blackdoll

HAPPY FUCKING 10 YEARS to the true fans. Who never switched up, and know Yuuki NEVER STOPPED killing it and didnt just start on Last fight and light my fire. Who appreciate versatility and the ability to make mainstream unique. Who appreciate a band who ignore their critiques and shit and piss on them. Who touch their open listeners and bring them to another realm and take care of them.

As celebration here is Yuuki's Net range 
LOW:
High: 
 
Here is him and L wiping their ass with R-指定
 
Here is his Unclean range 
 
Here is 2 of his rare voices
 
Here is some examples him switching up the flow multiple times in a single song while staying on beat and shitting on all the rappers (something bands lack too BTW) 
 
here is him covering Linkin Park's battle symphony (shitting again)
 
 
Here is him at his best (in order, last being great)
 and here is proof that he does not need autotune or whatever and it's his real voice on cd 
 
Yuuki is the King of music, a Hyperversal vocalist with omniversal capability. He is the Phoenix Force and only continues to grow stronger overtime, absorbing life and singing with it. 
 
Since Nicki is MIA, This recent Eminem verse clap back to the general public should do the trick. it fits perfectly to what haters are saying
 
 

same

HAPPY FUCKING 10 YEARS to the true fans. Who never switched up, and know Yuuki NEVER STOPPED killing it and didnt just start on Last fight and light my fire. Who appreciate versatility and the ability to make mainstream unique. Who appreciate a band who ignore their critiques and shit and piss on them. Who touch their open listeners and bring them to another realm and take care of them.

As celebration here is Yuuki's Net range 
LOW:
High: 
 
Here is him and L wiping their ass with R-指定
 
Here is his Unclean range 
 
Here is 2 of his rare voices
 
Here is some examples him switching up the flow multiple times in a single song while staying on beat and shitting on all the rappers (something bands lack too BTW) 
 
here is him covering Linkin Park's battle symphony (shitting again)
 
 
Here is him at his best (in order, last being great)
 and here is proof that he does not need autotune or whatever and it's his real voice on cd 
 
Yuuki is the King of music, a Hyperversal vocalist with omniversal capability. He is the Phoenix Force and only continues to grow stronger overtime, absorbing life and singing with it. 
 
Since Nicki is MIA, This recent Eminem verse clap back to the general public should do the trick. it fits perfectly to what haters are saying
 
 

HAPPY FUCKING 10 YEARS to the true fans. Who never switched up, and know Yuuki NEVER STOPPED killing it and didnt just start on Last fight and light my fire. Who appreciate versatility and the ability to make mainstream unique. Who appreciate a band who ignore their critiques and shit and piss on them. Who touch their open listeners and bring them to another realm and take care of them.

As celebration here is Yuuki's Net range 
LOW:
High: 
 
Here is him and L wiping their ass with R-指定
 
Here is his Unclean range 
 
Here is 2 of his rare voices
 
Here is some examples him switching up the flow multiple times in a single song while staying on beat and shitting on all the rappers (something bands lack too BTW) 
 
here is him covering Linkin Park's battle symphony (shitting again)
 
 
Here is him at his best (in order, last being great)
 and here is proof that he does not need autotune or whatever and it's his real voice on cd 
 
Yuuki is the King of music, a Hyperversal vocalist with omniversal capability. He is the Phoenix Force and only continues to grow stronger overtime, absorbing life and singing with it. 
 
Since Nicki is MIA, This recent Eminem verse clap back to the general public should do the trick. it fits perfectly to what haters are saying
 
 

HAPPY FUCKING 10 YEARS to the true fans. Who never switched up, and know Yuuki NEVER STOPPED killing it and didnt just start on Last fight and light my fire. Who appreciate versatility and the ability to make mainstream unique. Who appreciate a band who ignore their critiques and shit and piss on them. Who touch their open listeners and bring them to another realm and take care of them.

As celebration here is Yuuki's Net range 
LOW:
High: 
 
Here is him and L wiping their ass with R-指定
 
Here is his Unclean range 
 
Here is 2 of his rare voices
 
Here is some examples him switching up the flow multiple times in a single song while staying on beat and shitting on all the rappers (something bands lack too BTW) 
 
here is him covering Linkin Park's battle symphony (shitting again)
 
 
Here is him at his best (in order, last being great)
 and here is proof that he does not need autotune or whatever and it's his real voice on cd 
 
Yuuki is the King of music, a Hyperversal vocalist with omniversal capability. He is the Phoenix Force and only continues to grow stronger overtime, absorbing life and singing with it. 
 
