This should become a famous pasta in the VK community, we just need variations of it and then we are set.
If Kyo tatooed this I would think its retarded but sukekyo is the most pretentious band VK has ever seem so it wouldn't be out of character but in this case it looks like the guy just had some mental breakdown about something and did the classic "I am le avant-agarde artist" to cope
This should become a famous pasta in the VK community, we just need variations of it and then we are set.
If Kyo tatooed this I would think its retarded but sukekyo is the most pretentious band VK has ever seem so it wouldn't be out of character but in this case it looks like the guy just had some mental breakdown about something and did the classic "I am le avant-agarde artist" to cope
There can only be one solution, Retsu should be cloned and now he can even play the bass and second guitar parts live! he can even phisically argue with himself while Sho inhale screams eternally in the corner
"Yeah guys we know we are here to celebrate how sick these humans got with training and to shit at each other for winning/losing all in good sport of course but do you guys remember all the horror of the bombs? oh yeah you dont because WE GOT FUCKED OVER not you lol"
Has anyone ever watched that shilled to the max doc about X japan? does Yoshiki cries for 30 minutes because Hide died on it?
tbh I really wish Hide was alive because he was more talented than everyone on X, he sings even better than Toshi and would probably have released three albums worth of good music by now while Yoshiki would be doing nothing besides still thinking "making it" in the west matters.
Has anyone ever watched that shilled to the max doc about X japan? does Yoshiki cries for 30 minutes because Hide died on it?
tbh I really wish Hide was alive because he was more talented than everyone on X, he sings even better than Toshi and would probably have released three albums worth of good music by now while Yoshiki would be doing nothing besides still thinking "making it" in the west matters.
There can only be one solution, Retsu should be cloned and now he can even play the bass and second guitar parts live! he can even phisically argue with himself while Sho inhale screams eternally in the corner
There can only be one solution, Retsu should be cloned and now he can even play the bass and second guitar parts live! he can even phisically argue with himself while Sho inhale screams eternally in the corner
Wow - it's been a long time since this happened, but I remembered mentioning I'd write up a report and life has finally slowed down enough for me to try and do just that!
This was a show I felt really lucky to be able to attend while I was there - it was the night before I was scheduled to leave Tokyo and had multiple acts I had hoped to see while I was in Japan. I'll get right to it (though this might be a bit "stream of consciousness" so bear with my antics and anecdotes)
On this afternoon my wife and I were wandering Ikebukuro before we were going to go to 高田馬場AREA for this live. She doesn't have much interest in VK and we were nearing the end of our trip, so she planned on watching a band or two and heading back to our accommodations in Shinjuku.
When we arrived, she saw the line (on an incline going down a hill) and basically said "yeah, no" so I took her back to the train station (where there was a ginormous R指定 banner hanging over the staircase) while we had time to spare. Funnily enough, I went to the restroom before returning to the venue and in that time she realized she left our wifi box in my bag, so she walked back to the venue to track me down. Somehow everyone was already inside and she assumed I had gone in, too -- but I also had her ticket (I wasn't thinking much this day...)
She then attempted to track down "blonde gaijin" in broken Japanese with the gentleman running the door who reluctantly (yet surprisingly???) let her run into the live hall and find me. At this point I am walking back to the venue and see her on the sidewalk. I am very confused so she explains the whole silly scenario and basically says "fuck it, I'm here, buy me a drink and I'll hang out for a little."
As we enter and declare our "favorites" to the doorman (DIMLIM and gulu gulu) we enter and hear music playing while we buy beers. I see video on the screen but I am a newbie and thought it was a recording. Turns out the opening band (billed as Aster) was actually finishing their set already. (the listed showtime hadn't even hit yet - I thought we were early, but oh well!)
We wandered into the live hall to see them play about half a song before stepping off stage. There were still quite a few people watching them, though, especially for an early opener I had never heard of (and can't find any info on???) I discussed this with someone before going to the live and speculated this might actually be the band GLEN, who was set to release a maxi-single called "Aster" later that month and after hearing GLEN/seeing their visuals, I am now convinced this was in fact the case. They sounded very similar from what I experienced and the visuals strike me as the same or similar to the look in their video. Anyway...
