nullmoon

I love that all of this "bands are copying DEG!!!!!" shit, THE most obvious commonplace you can go on criticizing VK, comes around every couple months like the flu
 
then comes the obligatory Kuroyume song to prove the absolute copycat shitfest DEG was
 
and then we get a mod calling everyone to stay on topic
 
oh, the circlejerk of life

I never understood why care so much about a band ripping off diru when diru never sounds the same from album to album. Might as well let someone else copy a sound they're obviously never going back to.

Best picture ever

shalom ✌️

Had the time of my life in Seville (Spain) with these lovely folks.

their own sales never reaching the level of dezert/girugamesh to be considered a successful sell-out is the biggest self-diss Retsu etc could ever come up with.
 
I will be checking out their next releases for the laugh factor mostly, but we realistically need Akane to come back and end the young things. 

Christ, did the band sit down and discuss the concept of this album was going to be thumbing their collective noses at what few fans they have left? This shit is weird. 
 
Then again, it’s like these lyrics were written with the knowledge that MISC wouldn’t be well received, because we sure as fuck had no idea what we were in for thru most of 2019

Now I didn't follow DIMLIM enough to know much about their progression. I listened to their first few releases and wasn't impressed. Then the drama and all the members leaving and I didn't follow, but I listened to this album. I like some of the music, though a lot of it is pretty forgettable. How sudden is this musical shift of theirs to warrant the lyrics to be this petty? I get they're trying to kick the visual scene, but there's a much more mature way of doing so than being a whiny baby about it. Diss tracks are pretty immature (I'm looking at you Nokubura ...) but a diss track to their audience seems even more counter intuitive and immature.

People are weak 

are grainy webcam photos and nasal tip piercings vk?

took on the streets before deg /w @WhirlingBlack

https://subthatsong.blogspot.com/search/label/DIMLIM
 
this gal is translating the album and they are dissing us fans pretty hard in a couple of songs, lol

Me loves some Reol! My girl is back to her roots here! 🤘

Not at all. Everyone makes out like the band only ever makes clown shit and that they've never been heavy or interesting since the first Dadaism. MOST of their output since then has been great. Sure they've had a few duds, but in VK who doesn't? 

why?  to beat some sense into this man?
 
 
I think I would choose Kyo. I ran into him in Paris and he was really friendly and nice. 

I don't know but Apathy Human, Zouka, Ii kusuri to, Tokekomenai, Buriki, Hotaru, KIDS WAR even Dendrobium are heavy and came after dadaism 2 and that's just what I was able to come up with now. They're not as good ( except Zouka ) as Ame no Waltz lets say, but that's 'cause it wasn't written by Suicide Silence. Dadaism 1 overall isn't particularly heavy imo, not moreso than 4. A track like Morphine 2 already pioneers all the stupid clown party shit they did later. 

Agree with this. If they keep churning out oboreru sakanas then people will complain they have no variety.
 
Actually, if you listen to their output since oboreru sakana you'll find plenty of heavy tracks. It's better to give up on dadaroma at once if you're still hoping for that same song after six years. They've shown what direction they'll be following very clearly for a while a now , it's been consistent, so nothing surprising here.

This still blows me away. I get the first two PVs stand out in their discography, but that's because aside from the chorus' the best shit in them is stolen from american bands. Other than that their output is thematically and musically uniform and consistent, imo. DADAism series explored different moods from the first to the most recent, so it's not like the last mini being lighter is them jumping the shark somehow. 

Not at all. Everyone makes out like the band only ever makes clown shit and that they've never been heavy or interesting since the first Dadaism. MOST of their output since then has been great. Sure they've had a few duds, but in VK who doesn't? 

Not at all. Everyone makes out like the band only ever makes clown shit and that they've never been heavy or interesting since the first Dadaism. MOST of their output since then has been great. Sure they've had a few duds, but in VK who doesn't? 

... I must be taking crazy pills. There's been very little of DADAROMA's output I've disliked. People need to stop clamoring for the sound of THEIR FIRST RELEASE. It's been six years people.

it's out x 
 

I still need to listen to his last one >.<

Kei announced on twitter that he will release a new solo album on 2020.03.21
 
Will include the songs 'Utopia' and 'Eve' that he's been playing on recent solo performances
 
Further details yet to be announced
 
 

shin sounds literally identical to Sho's singing style from that era & Sho sounds like pure shit, but I'm glad he's not forcing that creepy ~youthful~ ~teenager~ voice from their recent re-recording collection
 
a9 sister acting like she's Gackt spreading his buss wide at a budokan tour final while irl standing in a record label basement is a kii