The Moon

Doesn't he have health problems? It might not just be plastic surgery. : ( 

dir stans.......it's out x

I love this album more than anything they have released up to this point. It's fantastic. May be the best thing Karma has ever released including AvelCain. It's almost like if Kuroyume released a pre-Cruel album in 2020 without it sounding ancient. Great songs, musicianship, and singing. It definitely stands on its own while recognizing it's influences in a way that's doesn't make it feel like a rip-off/parody. And I wasn't bothered by its length. I didn't even think it was short until I read the replies above this post. It feels like a punk album that doesn't overstay its welcome. Great release!

i'm going to come into your house at night and take all of your teeth x 
 
 
same

i'm going to come into your house at night and take all of your teeth x 
 
 
same

i'm going to come into your house at night and take all of your teeth x 
 
 
same

Moran looks amazing

am i in the masterclass rock music thread? it surely seems so fellas

i was vibing to their remake album a few days ago...but huns this will never be released x

we love to see it!

Moran is a very special band to me - in my opinion, they developed their particular brand of VK into something that felt genuinely elevated. There's plenty of cheese, but they were very particular in how they applied VK cliches into their own brand. Like Dolly and amber gris, every Moran song has an incredibly unique atmosphere. Hitomi is a fantastic poet, but his lyrics can be difficult:  I really think that while Moran had plenty of hard-hitting tracks that could resonate with anyone, their main strength was in subtlety, and lyrics play a big part of that. The problem was that the majority of the overseas Fatima/Moran fandom was already Japanese literate or close to it, so while I did my best to promote the band, I knew that unless you spoke Japanese, a huge part of their appeal was going to be lost. Moran songs are very lyrical, with many changing keys or reaching climaxes in tune with the lyrics, and while I know that many bands do that also, in Moran's case, it was done in a much more "quieter" way, if that makes sense.
 
I also think that songs that are heavy on the atmosphere, without loud breakdowns or super-poppy choruses are not going to resonate with the majority of overseas fans, which is a shame, because mid-tempo tracks with emotive instrumentals are where Moran truly shines. Bulbs and Wing or Tail are good examples of this, not to mention their dark EP, which is one of my favorite VK albums of all time. I think dark is an absolute classic, an equal to albums like Merveilles by Malice Mizer and GAUZE  by Dir en grey. The whole EP reads like an exploration of sorrow: there are songs that deal with loneliness, of being abandoned, of losing a loved one, of longing for an impossible ideal. Even though there's plenty of drama, the whole album feels raw, and human. 

I read an interview once, where the band explained that their name came from a particular character in the Moomin comic series, named Mårran. From Wikipedia:
 
 
This is Moran's essence. No matter the song, there's always an element of lacking connection, of wanting something but being unable to achieve it - a longing. To listen to Moran is to is yearn for something that is unattainable.
 

we love to see it!

we love to see it!

Moran is a very special band to me - in my opinion, they developed their particular brand of VK into something that felt genuinely elevated. There's plenty of cheese, but they were very particular in how they applied VK cliches into their own brand. Like Dolly and amber gris, every Moran song has an incredibly unique atmosphere. Hitomi is a fantastic poet, but his lyrics can be difficult:  I really think that while Moran had plenty of hard-hitting tracks that could resonate with anyone, their main strength was in subtlety, and lyrics play a big part of that. The problem was that the majority of the overseas Fatima/Moran fandom was already Japanese literate or close to it, so while I did my best to promote the band, I knew that unless you spoke Japanese, a huge part of their appeal was going to be lost. Moran songs are very lyrical, with many changing keys or reaching climaxes in tune with the lyrics, and while I know that many bands do that also, in Moran's case, it was done in a much more "quieter" way, if that makes sense.
 