Since Nicki is MIA, This recent Eminem verse clap back to the general public should do the trick. it fits perfectly to what haters are saying
 
 

HAPPY FUCKING 10 YEARS to the true fans. Who never switched up, and know Yuuki NEVER STOPPED killing it and didnt just start on Last fight and light my fire. Who appreciate versatility and the ability to make mainstream unique. Who appreciate a band who ignore their critiques and shit and piss on them. Who touch their open listeners and bring them to another realm and take care of them.

As celebration here is Yuuki's Net range 
LOW:
High: 
 
Here is him and L wiping their ass with R-指定
 
Here is his Unclean range 
 
Here is 2 of his rare voices
 
Here is some examples him switching up the flow multiple times in a single song while staying on beat and shitting on all the rappers (something bands lack too BTW) 
 
here is him covering Linkin Park's battle symphony (shitting again)
 
 
Here is him at his best (in order, last being great)
 and here is proof that he does not need autotune or whatever and it's his real voice on cd 
 
Yuuki is the King of music, a Hyperversal vocalist with omniversal capability. He is the Phoenix Force and only continues to grow stronger overtime, absorbing life and singing with it. 
 
Since Nicki is MIA, This recent Eminem verse clap back to the general public should do the trick. it fits perfectly to what haters are saying
 
 

HAPPY FUCKING 10 YEARS to the true fans. Who never switched up, and know Yuuki NEVER STOPPED killing it and didnt just start on Last fight and light my fire. Who appreciate versatility and the ability to make mainstream unique. Who appreciate a band who ignore their critiques and shit and piss on them. Who touch their open listeners and bring them to another realm and take care of them.

As celebration here is Yuuki's Net range 
LOW:
High: 
 
Here is him and L wiping their ass with R-指定
 
Here is his Unclean range 
 
Here is 2 of his rare voices
 
Here is some examples him switching up the flow multiple times in a single song while staying on beat and shitting on all the rappers (something bands lack too BTW) 
 
here is him covering Linkin Park's battle symphony (shitting again)
 
 
Here is him at his best (in order, last being great)
 and here is proof that he does not need autotune or whatever and it's his real voice on cd 
 
Yuuki is the King of music, a Hyperversal vocalist with omniversal capability. He is the Phoenix Force and only continues to grow stronger overtime, absorbing life and singing with it. 
 
Since Nicki is MIA, This recent Eminem verse clap back to the general public should do the trick. it fits perfectly to what haters are saying
 
 

"Looks dont matter, i  just care about the music" 

What a bop lmao thanks for that

I forgot how Decent this band is. The Crackheads or cult members made them out to be Gazette copycats like Sadie to Diru but crackheads arent a relible source. They changed with the time but remained the same to me i.e. same messing around or lack of but different genres/tuning (just like sadie/the thirteen). Byou could sing and had effective fun unlcean unlike who, who who sounded good in the beginning and just recently (UGLY) . Death door is iconic but FEMME FATALE (ファム・ファタール),  the song Dezert ripped off, is their best
 

"Looks dont matter, i  just care about the music" 

"Looks dont matter, i  just care about the music" 

"Looks dont matter, i  just care about the music" 

"Looks dont matter, i  just care about the music" 

The band have revealed a new look !
 

 
 

I think you read it wrong, the person is saying that all 3 bands are inspirations to younger bands, not that the Gazette came before the other bands

DEVILOOF, 
A band which get's more and more popular, finally they dropped their first album, let's take a listen en check out if the band did grow or that this release is also a waste of money and a pain in the ears.
 
1.Devil’s Proof 
It's an SE, just an nice intro, which actually gives a much amazing feeling than most of the songs on this album.

2.ESCAPE 
The thing I don't like at ESCAPE is the clean singing, also that part, if you listen to the drums, it's just smashing the drum on a pretty worse boring way. 
Also the high pitch voice in this song I think it's kinda not really need. But what I also don't really like is that BASS and DRUM doesn't really fit each other. 
a song which is 4:24 I also think it's a bit too long, for me it get a bit of boring after 2 minutes. and the short wtf solo after kinda 3minues. is somehow... yes WTF. But sounded nice tho.
 