After curtains closed and reopened, we were greeted by some fairly heavy visuals -- a vocalist wearing a cloak covered in creepy white masks and a guitarist with the classic medical eye-patch. From what I knew, this appeared to be MonstlloW; I had watched a few of their videos to prepare myself as I wasn't too familiar. I was immediately taken by how...cool they looked. Very heavy visuals, just really professional from visuals to sound. Their instrumentals were extremely tight and the audience was really engaged, headbanging and dancing and shimmying from one side of the room to the other (probably my favorite thing to experience at a VK live in terms of audience interaction as I had never seen anything like it before.) I'll admit that I didn't find the videos I had watched to be too memorable so I wasn't sure what to expect, but they definitely won me over by the end. Definitely the kind of band that is worth seeing live to really appreciate. (My wife was quite taken with them, commenting on how strong the singer's vocals were and how impressed she was by their overall performance. She has some familiarity with VK from DIR EN GREY and my general interest, but she seemed much more drawn in than I anticipated.)
They played a total of 5 songs and handed out setlist cards from their merch table after they finished.
Monstllow setlist
1. 嘘泣キ少女
2. KERBEROS
3. ビッグマウス・マーチ
4. WE ARE LIAR
5. 劇薬U.S.O
After this we grabbed a few more drinks and took a seat while we waited for the next act. We were very close to the back, right in front of MonstlloW and DIMLIM's merch tables. I was surprised to see that MonslloW's guitarist and bassist had actually come out and were hanging out behind their merch table. They appeared...very tall? Probably a combination of costume, hair, and the fact that they were on a platform above us, but it felt a bit imposing! (Haha.) After their merch sales concluded for the moment, I took a second to inventory enough of my Japanese language knowledge to basically say "I really like your band" and they seemed amused and appreciative. They handed us the setlist cards and actually hung around back there for the majority of the night. (I don't know why this shook me so much, I guess VK has been at such a distance my entire life that I never really expected them to be so casually...there??)
The curtains opened again revealed the next band -- another four person act, guitarist in a white dress (iirc) and bassist with a long, spotted fur coat. It was their vocalist that clued me into who they were, though -- very slim, shirtless under an open jacket, strutting directly to the center of the stage. This was definitely Hueye. (Upon seeing them, my wife immediately exclaimed "oh, they're girls!!" I had to apologetically advise otherwise...) At this point, I had no real familiarity with their songs other than "優しく殺して," as I really hadn't listened to anything else at that point (and I don't think they had much else to listen to?) Nonetheless, I was very impressed once again. The first thing I noticed was their vocalist's harsh vocals compared to what I had heard on recordings -- they seemed much, much stronger live. Like, noticeably so, even to someone who had only heard one song. As their set continued on, I noticed exactly how proficient their guitarist was, too. I mean really, he can shred. My wife was laughing at the fact that my jaw kept dropping just watching his fingers, but she agreed with me either way. Again, I only really realized "優しく殺して," and I believe they closed with that track, but after going back and listening to more of their releases I'm pretty confident they played the other tracks from that single alongside a few others. Not sure what their other songs were, but I think they also played five like MonstlloW. (My wife commented she didn't like them as much as MonstlloW, but partially because she "had to keep looking at that man's body the whole time." 🤣)
At this point, we once again grabbed some more beers and she asked me about the other bands that were playing (since she told the doorman she supported a particular one and realized she had no clue who they were). I explained that DIMLIM was my favorite, gulu gulu was a new band with familiar members. I wasn't sure the order of the performances at this time, but I was cut off at that point as the curtains opened again.
As the electronics of "GROTESQUE" began twinkling, I stood to immediate attention and noticed the crowd filing in very quickly. I excitedly stated that this was DIMLIM and as the band appeared, I took note of their visuals compared to their most recent photos at the time. Sho was not in his "clown" look from "離人" and instead was wearing something much more similar to the suited look from their more current appearance, glasses on his face in a look that reminded me very much of DIR EN GREY's Kyo circa "ain't afraid to die." Retsu wore face makeup similar to that of the photos, but rather than the pleather bodysuit he was wearing a very long trenchcoat. Taishi and Hiroshi appeared to match their photoshoot looks, while Ryuya wore the same outfit but with his hair tied up in a messy bun. Halfway through the first song, my wife turns to me and just says "ok, yeah, these guys are fucking good."
