ShanethVarosa

Not sure why this picture is so large, but here's a pic of my face with my tat!
 
 

Not sure why this picture is so large, but here's a pic of my face with my tat!
 
 

Well, I liked the disc but to said the truth, Hora + Kaya are a match, so I'm with you Shanet . I like Hora, he has too much talent and since Schwartz Stein I really loved his work. His sound is unique and you'll find a incredibly mix of sounds that makes his music so fascinating. I like hows always so dark XD and different in so many ways to the actual j-music.
 
And yes, I recommend this.
Thanks for the Review!   

Artist: Hora Album: Cocytus Score: EDM super producer, Hora, is one of the most unique figures in the Visual Kei scene today... And has been for over a decade. Where most visual rock stars compose songs that are largely based on electric guitar, bass, and drums; Hora only uses his homemade synthesizers to create some of the greatest dance music you'll ever hear in your life. While he prefers to remain as obscure and indie as possible, if he would open himself up to a more global market he would surely give acts like Tiesto and Afrojack a run for their money. /p>
Over these past 13 years, Hora has composed around 45 songs for darkwave/trance duo Schwarz Stein; but a staggering 119 songs for his solo career and all while using vocals so sparingly one would wonder how he could keep it so constantly interesting.... The short answer is that it isn't always interesting, I'll admit. Being a huge fan since day one of Schwarz Stein, I also follow Hora's and Kaya's solo activities quite closely and have always listened to Hora's solo albums no matter how disappointing they ended up being. However, it seems that he managed to reignite the fire of his solo project around 2 years ago when he released Cocoon and then kicked it up about 70 notches for Desolation Beauty last year, ultimately resulting in this year's splendid Cocytus.

 
This is the first album of material he's produced since Schwarz Stein's official return to the scene and it shows. This album is significantly darker than his last one and utilizes the same sort of synths that were featured in Schwarz Stein's most recent single "Sleeping Madness" and by that I mean the beats are hard and fast. The album opener is fairly typical for Hora, unfortunately. Very melodramatic and slow and ultimately just very repetitive. The song drags on way too long and doesn't provide the listener with much intrigue. Along with Underwater and Winter Blood, this song can be skipped to prepare yourself for the real meat and potatoes of the album.

The second track is one of the absolute best Hora solo songs I've ever heard. "Frost" has the dramatic Hora flair that one must appreciate in order to be a fan while also delivering one of the hardest beats of his career. Please, please listen to this song above and you will not regret it. Following up this magnificent song is the second best song on the album, "Babel," which is considerably darker and deeper than "Frost." This is also his first composition in a long time that utilizes his harsh vocals. The only lyrics on this song, or the whole album in general, are "Let there be light." Title track "Cocytus" is a lot like album opener "Chamber of Fear" in that it's rather long and drawn out and does sort of the same thing continuously for no real added effect. Additionally, the use of string instruments becomes quite gratuitous when you're trying to listen to a dance album, but I digress. This is all just opinion, of course. The use of string instruments is something I've appreciated over the years and can see why people would enjoy their existence, but sometimes it's just too much.

Tracks 5 and 10 are essentially a two part series known as "Pray to God." The former song "Doom" has the same spacey quality as "Without Words" but in a much lighter atmosphere. The beat takes a while to kick in, but once it does it's actually quite fast and played under the melody of the piano to produce something very lighthearted (ironic for a song called "Doom," right?) The second in the series, "Heir" has a very interesting introduction. It's super glitchy, meaning there's no beat but the synths sort of skip around and sound like a broken video game. The second synths kick in not long into the song and create a continuation of the spacey vibe that "Doom" sets up. When the piano starts in this song it immediately echoes the piano of "Doom" and finishes out by adding a slower version of the beat in its predecessor.

Other extremely notable tracks are "My Vendetta" and the aptly-yet-reduntantly-named "Without Words" which are heavy/dark and mid tempo respectively. "My Vendetta" is the shortest song on the album and packs a decent punch in just 3.5 minutes... Which is actually a great thing considering if it had gone on too much longer it would get into the too-repetitive category due to the fact it doesn't change it's beat that much and is sort of a lot of the same sound. "Without Words" is more elegantly composed and utilizes more than one sound to make it's point. While I could see how someone could describe it as "lengthy," it has an ephemeral and spacey quality that hasn't quite been prominent on Hora's albums since Prominence in 2006.

