I caught Hinato Chiruran at this year's SXSW and they put on a great show. Yumiho (vocalist) was definitely channeling that Shiina Ringo vibe during a few of the songs they played.
I love some good HipHop/Rap with meaningful, deep (sometimes political) lyrics and a high skill level regarding the intelligent use of language, grammar, rhymes (native language is a plus)... Needless to say this stuff is quite hard to find and buried under a sh*tload of testosterone-driven gangster-stuff praising booty, booze, drugs, money and whatnot... D;
Basically because it applies its own rules of resizing & [re]compressing if you don't follow their rules first hand.
You can find those rules here; https://www.facebook.com/help/266520536764594/
And there are other things to know and tricks as well if you really care about the quality, but I don't want to get into detail here - you should be able to easily find guides on that on the web; just google a bit... or ask me if you really want to know it.
After nearly three years since "NOISE," BORIS will release their next album "DEAR" in July 2017. It will first be released in Japan through Daymare Recordings, on 2CD (¥3,200+tax) and 3LP (¥7,000+tax), on 12th July, 2017. Then, Sargent House will release a regular 1CD/2LP version on 14th July, 2017.
According to NPR, the band was originally planning to release this as a final album and then disband, but they felt a presence of new energy during the PINK TOUR in 2016. The album reportedly contains "10 tracks culled from three albums worth of material."
Tracklist:
1. D.O.W.N -Domination of Waiting Noise-
2. DEADSONG -詩-
3. Absolutego -絶対自我-
4. Beyond -かのひと-
5. Kagero -蜉蝣-
6. Biotope -ビオトープ-
7. The Power
8. Memento Mori
9. Dystopia -Vanishing Point / 何処へ-
10. Dear
Daymare Recordings bonus CD/LP
1. More
2. Evil Perspective
3. D.O.W.N -Domination of Waiting Noise- (Full Version)
Wow, 10 years =O Haven't been here in ages but on this boring saturday night decided to take a look here again xD
it feels like only a few years ago i joined TW after a spamrage on I believe Tonberry back in the days xD, and than all those countless of hours I spend here on the TW/MH forums, the chat, the last.fm boards, everywhere. I have so much fond memories here, and met such awesome people on this forum. Also loved the years I was a member of the team on here.
And I still remember some events like if they happened last week, some bad to some awesome =)
But then again, I came in contact with Japanese music back in 2002 or something, so as that is already 15 years ago, i really don't know what I done the first 5 years... I mentioned Tonberry, I guess Jpopsuki, but it's so long ago by now xD must've been some other boards. But none were like these =).
I love some good HipHop/Rap with meaningful, deep (sometimes political) lyrics and a high skill level regarding the intelligent use of language, grammar, rhymes (native language is a plus)... Needless to say this stuff is quite hard to find and buried under a sh*tload of testosterone-driven gangster-stuff praising booty, booze, drugs, money and whatnot... D;
As a former Hip Hop person, I totally agree with you there! I notice often the best Rap comes from the 80's and 90's, back when rhyming and all was considered the mark of a skilled rapper.
There is some modern rap I listen to occasionally, such as Childish Gambino, but yeah. Good rap is hard to find.
I love some good HipHop/Rap with meaningful, deep (sometimes political) lyrics and a high skill level regarding the intelligent use of language, grammar, rhymes (native language is a plus)... Needless to say this stuff is quite hard to find and buried under a sh*tload of testosterone-driven gangster-stuff praising booty, booze, drugs, money and whatnot... D;
On 2017/5/3 Nana Kitade will release her first solo album since 8 years titled "VIOLET BLAZE".
Produced by Robert de Boron
FBAC-022 / 2,700 yen(tax incl.)
