This is exactly what I was going to say.
I wanted an "epic" track too but after understanding that this season is more "emotional" it does makes sense.
Only manga readers will understand why the OP for 3rd season of SNK is this mellow. IMHO this is well suited OP for this season.
All of you who only watch the anime, get ready, nothing will ever be the same again.
Hace muchisimo tiempo que no comento en este thread jajajaj
Soy de Chile y he ido a ver a DIR EN GREY las dos veces que vinieron, Asian Kung-Fu Generation y Maximum the Hormone.
Lo más probable es que este hilo vuelva a revivir en unos meses más así que loh vimoh (nos vemos) xD
Shit like this pisses me off. I also hear “you can’t even sing along to it”, as if being able to dance and sing along are the only things that qualify music as music.
I’ve always been puzzled by those sentiments because if you’re a band that writes, promotes, releases, and tours music — your entire purpose is to maximize how many people are buying your products and for how much. These guys don’t do it for free, they expect that you’ll give them money in return for whatever they’re selling and promoting.
To criticize ANYTHING as being a “cash grab” in popular music just seems weird to me because that’s the whole point.
Never listened to the band until now (because of everyone praising the new single) and I really like what I hear. Clean vocals are nice and the growls too, the instrumental part is quite awesome actually. Loving the first two tracks but, even though I love me some hard heavy music, I'm not digging 塵外 very much, the low pig squeal sounds weird, all I can hear is "yoyoyoyoyieyoyo"
Never listened to the band until now (because of everyone praising the new single) and I really like what I hear. Clean vocals are nice and the growls too, the instrumental part is quite awesome actually. Loving the first two tracks but, even though I love me some hard heavy music, I'm not digging 塵外 very much, the low pig squeal sounds weird, all I can hear is "yoyoyoyoyieyoyo"
So, did the band completely forget they redid undecided or they didn't add it to the expanded and remastered version of UROBOROS because the song title wasn't all in caps mode?
Throw those DECADE-compilations out and replace them with this.
Let me be clear about one thing: those compilations were trash. The covers were ugly as sin and the track selection, despite sharing many similarities to Vestige of Scratches, gave the impression that the band spent a week figuring out the details because they forgot about their anniversary. They literally scraped the bottom of the barrel to come up with enough content - the fact that "audrey", a butchered version of "Deity", "Repetition of Hatred", and "Jealous -Reverse-" are on it is telling enough - and most of them felt like copy-paste jobs trying to hide the lack of effort. Most of all, it didn't highlight DIR EN GREY at their best and did the band disservice as a 'best-of'. It seems like the band agrees with me, because Vestige of Scratches is everything those DECADE albums wish they could be.
Before the hype train leaves the station, this compilation is far from perfect. Like much of DIR EN GREY's career, Vestige of Scratches is defined by its peculiar choices. Some are baffling, while others are smart. They come together in a frustrating combination that is uniquely DIR EN GREY. Let's start with the tracks that were chosen; we have at our disposal the single version of "脈" (Myaku); "罪と規制" (Tsumi to Kisei), the censored version of the remake of "蜜と唾" (Tsumi to Batsu); the version of "腐海" (Fukai) they've been playing live for some time (interesting); a new version of "THE IIID EMPIRE"; the reinterpretations of "羅刹国" (Rasetsukoku) [ew], "OBSCURE" [no], "かすみ" (Kasumi) [sure], "THE FINAL" [ok], "残" (Zan) [eh], and "霧と繭" (Kiri to Mayu) [ugh...]; the single version of "CLEVER SLEAZOID" [good!]; the choice to end the album on a reworked version of "Beautiful Dirt" out of all 200+ songs in their discography [wtf why]; the exclusion of "GARDEN" [what a tragedy]; and then minor adjustments to most other post-VULGAR tracks featured which work for the most part. We can already see this isn't the standard cash-grab version of a best album and that a proper sitting would be very rewarding, so I can only suggest you do that and start from "-I'll-".