One of the most immediate things I noticed about DIMLIM in this setting compared to the other bands that had played, is that their performance felt quite a bit...rawer than what we had seen so far. From someone who grew up going to punk/metal shows in the states in a scene that heavily frowned upon any type of backing tracks or sounds outside of "just the instruments in front of you," one of the things I found immediately standout was how many bands used obvious backtracks to fill in their sound at this live. It doesn't bother me, I can see the purpose and the value in it as it does add a certain "fullness" to these bands' sounds, but it definitely stood out. This is not to say that DIMLIM did not also use these things, as their sound does incorporate a number of electronics and multiple tracks, but I will say that it felt much less prevalent during their set.
They continued straight out of "GROTESQUE" into "Malformation," which is probably my favorite song on CHEDOARA, so I was very happy. Every member seemed confident and "dialed in," but it was very difficult to divert my attention from Sho. (My wife made a comment about Sho, stating "I believe this blonde boy was on the train with us???" - I didn't notice, but I suppose it's possible? Haha.) His vocals were rougher than they sound on recording, but not in a way that felt bad or like he was incapable, just much more emotive. He stood on a riser for the majority of the set and really gave it his all from beginning to end. I know many have stated that he inhales his screams, which is troubling from a health perspective, but I really feel like he was exhaling a lot of them during their set as some stood out as very loud and impassioned.
If I had one criticism, it would be that Ryuya's guitar felt too quiet for most of their set (something I had also noticed in live videos?) and I think they would have sounded even better if he was a bit louder, but they still played a very strong set. I did notice that the room was quite full for them in comparison to the previous bands, with a noteworthy number of males in the audience specifically for them and girls literally throwing themselves over the barriers while headbanging. (Another thing that I had never seen before -- they were straight up pulling all the way back and like...launching their bodies. That's dedication and western audiences could learn a thing or two!!)
Their set was intense and entrancing and everything I could have wanted -- I feel really lucky to have seen them with their full lineup, though I wish their set was longer! It felt shorter than MonstlloW and Hueye, though maybe because there was no MC, just song after song with no interruption.
DIMLIM setlist (to the best of my memory)
1. GROTESQUE
2. Malformation
3. ...物狂ひ...なりて
4. vanitas
5. 「人」と「形」 (it was this or D.Hymnus, but I believe it was this if I recall correctly)
At this point, we're technically four bands in (and coincidentally four drinks in, so we continued that trend -- the drinks were really light!!) I kind of tried to explain who the remaining bands were, but GRIMOIRE started shortly after DIMLIM was done so I stood back up to watch them.
I like GRIMOIRE a fair bit and have listened to most of their releases. I think their heavy songs are really well composed with cool guitar work and I was excited to see them for this reason. Oddly enough, they emerged with a very toned down visual look -- essentially a suit look for most of the members. RyNK wasn't even wearing his signature blindfold which I was kind of shocked by. The audience seemed to have quite a few very dedicated fans at the front, but I would be lying if I said I wasn't a bit worn out at this point after DIMLIM's set, which was a very different atmosphere. GRIMOIRE played a fun set that had a few of their "heavy bangers" with mostly lighter songs. That was a bit disappointing to me, but I still found them enjoyable overall, just a bit low energy compared to the other acts that evening. Unfortunately I don't remember their setlist!
Things are starting to get blurry to me at this point, but I'm pretty sure MAMIRETA played next. I had told my wife that they were a pretty wild band and that she might like them (though in truth, I was kinda surprised she stuck around this long! She seemed to be pretty into every band that played save for GRIMOIRE who she didn't really watch.) I planned to buy some DIMLIM merch, but then realized I was almost out of cash after drinks so...I just bought more drinks instead.
I will cut straight to the point before getting into detail, but MAMIRETA is hands down one of the best live bands I have ever seen. They tripled the energy of the previous acts (somehow) and played one of the most fun sets I've ever seen. I've argued this point a few times, but I really don't think MAMIRETA would be out of place in a western hardcore festival (except for the whole makeup thing, lol) Their music reminds me a lot of some of the nu-metal tinged western hardcore that has been a thing these past few years (Vein, Knocked Loose, etc.)
Their look was pretty "low-visual" or "boy mode" as my wife started calling it through the evening. Just hoodies, jeans, and big hair. (basically the same as they wore in their "もしもし" PV)
I have heard some less than savory things about Batsu, their vocalist, but all of that aside I'd be glad to call him one of the best frontmen I've seen perform. An absolutely unstoppable force of pure energy from the first notes played -- he stole the show and just went absolutely hog-wild the entire time. By the end he was breakdancing, jumping out into the crowd and running around, then he borrowed someone's purse and hairbow and pranced across the stage before their set ended. (Which looking back may have been part of the reason people have issue with him -- the audience member seemed fine with it, but I could see that going less than okay in other scenarios...)
