nekkichi

there wasn't any major ayabwie drama online around 2010 when goss used to circulate out there so I think it's just a case of Aoi missing his zoloft refill

dove they're literally protecting themselves from getting gutted by a stray gya with a paper knife, western celebs can afford bodyguards x

geni(us chanteus)e, you're free

it's not just you & a number of people from noticeable projects retired/semi-retired over past few years, which contributes to the temporary (?) stagnation.

tbh we need more stans like u but I'm just really pissed off they're starting the revival cash-crab with something lacking any effort if this was preceded by a single or a mini I maybe would've considered something off this list

I'm really curious if any of them actually picked those songs themselves, or their manager just threw some shit around if they actually are personal it looks like Yomi isn't the cause of their past decade++ of decline (I also lowkey stan hitsugi's selection, but I couldn't care less about the entire campaign at all tbh)

ayabie line-ups from the 2nd one and onwards heteronormativity robe attire fad of 2019-2020

I'm afraid the best we can expect from her from now is a guest feature on cazclown brvtal-kei orchestra EP, however Ratsu still has enough time to reconsider his priorities and swing back into heavy stuff.

we love this song 👏👏👏

is that same Oksana from Sai's recent PV?.. I'm glad she had time to dry off a bit sounds fab!

love this! filling the avelcain niche that rands failed to evolve on.

we been knew yes

they still do some layered atmospheric electronic arrangements, but the pacing, agression and variety of their first album is gone. "for the future" is the closest thing misc. has to first cheoadara tracks, and it's not that good. I'm going through the samples again, and "to fool" (with the layered manic laughing track and sho's babby whispering etc that mainstream bands never throw in their music) is a good example of them still doing the most stereotypical vk sound - it's just not heavy.

tbh I'll personally consider them fully "no longer VK" once their set lists no longer include majority of their copycat d.i.d. era and they spend at least a year w/o backtracking into the scene again. if you're calling ur little personal vanity music project non-visual while still throwing ambitiosus principles as a concert ender on every gig it really doesn't feel that ReaL or AuthentiQ

should we stan?

the guitaristé

who 👀

same audience that leaves non-vk indie j-bands feeling disappointed and going nowhere x as a hater, it's a very easy decision! rijin was evolving on their past sound (and it already overdid some things i.e. guitar wank); this (and the majority of album samples) sounds like a product off a typical recycle spree VK bands fall into by their 2nd major album, except there's no remote chance of major labels hunting for these guys anytime soon. I'll have to say I never liked vanitas that much aside for the teapot squeal, which they don't do anymore anyway, so w/e.

there're 2 SEs, roughly two heavy tracks (or a mild track with some ocassional harsh vocals at least, song preview starts with a fading scream), literally everything else sounds like this one song re-arranged and re-structured the audacity of ratsu claiming this is tHeIr BeSt RiLlEsT wErQ tO dAtE is like ummmmmmmmmmmmmmmm sisssssstttttTTTTT????????

it's there on maybe 2 songs (before it's too late sounds like that shitty heavy track from kidoiaraku, a bit more polished). judging by the previews this might be the most redundant, the most bloated, the most self-aggrandizing piece of shit album this scene has sharted out in a long while, Retsu's annoying social media BS really only adds insult to injury. there're really only like 3 good songs on the whole CD, and 6 variations of the same lighter new track draft they ended up recycling into a full-length.

it def sounds like rijin's retarded mainstream sisTer, the lobotomy on the autotuned sanging parts is unreal, the lack of remotely cohesive style within a 4 minute song is something else too for a band that has been steadily regressing since the silent song they're doing well tho x