumi Sanka) will be released at 2017/06/28 (2 types) Limited edition (1620Y) will include CD (2 songs) + DVD Regular edition (500Y) will include CD (1 song) only

Hello people! I've always thought japanese lyrics are under explored by us western fans. So I thought of a little fun way of incentivizing the community on giving their 2 cents and analysis on a weekly chosen song, like: The week song + lyric is posted; people give their analysis/thoughts on its meanings and intricacies; other people like the comments they think are more accurate, or what they think is the best interpretation; the person with the most well received analysis gets to choose the song for the next week; Of course what is described above can be changed to better fit the board or the mods, which I believe would be ideal to handle the thread creation and such (maybe the ORZ could take turns on, or smh like that) one barrier I can see is that, if the song does not have a translation available, could be hard for non speakers to be part of it... what do you guys think? any thoughts?

He is playing a character. It's so clear it is funny you are talking about it with such intensity. Nightmare has been around with this lineup for ages. Ruka has been the most prolific songwriter in the band. He went on and did sendai kamotsu with them and wrote songs for it. He joins Yomi and Hitsugi on their dumb nico nico crap sometimes. If he disliked the band so much and was annoyed by silliness that would not had been like that. He is putting on a show to seem more interesting because he's probably a fairly boring anime/visual novel/idol otaku.

Eh...I always thought that RUKA was just an incredibly quiet guy, but that he really enjoyed being around YOMI and laughing about his crazy antics. I remember watching some of 爆烈! ナイトメア episodes back in 2010 (?) and whenever he was on the show, YOMI was clearly trying to make him laugh as much as possible.

Got all my college work done and I'm so fucking relieved!

ikr? I'm kinda frustrated that there isn't really much juicy drama this season, and if there is, it only lasts a good 5 min and it ends in a forced apology right before the aggressor leaves...speaking of which, all the bitchy queens except Trinity, Alexis, and Nina have already left. Aja however, was on another level of bitchy and I'm glad they got rid of her. I'm so disappointed in her honestly.

lol same I'm beginning to get bored with this season overall too. Like, I'd still watch it, but by the time I'm halfway through Untucked I'm like uhhh ok.

This is dropping tomorrow. Really looking forward to this.

I've felt this too :/

Awesome music tastes! Especially Kannivalism and baroque, you are totally cool with me! As long as you showed up and made an intro post here it's all good~ Welcome to the forum and have fun! ^^

So I'm guessing millennial means vocalists that were active around 2005-present? Here are a few memorable ones for me that are lesser known. Saki (active 2004-2010) Bands: Clorican, ClearVeil While he's not the best screamer, and may sometimes make you wonder: does this dude even know how to scream? (but ironically makes him memorable), his clean vocals are to die for. And even more, when he reaches those higher notes. I miss him so much and want him back. Raya (active 2004-present) Bands: L'eprica, ANGRAYSE, D'efend Chroma, Sierra de Cobre If you like art-kei vocals, Raya is not to be missed. He's currently back with L'eprica members and plays with bands Emmuree, DISH, and Sioux, but still no sign of them releasing any new material. Still, I can only hope. Amonn (active 2001-present?, but probably only became well-known with the band MELLO in 2006) Bands: Diod'honneur, MELLO, Trompe l'oeil Another art-kei vocalist that shouldn't be missed. Very deep and powerful vocals with amazing delivery. I haven't heard anything from his recent band Trompe l'oeil, but I hope they didn't completely disappear and are still active and planning something new. Oh, and I voted for Ryoga. I don't know much about the other ones, but I'm growing to like Kazuki. I favor Tora over Ryuga so I didn't vote him. They're both great vocalists, but I've always thought Tora was more compelling and emotive.

If you're going to Sapporo by shinkansen then definitely buy it, haha. I think that trip alone from Kyoto would probably make it worth it. Just try your best! I find too that if you are willing to try a little Japanese, even if it's broken, the less self-conscious some Japanese girls will be about trying what limited English they have with you. It's a give and take kind of thing. I'd second what jaymee said about tickets. Also if your written Japanese is stronger, if you feel at all comfortable trying it you might be able to arrange a ticket deal with some of the girls on Twitter to pick up tickets on the day of the live. Just another option. Literally I've given presents from wine to posters to figures and just whatever tickles my fancy to give them to be honest. Like jaymee said, it really doesn't need to be expensive. I've gone as ridiculous and cheap as drawing on mikans and the band guy apparently loved it, haha. Also I never knew putting purikura on the gifts was a thing! That's pretty adorable actually!

right in the feels

AHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH!! Why the fuck are these demos only being distributed at lives? Do they not want my money!? ;_;

I lowkey wish this project will be as big as TM Revolution eventually just to spite the fanbase lmao

