Elazmus

When you say "supertight almost-drum machine like metal drumming" my first thought were Deathgaze. Super triggered drums with machine-esque sounding clicking "bass" drums. Heh.

^ I'm dying HAHAHAHA

Pretty much. I believe "re-form as new Black Gene For the Next Scene" is what was said. I'd be down for checking it out too, tbh. I will follow Rame until he retires. lol

The band wanted to go on hiatus and reform as a new concept, Ice didn't want to. That much was already said in the hiatus thread. So I don't think Ice was the reason for the hiatus but he made it abundantly clear he wasn't waiting around for them to work out all of their problems and try it again. He sounds like he's just tired of the band scene and wants to go at it alone.

Koichi falling with his toy chainsaw is everything I didn't know I needed

Koichi falling with his toy chainsaw is everything I didn't know I needed

Koichi falling with his toy chainsaw is everything I didn't know I needed

Tsuzuku just woke up, he doesn't fool me with this hair

Inb4 the fun police comes into the thread and reminds us how the GazettE "isn't gonna drop anything new with this new release," how its probably gonna be "DOGMA leftover" and how "DIM was the pinnacle of their career" and when it drops, how "deaf we must be because we can't hear how not new it is."
 
I just saved y'all about 3-4 posts lol. You're welcome.
 
I expected UGLY to be very close in terms of DOGMA heaviness so when it came out eventually, it didn't bother me much. I do expect UNDYING to be something a tad bit different, probably a different side of DOGMA that we haven't heard? Either way, I wont get too hype. And i know i'll find something to appreciate about this single when it drops like i do a lot of their recent music. Lets see. Spring is pretty far away so there's more than enough time to come up with something cool 

After a long time, I was able to listen the album again. I can say MELANCHOLIC, ETERNITY, BEAST, GHOST and FALLEN to be my fav there.
When this made up here, I also shared the same with @doombox on twitter, that I don't had my attention after the half of the album, and literally delete it.
Also, funny to see @doombox liked the ones I dislike more lol
Honestly, I gave another chance to DARK, only because they did the live with BORN.

Artist: lynch. Album: D.A.R.K. -in the name of evil- 1. INTRODUCTION 8. FALLEN 2. D.A.R.K. 9. BEAST 3. ANTARES 10. INVADER 4. EVOKE 11. COSMOS 5. GHOST 12. MELANCHOLIC 6. ILLUMINATI 13. MOON 7. ETERNITY
Rating: | DARK is a breath of fresh air for this great band!
 
lynch.'s last studio album GALLOWS is what brought me back out looking for my VK renaissance. By falling so short of expectations creatively, it reminded me what made me so avid about listening to these bands almost ten years ago. Since then I have come to MH, and delved far deeper into the scene, creating healthy distance from such established names as lynch. and the GazettE. By late 2015 I was more than ready to get back into what lynch. had to offer, but following the EVOKE and ETERNITY singles I was concerned whether I would be even further disappointed by their strict, uniform sound.I was happily proven wrong as the new album is well laid out and shows commendable creative efforts. "INTRODUCTION", a piano based SE, serves to at least be stronger and more ominous than "GALLOWS". At less than one minute, it sets a suitable atmosphere but does little more than that.

Deep, rhythmical guitars usher in a true example of what the album means by 'DARK'. Appropriately spooky synth sounds accompany the stark guitar/piano combination of "D.A.R.K". while Hazuki lays out safe but still impressive vocals. A decent chorus keeps this title track among my top played for this album. The first experiment on D.A.R.K. is "GHOST", which opens up very smooth and relaxed. The main guitar riff is energetic without losing a swing quality which is more playful than the band usually allows. Mostly for Hazuki, I see this is a bit out of the comfort zone of current lynch.. It's quite interesting and entertaining and I hope they do more with this influence in the future. The creepy, carnival sample at the beginning of "ILLUMINATI" was immediately one of my favourite sounds from the album. Sporting of course an eerie and topical title to live up to, it pops out another very standard lynch. riff. The harsh vocals here remind me much more of those heard on INFERIORITY COMPLEX, which is nice to have present on the album. I love that the song breaks back to the same sample from the opening and the subsequent breakdown section is reinvigorating. The chorus hampers the evil on this one, not to say it won't get stuck in your head.

