Doesn'tEvenGoHere

LOOOLLL WTFFFF KAZUKI NNNOOOOO

nothing will beat videos i've mentioned before but you guys've posted some really nostalgic ones so im gonna post some vids i used to watch on repeat instead of doing my school homework
so...back to the times j-rock music vids were called pvs...
 
zoro - house of madpeak
 
naito - tokyo shonen
 
nogod - dou
 
aural vampire - cannibal coast
there must be more great vids but i already feel almost physical pain cuz of the amount of nostalgia so i should stop for now maybe

Again? I'm excited that they're releasing more music, but this consecutive single releases over a short period of time thing is annoying. And I still don't think it's the best idea to continue putting out so much content. I'd rather they focus on quality over quantity. 
 
Also, when is Mirai coming back? I feel slightly less hyped about this release with a support drummer. 

He was tweetcasting, a baby crying could be clearly heard and as soon as he realized that he cut the streaming off. He apparently denied everything, refused to answer any question on the topic and finally chose to close twitter.
He's the most popular member by far, so draw your own conclusions on what's gonna happen.

In my personal opinion, I would have just partially lied and say it's a nephew or something.

I mean the thread title doesn't say that "in their hearts" or "in their mom's opinion" doesn't count.

The new look is pretty cool, dig it. But again will probably pass on all these singles like the 粉砕するぞ！and 俺を必要とする人はこの世の中に居ないよ singles that came out at the same time, where all the songs basically could have just been one full length. These songs could all just be one mini-album. I know there are reasons why they would take this approach instead but seriously that kind of thing is one of the things I really hate about the way Vkei bands market themselves. haha. So if they can convince me to spend money on these they'll have to pull off something really special to convince me. Look forward to seeing what they come up with nonetheless.

Lime’s voice is what Jin from Nega/Black Swan thinks he sounds like when he sings. 

You guys really feel like that?! (I'm not criticizing, just wondering)
I think the b-sides are just good as the title tracks, or even better in some cases. I really love and enjoy every single song that they've released so far.

In no particular order: 
Nightmare - Libido Nightmare - Anima Nightmare - Nightmare Penicillin - Vibe The Gazette - Disorder 

xaa-xaa 

xaa-xaa 

xaa-xaa 

Miztavla, avelcain, crucifixion, laveil mizeria, nocturnal bloodlust, 

at the moment:
 
01 Kagerou - Kagerou
02 Duel Jewel - Luminous
03 Nightmare - Varuna
04 The Black Swan - OUSIA
05 Penicillin - Missing Link
 
which is not accurate bc. most of stuff I actually listen to are non-album b-sides and mini/EPs, and my developing gag reflex over anything Dir en grey-adjacent has hit a peak, otherwise vulgar should be #1 or smth.

In the middle 

Literally screaming

i am boogieman's only fan in this forum
 
probably the only one in the world
 
it's ok
 
you don't deserve them
 
that's why they went away
 
i blame you all

I've never been able to stand his singing, but glad to see he's still going with this. Really would enjoy this project though if he found himself another vocalist because his songs are pretty catchy. 

Yep this is what I want, nihilism eating sunflower seeds off the floor in your underwear while the neighbors watch-kei

Hot damn that was a nice listen. Just soak up that sweet shit-kei.
 
also drink every time someone mentions that this song isn't as good as ojamashimasu and/or butt hurt about this band.
 
Just let people enjoy things. It's okay.

Instead of capturing DAMY at their most mature, I feel that Jigokuchuu Shinteki Limiter captured them at their most conflicted. They attributed their separation to musical differences and I feel like this release captures that struggle well.  As mentioned above, most of Jigokuchuu feels half baked. Like they didn't try as much as they should have which could very well have been due to musical differences in terms of where the band wanted their sound to go so instead they settled on whatever was presentable, but not fantastic (which I understand can be difficult when there's conflicting opinions on what fantastic should sound like). 
 
My best guess is that some of the members wanted to keep the early-dezert sound through their career while others wanted to go the exact same way as dezert  and take a more pop rock-sounding direction. DAMY's sound had showed that conflict for some time now.  That's just my theory though and it could  very well not have been what was happening at all. Either way, it sucks that their last release will freeze time for them as a representation of this musical conflict and couldn't be as memorable as some of their earlier work.  I still like Jigokuchuu as a piece of music, but not for the reasons I liked DAMY. 
 
