Muma

have an extract from my snapchat story from a couple of days ago feat eye makeup > <

Ways in which Muma tries to convince herself that eating is necessary and NO HARM will come from it: if there is a sudden zombie apocalypse then you need to have a full stomach in order to escape efficiently. However you don't need to gorge yourself, by keeping your stomach at a relatively small size rations will so sustain you for longer

have an extract from my snapchat story from a couple of days ago feat eye makeup > <

have an extract from my snapchat story from a couple of days ago feat eye makeup > <

have an extract from my snapchat story from a couple of days ago feat eye makeup > <

God.

DanMachi had a horrible ending. I didn't realize it was the last episode until it said "Fin". All that build up and unresolved plot was disappointing. Really drops the show from great to mediocre.
Fate/Stay Night and Kuroko, however, had fantastic endings. Two of the best anime of the season. F/S:N can get awards for one of the best anime I've ever seen. Can't wait for Kuroko Extra Game with Team Vorpal Swords.
Ace of Diamond is heating up as well, although I don't find myself caring about anyone outside the core Seido members at all. The new members need a lot more character development.
Arslan Senki is enjoyable but the animation is fucking terrible. The fight scenes aren't even all that great, and the talking scenes look amateur at best. It's 2015 and they're cutting corners like it's 1995.
Still haven't finished Gunslinger Stratos or Owari no Seraph but both of them are convoluted snorefests of barely coherent material. They are both so bad, I might not even finish them.

Ranpo Kitan seems interesting so far. "game" concept already got me.
 
Gangsta seems good so far as well.

broken cookies from when I worked in housekeeping
we weren't gonna put them in the rooms so may as well (also nice as a lil snack on the job)
 
those cookies were really good tbh, I hope I get the job there this summer too

(i'm not sure if you can tell but I like dreams a lot so KEEPING THE THREAD ALIVE)
 
I was in space and the ship I was on left me there with a friend
We were totally still and had no way to move around. Coincidently a hoover from the ship came floating towards us and I used that to propell us forwards towards the earth. Somewhere along the way I let go of their hand and flew into orbit around the earth and gradually got faster and faster.
It kind of had the same feeling as chasing dreams ;__;; terrifying

asia for guys and europe for girls imo

Best New Tracks: June 2015

Best New Tracks is a new series brought to you by MH's Official Reviewers (ORZ)! Every month we'll be recommending brand-new Japanese songs from the recently passed month, so stay tuned! Feel free to comment or discuss any of this month's picks and even offer your own as well!
Visual Kei
"Crepuscule" by Femme Fatale

"R-18" by ゴシップ (Gossip)

"Imperial Concerto" by Kamijo

"身を知る雨 (Mi wo Shiru Ame)" by アルルカン(Arelquin)

"花占い (hana uranai)" by ザアザア (Xaa Xaa)

"ヴァルプルギスの夜 (walpurgis no yoru)" by トキノキト (tokinokito)

"窃盗 (Settou)" by 少年記 (Shounenki)

"終幕の芥 (shuumaku no akuta)" by 滅びの美学 或は、加虐偏愛者の調性の確立 (horobi no bigaku arui wa, kagyaku henaisha no chousei no kakuritsu)

Rock / Metal / Punk / Indie / Alt.
"Famous Day" by [Alexandros]

"Core" by Aureole

"泡と羊 (awa to hitsuji)" by back number

"スパイシーマドンナ (Spicy Madonna)" by BRADIO

"悲しくなる前に (Kanashiku Naru Mae ni)" by indigo la End

"! (amadare)" by Kidori Kidori

"Synthese" by LOST IN TIME

"ナイトダイビング (night diving)" by polly

"Millions of Stones" by SiM

"ナイトフライング (night flying)" by シナリオアート (Scenarioart)

Pop / Idol / R&B / Hip-Hop
"僕たちは戦わない (Bokutachi wa Tatakawanai)" by AKB48

"THE LIGHT" by Crystal Kay

"光追いかけて (Hikari Oikakete)" by FLOW

"BABY" by RYKEY

"music" by 三浦大知 (Daichi Miura)

"出逢いの続き (Deai no Tsuzuki)" by 渡辺麻友 (Mayu Watanabe)

"六月三日 (rokugatsu mikka)" by 近藤晃央 (Akihisa Kondo)

"Swallow Dive" by 降谷建志 (Kenji Furuya)

Electronic / Jazz / Other
"Sentimental Girls Violent Joke" by The Bilinda Butchers ft. Smany

"Ricoh Elemex" by Ventla

"あなたを保つもの (Anata wo Tamotsu Mono)" by 坂本真綾 (Maaya Sakamoto) x コーネリアス (CORNELIUS)

See you next month!

you still can download shedia's last 2releases I uploaded them  a while ago ^^
http://monochrome-heaven.com/index.php/topic/34889-27082014shedia-the-unsinkable-black-sun-the-obstructive-moon/?hl=shedia

^ The tooth paint is called ohaguro and I fucking love it too !!

am i the only one who actually REALLY likes the teeth look?
like.... surprisingly so and A LOT
oh also i'm looking forward to the releases too need to get a job asap so I can afford things
 
I never did listen to SHEDIA... might have a gander at them now...

am i the only one who actually REALLY likes the teeth look?
like.... surprisingly so and A LOT
oh also i'm looking forward to the releases too need to get a job asap so I can afford things
 
I never did listen to SHEDIA... might have a gander at them now...