Tracklist:
1. Just A Day
2. Make-Believe
3. Saddest Song
4. One Night Story
5. Bad Babe’s Dreamer
6. Borrowed Time
7. Nasty Radio
8. Shed One Tear
9. Canary
10. Shine Drops
11. Violet Blaze〔Instrumental〕
The first press will come in a VIOLET JEWEL CASE and can be pre-ordered on Amazon.co.jp.
The album will also be available on Itunes for purchase.
I find myself with a lot of time to think about the state of Japanese music and how things have changed since I first became a fan. I'm sure you guys have these thoughts as well. For the 10th anniversary, I'm going to publish some random musings I've had about the scene. They'll just be bullet points from one sentence to a few sentences about anything related to visual kei or J-rock. If you guys want to join in just leave your bullet points below and I'll be posting them sometime soon.
Thoughts from @Zeus:
the GazettE
We always had a dream of getting together a J-Rock Wikipedia of sorts to catalog our history. That idea is all but dead in the water. Last.fm is the closest we have to that and it's very decentralized. The day those servers go down is the day an entire epoch of international visual kei ends.
From the perspective of an international fan, live distributed releases suck ass. It sucks more when the song in question is not put on another purchasable release, rendering that song out of reach for people like me unless we fork over tons of money to a third party reseller, so it's not like we could benefit the band if we tried. It really sucks when it was given away at a band's last gig, because the fans of that band will only dwindle from that moment on and the release will become even rarer until it reaches a tipping point where no one cares anymore. Then, you might get it if someone feels kind and doesn't purge it from their hard drives.
An entire era of Japanese history was lost when Mega Upload went down. Many places exclusively used that website for all their deeds. It's said that 4% of all the traffic in the internet flowed through their servers at their peak. I say this because there are lots of releases that you just can't find anymore because links are dead and the fans have left. I've learned a valuable lesson about the permanence of data.
I used to hate collection albums and viewed them as a quick way to make a buck. But after some stellar recent releases and faves of mine that broke up and left a collection album behind before they broke up, they are very useful for both sharing a blast from the past and for making mix tapes.
Most blogspots have always seemed like a futile attempt to mimic what we do here for some bored teenagers 15 seconds of fame. I used to expend my energy trying to stamp them out, but that's just as futile. There were a select few that actually served as an archival device and were lit. Places like Byouto and Evil en lucifer existed with a plan and a demographic in mind and actually bothered with mirroring their own links and getting their own CDs.
Re-recordings are almost always better than remasters for me. At least with the former it feels like the band put some effort into it. Speaking of which, the re-recordings on Lycaon's second album aren't that bad. I still don't like EROS or Aventure though.
I've never listened to an X JAPAN song and I don't understand all of the hate Yoshiki gets sometimes. I like poking fun at Japanese Democracy, but other than that I'm from a different era than original X fans (are there even any left) so I can't cash in on nostalgia. I'm so far divorced from their music I have no feelings one way or another and if it ever does get released, I plan on buying, listening, and reviewing the new album fairly as if we haven't been waiting forever to hear it.
THE PIASS
Never thought I would see a scene without UNDERCODE. Then again, there was a time I thought there would never be a scene without Matina and these days few people remember that label.
Does YOHIO hang around here? He must visit every now and again - this place is too addictive and centralizing not to.
Is there even anywhere else to go? Where do all the n00bs come from?
I haven't heard anyone refer to anything as "too American" in years. We successfully stamped that ignorance out of the scene!
I remember when XodiacK was first formed, their partnership with HearJapan, and their subsequent financial failure with their first single. They were a joke back then. Now they are considered a cult classic. It's crazy how malleable opinions are.
BORN and Lycaon are two bands I waited forever for their disbandment, and when it happened I wasn't happy.
Visual kei is making a third shift in sound away from the millenial-kei tunes into the unknown. This is a great time to be a fan!
Thoughts from @fitear1590:
the fin.
I need more VK bands with technical guitar work that aren't necessarily tied to some offshoot of metal (Aicle was a perfect example)
The lines between VK and certain brands of indie are getting more porous; a very exciting combination of worlds!