Controversial opinion coming in hot here, but the production job is fantastic across all three discs. Some may disagree, but I find that I need time to adjust to a new production job before I can assess if I like the changes. There have been many albums I panned for 'inferior production values' that I eventually came to prefer. Sloppy production has always been one of DIR EN GREY's weaknesses, especially for the visual-era stuff which hasn't held up over time, so some of the older tracks have a second lease on life. GAUZE has never sounded so clean, there's a 12-string in "脈" that I've never heard, and some of the tracks from DUM SPIRO SPERO are actually listenable now that the bass isn't obnoxious. I'd pay good money to have all their albums past and future worked like this.
The way the album is structured is frustrating to describe. What at first seems like a chronological trek through their eras turns into anything but by the third disc. The first disc is an ode to their entire visual history, featuring songs from pre-GAUZE to 鬼葬 (Kisou), plus a bonus in "腐海 2018". New "腐海" sounds good, and I like it's inclusion as a way to preserve it. I'd spin it a few times, but it won't replace the original version for me. Every other song on this disc was just remastered. I'm surprised at the inclusion of "太陽の蒼" (Taiyou no Ao), since I thought Kyo hated that song, but like a few other inclusions it's here because its a single. The second disc dips back into 鬼葬 with "JESSICA", nods at six Ugly with "umbrella," and then focuses mostly on VULGAR through UROBOROS. Nothing from the disastrous UROBOROS [Remastered & Expanded] makes an appearance, which is a blessing. Personally speaking, I would have dropped "CHILD PREY" for "AMBER," "朔-saku-" for "Machiavellism," and thrown in the reinterpretation of "undecided". Disc 2 ends with a new version of "THE IIID EMPIRE" which is pretty lit and one of their more successful retakes.
Disc 3 is where most of the meat lies and unfortunately most of it is displeasing to my ears. It's packed with most of their earlier reinterpretations, many hit or miss, most of which I'd have left on the table if it were solely my choice. This is where my lack of frustration with the exclusion of "undecided" comes from, as I would have rotated out "羅刹国" (Rasetsukoku), "OBSCURE", or "霧と繭" (Kiri to Mayu) for it, the PV version of "OBSCURE", and the version of "Bottom of the death valley" from THE UNRAVELING. I would have also killed for a reinterpretation of "秒｢｣深" (Byou ｢｣ Shin) from six Ugly, or a proper version of "Hydra -666-" with more gutturals and less screaming. After comes the salvageable parts of DUM SPIRO SPERO, including a version of "激しさと、この胸の中で絡み付いた灼熱の闇" (Hageshisa to, Kono Mune no Naka de Karamitsuita Shakunetsu no Yami) superior to the album version, but not quite what the original single sounded like, a condensed serving of ARCHE, "詩踏み" (Utafumi), and then ends on a very random note with "Beautiful Dirt". Not quite sure why they set it up this way.
Maybe the unfinished feeling to Vestige of Scratches is intentional, but either way DIR EN GREY have collated a collection album worth the shelf space for any serious fan. It may not be perfect, but it's a hell of a lot better than I expected it to be. At the very least, I can argue that it's a better alternative than importing GAUZE if you don't already own it. If DIR EN GREY attack 2018 the way MUCC took 2017, we may have an interesting year ahead of us.
I don't hate it anymore, I just did the first couple times, but I went back to it and it's alright. I've always liked the energy and the "oldie punk sound" of it, but at first I just couldn't stand the main riff, but it's fine now. It's not my favourite on M-OLOGIE (that one is a tie between 犬型真性MASOCHIST and 傘と雨), but still enjoyable.
Asakusa got a reaction from LIDL in X Japan new album scheduled for 30th of TBD
Asakusa reacted to nekkichi in アンティック-珈琲店- (An Cafe) will go on a hiatus
Asakusa got a reaction from niivozombie in [Spanish] Se habla español~
Asakusa got a reaction from TrentReznor in Dir en grey
Asakusa got a reaction from platy in Dir en grey
Asakusa got a reaction from Tokage in Dir en grey
Asakusa got a reaction from NightFall in DIMLIM
Asakusa got a reaction from nullmoon in Dir en grey
Asakusa got a reaction from Mamo in DIMLIM