I also think that songs that are heavy on the atmosphere, without loud breakdowns or super-poppy choruses are not going to resonate with the majority of overseas fans, which is a shame, because mid-tempo tracks with emotive instrumentals are where Moran truly shines. Bulbs and Wing or Tail are good examples of this, not to mention their dark EP, which is one of my favorite VK albums of all time. I think dark is an absolute classic, an equal to albums like Merveilles by Malice Mizer and GAUZE  by Dir en grey. The whole EP reads like an exploration of sorrow: there are songs that deal with loneliness, of being abandoned, of losing a loved one, of longing for an impossible ideal. Even though there's plenty of drama, the whole album feels raw, and human. 

I read an interview once, where the band explained that their name came from a particular character in the Moomin comic series, named Mårran. From Wikipedia:
 
 
This is Moran's essence. No matter the song, there's always an element of lacking connection, of wanting something but being unable to achieve it - a longing. To listen to Moran is to is yearn for something that is unattainable.
 

we love to see it!

where were you when visual kei was saved? i was at home drinking brian fluid

Moran is a very special band to me - in my opinion, they developed their particular brand of VK into something that felt genuinely elevated. There's plenty of cheese, but they were very particular in how they applied VK cliches into their own brand. Like Dolly and amber gris, every Moran song has an incredibly unique atmosphere. Hitomi is a fantastic poet, but his lyrics can be difficult:  I really think that while Moran had plenty of hard-hitting tracks that could resonate with anyone, their main strength was in subtlety, and lyrics play a big part of that. The problem was that the majority of the overseas Fatima/Moran fandom was already Japanese literate or close to it, so while I did my best to promote the band, I knew that unless you spoke Japanese, a huge part of their appeal was going to be lost. Moran songs are very lyrical, with many changing keys or reaching climaxes in tune with the lyrics, and while I know that many bands do that also, in Moran's case, it was done in a much more "quieter" way, if that makes sense.
 
I also think that songs that are heavy on the atmosphere, without loud breakdowns or super-poppy choruses are not going to resonate with the majority of overseas fans, which is a shame, because mid-tempo tracks with emotive instrumentals are where Moran truly shines. Bulbs and Wing or Tail are good examples of this, not to mention their dark EP, which is one of my favorite VK albums of all time. I think dark is an absolute classic, an equal to albums like Merveilles by Malice Mizer and GAUZE  by Dir en grey. The whole EP reads like an exploration of sorrow: there are songs that deal with loneliness, of being abandoned, of losing a loved one, of longing for an impossible ideal. Even though there's plenty of drama, the whole album feels raw, and human. 

I read an interview once, where the band explained that their name came from a particular character in the Moomin comic series, named Mårran. From Wikipedia:
 
 
This is Moran's essence. No matter the song, there's always an element of lacking connection, of wanting something but being unable to achieve it - a longing. To listen to Moran is to is yearn for something that is unattainable.
 

Moran is a very special band to me - in my opinion, they developed their particular brand of VK into something that felt genuinely elevated. There's plenty of cheese, but they were very particular in how they applied VK cliches into their own brand. Like Dolly and amber gris, every Moran song has an incredibly unique atmosphere. Hitomi is a fantastic poet, but his lyrics can be difficult:  I really think that while Moran had plenty of hard-hitting tracks that could resonate with anyone, their main strength was in subtlety, and lyrics play a big part of that. The problem was that the majority of the overseas Fatima/Moran fandom was already Japanese literate or close to it, so while I did my best to promote the band, I knew that unless you spoke Japanese, a huge part of their appeal was going to be lost. Moran songs are very lyrical, with many changing keys or reaching climaxes in tune with the lyrics, and while I know that many bands do that also, in Moran's case, it was done in a much more "quieter" way, if that makes sense.
 