Our feature track and PV for the album itself, "BEAST" is high energy and old school lynch. harsh vocals. When the full version of the song was released prior to the album, I was underwhelmed. In the context of the full album however, it comes in at a welcome time following softer tracks. A heavier section before the final chorus provides a bit of garnish but nothing to drastically change the nature of the song.

"FALLEN" is one of my immediate favorites on this album, it baffles me why they would choose to dwarf the impact of the previous song even more by following it with a much more emotionally impactful ballad. I got a little emotional with this one. It's among my most repeated songs on the album. Thundering bass drum and resonating signature guitar work with the vocals retaining the same or similar melody throughout the track giving it an intimate appeal. I appreciate the simplicity of "FALLEN" similarly to "BE STRONG" (from EXODUS), but surely even more so. "FALLEN" proves to be one of my favorite lynch. songs in recent memory (even recalling such former releases that "ETERNITY" failed to live up to). "INVADER" starts off with a quick, twangy bass line kicks off what is sure to be a live favourite in years to come. It also consists of mostly spoken lyrics and aggressive instrumentals one can liken to the revving engine of a muscle car. A very simplistic chorus is framed by shout-and-response energy and closes out as suddenly as it began. @Shir0 complained to me endlessly about the short track length of this one, and I feel her pain. However lynch. is known to include such short numbers in their full albums ("EXODUS" or "TIAMAT" being prime examples). The faded, far-off chorus preview effectively sets up the intensity of "COSMOS". Marching to the rhythm of a powerful breakdown. I was initially concerned that D.A.R.K. wouldn't feature anything dynamic enough to compare to title tracks "EXODUS" and "GALLOWS". "COSMOS" does so much more during the first harsh vocals, the instrumental stays relentless and offers varying riffs before returning to an admittedly powerful chorus. I do like and appreciate how the final chorus tapers out into something quite dainty with a falsetto note only to be followed by an uncompromising roar from Hazuki while once again blasting what is likely the band's strongest breakdown.

Then there are tracks that didn't resonate with me as well as I wished. "ANTARES" is a song which I, for some reason, was expecting to be heavier - perhaps due to a misleading preview. The guitar work is strong, but the progression lacks the punch I was truly hoping for out of the faster songs lynch. produces and a decidedly weak chorus shows itself within 30 seconds. The latter half of this song features a pleasing heavy section but nothing lynch.'s followers haven't already heard. Thus far, it still hasn't called for repeat plays and is usually skipped. Upon its release, I was quite apathetic toward the album's first single "EVOKE". However, placed next to a similarly mid-range song like "ANTARES", it has a chance to shine as a strong example of typical lynch. On the flip side of these featured singles, we have "ETERNITY", a song that I literally forgot to type in the track list of this review. There's a little insight into my experience with the second featured single on D.A.R.K.. There is nothing technical to critique, only that it seems like a strained effort. The solo Hazuki PV was not what one expects from lynch., I have followed the band through similar featured singles like "MIRRORS". There is just very little to talk about. It's a song I may have appreciated more had I not already been an avid listener.

The intensity of "COSMOS" warranted the most relaxing ballad track possible, making "MELANCHOLIC" a success. Soft, chiming guitar strokes create a cascading sound akin to the visual of falling water. It comes off very well written, but in comparison to "FALLEN" it does not endear itself so soon. In the third minute, the melodies become emotionally deeper, certainly worth waiting for by the track length. Surprisingly, despite being longer than either one, this song seems to come and go more quickly than "FALLEN" or "ETERNITY". This is not entirely a bad thing as I chalk this up to its position on the album and purpose in its progression. It's an honest, fun but disdainfully lighthearted finale to the album. I hear a lot being packed into the sound of the intro of "MOON" but everything subsequent feels quite basic in its catchiness. Like many of the mid-range songs on this, there is a banging heavy section late in the track but at this point in the album there is unfortunately nothing new here. It's not a bad song by any means, but as a memorable album closer, I see "MOON" as a misfire.

Coming out of D.A.R.K., I find myself far more satisfied than with my experiences with the band's last few albums. It offers the dynamic focus of GALLOWS while providing enough intrigue per song to make them distinct, something that's infinitely valuable to lynch. who sport waning Nagoya visuals and often seem far removed from the Visual Kei fan base in which they were born. I would certainly recommend D.A.R.K. not only to those looking for renewed hope in the potential of lynch. but even to those open-minded metal fans in an effort to show something agreeable, interesting and undeniably talented. Being exactly a month old to this date, it has already proven its shelf life beyond my personal expectations.

