fitear1590

bruh, I just saw Kimbra live. She truly is amazing. She played a lot of new material (not just the singles "Everybody Knows," "Top of the World," and "Human") and there's plenty of variety. One really dance-y/anthemic track, some quieter ones like "Come As You Are," and even an old (but awesome) ballad on guitar that she's supposedly including on the album.

100%
German isn't my motherlanguage.
but I am glad that I do understand it almost perfectly.
 
___
inside the book is written that translating is forbidden,
however I will write some nice summaries of each chapter.
So that you guys still know a bit of the stories inside.  (。-∀-)
 
and who knows if this is a good hit, that Steff ever comes up with an English translation.

Yes, I'm definitely liking the whole Uranometria single a lot--it has some solid B-sides.
Yes! I love the originals of "げんそうシンドローム" and "ぼくとタルパ" but after hearing the album re-recordings, it's clear that the new versions are superior. (My only quibble with "ぼくとタルパ" is during the breakdown in the rerecording--somehow, it sounds a little more epic in the original single with the background arrangement). I wish we could get a rerecording of "ひとりトピア" as well.

@ricchubunny, get in here and share your GRIMOIRE love, d00d!

LMAO they came back last June with a new drummer & released a new mini-album in September...sad that their comeback was short-lived...;w;
 
 

I've loved everything they released this year! Apart from two songs in the album which I found were a little annoying, but even then the riffs are so catchy. 
 
Frabjous Nacht is one of my favourite  songs and looks by GRIMOIRE, the album really solidified their sound. I could almost say it was flawless, that re-recording of Never End is one of my songs of the year.
Uranometria is fantastic, the usual vk band will release something where the title track is good and the other two are filler tracks. But here overall it's a really good single. 
 
Anyone else think rynk has noticeably improved as a vocalist since they started? Can't wait for more. 

I think 2017 turned out really well for GRIMOIRE. I liked Frabjous Nacht (the single, but especially the song), and felt it was a good start to the year (I think it was my first CD of the year). The Album was super solid and had a nice tracklist, as well as two kickass re-recordings of some pretty awesome songs.
 
But definitely my favourite was the most recent single, Uranometria. The title track is just one of the most beautiful songs I've heard, and shows great improvement for the band. The other two tracks sprinkled in semblances of their earlier tracks (or were caked in it in regards to Hello & Goodbye xD)
 
I'm really looking forward to future GRIMOIRE releases; I think they can make 2018 another really great year.

I did a big update to the main post, adding the latest pics, videos, and releases to the discography section. I also updated the poll to add all these new songs.

Looking back, GRIMOIRE had a big 2017 with 2 maxi singles, a live-single, and a full album!
How did they do? What was your favorite?

Those who follow MH's Recommended Tracks series know that any time GRIMOIRE has a new release, they're bound to end up on the list. I'm pretty picky when it comes to contemporary VK, but this band has become one of my favorites currently active in the scene. From their their bedtime/zodiac outfits to their surprisingly well-produced gothic PVs, this band takes full advantage of their visual element. Musically, I like to describe them as 'dark graveyard carnival kei.' Considering that all the musicians all stem from the guilty-pleasure pop band PIECE, I was a little more than surprised when my host boys started churning out chugalicious riffs. Somehow, the style works for them and it's the best (and most technical) they've ever sounded. While their output can be a bit 'samey,' I can't knock them for sticking to a niche concept that is so meticulous (everything from thematic cover art to the scribbly 'handwritten' text on every PV). From what I've read, some people aren't fans of their first release, Hitoritopia, which featured noticeably more amateur production, but lawd, I loved how atmospheric it was. I'm hoping they'll bring back that vibe in full-swing, now that they have the production to properly back it up.

They seem to have just recently signed with Timely Records (DADAROMA, XAA-XAA, etc.), so I see big things in GRIMOIRE's future!

Anyway, it's about time we had a thread for them here! Who else is a fan? Favorite song/PV/release/member? All discussion is welcome!

Those who follow MH's Recommended Tracks series know that any time GRIMOIRE has a new release, they're bound to end up on the list. I'm pretty picky when it comes to contemporary VK, but this band has become one of my favorites currently active in the scene. From their their bedtime/zodiac outfits to their surprisingly well-produced gothic PVs, this band takes full advantage of their visual element. Musically, I like to describe them as 'dark graveyard carnival kei.' Considering that all the musicians all stem from the guilty-pleasure pop band PIECE, I was a little more than surprised when my host boys started churning out chugalicious riffs. Somehow, the style works for them and it's the best (and most technical) they've ever sounded. While their output can be a bit 'samey,' I can't knock them for sticking to a niche concept that is so meticulous (everything from thematic cover art to the scribbly 'handwritten' text on every PV). From what I've read, some people aren't fans of their first release, Hitoritopia, which featured noticeably more amateur production, but lawd, I loved how atmospheric it was. I'm hoping they'll bring back that vibe in full-swing, now that they have the production to properly back it up.

They seem to have just recently signed with Timely Records (DADAROMA, XAA-XAA, etc.), so I see big things in GRIMOIRE's future!

Anyway, it's about time we had a thread for them here! Who else is a fan? Favorite song/PV/release/member? All discussion is welcome!

Those who follow MH's Recommended Tracks series know that any time GRIMOIRE has a new release, they're bound to end up on the list. I'm pretty picky when it comes to contemporary VK, but this band has become one of my favorites currently active in the scene. From their their bedtime/zodiac outfits to their surprisingly well-produced gothic PVs, this band takes full advantage of their visual element. Musically, I like to describe them as 'dark graveyard carnival kei.' Considering that all the musicians all stem from the guilty-pleasure pop band PIECE, I was a little more than surprised when my host boys started churning out chugalicious riffs. Somehow, the style works for them and it's the best (and most technical) they've ever sounded. While their output can be a bit 'samey,' I can't knock them for sticking to a niche concept that is so meticulous (everything from thematic cover art to the scribbly 'handwritten' text on every PV). From what I've read, some people aren't fans of their first release, Hitoritopia, which featured noticeably more amateur production, but lawd, I loved how atmospheric it was. I'm hoping they'll bring back that vibe in full-swing, now that they have the production to properly back it up.

They seem to have just recently signed with Timely Records (DADAROMA, XAA-XAA, etc.), so I see big things in GRIMOIRE's future!

Anyway, it's about time we had a thread for them here! Who else is a fan? Favorite song/PV/release/member? All discussion is welcome!

There must be a duplicate thread, because I know these have been posted before. Anyway, my "fave" worst CD covers:

Dear L'Novel - 罪と罰(Tsumi to Batsu) 

 
ViViD - Message
 

Dear L'Novel's is one of the few albums that I truly enjoy but refuse to buy, because the album art would haunt me. And yet, the ViViD one is somehow worse, because they were actually a major band. Can you imagine who designed these covers and thought "Yup, these are good to go!"

