deadman

This is good as always, but I can't help but feel they could really use some harsher vocals in their songs
 
my wet dream is Keita joining them and Katsuya making use of the dual vocals like he did in Misanthropist
 
my heart wouldn't handle such awesomeness

I agree that I feel like there should be some harsh vocals, but if Keita joined them, SLOTHREAT would essentially just be Misanthropist.

The statement said Mio has bipolar disorder and "ヒステリー球" which is "the persistent but painless sensation of having a pill, food bolus, or some other sort of obstruction in the throat when there is none."
https://en.wikipedia.org/wiki/Globus_pharyngis

The statement said Mio has bipolar disorder and "ヒステリー球" which is "the persistent but painless sensation of having a pill, food bolus, or some other sort of obstruction in the throat when there is none."
https://en.wikipedia.org/wiki/Globus_pharyngis

The statement said Mio has bipolar disorder and "ヒステリー球" which is "the persistent but painless sensation of having a pill, food bolus, or some other sort of obstruction in the throat when there is none."
https://en.wikipedia.org/wiki/Globus_pharyngis

The statement said Mio has bipolar disorder and "ヒステリー球" which is "the persistent but painless sensation of having a pill, food bolus, or some other sort of obstruction in the throat when there is none."
https://en.wikipedia.org/wiki/Globus_pharyngis

https://eplus.jp/caligarideadman-s/

The only tea here is that yellow don't mellow 

Яyo (ex-ギルガメッシュ Dr.) has started a music label named "Wolves anchor DC" since early 2020, and he is also the producer of the label.
 
SLOTHREAT is the only band that has joined the label so far.
You can read an interview with Яyo and Katsuya (SLOTHREAT Gu.) here.
 

 

 
https://www.wadc.jp/

If this comment to get 444RT and Like, it will continue with another video. (This guy is quite optimistic...)
 
 
 

IMHO this is yet another the case of the "NOT HEAVY = HORRIBLE" tired trope, similar to what happened with DEZERT.
 
And yes, while I was also expecting more, there's also a lot of raw good ideas here, that could definitely have used a couple months more to flourish. After Rijin there was Kidoairaku, so I'l treat it as what it is: a conceptual release, an experiment to further polish the identity they are looking for.
 
highlights: What's Up?, Lament, MIST, Tick Tak, out of the darkness

I am totally with you Bren, even if their earlier songs were so good, especially Aizou ni tsuki... (my favourite). First Dezert surprised me in changing their style, especially last year with Black Hole, and now Dimlim is following the same path and are doing it REALLY WELL. I don't get why people gets so pissed if a band experiments in a good manner, while there are acts that should stick to what they do best, because they do it BAD (see Initial'L, formerly Lycaon, or Mejibray's Tsuzuku and Koichi with their splendid shit-fest named 8P-SB). So I can't wait to hear what MISC will offer to my ears

I also will react to this topic.
 
I've listened to more songs on their youtube.. and all their previous songs are just  bad, shit visual kei music.. not even amazing rock quality, just typical boring visual kei, with no heart with no feelings just.... no.
 
 
but the new song...
The beat, the melody, the kinda vocal sound...
It all mix nicely together as a perfect mix.... it really though your heart.
Truly 10/10 song.
And believe me it is. 
 
Lately I only listen to masterclass rock music. music who is played by bandguys who are longer in the music world as those young dudes. music of people who know what music is.  I follow lot's of "legend Japanese rock stars (which most of you never did hear off tho lol)"  
So because of that I became very picky of what GOOD music is. 
 
 
However, I call this song really a master piece. it's a perfect song, easy to like, it touch your heart.
vocal fits perfectly to the melody....
 
 
But by listening to their previous songs,, I kinda doubt their their album will only contain this masterclass songs. 
 
 
If they will release more music like this... then I surely will support them.
I'm looking for this kind of visual kei bands, who really put everything into music.
 
 
if you dislike this kind of sound,
well then. you really don't have a good taste for music. 

