Saishu

I feel like Sho is one of the rare vocalists that uses growls when they’re appropriate for the lyrics

The solo saved the song to be honest. 
 
It sounds like leftover ideas from the Chedoara sessions, and as I’ve said before I’m getting a little tired of the tapping gimmick. At least go somewhere else on the guitar neck, dudes. 
 
Sudden ending with no climax is cute, but it was cuter in Grotesque. 
 
It’s fine, but last summer’s singles it is not. 

I feel like Sho is one of the rare vocalists that uses growls when they’re appropriate for the lyrics

I feel like Sho is one of the rare vocalists that uses growls when they’re appropriate for the lyrics

I feel like Sho is one of the rare vocalists that uses growls when they’re appropriate for the lyrics

I feel like Sho is one of the rare vocalists that uses growls when they’re appropriate for the lyrics

The only thing DEG about them is Sho, and that’s only when he growls/squeals; his cleans are different from Kyo’s. 
 
I think for some people (including me) the hype comes from them bursting onto the scene with messy songwriting, then improving tenfold when Issei peaced out. Last summer when they dropped vanitas, shigarami, and aizou no tsuki all in a row, it was like it was a new band. 
 
I just... honestly find the DEG comparisons weird. Dimlim are more technical and definitely have their ear to the ground for what’s going on in modern metal. But then it seems like a VK band can’t have downtuned guitars and harsh vocals without dodging the comparison, so I get it. 

The solo saved the song to be honest. 
 
It sounds like leftover ideas from the Chedoara sessions, and as I’ve said before I’m getting a little tired of the tapping gimmick. At least go somewhere else on the guitar neck, dudes. 
 
Sudden ending with no climax is cute, but it was cuter in Grotesque. 
 
It’s fine, but last summer’s singles it is not. 

The only thing DEG about them is Sho, and that’s only when he growls/squeals; his cleans are different from Kyo’s. 
 
I think for some people (including me) the hype comes from them bursting onto the scene with messy songwriting, then improving tenfold when Issei peaced out. Last summer when they dropped vanitas, shigarami, and aizou no tsuki all in a row, it was like it was a new band. 
 
I just... honestly find the DEG comparisons weird. Dimlim are more technical and definitely have their ear to the ground for what’s going on in modern metal. But then it seems like a VK band can’t have downtuned guitars and harsh vocals without dodging the comparison, so I get it. 

The solo saved the song to be honest. 
 
It sounds like leftover ideas from the Chedoara sessions, and as I’ve said before I’m getting a little tired of the tapping gimmick. At least go somewhere else on the guitar neck, dudes. 
 
Sudden ending with no climax is cute, but it was cuter in Grotesque. 
 
It’s fine, but last summer’s singles it is not. 

The only thing DEG about them is Sho, and that’s only when he growls/squeals; his cleans are different from Kyo’s. 
 
I think for some people (including me) the hype comes from them bursting onto the scene with messy songwriting, then improving tenfold when Issei peaced out. Last summer when they dropped vanitas, shigarami, and aizou no tsuki all in a row, it was like it was a new band. 
 
I just... honestly find the DEG comparisons weird. Dimlim are more technical and definitely have their ear to the ground for what’s going on in modern metal. But then it seems like a VK band can’t have downtuned guitars and harsh vocals without dodging the comparison, so I get it. 

The only thing DEG about them is Sho, and that’s only when he growls/squeals; his cleans are different from Kyo’s. 
 
I think for some people (including me) the hype comes from them bursting onto the scene with messy songwriting, then improving tenfold when Issei peaced out. Last summer when they dropped vanitas, shigarami, and aizou no tsuki all in a row, it was like it was a new band. 
 
I just... honestly find the DEG comparisons weird. Dimlim are more technical and definitely have their ear to the ground for what’s going on in modern metal. But then it seems like a VK band can’t have downtuned guitars and harsh vocals without dodging the comparison, so I get it. 

The solo saved the song to be honest. 
 
It sounds like leftover ideas from the Chedoara sessions, and as I’ve said before I’m getting a little tired of the tapping gimmick. At least go somewhere else on the guitar neck, dudes. 
 
Sudden ending with no climax is cute, but it was cuter in Grotesque. 
 
It’s fine, but last summer’s singles it is not. 

Voting Yuchi and Mika as the best rhythm section currently in VK

Worst tracks on this thing are the first and last. They’re just these repetitive, meandering slogs that go nowhere. 
 
Certainly not how Adoratio was bookended. Giji Necromancer was a great opener, and Hakudaku sent the whole thing into the stratosphere 

Worst tracks on this thing are the first and last. They’re just these repetitive, meandering slogs that go nowhere. 
 
Certainly not how Adoratio was bookended. Giji Necromancer was a great opener, and Hakudaku sent the whole thing into the stratosphere 

Worst tracks on this thing are the first and last. They’re just these repetitive, meandering slogs that go nowhere. 
 
Certainly not how Adoratio was bookended. Giji Necromancer was a great opener, and Hakudaku sent the whole thing into the stratosphere 

Worst tracks on this thing are the first and last. They’re just these repetitive, meandering slogs that go nowhere. 
 
Certainly not how Adoratio was bookended. Giji Necromancer was a great opener, and Hakudaku sent the whole thing into the stratosphere 

Didn’t Kyo have a hand in Sajou no Uta and Dreambox? 
 
I mean, credit where credit is due. 

I still listen to Insulated World regularly. 
 
Takumi is basically the support guy. Does programming, probably plays the piano/synth parts. He’s also manipulating shit off to the side during DEG’s lives. He’s the true unofficial 6th member. 

I still listen to Insulated World regularly. 
 
Takumi is basically the support guy. Does programming, probably plays the piano/synth parts. He’s also manipulating shit off to the side during DEG’s lives. He’s the true unofficial 6th member. 

I still listen to Insulated World regularly. 
 
Takumi is basically the support guy. Does programming, probably plays the piano/synth parts. He’s also manipulating shit off to the side during DEG’s lives. He’s the true unofficial 6th member. 

Voting Yuchi and Mika as the best rhythm section currently in VK

Voting Yuchi and Mika as the best rhythm section currently in VK

you say that like it's a bad thing lmao