天野攸紀 (amano yuki) Worship Thread

 

Amano Yuki is one of visual/nagoya kei's best kept secrets. In the past decade, he's played bass (for a short time) in legendary bands like deadman, the god and death stars, and the studs. Currently, he's juggling a number of bands/projects, being most well-known for playing bass in HOLLOWGRAM. However, the projects he leads are much more exciting. In his projects (detailed below), he plays guitar, sings, and writes all the music. Unfortunately, Yuki has not done himself a lot of favors in terms of promoting his work. There seem to be no current official photos of him, besides what he's done with HOLLOWGRAM--not a great technique in VISUAL kei (although, he does seem to operate on the periphery of the scene). Plus, all of his CDs to my knowledge are always released as live-limited—luckily, the majority of his stuff is released from the “vault” eventually and goes for sale on his personal webshop or elsewhere, such as zoisite shop.  

dim my division (2011)
Back in 2011 when he was still known as “yukino,” he released a single under the band dim my division in a mellow, alternative (Nagoya kei?) style.  The two songs (plus the sample of “window” tacked on to the end of track 2) would later be totally reworked in the DIMMDIVISION. mini-album, RECALL.

Members:
Vocals & Guitar: yukino (Gullet, Deadman, the studs, StrangerSaid.)
Bass: kazu (Kagerou, the god and death stars, Stereo.C.K.)
Guitar: KUMA
Drums: hibiki (the studs, otogadead)

Release:
モノクロにクル  
2011
1. モノクロにクル (monochronicle)
2. dims in wonder
 

DIMMDIVISION. (2011-present?)
On New Year’s Eve of 2011, the band changed their name to DIMMDIVISION. Members yukino and hibiki “updated” their names as well. They released their first mini-album, this time with a very strong shoegaze influence and noisy production, bearing hardly any resemblance to dim my division’s music. The following releases have continued the shoegaze-influence and the RECALL mini-album features some of the most creative retooling and remixing I’ve ever encountered, rendering the old Nagoya kei style music of dim my division into something completely fresh. While DIMMDIVISION. hasn’t had a release in a while, they still perform live, so I assume they’re still active.

Members:
Vocals & Guitar: Amano Yuki (f.k.a. yukino)
Bass: kazu (Kagerou, the god and death stars, Stereo.C.K.)
Guitar: KUMA
Drums: Manabu Saitoh (f.k.a. hibiki)

Ex-Member:
Guitar: takumi (ex-Moran’s velo); departed after the release of first mini-album

Releases:
A Day in the PanoramaMagic.
2012/01/10


1. NightFlight
2. Deva_Loka
3. Embryo
4. HaS
5. Envy
6. .ReyarP

ザヒビキ(the hibiki)
2012/05/04
1. .ReyarP
2. Envy
Note: According to @Trombe, this single features a remix by Manabu Saitoh, with one song with vocaloid vox and the other sung by Saitoh himself.

揺れる/梟
2013.01.12
1. 揺れる (yureru)
2. 梟(fukurou)
Note: A second press was released (date unknown) with different packaging in a clear DVD case. The songs feature no perceived remastering.


RECALL
2013.11.18

1. Monochronicle (new ver.)
2. Dims In Wonder (new ver.)
3. Window
4. HaS (RECALL ver.)
5. Envy (RECALL ver.) 

天野攸紀 (2012-present)
Yuki’s solo project, which officially goes by his full name, is largely acoustic. The songs are generally much simpler than his DIMMDIVISION./StrangerSaid. work.

Releases:
saw.
2012.06.26
1. saw.

Daybreak / colors.
2013.01.12
1. Daybreak
2. colors.
Note: This is a collaboration single credited to 天野攸紀& 高井淳(Takai Jun). According to @Trombe, one song is composed by Yuki and sung by Jun, and the other is composed by Jun and sung by Yuki.

memento
2014/03/30
1. memento

真昼の月
2015/05/28
1. 真昼の月(mahiru no tsuki)
Note: A bonus track is connected to the title track. On iTunes, the song appears as “真昼の月 ～ PLAY”.


StrangerSaid. (2013-present)
StrangerSaid. is unique in Yuki’s projects, because it features violin and upright bass. I would describe the core sound as closer to dim my division than DIMMDIVISION., but with the inclusion of the orchestral elements of course. One of HOLLOWGRAM’s songs, “Butterfly in her dreams,” sounds like  StrangerSaid. (with a bit of Moran influence?) and Yuki indeed composed it.

Members:
Vocals & Guitar: Amano Yuki
Violin: hidaka hayato (sources)
Upright Bass: YUCHI (kannivalism, sukekiyo)
Drums: ootaka jun (rowthe, the god and death stars)

Releases:
stranger said_
2013/04/07
1. 無形の輪(mukei no wa)
2. Laughing In The Pain.
3. 白日(hakujitsu)
Note: A second press with remastered tracks was released on 2014/08/15 under the title [ss_2nd mortal.]

a sleep.
2014/01/12
1. a sleep.

THE PAST.
2015/01/10
1. THE PAST./KUMA_mix
2. saw.[ss_ver.]/takumi_mix
3. THE PAST./takumi_mix

Special thanks to VKDB and @Trombe’s informative news threads which helped me to gather so much information!
_____________

Now, let’s discuss his music and shed some much needed light on this dark horse figure in art kei!
Do you have a favorite project or do you try to follow everything? Favorite releases/songs? Should he focus more on his three current projects or on HOLLOWGRAM? Do you think Yuki deserves more popularity/recognition?

I've stuck with Giffing Tool for a while: http://www.giffingtool.com

They have a free version (with a small watermark, I believe) as well as a full "pay what you want" version. I think I paid $1 for the full version and there's no watermark.

It's simple to use, but also not overly fancy with features (so that might be a negative, if you're looking to make extremely edited gifs). Hope that helps!

@fitear1590 TOO LATE!!! 
 
jokes aside i'm happy to see anfiel on the list. there are def differences between unite and anfiel but i've always thought from the start that a unite fan would be able to find at least something in anfiel that appeals to them  
 
i haven't heard any other release from this list so it's hard for me to comment on them. from August i also enjoyed: 
- ReFrain ReFrain - Breezing (ryoga has a nice voice o.o)
- L.O.V.E - Werthers (roa kenji is hugely underrated, i really really hope he can finally make it with this band after all the drama with Virgil)
- Purple Stone - 赤と青 (i'm obviously not biased! would have preferred more new tracks but as their debut album it's the perfect distillation of the range of things they're capable of)
- vistlip - July Ⅶth [Re:birth]～10th Anniversary Edition～ (there's no way any vistlip fan won't appreciate a 10th anniversary rerecording of what's undoubtedly the band's most iconic song)
- K - Story (i haven't actually had time to listen to this fully but the preview suggests that i'd probably really like it)

Loved Leetspeak Monster's Black Owl! this remade version is so much superior, Xavie's part really do give it a special flavor...
 