Not really sure how y'all could enjoy tracks like Rijin and Vanitas but somehow hate this. Sure they're emphasising the mathy elements more while downplaying the heavier side somewhat, but it's hardly a complete 180 from their last couple of releases or anything.
 
Anyway I'm basically a math slut so I'll let this song have its way with me. All hail visual math kei etcetc.

homophobia is cancelled sisters 👏👏👏

Good pv, but I’m kinda disappoint that when the vocal open the roof door, it wasn’t pouring rain like their name imply. I think that would be way cooler.

WTF, no one report this 2019 biggest lost of VK.😭
HOLIDAY NEXT NAGOYA's 17 ice has literally departed due to law change to make room for smoking area.
Last live was held at 11/5 14:00.
 

I'm still baffled that they are OK with releasing shit like Dendrobium and then coming up with this. This is damn perfect, especially the guitars.

The preview for the mini album is up, first song sounds like it’ll go hard, you guys judge way too much on a couple seconds of music and have way too much hatred boiling inside of your hearts lol. Sounds nothing like Tsuzuku and Koichi’s garbage, it actually  sounds great, I don’t understand how extremely brutal is the only way dadaroma is considered good? all the songs are pretty unique which were all of your critiques on previous releases, it doesn’t sound too generic except the pv and maybe 1 or 2 of the other songs that won’t be memorable, good start for them going into the new year, hoping for an album next

I fucking know that the guitar phrase at 1:10 was directly extracted from a VK song I've heard a lot of times, but I can't recall which one! Halpp!!!1
 
Btw, sill sounding so much like a song from Kuroyume's "Feminism" album (with 'Sugizoesque' solos), bordering plagiarism. But still much fresh than almost anything else today in the scene.
 
So it's a yes for me.
 

The song sounds how the cover art looks, that's all I'm gonna say.

I'm laughing harder than I should be

https://utaite.fandom.com/wiki/Kain
 
His is “utaite” on niconico. Basically a youtube singer. So this single might going to sound like anime songs since all this guy did is anime songs so I doubt he know how to arrange and mix heavier sound.

Nice review, this album it's 6/10 for me.
 
Here is some interview translation I did in news thread on why they change style so drastically.
 
"I just read chiaki's new interview on cure, it seems like this album is his answer to this question(why doing music) he kept searching for over a year.
Basically he's in existential crisis right now.
 
Here's a brief translate(Sorry for my bad English):
 
-Why name this album [Today]
Chiaki: How to get through [Today], to me its really difficult for past year. I have insomnia for over a year, can't sleep, don't wanna go out. I know there is no answer but I'm keep searching by hang out with members and go on tour(That explained why their last tour name is"Please save/help chiaki"). Sometime I get a little realization but mostly don't. So it's really difficult for me to live through everyday.
 
Although you might think:"Even though you depressed before bed, you just close your eye and today will end, right?" . The answer is no, it doesn't. Because there are no ways you can experience tomorrow, you can only live in "Today". I wanna get an answer, otherwise  there will be no inner peace in my mind. In order to move forward from this restless state, from now on I will create songs on this premise. I'm not trying to deny our past, I will still write heavy songs when I'm angry, but right now this album is my state of mind.
 
I know a lot of people will think:"wtf are you guys doing, you changed so much", I don't expect this album will reach to everybody, it would be great if I can create something everybody like, but I cant. If there is one moment in the album that can resonate some of you, for me right now, its the happiest thing ever. I expect a lot of backlash, I will take full responsibility, that's how important this album to me. "
 
After read this interview, that explain why they have some thematically change on lyric since live-distributed single ohayou. It changed from grotesque theme to this kind of existential theme.
 
Some of the lyric in ohayou means "I used to be think everything was fine but now every morning I wake up feel like shit,why is that? whats wrong with me? It really suck." "I dont wanna live yet I dont wanna die, I just keep singing" "when can I smile again from bottom of my heart, I wanna go back to that morning" So my guess is his depression start around that time(2016).

Probably from diru live since sho, mio, issei are all huge diru fanboy.