hiroki

Axkey new single トゥエンティーフォーセブン("Twenty four seven") will be released on 2017/07/24.
 
A type (limited edition)
01. 24/7
02.ロストワン
03.D.I.D
 
B type
01.  24/7
02. ジャパニィズ・マジョリテイ
 

 

 
They will hold their one-man live at Ikebukuro Ruido K3 on 2017/08/08 and at Osaka Ruido on 2017/08/23.
 

Probably already an overstated point for some of us, but just in case we get the inevitable "BUT... did the writer/lyricist mean/intend this??" objection (thankfully we haven't) - there's a landmark essay called "The Intentional Fallacy" by Wimsatt and Beardsley that has argued quite persuasively that it's immaterial what the author had meant to say. All we have at our disposal is the text, and what matters are the various readings the text opens itself to and makes possible as it circulates across different times, spaces, languages. We're not interested in (and can never be) plumbing the depths of the author's consciousness, so that's not the point of exercises like this  But if we really want to, we can satisfy ourselves with knowing that the band had knowingly alluded to Jean-Jacques Rousseau  
 
As for the song itself: while I generally don’t have much of an intuition for this kind of lyrics (I’m sure most MH people have more meaningful things to say on the lyrics directly), I found a ton of interesting ideas in the previous posts that I feel I can say something about so allow me to briefly chip in with some of my thoughts. More than a detailed reading of the lyrics per se it's kind of a running “commentary” with some indications along the way (hopefully) on why/how these ideas might hook on to the lyrics.
 
I'll limit myself to making one longer comment and a shorter one. My longer point reads more like an extended footnote to @chemicalpictures's post so I'll put it under spoiler tags:
 
 
And the shorter remark: I was going to comment on the ‘doppelganger’ effect in the lyrics (everyone who has said something so far has noticed a kind of echo, repetition, or doubling that takes place in the lyrics) but this post is long enough so I'll keep it to a few words:
 
In Rousseau’s philosophy, he makes a distinction between what he calls amour de soi (love of the self) and amour-propre (self-love). “Love of the self” is a regard for self-preservation independent of what other people might think or feel about me, while “self-love” is a ‘corrupted’ version which arose because we desire other people to see us in a particular way. This is related to the whole "passage from savagery to civilization" narrative that the Enlightenment was obsessed with (for Rousseau, “self-love” only emerged in a “civilized” society where we're compelled to enter into social/political relationships with other people) – but more important for our purposes is how this “self-love” operates on the basis of a kind of split subjectivity. What I mean is that Rousseau’s “self-love” assumes not one but two “I”, one that other people see and we want to make look good, and a more interior/primitive “I” behind the screen that’s making this judgment in advance and dressing up the first "I", as it were. In Chiaki’s lyrics we find a series of echoes: “デキタ。” (in Katakana) becoming “できた。” (Hiragana) – a repetition but in a different script – almost like a different (/same?) person repeating the same words. Also, the line “僕は「僕」と君とディナー” is precisely this doubling of the self that Rousseau’s “self-love” gestures towards: an (authentic) I, and a (spectral) “I” that exists as a second-order construction in language, set typographically here in quotation marks.
 

I think the main “guy” in the song has two versions of himself. One is the cannibal/killer/homosexual, and the other is his “normal” side, Boy A.
 
I think he is in conflict with himself, where he does not want to be the cannibal/killer/homosexual, but can’t help himself. This side of him/conflict with himself is always there, “in the room”, even when he wants to be “normal” with another man/love interest. He wants to tell the man/love interest about this side of him and the impending danger it will put them in. However, eventually his secret will come out (“the best before” date), as he cannot fight off his dark side.
 
I also believe he somehow wants his love interest or their relationship to help fight off/kill this side of him (inside the mirror), and accept his homosexuality so that he will be saved and may live normally without this other self. But it seems like at the end, although he has hope that he can somehow overcome this side of himself, they are both sucked into the mirror (the dark side of him). 
 