I'd add to this list ACME's Trick×Trap. The mini is great overall, but this track is so vibrant, Shogo's trademark composition-style is so evident here, it makes the early-xTRiPx fan in me dwell in nostalgia. You gotta love that chorus, the boys know their way really well in what makes a VK song stand out.

I'm surprised no one has mentioned Tusk Itaya from Zi:Kill, CRAZE, and The Slut Banks.

Tusk back in Zi:Kill along with Sugizo
 
Tusk with The Slut Banks. I couldn't find any clear images of him in CRAZE, and I couldn't find anything from his short-lived project, Amnesia, but he seems to look the same now as he did in Craze, meaning that he gained a lot of weight after Zi:Kill broke up. I bet though if he lost weight, shaved, and if he can't regrow his hair, wore a wig, he could pull off a toned down version of his Zi:Kill look

Greetings, MH! June felt a little slow for some of us, but nonetheless, here is our latest batch of recommended tracks!  Check them out and let us know what you think!
 
(We apologize if some videos aren't available due to region restrictions!)

@helcchi's Picks
"vainglory" by MEIDARA

In February, a mysterious masked band released a disruptive trailer, raising speculation on whether at least the vocalist was an established member of the scene. The speculation was soon dispelled when it was revealed that the band were relative newcomers having regrouped from previously disbanded Galumia, however their music has left a lasting impression on me. "vainglory" might be the most overlooked of the three songs on MEIDARA’s debut single, with its softer sound and slower pace yet this ambitious little number doesn’t scrimp on expressiveness. With Yagami’s powerful voice, an anthemic chorus and a half-minute guitar solo, this song is fitting for an ending track as "vainglory" closes out an excellent debut on a high note.
 
"蜉蝣の夢" by FIXER
"Kagerou no Yume" by FIXER

An atmospheric ballad that is pretty in its simplicity and not often synonymous with FIXER. The 4-minute emotion-filled song features a beautiful chorus that is punctuated by discordant guitars, distorted vocals and distant screaming, emanating a sense of unrest and culminating in a soaring climax. This song would also work well unplugged, and whilst many will find it mediocre, I think it’s got enough charm earn itself a spot in a playlist for rainy days. Besides, one of the last ballads that Jey sang was the remarkable but off-tune "Dears" by RevieЯ so I’ll take it.
 
"Omelas" by JILUKA

JILUKA have upped the ante with their release of the explosive “Omelas" - faster, louder and are you kidding me. The premise of the song is possibly a nod to Ursula K. Leguin’s short fiction "The Ones Who Walk Away from Omelas”, with the cave and caged scenery of the PV  illustrating the hidden atrocity that lies beneath the utopian city of Omelas wherein a single child must be locked away in the darkness and kept in a state of perpetual filth and misery as a social contract to maintain the city’s peace and happiness. The production quality of the PV is a feast for the eyes with outstanding cinematography while the gripping powerplay between the guitar and drums weaves an intricate auditory story that is diabolically mesmerising.

@emmny's Pick
 
"ドラマチックな恋心" by SAVAGE
"Dramatic na koigokoro" by SAVAGE

If you're ever curious as to what a dry month (some of us) had for June and for all of 2017...this sums it up. SAVAGE are that friend with benefits that you have known for a bit too long to give up on so you text occasionally and meet up once in a blue moon for mediocre sex but somehow it's all kind of fun and cute? That's a lie, SAVAGE are actually the herpes you get after the fact but it's kind of cool because you knew you were gonna end up with something so you might as well consider it a parting gift. In fact, SAVAGE as a strand of herpes would be like...antibiotic-resistant or something because these guys actually won't die and keep rehashing the same shit over and over. Luckily for some of us with questionable taste, it's all in good fun. I've been on a SAVAGE kick since they've been coming through with their six city oneman tour digest footage on their YT channel, quelling my curiosity for live audio from them. They sound sharp live, at least in comparison to their studio output, and threw a surprisingly solid show by the looks of it. "Dramatic..." was the track that looked especially engaging; I always heard it in the snippets and was like "hey, I should probably listen to the full track" but didn't get around to it until now. Their weirdly psychedelic take on visualcore that has taken off in the past year is in full effect here and oddly intoxicating. June was dry, but SAVAGE made it somehow worthwhile...and that's one thing I don't regret from our affair!
 

@fitear1590's Picks
"セクシーホモサピエンス" by クウチュウ戦
"Sexy Homosapiens" by Koochewsen

These days, Koochewsen is one band that I can truly count on. Accompanying the release of their '1st love album,' whatever that means, they released the PV for "Sexy Homosapiens." The song title should be apparent enough, but this band always keeps it entertaining and their PVs never disappoint. If I had to sum up this particular video in one phrase, I'd go with: 'bathtub guitar solos.' "Sexy Homosapiens" is a fine and prog-alicious introduction to Koochewsen's wacky world, so do yourself a favor and try them out.

"ラビリンス" by MONDO GROSSO featuring 満島ひかり
"Labyrinth" by MONDO GROSSO featuring Hikari Mitsushima

Clicking around the related and recommended videos on YouTube can be a surprisingly rewarding experience. My favorite Japanese find this month comes from DJ/producer MONDO GROSSO featuring J-pop vocalist Hikari Mitsushima. The dreamy house-style beats mesh perfectly with her delicate voice. But what brings it all together for me is the gorgeous PV. Filmed in a single shot (I'm a sucker for ambitious one-takes) in Hong Kong at night, the video brilliantly captures all the vibrant lights and colors while the camera glides through an urban market and residential area. The splendid visuals all mask the fact that Hikari isn't exactly the most graceful dancer!

"ガブリエル" by Yeti
"Gabriel" by Yeti

Yeti may have built a following with their sprightly indie rock, but PV track "Gabriel" from their sixth mini album ハウル (Howl) sees the band broaching a ballad-oriented style. Call me a sap, but I'm loving it. They don't lose all their energy though, as the choruses pulse with power pop momentum. Also, since the subject of Yeti's VK status is a hot topic around these parts, let's consider a few things. With the video's church setting and the random white kid (classic VK PV tropes), as well as the song's general composition and Satoshi's quivery whispered delivery at the beginning of the third chorus, is this song a step (or at least a nod) towards their VK roots? In any case, this song is just one facet of their sonic palette (see plastic's review of "Mujuuryoku").
 