Support the band! Purchase D.A.R.K. on CDJapan!

^ Clearly saying something XD

They were SO much fun, I really want Unripe Ideal, Dedicate and Gishiki on CD...

+1  btw I'll try to translate them myself when I finally get my copies  xD   but for beginning of darkness and dead boquet there isn't much I can do e_d  damn live limited releases

+1!!

howdy! like many of u visual fans here, im a big fan of AINS, they constantly churn out quality material from main bands diaura, kuroyuri to kage, gossip and grieva. someone mentioned the sublabels, and im confused as to how the label is managed as apparently malisend and mediena are on the label but i didn't know as they're on their own sublabels??? wtf is hoodwink or mad wink or whatever??
if someone can correct me and clarify what they know of how AINS is organized then it would be quite helpful. what wild ex-bandomen turned indies record mogul is behind the ~illusive~ label??
im simply curious as to how they structure the label; behind the scenes visual kei scoop is super interesting (more often than not it involves some fun illegal shit but i wont get my hopes up for AINS). i asked like 203048 different questions so dont kill me but any insight its appreciated^  
 
tl;dr wtf is ains whos behind it what bands are on it how are the sublabels structured

Artist: lynch. Album: D.A.R.K. -in the name of evil- 1. INTRODUCTION 8. FALLEN 2. D.A.R.K. 9. BEAST 3. ANTARES 10. INVADER 4. EVOKE 11. COSMOS 5. GHOST 12. MELANCHOLIC 6. ILLUMINATI 13. MOON 7. ETERNITY
Rating: | DARK is a breath of fresh air for this great band!
 
lynch.'s last studio album GALLOWS is what brought me back out looking for my VK renaissance. By falling so short of expectations creatively, it reminded me what made me so avid about listening to these bands almost ten years ago. Since then I have come to MH, and delved far deeper into the scene, creating healthy distance from such established names as lynch. and the GazettE. By late 2015 I was more than ready to get back into what lynch. had to offer, but following the EVOKE and ETERNITY singles I was concerned whether I would be even further disappointed by their strict, uniform sound.I was happily proven wrong as the new album is well laid out and shows commendable creative efforts. "INTRODUCTION", a piano based SE, serves to at least be stronger and more ominous than "GALLOWS". At less than one minute, it sets a suitable atmosphere but does little more than that.

Deep, rhythmical guitars usher in a true example of what the album means by 'DARK'. Appropriately spooky synth sounds accompany the stark guitar/piano combination of "D.A.R.K". while Hazuki lays out safe but still impressive vocals. A decent chorus keeps this title track among my top played for this album. The first experiment on D.A.R.K. is "GHOST", which opens up very smooth and relaxed. The main guitar riff is energetic without losing a swing quality which is more playful than the band usually allows. Mostly for Hazuki, I see this is a bit out of the comfort zone of current lynch.. It's quite interesting and entertaining and I hope they do more with this influence in the future. The creepy, carnival sample at the beginning of "ILLUMINATI" was immediately one of my favourite sounds from the album. Sporting of course an eerie and topical title to live up to, it pops out another very standard lynch. riff. The harsh vocals here remind me much more of those heard on INFERIORITY COMPLEX, which is nice to have present on the album. I love that the song breaks back to the same sample from the opening and the subsequent breakdown section is reinvigorating. The chorus hampers the evil on this one, not to say it won't get stuck in your head.

Our feature track and PV for the album itself, "BEAST" is high energy and old school lynch. harsh vocals. When the full version of the song was released prior to the album, I was underwhelmed. In the context of the full album however, it comes in at a welcome time following softer tracks. A heavier section before the final chorus provides a bit of garnish but nothing to drastically change the nature of the song.