I also think that songs that are heavy on the atmosphere, without loud breakdowns or super-poppy choruses are not going to resonate with the majority of overseas fans, which is a shame, because mid-tempo tracks with emotive instrumentals are where Moran truly shines. Bulbs and Wing or Tail are good examples of this, not to mention their dark EP, which is one of my favorite VK albums of all time. I think dark is an absolute classic, an equal to albums like Merveilles by Malice Mizer and GAUZE  by Dir en grey. The whole EP reads like an exploration of sorrow: there are songs that deal with loneliness, of being abandoned, of losing a loved one, of longing for an impossible ideal. Even though there's plenty of drama, the whole album feels raw, and human. 

I read an interview once, where the band explained that their name came from a particular character in the Moomin comic series, named Mårran. From Wikipedia:
 
 
This is Moran's essence. No matter the song, there's always an element of lacking connection, of wanting something but being unable to achieve it - a longing. To listen to Moran is to is yearn for something that is unattainable.
 

Moran is a very special band to me - in my opinion, they developed their particular brand of VK into something that felt genuinely elevated. There's plenty of cheese, but they were very particular in how they applied VK cliches into their own brand. Like Dolly and amber gris, every Moran song has an incredibly unique atmosphere. Hitomi is a fantastic poet, but his lyrics can be difficult:  I really think that while Moran had plenty of hard-hitting tracks that could resonate with anyone, their main strength was in subtlety, and lyrics play a big part of that. The problem was that the majority of the overseas Fatima/Moran fandom was already Japanese literate or close to it, so while I did my best to promote the band, I knew that unless you spoke Japanese, a huge part of their appeal was going to be lost. Moran songs are very lyrical, with many changing keys or reaching climaxes in tune with the lyrics, and while I know that many bands do that also, in Moran's case, it was done in a much more "quieter" way, if that makes sense.
 
I also think that songs that are heavy on the atmosphere, without loud breakdowns or super-poppy choruses are not going to resonate with the majority of overseas fans, which is a shame, because mid-tempo tracks with emotive instrumentals are where Moran truly shines. Bulbs and Wing or Tail are good examples of this, not to mention their dark EP, which is one of my favorite VK albums of all time. I think dark is an absolute classic, an equal to albums like Merveilles by Malice Mizer and GAUZE  by Dir en grey. The whole EP reads like an exploration of sorrow: there are songs that deal with loneliness, of being abandoned, of losing a loved one, of longing for an impossible ideal. Even though there's plenty of drama, the whole album feels raw, and human. 

I read an interview once, where the band explained that their name came from a particular character in the Moomin comic series, named Mårran. From Wikipedia:
 
 
This is Moran's essence. No matter the song, there's always an element of lacking connection, of wanting something but being unable to achieve it - a longing. To listen to Moran is to is yearn for something that is unattainable.
 

Moran is a very special band to me - in my opinion, they developed their particular brand of VK into something that felt genuinely elevated. There's plenty of cheese, but they were very particular in how they applied VK cliches into their own brand. Like Dolly and amber gris, every Moran song has an incredibly unique atmosphere. Hitomi is a fantastic poet, but his lyrics can be difficult:  I really think that while Moran had plenty of hard-hitting tracks that could resonate with anyone, their main strength was in subtlety, and lyrics play a big part of that. The problem was that the majority of the overseas Fatima/Moran fandom was already Japanese literate or close to it, so while I did my best to promote the band, I knew that unless you spoke Japanese, a huge part of their appeal was going to be lost. Moran songs are very lyrical, with many changing keys or reaching climaxes in tune with the lyrics, and while I know that many bands do that also, in Moran's case, it was done in a much more "quieter" way, if that makes sense.
 
I also think that songs that are heavy on the atmosphere, without loud breakdowns or super-poppy choruses are not going to resonate with the majority of overseas fans, which is a shame, because mid-tempo tracks with emotive instrumentals are where Moran truly shines. Bulbs and Wing or Tail are good examples of this, not to mention their dark EP, which is one of my favorite VK albums of all time. I think dark is an absolute classic, an equal to albums like Merveilles by Malice Mizer and GAUZE  by Dir en grey. The whole EP reads like an exploration of sorrow: there are songs that deal with loneliness, of being abandoned, of losing a loved one, of longing for an impossible ideal. Even though there's plenty of drama, the whole album feels raw, and human. 