@plastic_rainbow's Picks
 
"See Inside" by PASSing truth DRIVE


PASSing truth DRIVE was a random find when I browsed through the youtube channel of a J-indie record label called 'KiliKili Villa'. The song "See Inside" comes off of their new album Ha and opens with a dizzying echo of the voice, signaling the strangeness that comes ahead. What we have here are some peculiar acoustic guitars, a funky digitized voice, an eerie saxophone and basically a mix of nujazz/trip hop and folk into one. There is also an avant-garde side to it as the video for the song showcases the aesthetics from old black and white films like 'A Trip to the Moon'. Watching the video while listening to the song is a must in order to fully experience the uncanny storytelling. The repetitive whispering of 'see inside' and the monotonous rap section generates a sense of dark horror as you watch the robotic men march without purpose. PASSing truth DRIVE have been around for years, forming in 1992 and to my surprise used to perform with the well-known punk band Eastern Youth. Despite an apparently punkier sound in their earlier years, they have decided to break away from those roots this time around into something more experimental and jazzy, which may not be for everyone but can be pleasing to the ears if you have an open mind.

"雨中遊泳" by Plastic Tree
"Uchuu Yuuei" by Plastic Tree

Sure enough, Plastic Tree always stay rooted to their signature sound and "Uchuu Yuuei" is like any other fruit that flourishes from that tree. In celebration of their 20th anniversary since their major debut it's not a negative thing to say that the track recycles all of their previous material because it pays homage to their pre-2010 works. Particularly, "Uchuu Yuuei" is reminiscent of "Tsumetai Hikari" and "Yuki Hotaru" as it creates a similar kind of solitude and coldness emanated from Ryutaro's mournful singing. On top of that, the emotive guitar riffs and skip of the piano immerse you into the shivering rain of loneliness, which is essentially what the ballad strives to express. Even though Plastic Tree have not done anything totally impressive in a while, the beauty and sadness of "Uchuu Yuuei" is still worth a listen. And seeing how they continue to stand vigorously even after over twenty years, Plastic Tree will surely not wither away just yet.
 
"無重力" by Yeti
"Mujuuryoku" by Yeti

If you thought Yeti were going to put out another mini album entirely composed of soft alternative rock, think again. Howl blesses us with two tracks that characterize a heavier sound, one of them being "Mujuuryoku". If you listen to the first few seconds you would have never thought that it was written by Yeti, who claim to be no longer involved with the VK scene. Yet, the slow and metal infused opening practically sounds like something you'd hear from a heavier VK ballad, until Satoshi's delicate vocals come in and you remember that oh wait, this is Yeti that I'm listening to. Satoshi's vocals work well against the heavy backdrop, but in a matter of 'un duex trios' the track reverts back to Yeti's soft sound and lays out a serene ballad. It was honestly a tough pick between the two heavier tracks and I recommend VK listeners, as well as all listeners, to check out "Aun" also, which unlike "Mujuuryoku" does not transition to a ballad and is more edgy. It would be great if Yeti experiment more with this heavier sound and I look forward to what they'll be putting out next.

@The Reverend's Pick
"最近じゃデパートのオリジナルソングにすら 幸せを感じるんだ" by The Mirraz
"Even the songs in the department store, can make me happy these days." by The Mirraz

The Mirraz have decided to dip their toes in the post-hardcore wading pool with their new single "Even the songs in the department store, can make me happy these days." The new track still features Shouhei's highly-caffeinated rapid-fire vocal delivery but tempers the energy a bit with a backdrop of slower, fuzzy melodies and purposeful yet dreamy drums and backup vocals.  There are still a lot of just *words* being yelped and sung every which way, but on this track they take on a twinge of emo-ness (see: the title) and appropriate urgency. If you're intrigued by the possibility of a punk love song filtered through the lens of At The Drive-In and The Novembers be sure to check the newest by The Mirraz.

@Disposable's Pick
"あましずくとマクガフィン" by グリモア
"Ama shizuku to McGuffin" by GRIMOIRE

How long has Grimoire been around, a year or two? Either way, you couldn't tell that by looking or listening to them. Their aesthetic concept, both musically and visually, is so sharp and defined that nobody sounds nor looks like they do and the production values are just unparalleled — and now in a very un-visual kei fashion we have an album for once. A crude description would be for you to imagine Pentagon at their most primordial, mixed in with a little bit of Mejibray (don't take that wrong, okay ) and Moran in a way that their style at its bare essence consists of brooding, stylised core riffs and RyNK's cute mischievous boy voice in a netherworld dark pastel carnival. Their signature is not being exactly lighthearted or jovial, but certainly an aversion to the heartrending blackness some of their contemporaries that might dabble in similar soundscapes and riffs in particular; it's a playful darkness that defines them. 
"あましずくとマクガフィン" stands out from the rest of their discography for a couple of reasons. It's slower paced, more inclined to rely on the atmosphere than their tracks have tended to in the past; a clear album opener within the visual kei tradition in this regard. It vaguely reminds me of similar tracks Mejibray has done, but fuck if their own style is beyond reproach at this point. What I think achieves this effect in particular is that RyNK's tone is always almost conversational, but especially in here to me he sounds like a child singing in his room next to scattered toys and posters, a visual effect further emphasised by the jingling riffs and their trademark samples of bells and the rest of it — flourishes so consistent with their aesthetic that one often doesn't even consciously catch them, because it's so comfortably ingrained into Grimoire's character. It's the music box variety of new visual kei that has once again transformed its imported riffing style seamlessly into its purposes and aesthetic vision.
 
 
Guest Recommendations:
@Ada Suilen's Picks
"Bad Blood" by Acid Black Cherry

I started to know Yasu with this project and I was literally hooked by his suggestive vocals and his unexpected versatility, making him one of the best singers around in the scene. This year for him marked an interesting achievement, as the project arrived at the tenth anniversary, and for the occasion came Acid Blood Cherry; considered a spin-off release, it can be defined in its entirety by this track, where the stronger point is the contrast between Yasu's bright vocals and screamo vocals by Tenji Nagano from Crack6, one of the many illustrious guests of the release, for a raging and unique rock track, suitable for each to hear.

"Sans Toi Mamie" by Ataru Nakamura

This song marks my own regret for not having listened to this singer before. Following up a blasting solo career and a brief but engaging phase with the visual kei band Decays, Ataru Nakamura releases her first mini-album, which is surely a worthy one, made of melting tones and of a gloomy depth, where this track is the peak; the powerful guitar in the background reinforces the struggling melody of this ballad, accompanied by a moving vocal interpretation, meaning that this singer will be one of my replays, and I hope even yours.
- - - - - - - - - - - - - - - - - - - - - - - - - - -
Thanks for checking out our recommendations this month! And another big thanks to our guest contributor Ada Suilen! If you have any thoughts on the list, or if you have any recommendations of your own, we look forward to seeing your comments below!
 

