Good idea, prz! Lots of cool stuff has come out of the "J-urban" sphere (aka Japanese ppl making traditionally "black" genres), so I'm glad to see that we have a place to discuss this area of music now!
I tend to shy away from the mainstream side of things, and not only because I've hipster-ish tendencies. I just think a good bit of it tends feel caricature-ish - like the Japanese's understanding of the music is blatantly shallow, and comes off as a cheap imitation as opposed to a reinterpretation or an assimilation of the style. Granted, there's a lot of great mainstream J-urban (and crap indie stuff) - I just feel like there's a greater level of understanding and music done in earnest coming out of the indie/underground world.
Never really tried misia, but vocally she reminds me of Bird - but better. Still need to try that one m-flo album you recommended.
I never really tried Ken Hirai's music either, but that 2nd song definitely sounds like he belongs in this thread. @herpes might know better?
ahaha, this beat is a blantant ripoff of Mary J. Blige's "Real Love" smh
This kind of thing tends to happen quite often in Japan. Do you think they consider this a kind of homage to the originals or are the producers just being lazy and sneaky lol? I'm inclined to believe the latter, but I'm open to believing the beat culture over there might be different.
As for some of the artists I enjoy? Here are a few:
GAGLE
These guys have been around since 1996 and i'd consider them a must-hear for anyone digging into J-hip hop. Their sound is very traditional/boom-bap type hip-hop. MC Hunger is imo, one of the best Japanese rappers to ever do it. Firstly, he understands how to flow properly over a beat (which seems to be a big problem for Japanese rappers), his lyrics are thoughtful, and his delivery is always compelling, without being abrasive - you can tell he means what he raps. DJ mitsu the beats is an excellent producer too - one of the finest I've heard out of Japan.
Ovall
Since this band has relations to GAGLE, and even released a collab album with them in 2012, i figured I'd talk about them next. From left to right in the pic, the band is mabanua (drums, and sometimes vocals), Shingo Sekiguchi (guitar), and Shingo Suzuki (bass/keyboard). They describe themselves as a "spiritual jazz/hip-hop " band and for me they're like an unheralded supergroup. All 3 of these guys are producers, with mabanua and shingo suzuki being especially into beatmaking. Mabanua has produced for and worked with a ton of artists, both abroad and in Japan - from yoko kanno, CHARA, daoko, izumi makura, ohashitrio, nakano pierre of ling tosite sigure, and more. He also has his own solo albums, which are in a similar vein to ovall's music. Sekiguchi and Suzuki both have their own music projects as well. Ovall is super smooth overall, with instrumental tracks, mabanua singing on a few tracks, and guest vocalists/rappers on others. In the spoiler are the trailers for 2 of their albums:
Hanah Spring (Hanah)
Continuing the collaborative trend, this woman has worked with Ovall as well. She originally appeared on a major label under the sole name "Hanah", creating *mostly* mundane pop-r&b, but she has now resurfaced as "Hanah Spring" on an indie label called pirates records. I'm not sure what happened (perhaps the label dropped her), but whatever it is, I'm glad a change was made. Her music under "Hanah Spring" is much more viable. She's taken on a more organic, slightly jazz-tinged approach and has actually managed to make some legit "neo-soul" music, which is difficult to come by in Japan. She's spent some time in the U.S. and has opened for acts touring Japan like Erykah Badu, The Roots, Brian McKnight, and Musiq Soulchild - so that may or may not have influenced her style. Her voice is fantastic, although I prefer it when she sings in Japanese, as i'm quite picky about Engrish.
I will stop at 3 because this post is getting too big, but I will be back to add more artists and discuss further!