3.Natural Born Killer 
high on screaming, I on't mean pig scream, just the high metal scream. It's nicely done also the more dark growling. It really fits it.
But once again, somehow I do not really get into the drumming beat. 
Yet, the guitar part is nicely but the bass falls a bit in behind.  
 
4.Return of the Curse 
This song is a pretty typical visual kei song actually. grunting is fine, the switch between more clean up singing and grunting is also good.
However it's not a song which fits in my personal taste. But it's good. 

5.DESTINATION 
This is more a rock than a real metal song. Also it's totally different from the above songs. 
Somehow this song also sounds a bit familiar, not sure where I did hear some parts of this song. (100% that WOW part, maybe loudness vibe?)
this song is 4:35 and sometimes its a bit as you listen to 2 different songs in one.  so a shorter version would have done it maybe better?
 
6.Lover 
Another long song 4:10 also a bit too long for this type of song. it has nice parts but the end simply sounds not that good anymore as the first minutes of this song.
Also this song really let me think of "E.T". 
 
7.InCipit-Instrumental- 
An instrumental song?! of 4:11! which only gives this album 9 full songs. 
while listen to this song, it also reminds me of some other songs, which I can't name out of my head. But guitar parts don't really are amazing and the drums well, could also be more amazing in a fully instrumental song?
Wouldn't mind if they didn't put this one on the album.
 
8.EGOIST 
It's far not bad, but somehow it also sounds a bit as a mess, also the random fast guitar solo... the heavy beat which isn't that heavy. Don't know.
It doesn't leave a memory after playing it. 
 
9.M.F.JAP 
worse lyric, melody isn't that bad does fit the way of singing very good. but it sounds more hiphop metal while other songs sounded much different. 
If the lyric was more nice I would have rate it better. also after 1½ min I did skip the songs.

10.怠惰の罪 
It's a nice one,  but I still do miss the beat which let me headbang.  but the more slow (clean) singing totally annoyed me, but beside that the melody is alright. 

11.HERO=MURDER 
Last song, also their best song. crazy heavy headbang level is still low, but yet possible. It's a nice one!
 
 
After all it's not an album which I would purchase for the original price, the album doesn't let me headbang or going crazy on their melody, I miss some real beat between the bass and drums. Yet Keisuke vocal is listenable it's not annoying. With this album they at least proof that they could create something which (many) people can enjoy. At least I can listen to it, without thinking that it is pure shit. It's long not perfect but I believe that DEVILOOF can grow at least I really hope that they can really let me headbang next time. After all whatever METAL it is, I should be able to headbang on it and not just stand and give only a little "yes". 
Also the songs on the album variate too much from each other. releasing them as 2~3 tracks each or just one by one. would have done it too. 
But yes DEVILOOF did do a good job, this time they didn't release a shame. keep going guys. 
However they didn't turn me into a fan. (not yet)

お遊戯ゎが魔々団×【PaRADEiS】/PaRADEiS had lots: here some
Old school, great wildness
 
 
Really Paradeis drags RES with there more polished compositions
 
Spooky, kiryu is shook
 
 
tasteful pop
 
 
tasteful Commercial J-rock (anime)
 
 
Other bands:
V-last something noise & L-Game nega Neo destruction, utsu Dezert - han Birth Of Sixx - awake, three, loser dog D.I.D - Infinite Numbness,  瓦解, W.O.D, the time has come Paranoid - i want to die Called#plan - L, R, 12012 - sudder Awoi - Dies irae aikaryu - discography coderebirth - decayed veil Nocturnal Bloodlust - Sphere The Piass - Seiteki Virus ~StoM109, If ... (reset), Futaibana, 小さな硝子～feel love for you～ Metis Gretel - Mask, Crusifiction,  sinner, fairytale gothic Baiser - doku, Angel, Prism, Flora Blitz - last album (twilight something?) + stare Gremlins - THE INFERNO, Gashi, gokuraku cho D'ual - Butterfly, suicide game, Suicide Game, under the chaos, 輪廻, LOST HEAVEN, マスカレイド, neo ideal Depain/savage - Game (Wasuraruru Hanamuke single), Genom Disorder, Wasuraruru Hanamuke, Malicious Gossip, Black Brother Barbarian (Re-recording), 13Fiction (Re-recording) Dio distraught overlord - Dokusai XodiacK - 黒い太陽 (Kuroi Taiyou), Misty, Holocaust(Ver.2011) Ayabie - Daikei -oz- - last shell, bitter & Sweet, Force, DecoLa Hopping - 序曲 -the beginning of legend, Papillon, Kimagure Fearism, Pirates of 'decopin', Torayamuru (New Ver.), D／H Jupiter - guilty as sin, Crucifixion The thirteen - baby go for it  