All in all, this is definitely among Hora's best solo works. I highly recommend it as a general piece of music and find that it could likely be appreciated by all walks of life as it isn't too intense in any one genre at any one point. That being said, I do hope that Hora's and Kaya's priority over the next few months is to create a full-length Schwarz Stein album. I find that Kaya and Hora work best when they're together even though their individual talents are something quite formidable. It's like combining the two best things to make something even more impressive. Hora is the chocolate to Kaya's peanut butter or the Sonny to his Cher. They're best when together.

Artist: Hora Album: Cocytus Score: EDM super producer, Hora, is one of the most unique figures in the Visual Kei scene today... And has been for over a decade. Where most visual rock stars compose songs that are largely based on electric guitar, bass, and drums; Hora only uses his homemade synthesizers to create some of the greatest dance music you'll ever hear in your life. While he prefers to remain as obscure and indie as possible, if he would open himself up to a more global market he would surely give acts like Tiesto and Afrojack a run for their money. /p>
Over these past 13 years, Hora has composed around 45 songs for darkwave/trance duo Schwarz Stein; but a staggering 119 songs for his solo career and all while using vocals so sparingly one would wonder how he could keep it so constantly interesting.... The short answer is that it isn't always interesting, I'll admit. Being a huge fan since day one of Schwarz Stein, I also follow Hora's and Kaya's solo activities quite closely and have always listened to Hora's solo albums no matter how disappointing they ended up being. However, it seems that he managed to reignite the fire of his solo project around 2 years ago when he released Cocoon and then kicked it up about 70 notches for Desolation Beauty last year, ultimately resulting in this year's splendid Cocytus.

 
This is the first album of material he's produced since Schwarz Stein's official return to the scene and it shows. This album is significantly darker than his last one and utilizes the same sort of synths that were featured in Schwarz Stein's most recent single "Sleeping Madness" and by that I mean the beats are hard and fast. The album opener is fairly typical for Hora, unfortunately. Very melodramatic and slow and ultimately just very repetitive. The song drags on way too long and doesn't provide the listener with much intrigue. Along with Underwater and Winter Blood, this song can be skipped to prepare yourself for the real meat and potatoes of the album.

The second track is one of the absolute best Hora solo songs I've ever heard. "Frost" has the dramatic Hora flair that one must appreciate in order to be a fan while also delivering one of the hardest beats of his career. Please, please listen to this song above and you will not regret it. Following up this magnificent song is the second best song on the album, "Babel," which is considerably darker and deeper than "Frost." This is also his first composition in a long time that utilizes his harsh vocals. The only lyrics on this song, or the whole album in general, are "Let there be light." Title track "Cocytus" is a lot like album opener "Chamber of Fear" in that it's rather long and drawn out and does sort of the same thing continuously for no real added effect. Additionally, the use of string instruments becomes quite gratuitous when you're trying to listen to a dance album, but I digress. This is all just opinion, of course. The use of string instruments is something I've appreciated over the years and can see why people would enjoy their existence, but sometimes it's just too much.

Tracks 5 and 10 are essentially a two part series known as "Pray to God." The former song "Doom" has the same spacey quality as "Without Words" but in a much lighter atmosphere. The beat takes a while to kick in, but once it does it's actually quite fast and played under the melody of the piano to produce something very lighthearted (ironic for a song called "Doom," right?) The second in the series, "Heir" has a very interesting introduction. It's super glitchy, meaning there's no beat but the synths sort of skip around and sound like a broken video game. The second synths kick in not long into the song and create a continuation of the spacey vibe that "Doom" sets up. When the piano starts in this song it immediately echoes the piano of "Doom" and finishes out by adding a slower version of the beat in its predecessor.

Other extremely notable tracks are "My Vendetta" and the aptly-yet-reduntantly-named "Without Words" which are heavy/dark and mid tempo respectively. "My Vendetta" is the shortest song on the album and packs a decent punch in just 3.5 minutes... Which is actually a great thing considering if it had gone on too much longer it would get into the too-repetitive category due to the fact it doesn't change it's beat that much and is sort of a lot of the same sound. "Without Words" is more elegantly composed and utilizes more than one sound to make it's point. While I could see how someone could describe it as "lengthy," it has an ephemeral and spacey quality that hasn't quite been prominent on Hora's albums since Prominence in 2006.