Looks like the vocalist and guitarist from DIV, Chisa and Shogo, are back with a new band, アクメ/ACME! Their social media handles (Instagram, etc.) appear to have been updated to reflect the new band name.
http://acme-official.com/

Members
Vo. Chisa
Gt. Shogo
Ba. Rikito
Dr. Hal


(Swastika-kei tho?)
   

Also, they've got a mini-album, SENKOU, coming out in August.

2017/08/02(Wednesday)
01.SENKOU
02.Trick×Trap
03.MONSTER
04.EDGY
05.MELODY
06.テバナシライダー
07.KAMIKAZE
DCCNM-503 ¥2500(+tax) 2000枚限定
 
 

Anyone know what band Rikito might be from? Or did he just arrive via time machine?

Looks like the vocalist and guitarist from DIV, Chisa and Shogo, are back with a new band, アクメ/ACME! Their social media handles (Instagram, etc.) appear to have been updated to reflect the new band name.
http://acme-official.com/

Members
Vo. Chisa
Gt. Shogo
Ba. Rikito
Dr. Hal


(Swastika-kei tho?)
   

Also, they've got a mini-album, SENKOU, coming out in August.

2017/08/02(Wednesday)
01.SENKOU
02.Trick×Trap
03.MONSTER
04.EDGY
05.MELODY
06.テバナシライダー
07.KAMIKAZE
DCCNM-503 ¥2500(+tax) 2000枚限定
 
 

This af.

I'm not denying the OP's observations about a certain bias some fans may have, but at the same time, I think a lot of people downplay the uniqueness of different languages themselves. When it comes down to it, it's extremely difficult to find bands singing in different languages that actually manage to "sound" like each other. Even if a German-language band existed that sounded, musically, exactly like THE NOVEMBERS or something, I highly doubt I'd ever enjoy listening to them as much as Japanese NOVEMBERS, just from a phonetic standpoint. And this is coming from someone who studies/teaches/otherwise loves German.

But there's all kinds of biases. There's fans that never go beyond English-language or Anglo/European music. There's Japanese music fans that don't dare touch VK, because it would ruin their cred. There's VK fans who put the blinders on to any other scene or country's music.

Greetings, MH! June felt a little slow for some of us, but nonetheless, here is our latest batch of recommended tracks!  Check them out and let us know what you think!
 
(We apologize if some videos aren't available due to region restrictions!)

@helcchi's Picks
"vainglory" by MEIDARA

In February, a mysterious masked band released a disruptive trailer, raising speculation on whether at least the vocalist was an established member of the scene. The speculation was soon dispelled when it was revealed that the band were relative newcomers having regrouped from previously disbanded Galumia, however their music has left a lasting impression on me. "vainglory" might be the most overlooked of the three songs on MEIDARA’s debut single, with its softer sound and slower pace yet this ambitious little number doesn’t scrimp on expressiveness. With Yagami’s powerful voice, an anthemic chorus and a half-minute guitar solo, this song is fitting for an ending track as "vainglory" closes out an excellent debut on a high note.
 
"蜉蝣の夢" by FIXER
"Kagerou no Yume" by FIXER

An atmospheric ballad that is pretty in its simplicity and not often synonymous with FIXER. The 4-minute emotion-filled song features a beautiful chorus that is punctuated by discordant guitars, distorted vocals and distant screaming, emanating a sense of unrest and culminating in a soaring climax. This song would also work well unplugged, and whilst many will find it mediocre, I think it’s got enough charm earn itself a spot in a playlist for rainy days. Besides, one of the last ballads that Jey sang was the remarkable but off-tune "Dears" by RevieЯ so I’ll take it.
 
"Omelas" by JILUKA

JILUKA have upped the ante with their release of the explosive “Omelas" - faster, louder and are you kidding me. The premise of the song is possibly a nod to Ursula K. Leguin’s short fiction "The Ones Who Walk Away from Omelas”, with the cave and caged scenery of the PV  illustrating the hidden atrocity that lies beneath the utopian city of Omelas wherein a single child must be locked away in the darkness and kept in a state of perpetual filth and misery as a social contract to maintain the city’s peace and happiness. The production quality of the PV is a feast for the eyes with outstanding cinematography while the gripping powerplay between the guitar and drums weaves an intricate auditory story that is diabolically mesmerising.

@emmny's Pick
 
"ドラマチックな恋心" by SAVAGE
"Dramatic na koigokoro" by SAVAGE

If you're ever curious as to what a dry month (some of us) had for June and for all of 2017...this sums it up. SAVAGE are that friend with benefits that you have known for a bit too long to give up on so you text occasionally and meet up once in a blue moon for mediocre sex but somehow it's all kind of fun and cute? That's a lie, SAVAGE are actually the herpes you get after the fact but it's kind of cool because you knew you were gonna end up with something so you might as well consider it a parting gift. In fact, SAVAGE as a strand of herpes would be like...antibiotic-resistant or something because these guys actually won't die and keep rehashing the same shit over and over. Luckily for some of us with questionable taste, it's all in good fun. I've been on a SAVAGE kick since they've been coming through with their six city oneman tour digest footage on their YT channel, quelling my curiosity for live audio from them. They sound sharp live, at least in comparison to their studio output, and threw a surprisingly solid show by the looks of it. "Dramatic..." was the track that looked especially engaging; I always heard it in the snippets and was like "hey, I should probably listen to the full track" but didn't get around to it until now. Their weirdly psychedelic take on visualcore that has taken off in the past year is in full effect here and oddly intoxicating. June was dry, but SAVAGE made it somehow worthwhile...and that's one thing I don't regret from our affair!
 

@fitear1590's Picks
"セクシーホモサピエンス" by クウチュウ戦
"Sexy Homosapiens" by Koochewsen

These days, Koochewsen is one band that I can truly count on. Accompanying the release of their '1st love album,' whatever that means, they released the PV for "Sexy Homosapiens." The song title should be apparent enough, but this band always keeps it entertaining and their PVs never disappoint. If I had to sum up this particular video in one phrase, I'd go with: 'bathtub guitar solos.' "Sexy Homosapiens" is a fine and prog-alicious introduction to Koochewsen's wacky world, so do yourself a favor and try them out.

"ラビリンス" by MONDO GROSSO featuring 満島ひかり
"Labyrinth" by MONDO GROSSO featuring Hikari Mitsushima

Clicking around the related and recommended videos on YouTube can be a surprisingly rewarding experience. My favorite Japanese find this month comes from DJ/producer MONDO GROSSO featuring J-pop vocalist Hikari Mitsushima. The dreamy house-style beats mesh perfectly with her delicate voice. But what brings it all together for me is the gorgeous PV. Filmed in a single shot (I'm a sucker for ambitious one-takes) in Hong Kong at night, the video brilliantly captures all the vibrant lights and colors while the camera glides through an urban market and residential area. The splendid visuals all mask the fact that Hikari isn't exactly the most graceful dancer!