Honestly, what happened to Shiina Ringo? She was such a prominent figure in my music taste at one point, but she fizzled out...
Please. End. The. Treble. Synth. Fad.
Long live "art kei". May the patron saints (ex-members of bands like Moran, yazzmad, amber gris, etc.) keep the style going!
Thoughts from @emmny:
DIV
amber gris saved visual kei after Buglug tried to destroy it and before issei literally almost destroyed himself falling off a balcony meto style
Few things were more depressing than seeing Yuuki ruin UnsraW and then flop into infinity with DOAK
"Lost november" by Diaura is the most iconic vk song released in...ever
Revival kei was the only thing that saved vk past 2012
DIR EN GREY's career trajectory has been amazing and no I don't care what you have to say about DSS
No, i'm not EVER getting over D'espairsray so can it.
Can bands stop acting like visual kei is still popular, trying to play massive venues (which would have been considered average size 10 years ago) and then flopping intensely? Miztavlah YOU'RE NEXT...300/1200 O-West wait on it
DADAROMA and Mejibray have the biggest followings in the western fandoms since vk died and its actually kinda adorable...won't save vk tho
Ikenai Kiss by DIV was both the peak and death of EDM kei...RIP
Thoughts from @doombox:
CROSSFAITH
I still don't know how baby VK bands manage to pay for their costumes and make up artists when they can't get 100 people in a venue.
MIYAVI proved you can survive after VK, have a public marriage and family, be covered in tattoos, and still be wildly popular.
These days it's getting plain to see VK has gone down like the Titanic and we're all waiting in tiny lifeboats, clinging to each other and hoping another big ship will eventually come to save us.
I'm still not over K (Pay money To my Pain), Shunsuke (Eldorado, bis), or Jasmine You (Versailles).
ONE OK ROCK took over the world. I'm still in shock.
Japanese electro-core burnt out way too fast but man it was fun while it lasted.
Thoughts from @tetsu_sama69:
BAISER
When will people realize that most VK bands are just homage of older previous groups and THIS WILL ALWAYS BE A THING?!!?
Most VK singers are just massive fanboys of Kiyoharu/Kyo/Hyde/Ruki even if it doesn't seem like they are there always SOMETHING that gives it away and trust me even your vk daddies had people they were fanboys of as well.
"Musical differences" is just an excuse for you ran out of mommy/daddy's money for your costumes/recordings OR you just don't get along
To survive in this fandom you either have to be extremely open-minded or stick to what you know you like but trust me... not everyone is going to like what you like and you have to accept that
Accept it, we're all weeaboos.
Thoughts from @Ito:
Sel'm
Not only has aie somehow managed tostill be sticking around, he is almost seemingly trying to single handedly save VK...and somehow suceeding?
It took nearly the full span of 10 years, but every one of my favorite VK bands from 2007 has disbanded
I am not sure if VK has gotten worse or if I've just gotten older and grumpier
Yoshiki has transitioned from a legend to a laughingstock in the community
It surprises me when I meet someone IRL and they tell me they are a big VK fan...and then I find out they haven't heard of MH. Like where the hell else are you going?
I wish I was more inclined to go back and check out older work. I know I have missed out on plenty of wonderful Jrock, but I am just so keen on keeping with what it current. I really need to fix that.
Are we ever going to get any VK bands to come to the States again, outside of the biggest of names?
While I listen to far less VK now than I used to (read that as my musical tastes have broadened), it still holds an incredibly special place in my heart.
Thoughts from @CAT5:
八十八ヶ所巡礼
International Visual Kei fans are some of the craziest, most irritating, and deranged people that I've come across. They're also some of the most passionate, interesting, fun-loving, and generous music fans that I've had the pleasure of knowing. There's always been a stigma surrounding the community, but in my experience, there's more good to be said than bad.