I'll be comparing prices these days, I'm looking to save money. I live with 11 siblings so I don't mind sharing common spaces or anything, I'm super used to that part. I plan on going to Osaka and Kyoto, and while my cousin stays in Kyoto a whole week I'll be travelling back and forth from Kyoto to Tokyo for a few lives, so I think the Rail Pass is worth it... I also plan on going to Sapporo to see VRZEL and Dispina, so it might be cheaper to buy the JRP... I can try, but my spoken japanese sucks, I can read more than I can say though lol So far D, Gotcharocka, Exist Trace, VRZEL, Morrigan, The Sound Bee HD, Jiluka, Aiolin, Kaya, maybe Diaura and Fantasista. I really enjoy bars and Japan seems to be the one country where people go to bars instead of dancing so I really want to experience that. Also, is it better to buy the tickets beforehand or on the same day it's ok? What sort of presents are ok? Is anyone from the forum going to be in Japan during June and early July?

overrated: isshi (kaggra,) that squealing hoe (x-japan) kyo (sukekiyo, dir en grey) criminally underrated: hime (ex-Melvel, now in Yumeleep)

If you're talking about what I think you are, that person is caught up in two huge essays of 8000+ words and they're very sorry and still plan to write a review as soon as they're done

Shin posted it 1.Hunter 2.D9N 3.evoIII 4.Saga 5.黙殺劇 6.Puzzle 7.Life Of Sorrow I wasn't there but my friend says they rearranged their old songs

He really tears these ANTIFA and BLM fuckers a new fucking asshole, this guy. Lovely!

you could say they're...............................sick

I didn't even know that was possible... XD yes we need to do that asap. maybe the more technically inclined individuals on the staff can figure it out for us @Zeus @nostalgia

Pour one out for the MH chat The staff really need to embed discord onto the MH site. There's a way to do it

i've been listening to this on repeat for the last few days. good stuff

What has always struck me when it comes to Merry Go Round is how disconnected they were from the "visual" scene of it's day. And I feel like it was almost a conscious choice to keep a distance stylistically to the other bands around at the time. I've met Kazuma briefly a few times and he's a seemingly very nice (and ancient-looking) guy, but his connections to the "visual kei" scene remains fringe at best, despite participating in some sessions and things with established people in the scene he's never been a part of it properly in my opinion and his influences and interests at large seems to lay elsewhere. In terms of their influence on the next generation it's the most obvious in the other "fringe" acts, bands like deadman, mucc, emmuree, munimuni, etc. owes a lot to Merry Go Round and I don't think anyone disputes that, just look at how aie rushed at the chance of forming a band with Kazuma back with highfashionparalyze like a giddy fanboy (And for anyone who has watched KEEL live can attest that he treats Tomoi the same way, haha). If you compare it to ROUAGE for example you'd find that they did their part influencing these acts somewhat as well but carried more influence into the more "typical" visual kei of the late 90s what with the chorus style and more "melodic" touches in the darkness. Anyway, great that you're shedding some light on this band again because they're easy to forget about these days and certainly easy to overlook for anyone new to the genre.

1. How familiar are you with this band? ✓ I've listened countlessly / own 99% of their stuff and every single shit kazuma has produced after MGR + a bunch of related vk magazines / believe kazuma is god ○ I've listened to a few of their songs / own their music / am familiar with some members side projects ○ I've heard of this band in passing but never bothered to give them a whirl ○ Don't know who these guys are at all basically, the biggest MGR sucker in captivity.. *sigh*

Surprisingly, no one mentioned the king of art-kei vocals yet, my boy temari: I have a knack for vocalists who can actually pull off rap sections in vk songs without sounding like shit, so I'd like to mention Maru (ex-bis) and Yoshito (ex-xTRiPx) they also doesn't sound like your usual annoying high-pitched vocalists, having a more raspy tone, which is also a plus in my book: On a more classic vk shouter note, I think Mikaru really deserves a mention. The guy is a beast, wish he'd stop wasting his talents in shit like glams: last but not least, the one I think has the most range bar none on the scene. One of the few I actually believe had vocal training before starting a career, or something like that. Megamasso's Inzargi:

I feel like Dir en grey has one more album up their sleeves... i hope anyway. I feel like this will be some weird ambient instrumental stuff with random guest vocalist.

They can't break up until they do Mode Of Missa :U

can't wait to hear what they come up with next!!!!!

they sound great in that video, love these guys

CAN'T FOR WAIT.

Nice!

I was listening to this song and instantly thought of this thread, so here you go: The first screaming verse is entirely in English. Not hard to understand, necessarily, but they don't make sense at all. "Children don't know the pain Right arm rolls to lonely Can't also angry also Be cry Just only want to be loved You mince with a laugh me Day swore [someday]"