In that case, "sin will wash sin away" could be the hope that love could lead to self-acceptance, like the "sin" of homosexuality will wash away his other cannibal/killer sins.
But then eventually "sin will wash sin away" changes to mean that he has washed away his "sin" of homosexuality by killing another homosexual person (a metaphor for killing his dark, homosexual side).
 
I have a feeling that Rousseau’s illusion may refer to Rousseau’s philosophy that everything in love is an illusion.
But I find it interesting that although there isn't set term like "Rousseau's illusion" in Japanese, there is a term called "sojii illusion", which means capgras delusion. In capgras delusion, a person believes someone has been replaced by an identical-looking imposter. Combining both could have been a deliberate play on words.
 
I think Rousseau's illusion fits with the first part of the song, where he believes love will fix everything, but in the end he falls prey to a form of capgras delusion, where he sees the dark side of himself replaced with an imposter/his love interest.
 
(Also just incase it comes across as unclear, I don't personally believe homosexuality is a sin, but it seems like the main guy in the video has been conditioned to believe it is.)
 
 

Oh boy, we are in for a ride!
 
To start, the title immediately got my attention. I think you are right on point when talking about Rousseau, and this brings me years back to my classes on the history of philosophy.
 
There's a philosophycal concept called 'State of Nature', coined by Thomas Hobbes, which in simplifying terms describes that humans living in a natural state, without being under a common acknowledged leader (governments or a king for example) will be in a state of constant every man for himself, and everyone against everyone. You can conclude that the raw state of a human being is someone egoistical, unpredictable, maybe violent and by all means, alone, distrustful.
 
Rousseau disputes that conclusion, and affirms that a Natural Human is neither a good or bad in modern society terms, he is simply a man of sensations, feelings and needs. In other words, that human is not intentional evil, he is simply unaware of such concepts. He will fill his basic desires (food, taking care of himself, reproducing). He is not hostile towards other human beings, he simply lacks the reason for society or rules.
 
If Chiaki is indeed talking about Jean Jacques Rousseau, we could assume that he does think Hobbes is correct, and Rousseau would be naive to think a human is not crude as described by Hobbes. I wanna hear more thoughts on this.
 
As such, I would interpret the PV as a person in its natural state described by Hobbes bounded by the rules of society, rebelling and discovering his raw state as a human:
 
- Using lipstick, which can be seen as an act of transgression/experimentation/reaching his true self and being chastised by his mother, the ruling figure;
- Killing butterflies, which may indicates his further urge as an evil, emotionless being, being again hold back by the figure of authority;
- Killing his partner, the ultimate transgression, and maybe eating his corpse, satisfying his most basic, raw needs as a human;
 
The scene of him puking after killing his partner and reminiscing his mother could indicate confusion between following his urges and the guilt of his despicable acts. And yet, he couln't help but trying to do it again. This sentiment is widely seen in movies or profiles of serial killers and psychopaths, which we could say are indeed "savage" human being, as their disdain for society rules.
 
Regarding the butterfly, I think @plastic_rainboware mostly right!
 
Some thoughts Genius-style:
 
"I want to destroy the murky future / I rub my hand over my aching stomach": I think there's a guilt theme to be explored here. the boy do what he does, he cannot help it, but he is filled with guilty. He wants it to stop, but he can't/won't do it alone. To end his life and erase his existence, commiting the same hideous acts as he did.
 
"I made a wish when I first met you / If possible, I want you to kill me gently / And save me from this world, without leaving any of my bones": The boy wants someone to kill him. He wants to find someone who is able to do it. If not, he will kill that someone and look for another person who is able to do it.
 
"Surely, you'll be boy A a few days later / Our "secret" with a best-before date": I believe this would mean that if the person does no kill him, the "deadline expires", the boy will kill person B and eat him, like he did with boy A.
 
"To destroy the murky future/ Sin will melt sin away": To avoid him keeping doing what he does, someone will kill him. His sins will be stopped by other people's sins;
 
"We, who loved solitude, are already inside a dream / "Into the mirror" / "Inside the mirror."": they, the psychopaths, do not see the world the same way as we do, they are already living in a different world, yet the same. like a mirror.
 