"ガブリエル" by Yeti
"Gabriel" by Yeti

Yeti may have built a following with their sprightly indie rock, but PV track "Gabriel" from their sixth mini album ハウル (Howl) sees the band broaching a ballad-oriented style. Call me a sap, but I'm loving it. They don't lose all their energy though, as the choruses pulse with power pop momentum. Also, since the subject of Yeti's VK status is a hot topic around these parts, let's consider a few things. With the video's church setting and the random white kid (classic VK PV tropes), as well as the song's general composition and Satoshi's quivery whispered delivery at the beginning of the third chorus, is this song a step (or at least a nod) towards their VK roots? In any case, this song is just one facet of their sonic palette (see plastic's review of "Mujuuryoku").
 

@plastic_rainbow's Picks
 
"See Inside" by PASSing truth DRIVE


PASSing truth DRIVE was a random find when I browsed through the youtube channel of a J-indie record label called 'KiliKili Villa'. The song "See Inside" comes off of their new album Ha and opens with a dizzying echo of the voice, signaling the strangeness that comes ahead. What we have here are some peculiar acoustic guitars, a funky digitized voice, an eerie saxophone and basically a mix of nujazz/trip hop and folk into one. There is also an avant-garde side to it as the video for the song showcases the aesthetics from old black and white films like 'A Trip to the Moon'. Watching the video while listening to the song is a must in order to fully experience the uncanny storytelling. The repetitive whispering of 'see inside' and the monotonous rap section generates a sense of dark horror as you watch the robotic men march without purpose. PASSing truth DRIVE have been around for years, forming in 1992 and to my surprise used to perform with the well-known punk band Eastern Youth. Despite an apparently punkier sound in their earlier years, they have decided to break away from those roots this time around into something more experimental and jazzy, which may not be for everyone but can be pleasing to the ears if you have an open mind.

"雨中遊泳" by Plastic Tree
"Uchuu Yuuei" by Plastic Tree

Sure enough, Plastic Tree always stay rooted to their signature sound and "Uchuu Yuuei" is like any other fruit that flourishes from that tree. In celebration of their 20th anniversary since their major debut it's not a negative thing to say that the track recycles all of their previous material because it pays homage to their pre-2010 works. Particularly, "Uchuu Yuuei" is reminiscent of "Tsumetai Hikari" and "Yuki Hotaru" as it creates a similar kind of solitude and coldness emanated from Ryutaro's mournful singing. On top of that, the emotive guitar riffs and skip of the piano immerse you into the shivering rain of loneliness, which is essentially what the ballad strives to express. Even though Plastic Tree have not done anything totally impressive in a while, the beauty and sadness of "Uchuu Yuuei" is still worth a listen. And seeing how they continue to stand vigorously even after over twenty years, Plastic Tree will surely not wither away just yet.
 
"無重力" by Yeti
"Mujuuryoku" by Yeti

If you thought Yeti were going to put out another mini album entirely composed of soft alternative rock, think again. Howl blesses us with two tracks that characterize a heavier sound, one of them being "Mujuuryoku". If you listen to the first few seconds you would have never thought that it was written by Yeti, who claim to be no longer involved with the VK scene. Yet, the slow and metal infused opening practically sounds like something you'd hear from a heavier VK ballad, until Satoshi's delicate vocals come in and you remember that oh wait, this is Yeti that I'm listening to. Satoshi's vocals work well against the heavy backdrop, but in a matter of 'un duex trios' the track reverts back to Yeti's soft sound and lays out a serene ballad. It was honestly a tough pick between the two heavier tracks and I recommend VK listeners, as well as all listeners, to check out "Aun" also, which unlike "Mujuuryoku" does not transition to a ballad and is more edgy. It would be great if Yeti experiment more with this heavier sound and I look forward to what they'll be putting out next.

@The Reverend's Pick
"最近じゃデパートのオリジナルソングにすら 幸せを感じるんだ" by The Mirraz
"Even the songs in the department store, can make me happy these days." by The Mirraz

The Mirraz have decided to dip their toes in the post-hardcore wading pool with their new single "Even the songs in the department store, can make me happy these days." The new track still features Shouhei's highly-caffeinated rapid-fire vocal delivery but tempers the energy a bit with a backdrop of slower, fuzzy melodies and purposeful yet dreamy drums and backup vocals.  There are still a lot of just *words* being yelped and sung every which way, but on this track they take on a twinge of emo-ness (see: the title) and appropriate urgency. If you're intrigued by the possibility of a punk love song filtered through the lens of At The Drive-In and The Novembers be sure to check the newest by The Mirraz.

@Disposable's Pick
"あましずくとマクガフィン" by グリモア
"Ama shizuku to McGuffin" by GRIMOIRE

How long has Grimoire been around, a year or two? Either way, you couldn't tell that by looking or listening to them. Their aesthetic concept, both musically and visually, is so sharp and defined that nobody sounds nor looks like they do and the production values are just unparalleled — and now in a very un-visual kei fashion we have an album for once. A crude description would be for you to imagine Pentagon at their most primordial, mixed in with a little bit of Mejibray (don't take that wrong, okay ) and Moran in a way that their style at its bare essence consists of brooding, stylised core riffs and RyNK's cute mischievous boy voice in a netherworld dark pastel carnival. Their signature is not being exactly lighthearted or jovial, but certainly an aversion to the heartrending blackness some of their contemporaries that might dabble in similar soundscapes and riffs in particular; it's a playful darkness that defines them. 
"あましずくとマクガフィン" stands out from the rest of their discography for a couple of reasons. It's slower paced, more inclined to rely on the atmosphere than their tracks have tended to in the past; a clear album opener within the visual kei tradition in this regard. It vaguely reminds me of similar tracks Mejibray has done, but fuck if their own style is beyond reproach at this point. What I think achieves this effect in particular is that RyNK's tone is always almost conversational, but especially in here to me he sounds like a child singing in his room next to scattered toys and posters, a visual effect further emphasised by the jingling riffs and their trademark samples of bells and the rest of it — flourishes so consistent with their aesthetic that one often doesn't even consciously catch them, because it's so comfortably ingrained into Grimoire's character. It's the music box variety of new visual kei that has once again transformed its imported riffing style seamlessly into its purposes and aesthetic vision.
 
 
Guest Recommendations:
@Ada Suilen's Picks
"Bad Blood" by Acid Black Cherry

I started to know Yasu with this project and I was literally hooked by his suggestive vocals and his unexpected versatility, making him one of the best singers around in the scene. This year for him marked an interesting achievement, as the project arrived at the tenth anniversary, and for the occasion came Acid Blood Cherry; considered a spin-off release, it can be defined in its entirety by this track, where the stronger point is the contrast between Yasu's bright vocals and screamo vocals by Tenji Nagano from Crack6, one of the many illustrious guests of the release, for a raging and unique rock track, suitable for each to hear.

