Seimeisen

disappointing tracklist, fukurou for kiyoharu is NOT goth.
also lmfao at the LMC troll
 
@Kiyoharu is God
 sound familiar? this dropped in 2003 and nega to poji came out in 2007...they waited 4 years to rip off these queens

・R指定 - Sink
・相川七瀬 - サイレントノイズ
・a crowd of rebellion - 梟
・LM.C - ツメタイヒカリ
・緒方恵美 - みらいいろ
・氣志團 - プラットホーム
・清春 - メランコリック
・GOOD ON THE REEL - 空白の日
・THE NOVEMBERS - アンドロメタモルフォーゼ
・People In The Box - エンジェルダスト
・PELICAN FANCLUB - 水色ガールフレンド
・MUCC - 3月5日。
・Plastic Tree - ゼロ (re-recording)
 
Source: https://www.barks.jp/news/?id=1000144244#utm_source=tw_BARKS_VISUAL&utm_medium=social&utm_campaign=tw_auto
 
None of the bands are covering Sabbath, so I'm gonna rampage and riot in the streets. Also, disappointed that Sink is appearing on this release. But I'm cool with a crowd of rebellion covering 梟 (can't wait to hear their vocalist actually sing in actual Japanese), THE NOVEMBERS covering Andrometamorphosis, and Plastic Tree themselves re-recording ZERO. 

・R指定 - Sink
・相川七瀬 - サイレントノイズ
・a crowd of rebellion - 梟
・LM.C - ツメタイヒカリ
・緒方恵美 - みらいいろ
・氣志團 - プラットホーム
・清春 - メランコリック
・GOOD ON THE REEL - 空白の日
・THE NOVEMBERS - アンドロメタモルフォーゼ
・People In The Box - エンジェルダスト
・PELICAN FANCLUB - 水色ガールフレンド
・MUCC - 3月5日。
・Plastic Tree - ゼロ (re-recording)
 
Source: https://www.barks.jp/news/?id=1000144244#utm_source=tw_BARKS_VISUAL&utm_medium=social&utm_campaign=tw_auto
 
None of the bands are covering Sabbath, so I'm gonna rampage and riot in the streets. Also, disappointed that Sink is appearing on this release. But I'm cool with a crowd of rebellion covering 梟 (can't wait to hear their vocalist actually sing in actual Japanese), THE NOVEMBERS covering Andrometamorphosis, and Plastic Tree themselves re-recording ZERO. 

・R指定 - Sink
・相川七瀬 - サイレントノイズ
・a crowd of rebellion - 梟
・LM.C - ツメタイヒカリ
・緒方恵美 - みらいいろ
・氣志團 - プラットホーム
・清春 - メランコリック
・GOOD ON THE REEL - 空白の日
・THE NOVEMBERS - アンドロメタモルフォーゼ
・People In The Box - エンジェルダスト
・PELICAN FANCLUB - 水色ガールフレンド
・MUCC - 3月5日。
・Plastic Tree - ゼロ (re-recording)
 
Source: https://www.barks.jp/news/?id=1000144244#utm_source=tw_BARKS_VISUAL&utm_medium=social&utm_campaign=tw_auto
 
None of the bands are covering Sabbath, so I'm gonna rampage and riot in the streets. Also, disappointed that Sink is appearing on this release. But I'm cool with a crowd of rebellion covering 梟 (can't wait to hear their vocalist actually sing in actual Japanese), THE NOVEMBERS covering Andrometamorphosis, and Plastic Tree themselves re-recording ZERO. 

・R指定 - Sink
・相川七瀬 - サイレントノイズ
・a crowd of rebellion - 梟
・LM.C - ツメタイヒカリ
・緒方恵美 - みらいいろ
・氣志團 - プラットホーム
・清春 - メランコリック
・GOOD ON THE REEL - 空白の日
・THE NOVEMBERS - アンドロメタモルフォーゼ
・People In The Box - エンジェルダスト
・PELICAN FANCLUB - 水色ガールフレンド
・MUCC - 3月5日。
・Plastic Tree - ゼロ (re-recording)
 
Source: https://www.barks.jp/news/?id=1000144244#utm_source=tw_BARKS_VISUAL&utm_medium=social&utm_campaign=tw_auto
 
None of the bands are covering Sabbath, so I'm gonna rampage and riot in the streets. Also, disappointed that Sink is appearing on this release. But I'm cool with a crowd of rebellion covering 梟 (can't wait to hear their vocalist actually sing in actual Japanese), THE NOVEMBERS covering Andrometamorphosis, and Plastic Tree themselves re-recording ZERO. 

Any opinions on "Shin Homura Uta"? I'm positvely surprised with it, the rerecordings sound modern, but still have the raw intensity of the original. I honestly didn't expect Tatsurou would still be able to sound that raw and emotional! 
Really glad these guys are still around and are looking back at their past, their latest album was also great.

I can already say that ADORATIO is the most engaging sukekiyo release to date.
 
I've been following them since day one, but always had trouble getting into their music (don't know why). With IMMORTALIS, I loved "elizabeth addict," and I've probably listened to it 1,000 times by now, but the rest of the album only got one listen; nothing after that really captured my attention, and it felt too long to go back to. VITIUM I also only listened to once a long time ago, while at work (back in my kitchen days);  it was a nice album, pretty chill, but nothing really stood out to me. ADORATIO I've listened to once and already intend to listen to more; every track had something that stood out, something to love, and I grew to appreciate 耳ゾゾ even more (another song that I listened to once then ignored). This album also encourages me to go back to previous material and pay closer attention to further releases.
 