I think there's more to be said, but that gives a general idea. Or we could all be tripping balls, and Chiaki was just being gross for the shock value or something else. who knows...

Hello all MH users! With the suggestion of @chemicalpictures, I bring you an analytical discussion of a song lyric I've chosen, along with its PV. Seems like this is the first time anyone has done this here so to get things pumping, and hopefully make this a success, I chose to pick a song from the increasingly popular band DEZERT. Being quite well-known for their food-related themes, as you can tell from their song titles and album titles, DEZERT do not only bring a dark and grimy atmosphere, but also present an unpleasant and repulsive feeling to your gut and mouth. If you ever took the time to read their lyrics you may never look at food the same way again. But hey, I love them for this.
 
@Zeus Let me know if there's a better section for this. Since I'm discussing about both lyric and PV I thought I'd put it in the general section instead.
 
Let's get right down to it and take a look at the original Japanese lyrics for the song, 胃潰瘍とルソーの錯覚  from their album タイトルなし(Title Nashi),  which was written by Chiaki, and then the translation, which was done by me.
 
Kanji: 胃潰瘍とルソーの錯覚  -taken from rocklyric
 
English: Gastric Ulcer and Rousseau's Illusion
 
胃潰瘍とルソーの錯覚 is a song about love and the fear of the truth and the future, written in a grotesque manner. Looking at the song title, 'gastric ulcer' ties into the food and cannibalistic theme, and after reviewing the lyrics and PV several times I've concluded that the gastric ulcer represents a kind of punishment for one's sins. A punishment for killing the ones you love and eating them to the bone, obviously. It is there as a reminder of your sins.
 
Another piece of information we get from the title is the name 'Rousseau'. Who could this Rousseau refer to and why did Chiaki choose to use this reference? (Unless the word ルソー means something else?) The first name that comes up on google is a philosopher named Jean-Jacques Rousseau. Apparently, he advocated freedom politically and made an influence during the French Revolution. I can see how 'freedom' may play a role in this, but am still puzzled as to why Chiaki would reference him specifically. If anyone is willing to dig further into this, please do.
 
Something else worth speculating is the way Chiaki divides the lyric into (A), (B), and (A.B), like a story with chapters. But then why (A.B) at the end? Maybe it's a middle section between A and B? It's possible, but I think A and B might refer to Boy A and Boy B (since he mentions 少年A under the (B) section), where as A.B refers to them both of them together at the end. If you have thoughts otherwise, please comment below~
 
I know there's still a lot to speculate about the lyrics, but let's get to the fun part and explore the peculiar PV. As if the lyrics were crazy enough, here we have additional themes like gender, homosexuality, and the butterfly motif. A young boy puts on lipstick, kills butterflies, and gets together with other males as he grows older......to kill them for their flesh and bones.
 
 
The PV follows well with the lyrics, but what intrigued me the most was the butterfly motif. We see the butterfly appear when the young boy plucks its wings and smiles, and in a few flickering screens of an injured butterfly throughout the PV. Then, at the very end we see it once more in the form of a tattoo on the left arm of the man who kills the boy (see pic below). What an ironic turn of events, seeing a butterfly, which you have mistreated in the past, the moment you die. However, since the butterfly has been depicted as being weak, being robbed of its ability to fly, I think it also serves as a representation of his weakness for not being able to face the truth and the future. In Japan, people also believe that butterflies carry souls to the dead, or represent souls of the dead, therefore adding to the irony of his fateful death.
 