"FALLEN" is one of my immediate favorites on this album, it baffles me why they would choose to dwarf the impact of the previous song even more by following it with a much more emotionally impactful ballad. I got a little emotional with this one. It's among my most repeated songs on the album. Thundering bass drum and resonating signature guitar work with the vocals retaining the same or similar melody throughout the track giving it an intimate appeal. I appreciate the simplicity of "FALLEN" similarly to "BE STRONG" (from EXODUS), but surely even more so. "FALLEN" proves to be one of my favorite lynch. songs in recent memory (even recalling such former releases that "ETERNITY" failed to live up to). "INVADER" starts off with a quick, twangy bass line kicks off what is sure to be a live favourite in years to come. It also consists of mostly spoken lyrics and aggressive instrumentals one can liken to the revving engine of a muscle car. A very simplistic chorus is framed by shout-and-response energy and closes out as suddenly as it began. @Shir0 complained to me endlessly about the short track length of this one, and I feel her pain. However lynch. is known to include such short numbers in their full albums ("EXODUS" or "TIAMAT" being prime examples). The faded, far-off chorus preview effectively sets up the intensity of "COSMOS". Marching to the rhythm of a powerful breakdown. I was initially concerned that D.A.R.K. wouldn't feature anything dynamic enough to compare to title tracks "EXODUS" and "GALLOWS". "COSMOS" does so much more during the first harsh vocals, the instrumental stays relentless and offers varying riffs before returning to an admittedly powerful chorus. I do like and appreciate how the final chorus tapers out into something quite dainty with a falsetto note only to be followed by an uncompromising roar from Hazuki while once again blasting what is likely the band's strongest breakdown.

Then there are tracks that didn't resonate with me as well as I wished. "ANTARES" is a song which I, for some reason, was expecting to be heavier - perhaps due to a misleading preview. The guitar work is strong, but the progression lacks the punch I was truly hoping for out of the faster songs lynch. produces and a decidedly weak chorus shows itself within 30 seconds. The latter half of this song features a pleasing heavy section but nothing lynch.'s followers haven't already heard. Thus far, it still hasn't called for repeat plays and is usually skipped. Upon its release, I was quite apathetic toward the album's first single "EVOKE". However, placed next to a similarly mid-range song like "ANTARES", it has a chance to shine as a strong example of typical lynch. On the flip side of these featured singles, we have "ETERNITY", a song that I literally forgot to type in the track list of this review. There's a little insight into my experience with the second featured single on D.A.R.K.. There is nothing technical to critique, only that it seems like a strained effort. The solo Hazuki PV was not what one expects from lynch., I have followed the band through similar featured singles like "MIRRORS". There is just very little to talk about. It's a song I may have appreciated more had I not already been an avid listener.

The intensity of "COSMOS" warranted the most relaxing ballad track possible, making "MELANCHOLIC" a success. Soft, chiming guitar strokes create a cascading sound akin to the visual of falling water. It comes off very well written, but in comparison to "FALLEN" it does not endear itself so soon. In the third minute, the melodies become emotionally deeper, certainly worth waiting for by the track length. Surprisingly, despite being longer than either one, this song seems to come and go more quickly than "FALLEN" or "ETERNITY". This is not entirely a bad thing as I chalk this up to its position on the album and purpose in its progression. It's an honest, fun but disdainfully lighthearted finale to the album. I hear a lot being packed into the sound of the intro of "MOON" but everything subsequent feels quite basic in its catchiness. Like many of the mid-range songs on this, there is a banging heavy section late in the track but at this point in the album there is unfortunately nothing new here. It's not a bad song by any means, but as a memorable album closer, I see "MOON" as a misfire.

Coming out of D.A.R.K., I find myself far more satisfied than with my experiences with the band's last few albums. It offers the dynamic focus of GALLOWS while providing enough intrigue per song to make them distinct, something that's infinitely valuable to lynch. who sport waning Nagoya visuals and often seem far removed from the Visual Kei fan base in which they were born. I would certainly recommend D.A.R.K. not only to those looking for renewed hope in the potential of lynch. but even to those open-minded metal fans in an effort to show something agreeable, interesting and undeniably talented. Being exactly a month old to this date, it has already proven its shelf life beyond my personal expectations.

Support the band! Purchase D.A.R.K. on CDJapan!

This is exactly what it will be and I love you for saying it lmao

this is gonna be the most ratty 20min visual pv of all time im so excited to see karma walking around an empty train station with a dramatic voice-over

ugh I wished more people would start to notice how good they actually are ):
new maxi single, bonus track and a two-man live with kuroyuri to kage awesome!
 


 

 

Can you share the songs ?

They are so good they really do remind me of DEZERT + MEABEL!
 
I would love to hear more! I'm glad I wasnt wrong!

Everything is amazing