All in all, this is definitely among Hora's best solo works. I highly recommend it as a general piece of music and find that it could likely be appreciated by all walks of life as it isn't too intense in any one genre at any one point. That being said, I do hope that Hora's and Kaya's priority over the next few months is to create a full-length Schwarz Stein album. I find that Kaya and Hora work best when they're together even though their individual talents are something quite formidable. It's like combining the two best things to make something even more impressive. Hora is the chocolate to Kaya's peanut butter or the Sonny to his Cher. They're best when together.

Artist: Hora Album: Cocytus Score: EDM super producer, Hora, is one of the most unique figures in the Visual Kei scene today... And has been for over a decade. Where most visual rock stars compose songs that are largely based on electric guitar, bass, and drums; Hora only uses his homemade synthesizers to create some of the greatest dance music you'll ever hear in your life. While he prefers to remain as obscure and indie as possible, if he would open himself up to a more global market he would surely give acts like Tiesto and Afrojack a run for their money. /p>
Over these past 13 years, Hora has composed around 45 songs for darkwave/trance duo Schwarz Stein; but a staggering 119 songs for his solo career and all while using vocals so sparingly one would wonder how he could keep it so constantly interesting.... The short answer is that it isn't always interesting, I'll admit. Being a huge fan since day one of Schwarz Stein, I also follow Hora's and Kaya's solo activities quite closely and have always listened to Hora's solo albums no matter how disappointing they ended up being. However, it seems that he managed to reignite the fire of his solo project around 2 years ago when he released Cocoon and then kicked it up about 70 notches for Desolation Beauty last year, ultimately resulting in this year's splendid Cocytus.

 
This is the first album of material he's produced since Schwarz Stein's official return to the scene and it shows. This album is significantly darker than his last one and utilizes the same sort of synths that were featured in Schwarz Stein's most recent single "Sleeping Madness" and by that I mean the beats are hard and fast. The album opener is fairly typical for Hora, unfortunately. Very melodramatic and slow and ultimately just very repetitive. The song drags on way too long and doesn't provide the listener with much intrigue. Along with Underwater and Winter Blood, this song can be skipped to prepare yourself for the real meat and potatoes of the album.

The second track is one of the absolute best Hora solo songs I've ever heard. "Frost" has the dramatic Hora flair that one must appreciate in order to be a fan while also delivering one of the hardest beats of his career. Please, please listen to this song above and you will not regret it. Following up this magnificent song is the second best song on the album, "Babel," which is considerably darker and deeper than "Frost." This is also his first composition in a long time that utilizes his harsh vocals. The only lyrics on this song, or the whole album in general, are "Let there be light." Title track "Cocytus" is a lot like album opener "Chamber of Fear" in that it's rather long and drawn out and does sort of the same thing continuously for no real added effect. Additionally, the use of string instruments becomes quite gratuitous when you're trying to listen to a dance album, but I digress. This is all just opinion, of course. The use of string instruments is something I've appreciated over the years and can see why people would enjoy their existence, but sometimes it's just too much.

Tracks 5 and 10 are essentially a two part series known as "Pray to God." The former song "Doom" has the same spacey quality as "Without Words" but in a much lighter atmosphere. The beat takes a while to kick in, but once it does it's actually quite fast and played under the melody of the piano to produce something very lighthearted (ironic for a song called "Doom," right?) The second in the series, "Heir" has a very interesting introduction. It's super glitchy, meaning there's no beat but the synths sort of skip around and sound like a broken video game. The second synths kick in not long into the song and create a continuation of the spacey vibe that "Doom" sets up. When the piano starts in this song it immediately echoes the piano of "Doom" and finishes out by adding a slower version of the beat in its predecessor.

Other extremely notable tracks are "My Vendetta" and the aptly-yet-reduntantly-named "Without Words" which are heavy/dark and mid tempo respectively. "My Vendetta" is the shortest song on the album and packs a decent punch in just 3.5 minutes... Which is actually a great thing considering if it had gone on too much longer it would get into the too-repetitive category due to the fact it doesn't change it's beat that much and is sort of a lot of the same sound. "Without Words" is more elegantly composed and utilizes more than one sound to make it's point. While I could see how someone could describe it as "lengthy," it has an ephemeral and spacey quality that hasn't quite been prominent on Hora's albums since Prominence in 2006.