 
I don't want to write too much so I'll leave the rest open for discussion! I'm sure there are deep-thinkers here who have something more interesting to share. Or if not, point out something you find interesting and analyze it, even if it's something little. It could mean something more than you think. For example, you think those wire mannequins in the PV might represent anything? Or maybe it's just a piece of decoration. For those who have knowledge in Japanese, please share thoughts about the original Japanese lyrics and other possible translations too. Have fun! ^^
 
Feel free to leave any critiques as well~

2017.05.05 - Polaroid image by @hyura

Underrated :
-  Shougo (Anfiel)
-  Masashi (ex FoLLoW)
-  Sakurai Yuki (ex Raphael, rice)
- Angel-Taka (UCHUSENTAI:NOIZ)
-  Danchou (Shinkou Shuukyou Gakudan NoGoD)
- Keiyuu (Kra)
 
Overrated :
- Tsuzuku (Mejibray)
- Karma (ex Avelcain)
- Yuuki (ex Lycaon, Initial'L)
- Kamijo
- Subaru (Royz)

 

Haven't updated in a while, but the band has been touring extensively. Hopefully there will soon be news of new music as well!!
 
Here are some interesting events coming up:
 
2017.05.21 - Kansai Rock Summit, the biggest VK 'festival' in Kansai. Purple Stone will be up at JANUS, from 14.30~15.00
 
2017.05.30 - Purple Stone oneman live at RUIDO K4. This is also keiya's birthday's live and it's so rare that they're doing it in Tokyo so pls go see them if you can!!  
 
2017.06.20 - A two man live with Megalo (a non-vk rock band) at Osaka Muse. I think Megalo's members are Fuma's close friends that's why they're doing this! Regardless, it's pretty unusual to have a two-man like this so I'm sure it'll be fun!
 
2017.07.10 - A special '6-man' event at Nagoya's Club Quattro, featuring 3 from Osaka and 3 from Nagoya. Purple Stone is part of the Osaka 'team' together with Fest and RiR
 
2017.07.22 - Kamijo's birthday live
 
Apart from these they're on the stylish wave '17 Circuit tour with some other really good bands in the lineup!
 

Haven't updated in a while, but the band has been touring extensively. Hopefully there will soon be news of new music as well!!
 
Here are some interesting events coming up:
 
2017.05.21 - Kansai Rock Summit, the biggest VK 'festival' in Kansai. Purple Stone will be up at JANUS, from 14.30~15.00
 
2017.05.30 - Purple Stone oneman live at RUIDO K4. This is also keiya's birthday's live and it's so rare that they're doing it in Tokyo so pls go see them if you can!!  
 
2017.06.20 - A two man live with Megalo (a non-vk rock band) at Osaka Muse. I think Megalo's members are Fuma's close friends that's why they're doing this! Regardless, it's pretty unusual to have a two-man like this so I'm sure it'll be fun!
 
2017.07.10 - A special '6-man' event at Nagoya's Club Quattro, featuring 3 from Osaka and 3 from Nagoya. Purple Stone is part of the Osaka 'team' together with Fest and RiR
 
2017.07.22 - Kamijo's birthday live
 
Apart from these they're on the stylish wave '17 Circuit tour with some other really good bands in the lineup!
 

tonight was purple stone's 4th anniversary oneman at Osaka Muse!!!!!!
 

 

 

 

 
 

 

 
will update with fuma's pic later lol
 
they had a ton of MCs, and they did lots of songs that they don't normally perform at lives!
 

approx 80% of lives i've been to were in osaka cos i lived in northern kyoto, and most bands (even established ones) tend to skip over kyoto on their tours orz. i wouldn't exactly consider kyoto-osaka ensei cos it's only a 30-40 min ride each way and i've always enjoyed inter-city train rides.
 
OP mentioned seishun18 ticket which is an excellent way of travelling between major cities if you're on a budget & have a lot of time to spare! my record was kyoto -> osaka -> himeji -> okayama -> hiroshima to see blesscode, which took 8 hours + 5-6 transfers iirc, but the savings were significant. otherwise whenever i go outside of kansai for lives, buses (either day buses or overnight) are almost always my preferred choice of transport. the only exception to this was flying to hokkaido to see some sapporo bands cos they don't ever play outside of hokkaido haha. i def recommend not ruling out this option because it's cheaper than before with even more budget domestic flights these days. also never forget to do some research in advance because usually there are tons of day passes for intra-city buses/train/etc, as well as other deals designed for tourists or people on short trips (the irony is that most of the time few are aware of this other than people living IN the city).
 
i can't remember when the last time was i've taken a shinkansen - it's just ridiculously expensive as far as i'm concerned. i'd rather have a slightly less comfortable ride and use the extra money to buy merch and cheki lolol - but that's just me.
 
on the topic of chekis... i think of it as just a way of giving money to the band short of getting their bank account number and transferring money over. most bangya probably buy these with full knowledge that they have absolutely zero use-value once you agaru.
 