I've listened to a fair bit of their music, but don't really know their song titles other than "お邪魔します." This song was a ton of fun live, the entire crowd chanting the "お邪魔します" line on command. I started raising my beer for this point in the song and Batsu immediately singled my out and pointed, yelling "hey!!" I'd be lying if it didn't make me feel a bit special...(but I am a fairly tall blonde dude, so I maybe stood out a bit...)
My wife and I were both very taken with their performance and if we were to go back to Japan I'm confident we'd go out of our way to catch them again. I really can't speak highly enough of their live show!!
Before the next band we tried to scope out the merch booths a bit in between bathroom breaks (and more drinks...?) I noticed that DIMLIM's merch attendant was already packing up their goods while all of the other bands were out with their items at this point. (Guitarist and bassist of MonstlloW were still behind their booth, pretty much all of Hueye were behind their booth or watching the other bands near the back exit, and MAMIRETA's guitarist was back there now, too.)
As the curtains opened, the audience was greeted by a giant "ぐるぐる" banner and the members of gulu gulu entered the stage to great fanfare from a packed crowd (maybe the biggest crowd of the night?) Their opening SE came to a close as Ai entered the stage and they blasted into "変なメリーゴーランド," which I immediately recognized from the PV teaser they had launched a few days prior. They wore their exact outfits that had been used to promote the single up to this point and this was one of their first shows as gulu gulu (they were actually billed as 烏名 鳴と不愉快な仲間達 only to be updated a few weeks prior coinciding with their announcement to begin activities as gulu gulu).
They were also extremely high energy, with Ai slinging around a megaphone and shoving the entire microphone in his mouth. Lanju swayed his hair back and forth and drew a lot of my attention as my most immediate favorite from their lineup. ("This bassist fuckin' slaps," according to my wife and I absolutely agree.) Their set felt very much like a "headlining" set in every sense of the word -- whether that was intentional or not (and I don't really think it was). They felt very professional, but still fun and goofy. The audience for them was probably the most intense of the evening -- they all seemed really devoted and it was clear they had been waiting for them most of the night. They followed Ai's commands religiously.
Musically I was glad to hear just how heavy they were, as this was the first time I had heard anything other than the sample of "変なメリーゴーランド." Their overall guitar/bass tone was really thick and despite the "fun" nature of their set, they still had a dark atmosphere that made them really stand out. They played "嗅覚障害" fourth for maybe...twice as long as the actual song? They held out a number of the sections, particularly the "la la la la la" parts what felt like an extra long time, Ai prancing back and forth on the stage as the band played the bouncy riff on repeat.
Overall, their set cemented them as "the band to watch" and it's clear that they've maintained that reputation for very good reason. Of all the bands I saw this night (and in VK right now as a whole) they are probably the band I'm most interested in watching grow.
After their set they were giving out "red paper" (which I believe later turned out to be a link to their first PV) to those who followed them on Twitter, but my wifi box was dead and I didn't even realize what was happening until it was too late. They posted the setlist that evening and now I recognize all of the songs except for the second, which I believe is still unreleased?
The last band on for the evening was The Guzmania. I'll admit that I was pretty exhausted at this point and had pretty much no vested interest in them (plus my dead wifi box was beginning to make me a bit nervous so I started to shuffle around the venue to see if I couldn't find an outlet to charge it for a few minutes...). My wife was pretty insistent on staying, to my surprise, and said she'd feel bad leaving these "nice boys who were trying hard" to play to such a small crowd. I agreed and we watched the rest of their set from the side of the hall. They had very few fans in the audience so it did make me feel a bit bad, but they are a very new band (I believe had just played their first live a few weeks prior). Their sound wasn't terribly memorable in my opinion, kind of jumped back and forth from pop-rock tunes to a few slightly heavier numbers. Their bassist did almost all of the MC and the rest of the band felt a bit shy. They took a bit of a long MC pause after two or three songs and almost made it seem like they were done for the night before they played three or four more, which surprised me as it made their set pretty long in comparison to some of the other bands. (Or maybe it just felt that way because it was the end of a long live?)
After this we hit the road, hailed a cab back to Shinjuku to save some energy, ate some late night KFC, and passed out for the evening.
Sorry for the super long post!! Like I said, it was kind of stream of consciousness and probably included a bunch of unnecessary details, but it was fun to "relive" the event in my head. I'm hoping I can swing more than two lives next time I make my way to Japan!