"Sans Toi Mamie" by Ataru Nakamura

This song marks my own regret for not having listened to this singer before. Following up a blasting solo career and a brief but engaging phase with the visual kei band Decays, Ataru Nakamura releases her first mini-album, which is surely a worthy one, made of melting tones and of a gloomy depth, where this track is the peak; the powerful guitar in the background reinforces the struggling melody of this ballad, accompanied by a moving vocal interpretation, meaning that this singer will be one of my replays, and I hope even yours.
- - - - - - - - - - - - - - - - - - - - - - - - - - -
Thanks for checking out our recommendations this month! And another big thanks to our guest contributor Ada Suilen! If you have any thoughts on the list, or if you have any recommendations of your own, we look forward to seeing your comments below!
 

@helcchi- really solid picks! I can dig JILUKA especially.
 
@fitear1590- BRUH. So glad to see that Mondo Grosso track, it's one of my favs from this year! The entire album was super solid too.

Greetings, MH! June felt a little slow for some of us, but nonetheless, here is our latest batch of recommended tracks!  Check them out and let us know what you think!
 
(We apologize if some videos aren't available due to region restrictions!)

@helcchi's Picks
"vainglory" by MEIDARA

In February, a mysterious masked band released a disruptive trailer, raising speculation on whether at least the vocalist was an established member of the scene. The speculation was soon dispelled when it was revealed that the band were relative newcomers having regrouped from previously disbanded Galumia, however their music has left a lasting impression on me. "vainglory" might be the most overlooked of the three songs on MEIDARA’s debut single, with its softer sound and slower pace yet this ambitious little number doesn’t scrimp on expressiveness. With Yagami’s powerful voice, an anthemic chorus and a half-minute guitar solo, this song is fitting for an ending track as "vainglory" closes out an excellent debut on a high note.
 
"蜉蝣の夢" by FIXER
"Kagerou no Yume" by FIXER

An atmospheric ballad that is pretty in its simplicity and not often synonymous with FIXER. The 4-minute emotion-filled song features a beautiful chorus that is punctuated by discordant guitars, distorted vocals and distant screaming, emanating a sense of unrest and culminating in a soaring climax. This song would also work well unplugged, and whilst many will find it mediocre, I think it’s got enough charm earn itself a spot in a playlist for rainy days. Besides, one of the last ballads that Jey sang was the remarkable but off-tune "Dears" by RevieЯ so I’ll take it.
 
"Omelas" by JILUKA

JILUKA have upped the ante with their release of the explosive “Omelas" - faster, louder and are you kidding me. The premise of the song is possibly a nod to Ursula K. Leguin’s short fiction "The Ones Who Walk Away from Omelas”, with the cave and caged scenery of the PV  illustrating the hidden atrocity that lies beneath the utopian city of Omelas wherein a single child must be locked away in the darkness and kept in a state of perpetual filth and misery as a social contract to maintain the city’s peace and happiness. The production quality of the PV is a feast for the eyes with outstanding cinematography while the gripping powerplay between the guitar and drums weaves an intricate auditory story that is diabolically mesmerising.

@emmny's Pick
 
"ドラマチックな恋心" by SAVAGE
"Dramatic na koigokoro" by SAVAGE

If you're ever curious as to what a dry month (some of us) had for June and for all of 2017...this sums it up. SAVAGE are that friend with benefits that you have known for a bit too long to give up on so you text occasionally and meet up once in a blue moon for mediocre sex but somehow it's all kind of fun and cute? That's a lie, SAVAGE are actually the herpes you get after the fact but it's kind of cool because you knew you were gonna end up with something so you might as well consider it a parting gift. In fact, SAVAGE as a strand of herpes would be like...antibiotic-resistant or something because these guys actually won't die and keep rehashing the same shit over and over. Luckily for some of us with questionable taste, it's all in good fun. I've been on a SAVAGE kick since they've been coming through with their six city oneman tour digest footage on their YT channel, quelling my curiosity for live audio from them. They sound sharp live, at least in comparison to their studio output, and threw a surprisingly solid show by the looks of it. "Dramatic..." was the track that looked especially engaging; I always heard it in the snippets and was like "hey, I should probably listen to the full track" but didn't get around to it until now. Their weirdly psychedelic take on visualcore that has taken off in the past year is in full effect here and oddly intoxicating. June was dry, but SAVAGE made it somehow worthwhile...and that's one thing I don't regret from our affair!
 

@fitear1590's Picks
"セクシーホモサピエンス" by クウチュウ戦
"Sexy Homosapiens" by Koochewsen

These days, Koochewsen is one band that I can truly count on. Accompanying the release of their '1st love album,' whatever that means, they released the PV for "Sexy Homosapiens." The song title should be apparent enough, but this band always keeps it entertaining and their PVs never disappoint. If I had to sum up this particular video in one phrase, I'd go with: 'bathtub guitar solos.' "Sexy Homosapiens" is a fine and prog-alicious introduction to Koochewsen's wacky world, so do yourself a favor and try them out.

"ラビリンス" by MONDO GROSSO featuring 満島ひかり
"Labyrinth" by MONDO GROSSO featuring Hikari Mitsushima

Clicking around the related and recommended videos on YouTube can be a surprisingly rewarding experience. My favorite Japanese find this month comes from DJ/producer MONDO GROSSO featuring J-pop vocalist Hikari Mitsushima. The dreamy house-style beats mesh perfectly with her delicate voice. But what brings it all together for me is the gorgeous PV. Filmed in a single shot (I'm a sucker for ambitious one-takes) in Hong Kong at night, the video brilliantly captures all the vibrant lights and colors while the camera glides through an urban market and residential area. The splendid visuals all mask the fact that Hikari isn't exactly the most graceful dancer!

"ガブリエル" by Yeti
"Gabriel" by Yeti

Yeti may have built a following with their sprightly indie rock, but PV track "Gabriel" from their sixth mini album ハウル (Howl) sees the band broaching a ballad-oriented style. Call me a sap, but I'm loving it. They don't lose all their energy though, as the choruses pulse with power pop momentum. Also, since the subject of Yeti's VK status is a hot topic around these parts, let's consider a few things. With the video's church setting and the random white kid (classic VK PV tropes), as well as the song's general composition and Satoshi's quivery whispered delivery at the beginning of the third chorus, is this song a step (or at least a nod) towards their VK roots? In any case, this song is just one facet of their sonic palette (see plastic's review of "Mujuuryoku").
 