 

rui was just condemning bangya who can't get along and their petty squabbles just because they happen to like the same bandman.
 
not sure why those are considered 'dumb tweets' though, they made sense to me

approx 80% of lives i've been to were in osaka cos i lived in northern kyoto, and most bands (even established ones) tend to skip over kyoto on their tours orz. i wouldn't exactly consider kyoto-osaka ensei cos it's only a 30-40 min ride each way and i've always enjoyed inter-city train rides.
 
OP mentioned seishun18 ticket which is an excellent way of travelling between major cities if you're on a budget & have a lot of time to spare! my record was kyoto -> osaka -> himeji -> okayama -> hiroshima to see blesscode, which took 8 hours + 5-6 transfers iirc, but the savings were significant. otherwise whenever i go outside of kansai for lives, buses (either day buses or overnight) are almost always my preferred choice of transport. the only exception to this was flying to hokkaido to see some sapporo bands cos they don't ever play outside of hokkaido haha. i def recommend not ruling out this option because it's cheaper than before with even more budget domestic flights these days. also never forget to do some research in advance because usually there are tons of day passes for intra-city buses/train/etc, as well as other deals designed for tourists or people on short trips (the irony is that most of the time few are aware of this other than people living IN the city).
 
i can't remember when the last time was i've taken a shinkansen - it's just ridiculously expensive as far as i'm concerned. i'd rather have a slightly less comfortable ride and use the extra money to buy merch and cheki lolol - but that's just me.
 
on the topic of chekis... i think of it as just a way of giving money to the band short of getting their bank account number and transferring money over. most bangya probably buy these with full knowledge that they have absolutely zero use-value once you agaru.
 
 

i.Rias new single "SWIMMY" will be released 2017.09.06 (2 TYPES). TYPE A will include 2 tracks and PV. TYPE B will include 3 tracks. 
 
 

℃ellsius new single "DIAMOND DUST" will be released at 2017/05/28.
 

 
TrackList:
01. DIAMOND DUST
02. -LIAR-
 
 

The new member is Ba.みゆ (Miyu)


 

approx 80% of lives i've been to were in osaka cos i lived in northern kyoto, and most bands (even established ones) tend to skip over kyoto on their tours orz. i wouldn't exactly consider kyoto-osaka ensei cos it's only a 30-40 min ride each way and i've always enjoyed inter-city train rides.
 
OP mentioned seishun18 ticket which is an excellent way of travelling between major cities if you're on a budget & have a lot of time to spare! my record was kyoto -> osaka -> himeji -> okayama -> hiroshima to see blesscode, which took 8 hours + 5-6 transfers iirc, but the savings were significant. otherwise whenever i go outside of kansai for lives, buses (either day buses or overnight) are almost always my preferred choice of transport. the only exception to this was flying to hokkaido to see some sapporo bands cos they don't ever play outside of hokkaido haha. i def recommend not ruling out this option because it's cheaper than before with even more budget domestic flights these days. also never forget to do some research in advance because usually there are tons of day passes for intra-city buses/train/etc, as well as other deals designed for tourists or people on short trips (the irony is that most of the time few are aware of this other than people living IN the city).
 
i can't remember when the last time was i've taken a shinkansen - it's just ridiculously expensive as far as i'm concerned. i'd rather have a slightly less comfortable ride and use the extra money to buy merch and cheki lolol - but that's just me.
 
on the topic of chekis... i think of it as just a way of giving money to the band short of getting their bank account number and transferring money over. most bangya probably buy these with full knowledge that they have absolutely zero use-value once you agaru.
 