Why the hell are they using Deathmetal/deathcore font for their name when his lows are weak and lukewarm. His highs are nice but missing that killer edge They have no punch and this p**** s*** is no Nocturnal Bloodlust - spear. NB also used common deathcore riffage and clean singing but at least they had something going for that one song, but deviloof is str8 donkeybutt and lame. Aleast Hiro garbarge self managed to balance the vocals. 
 
ROTFL at the thought of them in comparison to Actual brutal deathcore bands who do mix it up track to track as much or more then this band. 
 
VK death/core should just be left to Re:dis, sadie, the piass. Coderebirth and lustknot. could pull it off. 
 
Because GxSxD, INFERNAL REVULSION, and Vomit Remnants wash them. scratch that, they would drag their school boy butts to hell and back.  they arnt serious either unlike death i am. i bet they're genre on itunes is pop like other "hard" vk  bands lmao. VK is a place where you can pop metal, pop hard rock, be harsh but still totally kawaii. 
 

ROTFL the DIRU/kyo cult at it again.  How much money do guys make discrediting other music. I guess cause grieva is dying and Rentrer en soi is dead so you guys been stalking the thirteen for a straw you can grab. And i stress the word "STRAW," as it seems you already know your off base here with agree that this is their main stream instrumental and their chorus but you gotta grab something right? but the way you phrase it with "maaan, I can't help but think about DEG"  is straight up subjective, something your brain could have easily conjured up to keep Kyo elevated in stature. Plus going on like that, your so called "beef" is with "Mao" and you thinking about your god "Kyo." Not the bands. Furthermore you dig yourself deeper by saying "constantly trying to emulate him." "constantly?" So Mao does have his own thing and isnt "always" "emulating" kyo in his "10-year old career?"  or is he always?  Cause if so ima need a whole thread of Mao disco with every track and the Kyo track he is referencing. And even if what you are saying is true which im certain  isnt considering how post undead 13+2 is hated and how commercial/MainstreamVK Mao's bands can get with Sadie's Redline, ever, daydream rain fall, Setsugekka (雪月花), The Gazette toying,  and sadie's last album "Gangster" which continued on to be The Thirteen's Disco up to this EP, lets talk about Kyo. Are you not being a hypocrite? Kyo nor DEG is original for that matter. They copied Kuroyume, Luna Sea, BMTH, ECT.  Kyo is definitely ripping of and failing at False chord which he stole from some western band along with those fry screams. Also on his Journey to be a Western Metal influence he copied their hair cut as well as fashion with the leather jackets and stuff. I would bring up marilyn manson but idk the timeline for his video's and Music VS Visual Kai's. but you get the point im trying to make with "plenty of minor details." 
Edit: back to the thread, if your not going to make it can you or atleast tell me if these are kyo byproducts WITH RECIEPTS PLEASE those are my fav for singing.
 Are you not familiar with Western music? Everything Trap, Mumble rap, all the females sounding the same and still on the charts?
 
Anyway people need to get over sadie (The Thirteen is sadie[gangster]) wiping there asses with diru over the years and completely body them on bleach with Oboreru Sakana and Voice of pain remaster versions and not be mad the moved on to new greatness beyond upgrading like baby go for it.  
 