Monochrome-Heaven is one of the most slept-on forums of all time. We've been around for a decade and the community is still thriving despite the fact that forums are continually slipping into obsolescence.
The world of J-rock is vast and infinite, and there's always something new and different to try if you look for it or ask the right people.
Trying to convince VK fans that music outside of VK is somehow "better" or more worthwhile is an exercise in futility. Condescending or scoffing at VK fans is also equally idiotic. I've done both. Don't do it. You'll just come off as an absolute dick who's insecure in his own tastes and interests.
VK marketing ploys are still pretty fucking hilarious and ridiculous.
Speaking of which, most of us have, at one point, gone broke for Visual Kei and Japanese music in general. It's expensive and wallet-crippling, yet glorious all the same.
I still can't wrap my head around cheki or conditional disbandments.
DIR EN GREY have never NOT been relevant.
Phantasmagoria
MH and VK fans at large love themselves a good drama/scandal. From what i've seen, it's usually best to just have a sense of humor about these things.
J-rock changes over time. Your favorite era may have been five, ten, or even fifteen years ago. Hell, it might even be NOW. Whatever the case, accept that the musical landscape is constantly changing. I think it's more effective to cherish your favs. and continuously sing their praises than it is to bitch and moan about bygone styles and eras, and how all new music sucks.
Sharing keeps the J-rock community alive. It's what's kept us going this long. And not just the sharing of the music itself, but the sharing of news, lyrics/translations, scans, review, live reports, images...even something as simple as sharing your own, unique thoughts about a band or a release. It all counts. Every little piece contributes to keeping the scene alive at large. MH has truly been blessed in this regard, as so many of our members have come here to share openly and freely all out of love for VK, J-rock, and Japanese music as a whole. It's a beautiful thing and I thank everyone for every penny spent, every CD ripped, every mb uploaded, every post typed, and every general ounce of energy poured into our common love for Japanese music.
I haven't listened to a thing like that for a while now, genre/style-wise... A very nice and fuzzy sound-wall, washed out vocals, reminds me a lot of early downy (especially the vocals). Pretty neat from the 2:40 mark on. Bonus point for the female drums.
I haven't listened to a thing like that for a while now, genre/style-wise... A very nice and fuzzy sound-wall, washed out vocals, reminds me a lot of early downy (especially the vocals). Pretty neat from the 2:40 mark on. Bonus point for the female drums.
About the city pop discussion from earlier; seems like SPARK!!SOUND!!SHOW!! make fun of it with 'Urban kill' which is kind of a camouflage (usually they are more on the rock side). At least the refrain goes; 'Urban kill the shity city pop' - so I guess I see what they did there
Maybe late to it, but a PV I recently fell in love with; COMezik - Imagination
The pace change to a more subtle tone just on the right parts work for me, I can dig it.
whitegrey reacted to Jigsaw9 in ENDZWECK - Europe tour in August 2017
whitegrey got a reaction from Seimeisen in BORIS will release new album "DEAR" in July
whitegrey got a reaction from gekiai in Genres you love, but can't stand most of the bands of
whitegrey got a reaction from ArtFart in random thoughts thread
whitegrey got a reaction from platy in Genres you love, but can't stand most of the bands of.thumb.jpg.0642fdb6da26c774b69025613ae64a8d.jpg)
whitegrey got a reaction from Himeaimichu in Genres you love, but can't stand most of the bands of
whitegrey got a reaction from suji in Just new here
whitegrey got a reaction from BrenGun in Just new here
whitegrey got a reaction from Tokage in THE JAPANESE INDIE THREAD
whitegrey got a reaction from Seraphinne in qujaku (ex. the piqnic) EUROPE TOUR 2017 (april to may | UK/BE/DE/CZ/CH)
whitegrey got a reaction from indigo in THE JAPANESE INDIE THREAD
whitegrey got a reaction from CAT5 in THE JAPANESE INDIE THREAD