I read an interview once, where the band explained that their name came from a particular character in the Moomin comic series, named Mårran. From Wikipedia:
 
 
This is Moran's essence. No matter the song, there's always an element of lacking connection, of wanting something but being unable to achieve it - a longing. To listen to Moran is to is yearn for something that is unattainable.
 

Moran is a very special band to me - in my opinion, they developed their particular brand of VK into something that felt genuinely elevated. There's plenty of cheese, but they were very particular in how they applied VK cliches into their own brand. Like Dolly and amber gris, every Moran song has an incredibly unique atmosphere. Hitomi is a fantastic poet, but his lyrics can be difficult:  I really think that while Moran had plenty of hard-hitting tracks that could resonate with anyone, their main strength was in subtlety, and lyrics play a big part of that. The problem was that the majority of the overseas Fatima/Moran fandom was already Japanese literate or close to it, so while I did my best to promote the band, I knew that unless you spoke Japanese, a huge part of their appeal was going to be lost. Moran songs are very lyrical, with many changing keys or reaching climaxes in tune with the lyrics, and while I know that many bands do that also, in Moran's case, it was done in a much more "quieter" way, if that makes sense.
 
I also think that songs that are heavy on the atmosphere, without loud breakdowns or super-poppy choruses are not going to resonate with the majority of overseas fans, which is a shame, because mid-tempo tracks with emotive instrumentals are where Moran truly shines. Bulbs and Wing or Tail are good examples of this, not to mention their dark EP, which is one of my favorite VK albums of all time. I think dark is an absolute classic, an equal to albums like Merveilles by Malice Mizer and GAUZE  by Dir en grey. The whole EP reads like an exploration of sorrow: there are songs that deal with loneliness, of being abandoned, of losing a loved one, of longing for an impossible ideal. Even though there's plenty of drama, the whole album feels raw, and human. 

I read an interview once, where the band explained that their name came from a particular character in the Moomin comic series, named Mårran. From Wikipedia:
 
 
This is Moran's essence. No matter the song, there's always an element of lacking connection, of wanting something but being unable to achieve it - a longing. To listen to Moran is to is yearn for something that is unattainable.
 

Moran is a very special band to me - in my opinion, they developed their particular brand of VK into something that felt genuinely elevated. There's plenty of cheese, but they were very particular in how they applied VK cliches into their own brand. Like Dolly and amber gris, every Moran song has an incredibly unique atmosphere. Hitomi is a fantastic poet, but his lyrics can be difficult:  I really think that while Moran had plenty of hard-hitting tracks that could resonate with anyone, their main strength was in subtlety, and lyrics play a big part of that. The problem was that the majority of the overseas Fatima/Moran fandom was already Japanese literate or close to it, so while I did my best to promote the band, I knew that unless you spoke Japanese, a huge part of their appeal was going to be lost. Moran songs are very lyrical, with many changing keys or reaching climaxes in tune with the lyrics, and while I know that many bands do that also, in Moran's case, it was done in a much more "quieter" way, if that makes sense.
 
I also think that songs that are heavy on the atmosphere, without loud breakdowns or super-poppy choruses are not going to resonate with the majority of overseas fans, which is a shame, because mid-tempo tracks with emotive instrumentals are where Moran truly shines. Bulbs and Wing or Tail are good examples of this, not to mention their dark EP, which is one of my favorite VK albums of all time. I think dark is an absolute classic, an equal to albums like Merveilles by Malice Mizer and GAUZE  by Dir en grey. The whole EP reads like an exploration of sorrow: there are songs that deal with loneliness, of being abandoned, of losing a loved one, of longing for an impossible ideal. Even though there's plenty of drama, the whole album feels raw, and human. 