They look a lot like XENON:

Thank you so much. My favorites...That could be tricky to write. I really don't have any favorite, I just like good music. But what I have been listening to for the past few days are Avelcain, Cell, Reign, RedruM, The Black Swan, Dadaroma, Grieva, Scapegoat, Kuroyuri to Kage, Develop One's Faculties, Synk;yet, Crimson Shiva, RevleZ and few others.

If you read manga, read the manga. It's great. You won't enjoy the anime unless you're just watching to see things get animated (and even then :/) + they changed the story and it hardly makes sense.
I do have to admit the last episode of the first season was really nicely done.

Might be in. Missed the themed Sunday because gaming. @~@

Kaie(ex-ベルベット(VelBet)) will hold his birthday presents live at Ikebukuro EDGE at 2015/09/28, at which various sessions & RE/V will perform
 
"guilty garden":
Vo.直祈(naoki) (ex-Luzmelt-->JILKA)
Gt.Kaie (ex-Luzmelt-->ベルベット(VelBet))
Gt.LATE (ex-Luzmelt, now in SLINGER)
Ba.よし(yoshi) (ex-CATFIST)
Dr.しゅう(shuu) (ex-Luzmelt-->AUBE)
 
 
"化物語(bakemonogatari)":
Vo.カイリ(kairi) (ex-SIVA-->gaNesha)
Gt.耶月(yazuki) (ex-0801弐209XX6, now in X GAME)
Gt.圭介(keisuke) (ex-gaNesha)
Ba.Casiss (ex-Arcadyus-->project ARTERIAL)
Dr.Zowi (ベティ(betty)(support))

OH MY GOD.

Artist: Sigh Album: Graveward 1. Kaedit Nos Pestis 2. Graveward 3. The Tombfiller 4. The Forlorn 5. The Molesters of My Soul 6. Out Of The Grave 7. The Trial by the Dead 8. The Casketburner 9. A Messenger from Tomorrow... I. The Message, II. Foreboding, III. Doomsday 10. Dwellers in Dream
Rating: | Are you brave enough to try?
 
Listening to a new Sigh record for the first time is an experience like no other. I'm sure by this point that the band tries to make each album larger, weirder, and more grandiose than the last. They've succeeded with flying colors for the last few attempts, and their tenth album "Graveward" refines the symphonic avant-garde direction birthed on 2010's "Scenes From Hell" and developed further with 2012's "In Somniphobia". A band that brands their metal as a "celluloid phantasmagoria" sounds pretentious to the core, but this is that odd band that actually can deliver what they promise. In fact, their music is so out there that their albums come with labels that warn that "if you find that some parts of this album are strange; it isn’t because the music is in itself strange, but because your conscious self is ill-equipped to comprehend the sounds produced on this recording". What a warning.

I'll come out right now and say that there's not a single thing I would change about this album.

I can't deny that "Graveward" is the product of a band that's been scraping every corner of their musical melting pot for over fifteen years. The compositions are as well-thought out and intriguing as ever, reflecting the two and a half years it took to compose and record, and they improve with each listen. The production is crisp, clean, and unusually devoid of any quirks. Every Sigh album has something about the mastering that's a bit off and this is the first time when the balancing act done in the studio between the metal antics of the band and the epic aspirations of the orchestra is nothing less than stupendous. I'm equally as impressed by how well the band plays with so many other instruments accompanying them: each song had over 100 recording tracks exceeding 100GB of audio to select from in the final mixes. There are even guest performances from Trivium's Matthew Heafy, DragonForce's Fred Leclercq, Shining Sweden's Niklas Kvarforth, Rotting Christ's Sakis Tolis, and The Meads of Asphodel's Metatron, although they are buried deep and are more Easter eggs than anything else. Most bands would crumble performing music this complex and yet Sigh makes it seem effortless. I almost take it for granted how memorable each song is and how good the flow of the album is.

From the entertaining opening melody, this is a relentless smorgasbord of every instrument you can think of and then some. This will either make or break your experience. I happen to find it too much fun for an album that revels in death, suffering, and the afterlife. I attribute most of this to the intentionally campy atmosphere which moves between tranquil, creepy, beautiful, tragic, and even menacing. The discretion shown with using these elements provides the maximum impact when they are in full swing like on "Kaedit nos Pestis" and "Graveward". Then the band has moments where they emphasize their metal side like on "The Forlorn", and "The Molesters of my Soul", and additional orchestrations support the band rather than compete for the user's attention. Then there's "A Message From Tomorrow", which is the climax to an already outstanding album. It's absolutely incredible and manages to remain a satisfying climax even if it departs from the thematic direction of the album. This track alone deserves a listen.

At its core, "Graveward" is very much a black metal record. But with so many elements, twists, turns, and strokes of genius, this album surpasses any type of simple classification. Its chaotic nature may come off as a gimmick to some, but even if it is, it's one that requires incredible amounts of musicianship to achieve. Those very same qualities make this album so much fun to listen to and leave me in awe at how creative one band can be. "Graveward" is not a record for everyone but it welcomes anyone to try it once.


Support the band! Purchase Graveward for $10 from Bandcamp and support the artists!

New image from DIAWOLF and Instagram photos for Shou's profile. You can see that he has 
a new tattoo on his left arm. xD