I think there are still people who don't know about what's going on in Hong Kong. What's going on is not just happening in Hong Kong, but all over the world. Hong Kong is facing China's suppress on stripping off of our freedom and democracy, from little by little to finally revealing its fangs. This is happening to all the places where China's money is involved. The most noticable are China's control on the limitation of creation like Hollywood movies, games, literature, etc.. If we don't fight for it now, we don't want to imagine how it's like to have China fully controlling our city. China's leader, Xi Jinping, is already throwing out bibles from China's churches and replacing them with the book he wrote himself.
Please take a look at this newspage to see what's happening in Hong Kong:
https://edition.cnn.com/specials/asia/hong-kong-protests-intl-hnk
Please stand with Hong Kong. Even only your words matter and we are more than grateful for them.
If it was not alcohol it would be another drug. When you get to that point of hurting yourself by drinking it is quite obvious you are running from something you don't want to face. Like all other drugs, it will only go away if you solve or at least try to solve whatever deep problem you have that makes being sober so horrible.
Most times people are just not aware of what the problem actually is though, making it almost impossible to do something about it.
If it was not alcohol it would be another drug. When you get to that point of hurting yourself by drinking it is quite obvious you are running from something you don't want to face. Like all other drugs, it will only go away if you solve or at least try to solve whatever deep problem you have that makes being sober so horrible.
Most times people are just not aware of what the problem actually is though, making it almost impossible to do something about it.
If it was not alcohol it would be another drug. When you get to that point of hurting yourself by drinking it is quite obvious you are running from something you don't want to face. Like all other drugs, it will only go away if you solve or at least try to solve whatever deep problem you have that makes being sober so horrible.
Most times people are just not aware of what the problem actually is though, making it almost impossible to do something about it.
I really don't understand the amount of hate TIW receives since IMHO its tied with Vulgar as my favorite, Vulgar is better lyrics-wise though and that is also the part about TIW that generally feels lackluster. Also RED...[em] solo is so sick, I wish Die had more parts like that in other songs, that song live in the Mode of Vulgar was definitely the highlight to me. I WISH they didnt remake obscure because I hate the new one with a passion, was Kyo getting fucked over by some parts of it?
I really dislike Arche though, as an album it feels so disconnected that I only ever listened to it fully the first time and after that only listened to the songs that I actually enjoyed. Coming from DSS, the album that got me into them, to this was such a drop that I am glad I actually enjoyed TIW otherwise I would have probably dropped them by now.
This kinda explains the rumor/talk that I always heard about them that they don´t see themselves as friends and more like business partners, although pinpointing sales failure in someone is almost always a bad idea especially when I believe they seem to have similar creative power with Kaoru being slightly above.
Love them or hate them, almost everyone's got an opinion about Dir en grey. The scene stops to listen whenever Dir en grey announce a new single or album. As a long time fan of the band, I think it's the perfect time to express how I feel about all of their albums. My feelings will differ from album to album. Some albums have had the benefit of twenty years and others only a few months, so that's always going to be a factor in how I rank things. I will cover this from my least favorite album to my most favorite album, but by no means take this as a definitive list for Dir en grey. Everyone will have their own rankings and their own suggestions for where to start. I happen to think that this also a great order to introduce someone to this band.
This is a perfect topic for those that don't listen to Dir en grey or don't know where to start, current fans looking for spicy opinions and a pot to stir, or even old fans looking for a reintroduction into their new era. Not only have I included a PV for each album as a sampler, but I also put together suggested playlists for each album. The playlists are the order that I would have arranged the band if I were them. The songs are the songs that I believe are the best from each period. Some will require more effort than others to construct. To make it simpler, I have included my favorite three tracks and one music video from each album.
I will not consider the mini albums MISSA and six Ugly in this analysis, but some of those tracks will appear in the playlists I create.