I read an interview once, where the band explained that their name came from a particular character in the Moomin comic series, named Mårran. From Wikipedia:
 
 
This is Moran's essence. No matter the song, there's always an element of lacking connection, of wanting something but being unable to achieve it - a longing. To listen to Moran is to is yearn for something that is unattainable.
 

Moran is a very special band to me - in my opinion, they developed their particular brand of VK into something that felt genuinely elevated. There's plenty of cheese, but they were very particular in how they applied VK cliches into their own brand. Like Dolly and amber gris, every Moran song has an incredibly unique atmosphere. Hitomi is a fantastic poet, but his lyrics can be difficult:  I really think that while Moran had plenty of hard-hitting tracks that could resonate with anyone, their main strength was in subtlety, and lyrics play a big part of that. The problem was that the majority of the overseas Fatima/Moran fandom was already Japanese literate or close to it, so while I did my best to promote the band, I knew that unless you spoke Japanese, a huge part of their appeal was going to be lost. Moran songs are very lyrical, with many changing keys or reaching climaxes in tune with the lyrics, and while I know that many bands do that also, in Moran's case, it was done in a much more "quieter" way, if that makes sense.
 
I also think that songs that are heavy on the atmosphere, without loud breakdowns or super-poppy choruses are not going to resonate with the majority of overseas fans, which is a shame, because mid-tempo tracks with emotive instrumentals are where Moran truly shines. Bulbs and Wing or Tail are good examples of this, not to mention their dark EP, which is one of my favorite VK albums of all time. I think dark is an absolute classic, an equal to albums like Merveilles by Malice Mizer and GAUZE  by Dir en grey. The whole EP reads like an exploration of sorrow: there are songs that deal with loneliness, of being abandoned, of losing a loved one, of longing for an impossible ideal. Even though there's plenty of drama, the whole album feels raw, and human. 

I read an interview once, where the band explained that their name came from a particular character in the Moomin comic series, named Mårran. From Wikipedia:
 
 
This is Moran's essence. No matter the song, there's always an element of lacking connection, of wanting something but being unable to achieve it - a longing. To listen to Moran is to is yearn for something that is unattainable.
 

Moran is a very special band to me - in my opinion, they developed their particular brand of VK into something that felt genuinely elevated. There's plenty of cheese, but they were very particular in how they applied VK cliches into their own brand. Like Dolly and amber gris, every Moran song has an incredibly unique atmosphere. Hitomi is a fantastic poet, but his lyrics can be difficult:  I really think that while Moran had plenty of hard-hitting tracks that could resonate with anyone, their main strength was in subtlety, and lyrics play a big part of that. The problem was that the majority of the overseas Fatima/Moran fandom was already Japanese literate or close to it, so while I did my best to promote the band, I knew that unless you spoke Japanese, a huge part of their appeal was going to be lost. Moran songs are very lyrical, with many changing keys or reaching climaxes in tune with the lyrics, and while I know that many bands do that also, in Moran's case, it was done in a much more "quieter" way, if that makes sense.
 
I also think that songs that are heavy on the atmosphere, without loud breakdowns or super-poppy choruses are not going to resonate with the majority of overseas fans, which is a shame, because mid-tempo tracks with emotive instrumentals are where Moran truly shines. Bulbs and Wing or Tail are good examples of this, not to mention their dark EP, which is one of my favorite VK albums of all time. I think dark is an absolute classic, an equal to albums like Merveilles by Malice Mizer and GAUZE  by Dir en grey. The whole EP reads like an exploration of sorrow: there are songs that deal with loneliness, of being abandoned, of losing a loved one, of longing for an impossible ideal. Even though there's plenty of drama, the whole album feels raw, and human. 

I read an interview once, where the band explained that their name came from a particular character in the Moomin comic series, named Mårran. From Wikipedia:
 
 
This is Moran's essence. No matter the song, there's always an element of lacking connection, of wanting something but being unable to achieve it - a longing. To listen to Moran is to is yearn for something that is unattainable.