All in all, this is definitely among Hora's best solo works. I highly recommend it as a general piece of music and find that it could likely be appreciated by all walks of life as it isn't too intense in any one genre at any one point. That being said, I do hope that Hora's and Kaya's priority over the next few months is to create a full-length Schwarz Stein album. I find that Kaya and Hora work best when they're together even though their individual talents are something quite formidable. It's like combining the two best things to make something even more impressive. Hora is the chocolate to Kaya's peanut butter or the Sonny to his Cher. They're best when together.

Stage one of my half-sleeve complete!! It's Versailles-themed. Six roses, one for each member. Stage two will be the band name on the other side of my arm and stage three is an incredible color scheme. What do you guys think?

Artist: Hora Album: Cocytus Score: EDM super producer, Hora, is one of the most unique figures in the Visual Kei scene today... And has been for over a decade. Where most visual rock stars compose songs that are largely based on electric guitar, bass, and drums; Hora only uses his homemade synthesizers to create some of the greatest dance music you'll ever hear in your life. While he prefers to remain as obscure and indie as possible, if he would open himself up to a more global market he would surely give acts like Tiesto and Afrojack a run for their money. /p>
Over these past 13 years, Hora has composed around 45 songs for darkwave/trance duo Schwarz Stein; but a staggering 119 songs for his solo career and all while using vocals so sparingly one would wonder how he could keep it so constantly interesting.... The short answer is that it isn't always interesting, I'll admit. Being a huge fan since day one of Schwarz Stein, I also follow Hora's and Kaya's solo activities quite closely and have always listened to Hora's solo albums no matter how disappointing they ended up being. However, it seems that he managed to reignite the fire of his solo project around 2 years ago when he released Cocoon and then kicked it up about 70 notches for Desolation Beauty last year, ultimately resulting in this year's splendid Cocytus.

 
This is the first album of material he's produced since Schwarz Stein's official return to the scene and it shows. This album is significantly darker than his last one and utilizes the same sort of synths that were featured in Schwarz Stein's most recent single "Sleeping Madness" and by that I mean the beats are hard and fast. The album opener is fairly typical for Hora, unfortunately. Very melodramatic and slow and ultimately just very repetitive. The song drags on way too long and doesn't provide the listener with much intrigue. Along with Underwater and Winter Blood, this song can be skipped to prepare yourself for the real meat and potatoes of the album.

The second track is one of the absolute best Hora solo songs I've ever heard. "Frost" has the dramatic Hora flair that one must appreciate in order to be a fan while also delivering one of the hardest beats of his career. Please, please listen to this song above and you will not regret it. Following up this magnificent song is the second best song on the album, "Babel," which is considerably darker and deeper than "Frost." This is also his first composition in a long time that utilizes his harsh vocals. The only lyrics on this song, or the whole album in general, are "Let there be light." Title track "Cocytus" is a lot like album opener "Chamber of Fear" in that it's rather long and drawn out and does sort of the same thing continuously for no real added effect. Additionally, the use of string instruments becomes quite gratuitous when you're trying to listen to a dance album, but I digress. This is all just opinion, of course. The use of string instruments is something I've appreciated over the years and can see why people would enjoy their existence, but sometimes it's just too much.

Tracks 5 and 10 are essentially a two part series known as "Pray to God." The former song "Doom" has the same spacey quality as "Without Words" but in a much lighter atmosphere. The beat takes a while to kick in, but once it does it's actually quite fast and played under the melody of the piano to produce something very lighthearted (ironic for a song called "Doom," right?) The second in the series, "Heir" has a very interesting introduction. It's super glitchy, meaning there's no beat but the synths sort of skip around and sound like a broken video game. The second synths kick in not long into the song and create a continuation of the spacey vibe that "Doom" sets up. When the piano starts in this song it immediately echoes the piano of "Doom" and finishes out by adding a slower version of the beat in its predecessor.