 

approx 80% of lives i've been to were in osaka cos i lived in northern kyoto, and most bands (even established ones) tend to skip over kyoto on their tours orz. i wouldn't exactly consider kyoto-osaka ensei cos it's only a 30-40 min ride each way and i've always enjoyed inter-city train rides.
 
OP mentioned seishun18 ticket which is an excellent way of travelling between major cities if you're on a budget & have a lot of time to spare! my record was kyoto -> osaka -> himeji -> okayama -> hiroshima to see blesscode, which took 8 hours + 5-6 transfers iirc, but the savings were significant. otherwise whenever i go outside of kansai for lives, buses (either day buses or overnight) are almost always my preferred choice of transport. the only exception to this was flying to hokkaido to see some sapporo bands cos they don't ever play outside of hokkaido haha. i def recommend not ruling out this option because it's cheaper than before with even more budget domestic flights these days. also never forget to do some research in advance because usually there are tons of day passes for intra-city buses/train/etc, as well as other deals designed for tourists or people on short trips (the irony is that most of the time few are aware of this other than people living IN the city).
 
i can't remember when the last time was i've taken a shinkansen - it's just ridiculously expensive as far as i'm concerned. i'd rather have a slightly less comfortable ride and use the extra money to buy merch and cheki lolol - but that's just me.
 
on the topic of chekis... i think of it as just a way of giving money to the band short of getting their bank account number and transferring money over. most bangya probably buy these with full knowledge that they have absolutely zero use-value once you agaru.
 
 

approx 80% of lives i've been to were in osaka cos i lived in northern kyoto, and most bands (even established ones) tend to skip over kyoto on their tours orz. i wouldn't exactly consider kyoto-osaka ensei cos it's only a 30-40 min ride each way and i've always enjoyed inter-city train rides.
 
OP mentioned seishun18 ticket which is an excellent way of travelling between major cities if you're on a budget & have a lot of time to spare! my record was kyoto -> osaka -> himeji -> okayama -> hiroshima to see blesscode, which took 8 hours + 5-6 transfers iirc, but the savings were significant. otherwise whenever i go outside of kansai for lives, buses (either day buses or overnight) are almost always my preferred choice of transport. the only exception to this was flying to hokkaido to see some sapporo bands cos they don't ever play outside of hokkaido haha. i def recommend not ruling out this option because it's cheaper than before with even more budget domestic flights these days. also never forget to do some research in advance because usually there are tons of day passes for intra-city buses/train/etc, as well as other deals designed for tourists or people on short trips (the irony is that most of the time few are aware of this other than people living IN the city).
 
i can't remember when the last time was i've taken a shinkansen - it's just ridiculously expensive as far as i'm concerned. i'd rather have a slightly less comfortable ride and use the extra money to buy merch and cheki lolol - but that's just me.
 
on the topic of chekis... i think of it as just a way of giving money to the band short of getting their bank account number and transferring money over. most bangya probably buy these with full knowledge that they have absolutely zero use-value once you agaru.
 
 

Vexent - 「紫苑」(Shion) 
MORRIGAN - トランキライザ (Tranquilizer)
amber gris - Fc Single 
MORRIGAN - PARADIGM XISS Tour Final DVD @ Takanobaba Area
Nocturnal Bloodlust - The Best 09 - 17
My Bacteria Heat Island - Last Live DVD
 
& 4 of the many pitty  chekis i have collected over the last year xD
And a sexy MORRIGAN Cheki case to hold them all <3 
 

DVD preview!
 
 

Last time I had blond with turquoise ww

 
Now I have purple with darkblue and my younger brother has pink hair x3

CLear had their 1-hour shopkeeper event at Takadanobaba ZEAL LINK today!!!!!!!!!!!!!!!!!
 

 

 

 

 

 

 
extra pic of kai just because
 

 
<333333333333333
 
i wish i could have gone T_____T