Also if I remember correctly wasn't their drummer Miharu and actual roadie for Dezert?
 
 

Instead of capturing DAMY at their most mature, I feel that Jigokuchuu Shinteki Limiter captured them at their most conflicted. They attributed their separation to musical differences and I feel like this release captures that struggle well.  As mentioned above, most of Jigokuchuu feels half baked. Like they didn't try as much as they should have which could very well have been due to musical differences in terms of where the band wanted their sound to go so instead they settled on whatever was presentable, but not fantastic (which I understand can be difficult when there's conflicting opinions on what fantastic should sound like). 
 
My best guess is that some of the members wanted to keep the early-dezert sound through their career while others wanted to go the exact same way as dezert  and take a more pop rock-sounding direction. DAMY's sound had showed that conflict for some time now.  That's just my theory though and it could  very well not have been what was happening at all. Either way, it sucks that their last release will freeze time for them as a representation of this musical conflict and couldn't be as memorable as some of their earlier work.  I still like Jigokuchuu as a piece of music, but not for the reasons I liked DAMY. 
 
Also if I remember correctly wasn't their drummer Miharu and actual roadie for Dezert?
 
 

Instead of capturing DAMY at their most mature, I feel that Jigokuchuu Shinteki Limiter captured them at their most conflicted. They attributed their separation to musical differences and I feel like this release captures that struggle well.  As mentioned above, most of Jigokuchuu feels half baked. Like they didn't try as much as they should have which could very well have been due to musical differences in terms of where the band wanted their sound to go so instead they settled on whatever was presentable, but not fantastic (which I understand can be difficult when there's conflicting opinions on what fantastic should sound like). 
 
My best guess is that some of the members wanted to keep the early-dezert sound through their career while others wanted to go the exact same way as dezert  and take a more pop rock-sounding direction. DAMY's sound had showed that conflict for some time now.  That's just my theory though and it could  very well not have been what was happening at all. Either way, it sucks that their last release will freeze time for them as a representation of this musical conflict and couldn't be as memorable as some of their earlier work.  I still like Jigokuchuu as a piece of music, but not for the reasons I liked DAMY. 
 
Also if I remember correctly wasn't their drummer Miharu and actual roadie for Dezert?
 
 

Instead of capturing DAMY at their most mature, I feel that Jigokuchuu Shinteki Limiter captured them at their most conflicted. They attributed their separation to musical differences and I feel like this release captures that struggle well.  As mentioned above, most of Jigokuchuu feels half baked. Like they didn't try as much as they should have which could very well have been due to musical differences in terms of where the band wanted their sound to go so instead they settled on whatever was presentable, but not fantastic (which I understand can be difficult when there's conflicting opinions on what fantastic should sound like). 
 
My best guess is that some of the members wanted to keep the early-dezert sound through their career while others wanted to go the exact same way as dezert  and take a more pop rock-sounding direction. DAMY's sound had showed that conflict for some time now.  That's just my theory though and it could  very well not have been what was happening at all. Either way, it sucks that their last release will freeze time for them as a representation of this musical conflict and couldn't be as memorable as some of their earlier work.  I still like Jigokuchuu as a piece of music, but not for the reasons I liked DAMY. 
 
Also if I remember correctly wasn't their drummer Miharu and actual roadie for Dezert?
 
 

Instead of capturing DAMY at their most mature, I feel that Jigokuchuu Shinteki Limiter captured them at their most conflicted. They attributed their separation to musical differences and I feel like this release captures that struggle well.  As mentioned above, most of Jigokuchuu feels half baked. Like they didn't try as much as they should have which could very well have been due to musical differences in terms of where the band wanted their sound to go so instead they settled on whatever was presentable, but not fantastic (which I understand can be difficult when there's conflicting opinions on what fantastic should sound like). 
 
My best guess is that some of the members wanted to keep the early-dezert sound through their career while others wanted to go the exact same way as dezert  and take a more pop rock-sounding direction. DAMY's sound had showed that conflict for some time now.  That's just my theory though and it could  very well not have been what was happening at all. Either way, it sucks that their last release will freeze time for them as a representation of this musical conflict and couldn't be as memorable as some of their earlier work.  I still like Jigokuchuu as a piece of music, but not for the reasons I liked DAMY. 
 
Also if I remember correctly wasn't their drummer Miharu and actual roadie for Dezert?