Other extremely notable tracks are "My Vendetta" and the aptly-yet-reduntantly-named "Without Words" which are heavy/dark and mid tempo respectively. "My Vendetta" is the shortest song on the album and packs a decent punch in just 3.5 minutes... Which is actually a great thing considering if it had gone on too much longer it would get into the too-repetitive category due to the fact it doesn't change it's beat that much and is sort of a lot of the same sound. "Without Words" is more elegantly composed and utilizes more than one sound to make it's point. While I could see how someone could describe it as "lengthy," it has an ephemeral and spacey quality that hasn't quite been prominent on Hora's albums since Prominence in 2006.

All in all, this is definitely among Hora's best solo works. I highly recommend it as a general piece of music and find that it could likely be appreciated by all walks of life as it isn't too intense in any one genre at any one point. That being said, I do hope that Hora's and Kaya's priority over the next few months is to create a full-length Schwarz Stein album. I find that Kaya and Hora work best when they're together even though their individual talents are something quite formidable. It's like combining the two best things to make something even more impressive. Hora is the chocolate to Kaya's peanut butter or the Sonny to his Cher. They're best when together.

Artist: Hora Album: Cocytus Score: EDM super producer, Hora, is one of the most unique figures in the Visual Kei scene today... And has been for over a decade. Where most visual rock stars compose songs that are largely based on electric guitar, bass, and drums; Hora only uses his homemade synthesizers to create some of the greatest dance music you'll ever hear in your life. While he prefers to remain as obscure and indie as possible, if he would open himself up to a more global market he would surely give acts like Tiesto and Afrojack a run for their money. /p>
Over these past 13 years, Hora has composed around 45 songs for darkwave/trance duo Schwarz Stein; but a staggering 119 songs for his solo career and all while using vocals so sparingly one would wonder how he could keep it so constantly interesting.... The short answer is that it isn't always interesting, I'll admit. Being a huge fan since day one of Schwarz Stein, I also follow Hora's and Kaya's solo activities quite closely and have always listened to Hora's solo albums no matter how disappointing they ended up being. However, it seems that he managed to reignite the fire of his solo project around 2 years ago when he released Cocoon and then kicked it up about 70 notches for Desolation Beauty last year, ultimately resulting in this year's splendid Cocytus.

 
This is the first album of material he's produced since Schwarz Stein's official return to the scene and it shows. This album is significantly darker than his last one and utilizes the same sort of synths that were featured in Schwarz Stein's most recent single "Sleeping Madness" and by that I mean the beats are hard and fast. The album opener is fairly typical for Hora, unfortunately. Very melodramatic and slow and ultimately just very repetitive. The song drags on way too long and doesn't provide the listener with much intrigue. Along with Underwater and Winter Blood, this song can be skipped to prepare yourself for the real meat and potatoes of the album.

The second track is one of the absolute best Hora solo songs I've ever heard. "Frost" has the dramatic Hora flair that one must appreciate in order to be a fan while also delivering one of the hardest beats of his career. Please, please listen to this song above and you will not regret it. Following up this magnificent song is the second best song on the album, "Babel," which is considerably darker and deeper than "Frost." This is also his first composition in a long time that utilizes his harsh vocals. The only lyrics on this song, or the whole album in general, are "Let there be light." Title track "Cocytus" is a lot like album opener "Chamber of Fear" in that it's rather long and drawn out and does sort of the same thing continuously for no real added effect. Additionally, the use of string instruments becomes quite gratuitous when you're trying to listen to a dance album, but I digress. This is all just opinion, of course. The use of string instruments is something I've appreciated over the years and can see why people would enjoy their existence, but sometimes it's just too much.

Tracks 5 and 10 are essentially a two part series known as "Pray to God." The former song "Doom" has the same spacey quality as "Without Words" but in a much lighter atmosphere. The beat takes a while to kick in, but once it does it's actually quite fast and played under the melody of the piano to produce something very lighthearted (ironic for a song called "Doom," right?) The second in the series, "Heir" has a very interesting introduction. It's super glitchy, meaning there's no beat but the synths sort of skip around and sound like a broken video game. The second synths kick in not long into the song and create a continuation of the spacey vibe that "Doom" sets up. When the piano starts in this song it immediately echoes the piano of "Doom" and finishes out by adding a slower version of the beat in its predecessor.