 

ROTFL the DIRU/kyo cult at it again.  How much money do guys make discrediting other music. I guess cause grieva is dying and Rentrer en soi is dead so you guys been stalking the thirteen for a straw you can grab. And i stress the word "STRAW," as it seems you already know your off base here with agree that this is their main stream instrumental and their chorus but you gotta grab something right? but the way you phrase it with "maaan, I can't help but think about DEG"  is straight up subjective, something your brain could have easily conjured up to keep Kyo elevated in stature. Plus going on like that, your so called "beef" is with "Mao" and you thinking about your god "Kyo." Not the bands. Furthermore you dig yourself deeper by saying "constantly trying to emulate him." "constantly?" So Mao does have his own thing and isnt "always" "emulating" kyo in his "10-year old career?"  or is he always?  Cause if so ima need a whole thread of Mao disco with every track and the Kyo track he is referencing. And even if what you are saying is true which im certain  isnt considering how post undead 13+2 is hated and how commercial/MainstreamVK Mao's bands can get with Sadie's Redline, ever, daydream rain fall, Setsugekka (雪月花), The Gazette toying,  and sadie's last album "Gangster" which continued on to be The Thirteen's Disco up to this EP, lets talk about Kyo. Are you not being a hypocrite? Kyo nor DEG is original for that matter. They copied Kuroyume, Luna Sea, BMTH, ECT.  Kyo is definitely ripping of and failing at False chord which he stole from some western band along with those fry screams. Also on his Journey to be a Western Metal influence he copied their hair cut as well as fashion with the leather jackets and stuff. I would bring up marilyn manson but idk the timeline for his video's and Music VS Visual Kai's. but you get the point im trying to make with "plenty of minor details." 
Edit: back to the thread, if your not going to make it can you or atleast tell me if these are kyo byproducts WITH RECIEPTS PLEASE those are my fav for singing.
 Are you not familiar with Western music? Everything Trap, Mumble rap, all the females sounding the same and still on the charts?
 
Anyway people need to get over sadie (The Thirteen is sadie[gangster]) wiping there asses with diru over the years and completely body them on bleach with Oboreru Sakana and Voice of pain remaster versions and not be mad the moved on to new greatness beyond upgrading like baby go for it.  
 
 

ROTFL the DIRU/kyo cult at it again.  How much money do guys make discrediting other music. I guess cause grieva is dying and Rentrer en soi is dead so you guys been stalking the thirteen for a straw you can grab. And i stress the word "STRAW," as it seems you already know your off base here with agree that this is their main stream instrumental and their chorus but you gotta grab something right? but the way you phrase it with "maaan, I can't help but think about DEG"  is straight up subjective, something your brain could have easily conjured up to keep Kyo elevated in stature. Plus going on like that, your so called "beef" is with "Mao" and you thinking about your god "Kyo." Not the bands. Furthermore you dig yourself deeper by saying "constantly trying to emulate him." "constantly?" So Mao does have his own thing and isnt "always" "emulating" kyo in his "10-year old career?"  or is he always?  Cause if so ima need a whole thread of Mao disco with every track and the Kyo track he is referencing. And even if what you are saying is true which im certain  isnt considering how post undead 13+2 is hated and how commercial/MainstreamVK Mao's bands can get with Sadie's Redline, ever, daydream rain fall, Setsugekka (雪月花), The Gazette toying,  and sadie's last album "Gangster" which continued on to be The Thirteen's Disco up to this EP, lets talk about Kyo. Are you not being a hypocrite? Kyo nor DEG is original for that matter. They copied Kuroyume, Luna Sea, BMTH, ECT.  Kyo is definitely ripping of and failing at False chord which he stole from some western band along with those fry screams. Also on his Journey to be a Western Metal influence he copied their hair cut as well as fashion with the leather jackets and stuff. I would bring up marilyn manson but idk the timeline for his video's and Music VS Visual Kai's. but you get the point im trying to make with "plenty of minor details." 
Edit: back to the thread, if your not going to make it can you or atleast tell me if these are kyo byproducts WITH RECIEPTS PLEASE those are my fav for singing.
 Are you not familiar with Western music? Everything Trap, Mumble rap, all the females sounding the same and still on the charts?
 
Anyway people need to get over sadie (The Thirteen is sadie[gangster]) wiping there asses with diru over the years and completely body them on bleach with Oboreru Sakana and Voice of pain remaster versions and not be mad the moved on to new greatness beyond upgrading like baby go for it.  
 