DUM SPIRO SPERO
Album No: 8
Released: August 2, 2011
Length: 67:31
鬼葬 (kisou)
Album No: 3
Released: January 30, 2002
Length: 69:57
THE MARROW OF A BONE
Album No: 6
Released: February 7, 2007
Length: 50:05
ARCHE
Album No: 9
Released: December 10, 2014
Length: 68:01
🎖️The Insulated World🎖️
Album No: 10
Released: September 26, 2018
Length: 50:27
🏅Withering to death.🏅
Album No: 5
Released: March 9, 2005
Length: 51:14
🥉MACABRE🥉
Album No: 2
Released: September 20, 2000
Length: 72:57
🥈GAUZE🥈
Album No: 1
Released: July 28, 1999
Length: 64:47
🥇UROBOROS🥇
Album No: 7
Released: November 11, 2008
Length: 58:54
👑VULGAR👑
Album No: 4
Released: September 10, 2003
Length: 57:02
That's everything folks! Thanks for reading all the way to the end! Did you like it? Did you agree? Do you have your own rankings? Leave them below! I'm interested to know what everyone's opinions are, especially since Dir en grey is one of my favorite bands ever. So many people are passionate about this band like no other. If enough people liked this, I may follow up soon with one for the GazettE.
As for DSS to ARCHE, I did somewhat of a case study for it.
The band (or maybe just Kaoru) did want to make a more badass version of Uroboros because of how well received Uroboros was. They were really confident and very open when it came to promo for DSS. Remember how Shinya did a QnA on FB? And how they had giveaways every other day like a month or so before DSS dropped and the twitter account was hella active? Once the album dropped and they seen how many units it sold, it definitely hurt their ego and overall morale.
To paint a picture here's what i was able 2 pull from Wiki:
Uroboros JP sales: 43,316
US Sales/Shipments: 6054
VS.
DSS JP Sales: 37,586
US Sales/Shipments: 3,900
(if im wrong here or these numbers are inaccurate, please let me know)
The bands attitude shifted after that and I remember there was a lot of talk about them hating each other and possibly disbanding, due to the interviews that dropped post the release of the album. It also didn't help that the performances were and arguably still are pretty bad due to how they recorded DSS. Clearly the band didn't learn their lesson because they proceeded to take the same approach when it came to the Unraveling, which imo aged badly minus a few songs.
The band did go back to basics when it came to ARCHE and that same energy they went into DSS with was non-existent. Yes, they did learn how to work together again but they played it safe sound wise. It has hints of their oldie stuff mixed with DSS, thus making it one of their most lukewarm albums to date and imo it doesn't hold up well years later.
The Insulated World, is a step in the right direction. It has elements from ARCHE and DSS that blend well with each other and has enough freshness thrown in that separates its self from them.
Its also has some of the bands worst written songs to date...Zetsuentai and Devote My Life belong in a dumpster fire.
As much as I love the album, its no where near as creative as DSS or Uroboros. DSS is where the band peaked and now they're in the same boat as Lynch. and the GazettE. They've found their medium and they're gonna stay there, while occasionally doing something that really stands out. The World of Mercy should be a clear indicator of that. And THAT IS FINE.
Promotion wise, I don't think they care much for it at this point. ARCHE had like 2 singles but they were REALLY spaced out. The insulated world had like 2 other really spaced out singles as well. Though, a lot of that could be because of DECAYS and Sukekiyo. They also stopped dropping physical releases for the US as well and I think that's out of spite for the low sales DSS did over here.
キズ announced and played their new single 黒い雨 (Black Rain) at today’s live at TSUTAYA O-EAST.
Looks are white tuxedos, and song sounds like an anime ending, featuring Lime on acoustic guitar and Lalala’s.
As as an extent to today’s simultaneous live, I attended O-WEST where they displayed a video about today’s concept. Then acoustic live of Lime (Solo). 4 or 5 songs. We were then invited to exchange our ticket for a surprise O-East full live, two hours later. Everyone was stunned lmao.
Romlaw got a reaction from Komorebi in 8P-SB 3rd album "richardland" release
Romlaw got a reaction from gret in 8P-SB 3rd album "richardland" release
Romlaw reacted to nekkichi in L'Arc～en～Ciel announces new YouTube channel & another BIG announcement
Romlaw got a reaction from Kabukichoatmidnight in DIMLIM
Romlaw got a reaction from EzraEroguro in DIR EN GREY announce TOUR20 疎外 (Sogai) and Two-Days "The Insulated World -The Screams of Alienation-"
Romlaw got a reaction from carddass in Yoshiki documentary from YouTube, March 2020
Romlaw got a reaction from lichtlune in Yoshiki documentary from YouTube, March 2020
Romlaw got a reaction from suji in random thoughts thread
Romlaw got a reaction from chocobuzz in random thoughts thread
Romlaw got a reaction from CAT5 in random thoughts thread
Romlaw got a reaction from psychonnect_rozen in Worst To First: Dir en grey