Other extremely notable tracks are "My Vendetta" and the aptly-yet-reduntantly-named "Without Words" which are heavy/dark and mid tempo respectively. "My Vendetta" is the shortest song on the album and packs a decent punch in just 3.5 minutes... Which is actually a great thing considering if it had gone on too much longer it would get into the too-repetitive category due to the fact it doesn't change it's beat that much and is sort of a lot of the same sound. "Without Words" is more elegantly composed and utilizes more than one sound to make it's point. While I could see how someone could describe it as "lengthy," it has an ephemeral and spacey quality that hasn't quite been prominent on Hora's albums since Prominence in 2006.

All in all, this is definitely among Hora's best solo works. I highly recommend it as a general piece of music and find that it could likely be appreciated by all walks of life as it isn't too intense in any one genre at any one point. That being said, I do hope that Hora's and Kaya's priority over the next few months is to create a full-length Schwarz Stein album. I find that Kaya and Hora work best when they're together even though their individual talents are something quite formidable. It's like combining the two best things to make something even more impressive. Hora is the chocolate to Kaya's peanut butter or the Sonny to his Cher. They're best when together.

Artist: Hora Album: Cocytus Score: EDM super producer, Hora, is one of the most unique figures in the Visual Kei scene today... And has been for over a decade. Where most visual rock stars compose songs that are largely based on electric guitar, bass, and drums; Hora only uses his homemade synthesizers to create some of the greatest dance music you'll ever hear in your life. While he prefers to remain as obscure and indie as possible, if he would open himself up to a more global market he would surely give acts like Tiesto and Afrojack a run for their money. /p>
Over these past 13 years, Hora has composed around 45 songs for darkwave/trance duo Schwarz Stein; but a staggering 119 songs for his solo career and all while using vocals so sparingly one would wonder how he could keep it so constantly interesting.... The short answer is that it isn't always interesting, I'll admit. Being a huge fan since day one of Schwarz Stein, I also follow Hora's and Kaya's solo activities quite closely and have always listened to Hora's solo albums no matter how disappointing they ended up being. However, it seems that he managed to reignite the fire of his solo project around 2 years ago when he released Cocoon and then kicked it up about 70 notches for Desolation Beauty last year, ultimately resulting in this year's splendid Cocytus.

 
This is the first album of material he's produced since Schwarz Stein's official return to the scene and it shows. This album is significantly darker than his last one and utilizes the same sort of synths that were featured in Schwarz Stein's most recent single "Sleeping Madness" and by that I mean the beats are hard and fast. The album opener is fairly typical for Hora, unfortunately. Very melodramatic and slow and ultimately just very repetitive. The song drags on way too long and doesn't provide the listener with much intrigue. Along with Underwater and Winter Blood, this song can be skipped to prepare yourself for the real meat and potatoes of the album.

The second track is one of the absolute best Hora solo songs I've ever heard. "Frost" has the dramatic Hora flair that one must appreciate in order to be a fan while also delivering one of the hardest beats of his career. Please, please listen to this song above and you will not regret it. Following up this magnificent song is the second best song on the album, "Babel," which is considerably darker and deeper than "Frost." This is also his first composition in a long time that utilizes his harsh vocals. The only lyrics on this song, or the whole album in general, are "Let there be light." Title track "Cocytus" is a lot like album opener "Chamber of Fear" in that it's rather long and drawn out and does sort of the same thing continuously for no real added effect. Additionally, the use of string instruments becomes quite gratuitous when you're trying to listen to a dance album, but I digress. This is all just opinion, of course. The use of string instruments is something I've appreciated over the years and can see why people would enjoy their existence, but sometimes it's just too much.

Tracks 5 and 10 are essentially a two part series known as "Pray to God." The former song "Doom" has the same spacey quality as "Without Words" but in a much lighter atmosphere. The beat takes a while to kick in, but once it does it's actually quite fast and played under the melody of the piano to produce something very lighthearted (ironic for a song called "Doom," right?) The second in the series, "Heir" has a very interesting introduction. It's super glitchy, meaning there's no beat but the synths sort of skip around and sound like a broken video game. The second synths kick in not long into the song and create a continuation of the spacey vibe that "Doom" sets up. When the piano starts in this song it immediately echoes the piano of "Doom" and finishes out by adding a slower version of the beat in its predecessor.

