EzraEroguro

they desperately need another Ghost to spice things up, don't they

As a pura fan, I've begun to expect the same songs out of them for the last 10 years. Airen and Recall are stand out tracks.

As a pura fan, I've begun to expect the same songs out of them for the last 10 years. Airen and Recall are stand out tracks.

Really, you're better off.

I still listen to rentrer en soi ca. 2005 and I know I shouldn't so idk 

the fucked up shit is that the cover art for their releases has consistently been better than their actual music for a good while now

Thanks for that.
 
Found an article about it here.

Hey y'all! Visual Kei Oyaji here as well!

I'll be 30 next year, and i'll be damned if i stop listening to the bands that I stan (Plastic Tree, Dir en grey, sukekiyo, THE NOVEMBERS).

From my knowledge, and from info that was taken on the board, Satsuki and the bassist of RES definitely hated one another. 
 
The guitarist of Nega/Lack-co is a KNOWN philanderer.
 
Sakito/Hitsugi don't get along either, yeah. It's because of the egos in the way. Hitsugi wanted more solos, where as Sakito loves to rip off Sugizo when ever he can.
 
Someone needs to dish on DEG's The Manipulated Life Tour --- apparently Shinya/Toshiya had SERIOUS issues with one another during this period, which led to the band almost disbanding.

From my knowledge, and from info that was taken on the board, Satsuki and the bassist of RES definitely hated one another. 
 
The guitarist of Nega/Lack-co is a KNOWN philanderer.
 
Sakito/Hitsugi don't get along either, yeah. It's because of the egos in the way. Hitsugi wanted more solos, where as Sakito loves to rip off Sugizo when ever he can.
 
Someone needs to dish on DEG's The Manipulated Life Tour --- apparently Shinya/Toshiya had SERIOUS issues with one another during this period, which led to the band almost disbanding.

From my knowledge, and from info that was taken on the board, Satsuki and the bassist of RES definitely hated one another. 
 
The guitarist of Nega/Lack-co is a KNOWN philanderer.
 
Sakito/Hitsugi don't get along either, yeah. It's because of the egos in the way. Hitsugi wanted more solos, where as Sakito loves to rip off Sugizo when ever he can.
 
Someone needs to dish on DEG's The Manipulated Life Tour --- apparently Shinya/Toshiya had SERIOUS issues with one another during this period, which led to the band almost disbanding.

From my knowledge, and from info that was taken on the board, Satsuki and the bassist of RES definitely hated one another. 
 
The guitarist of Nega/Lack-co is a KNOWN philanderer.
 
Sakito/Hitsugi don't get along either, yeah. It's because of the egos in the way. Hitsugi wanted more solos, where as Sakito loves to rip off Sugizo when ever he can.
 
Someone needs to dish on DEG's The Manipulated Life Tour --- apparently Shinya/Toshiya had SERIOUS issues with one another during this period, which led to the band almost disbanding.

Hey y'all! Visual Kei Oyaji here as well!

I'll be 30 next year, and i'll be damned if i stop listening to the bands that I stan (Plastic Tree, Dir en grey, sukekiyo, THE NOVEMBERS).

Same, glad I'm not the only grandpa here, 30 next February.

Hahaha, this thread has become a support group for the vk elders XD Welcome welcome, have a cookie!
 

Hey y'all! Visual Kei Oyaji here as well!

I'll be 30 next year, and i'll be damned if i stop listening to the bands that I stan (Plastic Tree, Dir en grey, sukekiyo, THE NOVEMBERS).

I want a studio recording of the shorter version of Mazohyst

I have to rescind my statement. ADORATIO is better live. Mania no Shikan was amazing.

I can't wait to suffer with their next release 

"Get f*** h**" was the shittiest song ever.
God it was great, i want more.

Hot Take: "Guzo Moratorium" is just a really long version of "HARMS" by 9Goats Black Out.

ohh, gonna get it from Jpopsuki asap. knowing the remasters are good makes me excited. so much of their early stuff is only available in shitty rips.

Are you guys kidding me? Kyo can't play any instruments? I back to differ! You guys probably forgot about this masterpiece:
 
 

Worst tracks on this thing are the first and last. They’re just these repetitive, meandering slogs that go nowhere. 
 
Certainly not how Adoratio was bookended. Giji Necromancer was a great opener, and Hakudaku sent the whole thing into the stratosphere 

Tracks 10, 11 and 12 are the highlights of INFINITUM.
Most of the rest is weird electronic stuff, to me. The demo version of "Kou mo..." sounded better.
All in all, ADORATIO is still their best effort.