ADORATIO is the sukekiyo release I've been waiting for since they formed. The album cover is hideous as shit, though (lol).
 
Also, speaking of 耳ゾゾ, does anyone know how to translate the title? I managed to translate every other title on the album, but I couldn't come up with anything for ゾゾ that made sense...

I can already say that ADORATIO is the most engaging sukekiyo release to date.
 
I've been following them since day one, but always had trouble getting into their music (don't know why). With IMMORTALIS, I loved "elizabeth addict," and I've probably listened to it 1,000 times by now, but the rest of the album only got one listen; nothing after that really captured my attention, and it felt too long to go back to. VITIUM I also only listened to once a long time ago, while at work (back in my kitchen days);  it was a nice album, pretty chill, but nothing really stood out to me. ADORATIO I've listened to once and already intend to listen to more; every track had something that stood out, something to love, and I grew to appreciate 耳ゾゾ even more (another song that I listened to once then ignored). This album also encourages me to go back to previous material and pay closer attention to further releases.
 
ADORATIO is the sukekiyo release I've been waiting for since they formed. The album cover is hideous as shit, though (lol).
 
Also, speaking of 耳ゾゾ, does anyone know how to translate the title? I managed to translate every other title on the album, but I couldn't come up with anything for ゾゾ that made sense...

I can already say that ADORATIO is the most engaging sukekiyo release to date.
 
I've been following them since day one, but always had trouble getting into their music (don't know why). With IMMORTALIS, I loved "elizabeth addict," and I've probably listened to it 1,000 times by now, but the rest of the album only got one listen; nothing after that really captured my attention, and it felt too long to go back to. VITIUM I also only listened to once a long time ago, while at work (back in my kitchen days);  it was a nice album, pretty chill, but nothing really stood out to me. ADORATIO I've listened to once and already intend to listen to more; every track had something that stood out, something to love, and I grew to appreciate 耳ゾゾ even more (another song that I listened to once then ignored). This album also encourages me to go back to previous material and pay closer attention to further releases.
 
ADORATIO is the sukekiyo release I've been waiting for since they formed. The album cover is hideous as shit, though (lol).
 
Also, speaking of 耳ゾゾ, does anyone know how to translate the title? I managed to translate every other title on the album, but I couldn't come up with anything for ゾゾ that made sense...

Considering Kyo's affinity towards anything old skwl horror/mystery (see: sukekiyo's name origins), Zozo could actually be the same Zozo they talk about in Ouija circles (the poltergeist-like demon or something like that, ouija enthusiasts welp)
 
That's just me though since it wouldn't be surprising if Kyo still sticks to "demonic references" just like in Dir...
 
Speaking of songs, are some of those kanjis that Kyo uses in their titles rather ancient ones (much closer to Chinese hanzi, for that matter)? E.g. I would never be able to guess how the heck "Hidauta" was supposed to be romanized like that...in trad. Chinese someone could guess "folding song" but wtf lol.

^ I guess I get what you're saying. It's just that it's still kinda unbelievable for me that such a thoroughly interesting and 'otherworldly' musical entity as sukekiyo can exist within (or spawned from) visual kei that I'm still just kinda in 'mind = blown' mode and perfectly content with whatever they do. Not to discredit the VK scene as a whole, but ya know, it's rarely the breeding ground for experimental and high-quality acts like this.

With VK, there's usually at least a 75% chance that once a band drops a best of album they're going to call it quits soon after, it wouldn't be the first time it's happened

High resolution covers for the live-limited versions
 
 
 
新痛絶 is plain af of course, but I love this version of 新葬ラ謳, because of how closely it resembles the original booklet cover.

Miya just showed the artbook for both releases>
 
 
Look pretty nice

Wouldn't even call it collabs, it's just pre-existing studio tracks with other vocalists dubbed over them. It's kind of lazy and makes me wish there was just a regular, cheaper, and more easily acquired edition that's just the album itself. 
 
But, you know. Art or whatever. 

DAMN GOOD breakdown at 02:27, but you can't put your faith on Akane, sooner or later he will do another re-re-re-re-re-re-remaster of paranoir songs for some ez money and have another mental break and call its quits

D.I.D. 2.0 if you ask me. So why the fuck didn't Akane release the album and the unreleased songs if he was gonna just do more of the same shit in this new band?

other new song :
 
 

First Song: 
event horizon: 
 
 
FUCKING LOVE IT <3 

so what is the point of those collabs again other than presenting an opportunity to squeeze out more gya dollaryens & fishing dried-up bandoman corpses out of the sea?  none of the ones released so far really add anything other than that ''oh hey, it's that guy'' novelty that fades after like a minute or so

High resolution covers for the live-limited versions
 
 
 
新痛絶 is plain af of course, but I love this version of 新葬ラ謳, because of how closely it resembles the original booklet cover.

High resolution covers for the live-limited versions
 
 
 
新痛絶 is plain af of course, but I love this version of 新葬ラ謳, because of how closely it resembles the original booklet cover.

High resolution covers for the live-limited versions
 
 
 
新痛絶 is plain af of course, but I love this version of 新葬ラ謳, because of how closely it resembles the original booklet cover.

it seems they will revisit their very old songs based on BUCK-TICK self-cover album 「殺シノ調べ This is NOT Greatest Hits」

I was looking forward to the collabs, particularly elizabeth addict. I was really hoping kyo's dumb out-of-place screeching in the middle would have been replaced, it's literally the only thing wrong with that song, but no, it was preserved. I'm curious to hear the collaboration version of mama, because ガラ, but other than that, I don't really care anymore lol.