 

ROTFL the DIRU/kyo cult at it again.  How much money do guys make discrediting other music. I guess cause grieva is dying and Rentrer en soi is dead so you guys been stalking the thirteen for a straw you can grab. And i stress the word "STRAW," as it seems you already know your off base here with agree that this is their main stream instrumental and their chorus but you gotta grab something right? but the way you phrase it with "maaan, I can't help but think about DEG"  is straight up subjective, something your brain could have easily conjured up to keep Kyo elevated in stature. Plus going on like that, your so called "beef" is with "Mao" and you thinking about your god "Kyo." Not the bands. Furthermore you dig yourself deeper by saying "constantly trying to emulate him." "constantly?" So Mao does have his own thing and isnt "always" "emulating" kyo in his "10-year old career?"  or is he always?  Cause if so ima need a whole thread of Mao disco with every track and the Kyo track he is referencing. And even if what you are saying is true which im certain  isnt considering how post undead 13+2 is hated and how commercial/MainstreamVK Mao's bands can get with Sadie's Redline, ever, daydream rain fall, Setsugekka (雪月花), The Gazette toying,  and sadie's last album "Gangster" which continued on to be The Thirteen's Disco up to this EP, lets talk about Kyo. Are you not being a hypocrite? Kyo nor DEG is original for that matter. They copied Kuroyume, Luna Sea, BMTH, ECT.  Kyo is definitely ripping of and failing at False chord which he stole from some western band along with those fry screams. Also on his Journey to be a Western Metal influence he copied their hair cut as well as fashion with the leather jackets and stuff. I would bring up marilyn manson but idk the timeline for his video's and Music VS Visual Kai's. but you get the point im trying to make with "plenty of minor details." 
Edit: back to the thread, if your not going to make it can you or atleast tell me if these are kyo byproducts WITH RECIEPTS PLEASE those are my fav for singing.
 Are you not familiar with Western music? Everything Trap, Mumble rap, all the females sounding the same and still on the charts?
 
Anyway people need to get over sadie (The Thirteen is sadie[gangster]) wiping there asses with diru over the years and completely body them on bleach with Oboreru Sakana and Voice of pain remaster versions and not be mad the moved on to new greatness beyond upgrading like baby go for it.  
 
 

ROTFL the DIRU/kyo cult at it again.  How much money do guys make discrediting other music. I guess cause grieva is dying and Rentrer en soi is dead so you guys been stalking the thirteen for a straw you can grab. And i stress the word "STRAW," as it seems you already know your off base here with agree that this is their main stream instrumental and their chorus but you gotta grab something right? but the way you phrase it with "maaan, I can't help but think about DEG"  is straight up subjective, something your brain could have easily conjured up to keep Kyo elevated in stature. Plus going on like that, your so called "beef" is with "Mao" and you thinking about your god "Kyo." Not the bands. Furthermore you dig yourself deeper by saying "constantly trying to emulate him." "constantly?" So Mao does have his own thing and isnt "always" "emulating" kyo in his "10-year old career?"  or is he always?  Cause if so ima need a whole thread of Mao disco with every track and the Kyo track he is referencing. And even if what you are saying is true which im certain  isnt considering how post undead 13+2 is hated and how commercial/MainstreamVK Mao's bands can get with Sadie's Redline, ever, daydream rain fall, Setsugekka (雪月花), The Gazette toying,  and sadie's last album "Gangster" which continued on to be The Thirteen's Disco up to this EP, lets talk about Kyo. Are you not being a hypocrite? Kyo nor DEG is original for that matter. They copied Kuroyume, Luna Sea, BMTH, ECT.  Kyo is definitely ripping of and failing at False chord which he stole from some western band along with those fry screams. Also on his Journey to be a Western Metal influence he copied their hair cut as well as fashion with the leather jackets and stuff. I would bring up marilyn manson but idk the timeline for his video's and Music VS Visual Kai's. but you get the point im trying to make with "plenty of minor details." 
Edit: back to the thread, if your not going to make it can you or atleast tell me if these are kyo byproducts WITH RECIEPTS PLEASE those are my fav for singing.
 Are you not familiar with Western music? Everything Trap, Mumble rap, all the females sounding the same and still on the charts?
 
Anyway people need to get over sadie (The Thirteen is sadie[gangster]) wiping there asses with diru over the years and completely body them on bleach with Oboreru Sakana and Voice of pain remaster versions and not be mad the moved on to new greatness beyond upgrading like baby go for it.  
 
 

omfg completely forgot about this shit