@plastic_rainbow's Picks
 
"See Inside" by PASSing truth DRIVE


PASSing truth DRIVE was a random find when I browsed through the youtube channel of a J-indie record label called 'KiliKili Villa'. The song "See Inside" comes off of their new album Ha and opens with a dizzying echo of the voice, signaling the strangeness that comes ahead. What we have here are some peculiar acoustic guitars, a funky digitized voice, an eerie saxophone and basically a mix of nujazz/trip hop and folk into one. There is also an avant-garde side to it as the video for the song showcases the aesthetics from old black and white films like 'A Trip to the Moon'. Watching the video while listening to the song is a must in order to fully experience the uncanny storytelling. The repetitive whispering of 'see inside' and the monotonous rap section generates a sense of dark horror as you watch the robotic men march without purpose. PASSing truth DRIVE have been around for years, forming in 1992 and to my surprise used to perform with the well-known punk band Eastern Youth. Despite an apparently punkier sound in their earlier years, they have decided to break away from those roots this time around into something more experimental and jazzy, which may not be for everyone but can be pleasing to the ears if you have an open mind.

"雨中遊泳" by Plastic Tree
"Uchuu Yuuei" by Plastic Tree

Sure enough, Plastic Tree always stay rooted to their signature sound and "Uchuu Yuuei" is like any other fruit that flourishes from that tree. In celebration of their 20th anniversary since their major debut it's not a negative thing to say that the track recycles all of their previous material because it pays homage to their pre-2010 works. Particularly, "Uchuu Yuuei" is reminiscent of "Tsumetai Hikari" and "Yuki Hotaru" as it creates a similar kind of solitude and coldness emanated from Ryutaro's mournful singing. On top of that, the emotive guitar riffs and skip of the piano immerse you into the shivering rain of loneliness, which is essentially what the ballad strives to express. Even though Plastic Tree have not done anything totally impressive in a while, the beauty and sadness of "Uchuu Yuuei" is still worth a listen. And seeing how they continue to stand vigorously even after over twenty years, Plastic Tree will surely not wither away just yet.
 
"無重力" by Yeti
"Mujuuryoku" by Yeti

If you thought Yeti were going to put out another mini album entirely composed of soft alternative rock, think again. Howl blesses us with two tracks that characterize a heavier sound, one of them being "Mujuuryoku". If you listen to the first few seconds you would have never thought that it was written by Yeti, who claim to be no longer involved with the VK scene. Yet, the slow and metal infused opening practically sounds like something you'd hear from a heavier VK ballad, until Satoshi's delicate vocals come in and you remember that oh wait, this is Yeti that I'm listening to. Satoshi's vocals work well against the heavy backdrop, but in a matter of 'un duex trios' the track reverts back to Yeti's soft sound and lays out a serene ballad. It was honestly a tough pick between the two heavier tracks and I recommend VK listeners, as well as all listeners, to check out "Aun" also, which unlike "Mujuuryoku" does not transition to a ballad and is more edgy. It would be great if Yeti experiment more with this heavier sound and I look forward to what they'll be putting out next.

@The Reverend's Pick
"最近じゃデパートのオリジナルソングにすら 幸せを感じるんだ" by The Mirraz
"Even the songs in the department store, can make me happy these days." by The Mirraz

The Mirraz have decided to dip their toes in the post-hardcore wading pool with their new single "Even the songs in the department store, can make me happy these days." The new track still features Shouhei's highly-caffeinated rapid-fire vocal delivery but tempers the energy a bit with a backdrop of slower, fuzzy melodies and purposeful yet dreamy drums and backup vocals.  There are still a lot of just *words* being yelped and sung every which way, but on this track they take on a twinge of emo-ness (see: the title) and appropriate urgency. If you're intrigued by the possibility of a punk love song filtered through the lens of At The Drive-In and The Novembers be sure to check the newest by The Mirraz.

@Disposable's Pick
"あましずくとマクガフィン" by グリモア
"Ama shizuku to McGuffin" by GRIMOIRE

How long has Grimoire been around, a year or two? Either way, you couldn't tell that by looking or listening to them. Their aesthetic concept, both musically and visually, is so sharp and defined that nobody sounds nor looks like they do and the production values are just unparalleled — and now in a very un-visual kei fashion we have an album for once. A crude description would be for you to imagine Pentagon at their most primordial, mixed in with a little bit of Mejibray (don't take that wrong, okay ) and Moran in a way that their style at its bare essence consists of brooding, stylised core riffs and RyNK's cute mischievous boy voice in a netherworld dark pastel carnival. Their signature is not being exactly lighthearted or jovial, but certainly an aversion to the heartrending blackness some of their contemporaries that might dabble in similar soundscapes and riffs in particular; it's a playful darkness that defines them. 
"あましずくとマクガフィン" stands out from the rest of their discography for a couple of reasons. It's slower paced, more inclined to rely on the atmosphere than their tracks have tended to in the past; a clear album opener within the visual kei tradition in this regard. It vaguely reminds me of similar tracks Mejibray has done, but fuck if their own style is beyond reproach at this point. What I think achieves this effect in particular is that RyNK's tone is always almost conversational, but especially in here to me he sounds like a child singing in his room next to scattered toys and posters, a visual effect further emphasised by the jingling riffs and their trademark samples of bells and the rest of it — flourishes so consistent with their aesthetic that one often doesn't even consciously catch them, because it's so comfortably ingrained into Grimoire's character. It's the music box variety of new visual kei that has once again transformed its imported riffing style seamlessly into its purposes and aesthetic vision.
 
 
Guest Recommendations:
@Ada Suilen's Picks
"Bad Blood" by Acid Black Cherry

I started to know Yasu with this project and I was literally hooked by his suggestive vocals and his unexpected versatility, making him one of the best singers around in the scene. This year for him marked an interesting achievement, as the project arrived at the tenth anniversary, and for the occasion came Acid Blood Cherry; considered a spin-off release, it can be defined in its entirety by this track, where the stronger point is the contrast between Yasu's bright vocals and screamo vocals by Tenji Nagano from Crack6, one of the many illustrious guests of the release, for a raging and unique rock track, suitable for each to hear.

"Sans Toi Mamie" by Ataru Nakamura

This song marks my own regret for not having listened to this singer before. Following up a blasting solo career and a brief but engaging phase with the visual kei band Decays, Ataru Nakamura releases her first mini-album, which is surely a worthy one, made of melting tones and of a gloomy depth, where this track is the peak; the powerful guitar in the background reinforces the struggling melody of this ballad, accompanied by a moving vocal interpretation, meaning that this singer will be one of my replays, and I hope even yours.
- - - - - - - - - - - - - - - - - - - - - - - - - - -
Thanks for checking out our recommendations this month! And another big thanks to our guest contributor Ada Suilen! If you have any thoughts on the list, or if you have any recommendations of your own, we look forward to seeing your comments below!