Other extremely notable tracks are "My Vendetta" and the aptly-yet-reduntantly-named "Without Words" which are heavy/dark and mid tempo respectively. "My Vendetta" is the shortest song on the album and packs a decent punch in just 3.5 minutes... Which is actually a great thing considering if it had gone on too much longer it would get into the too-repetitive category due to the fact it doesn't change it's beat that much and is sort of a lot of the same sound. "Without Words" is more elegantly composed and utilizes more than one sound to make it's point. While I could see how someone could describe it as "lengthy," it has an ephemeral and spacey quality that hasn't quite been prominent on Hora's albums since Prominence in 2006.

All in all, this is definitely among Hora's best solo works. I highly recommend it as a general piece of music and find that it could likely be appreciated by all walks of life as it isn't too intense in any one genre at any one point. That being said, I do hope that Hora's and Kaya's priority over the next few months is to create a full-length Schwarz Stein album. I find that Kaya and Hora work best when they're together even though their individual talents are something quite formidable. It's like combining the two best things to make something even more impressive. Hora is the chocolate to Kaya's peanut butter or the Sonny to his Cher. They're best when together.

Thanks ender-ender and CaRaN!! It seriously does look amazing and when the color comes early next month it's gonna look.... God I can't even imagine.

Stage one of my half-sleeve complete!! It's Versailles-themed. Six roses, one for each member. Stage two will be the band name on the other side of my arm and stage three is an incredible color scheme. What do you guys think?

Stage one of my half-sleeve complete!! It's Versailles-themed. Six roses, one for each member. Stage two will be the band name on the other side of my arm and stage three is an incredible color scheme. What do you guys think?

Stage one of my half-sleeve complete!! It's Versailles-themed. Six roses, one for each member. Stage two will be the band name on the other side of my arm and stage three is an incredible color scheme. What do you guys think?

Stage one of my half-sleeve complete!! It's Versailles-themed. Six roses, one for each member. Stage two will be the band name on the other side of my arm and stage three is an incredible color scheme. What do you guys think?

Stage one of my half-sleeve complete!! It's Versailles-themed. Six roses, one for each member. Stage two will be the band name on the other side of my arm and stage three is an incredible color scheme. What do you guys think?

Stage one of my half-sleeve complete!! It's Versailles-themed. Six roses, one for each member. Stage two will be the band name on the other side of my arm and stage three is an incredible color scheme. What do you guys think?

Stage one of my half-sleeve complete!! It's Versailles-themed. Six roses, one for each member. Stage two will be the band name on the other side of my arm and stage three is an incredible color scheme. What do you guys think?

Stage one of my half-sleeve complete!! It's Versailles-themed. Six roses, one for each member. Stage two will be the band name on the other side of my arm and stage three is an incredible color scheme. What do you guys think?

Stage one of my half-sleeve complete!! It's Versailles-themed. Six roses, one for each member. Stage two will be the band name on the other side of my arm and stage three is an incredible color scheme. What do you guys think?

It's weird, I've never really wondered why there wasn't a JPop thread on this forum, but now that it's here, I wonder why we've never had one before lol.
 
My top Jpop acts are KAT-TUN and Koda Kumi, but I think I listen to quite a bit of it, just maybe not the super ridiculously popular acts that everyone seems to like, i.e. Arashi, Kyari, that AKsmthsmth group. 
 
Other faves with high listens:
 
Yamapi
Namie
Lead
Ayu (only like older Ayu though)
KinKi Kids
Capsule
BoA (I guess she counts, she has lots of Japanese releases)
Hitomi
Mika
Tommy
ONE DRAFT
Every Little Thing
Perfume
Lecca
Yulia
FEMM
Chemistry
Sekai no Owari
Dream
 
Tbh, I probably listen to more Cpop artists, but I have more favorites in Jpop, if that makes sense.

@Pretzels lmao, no I don't think there's any Asian artist I hate as much as Mariah Carey. But in re m-flo.... People don't like their new sound as much? I'm crazy about EDM and I'm not like... a superfan or part of their "fandom" or whatever, but I do really REALLY like their dance music. It's so much fun.

*inhales* I was born ready for this topic.
 
My most favorite J-Pop artist is Koda Kumi, but if you factor in K-Pop artists with careers in Japan then it becomes BoA. Either way, these women are everything to me. They're basically the asian versions of Cher and Madonna to me, they don't come more important. 
 
In terms of either of their most recent releases: 
BoA's pissed me off that it was all singles, but the quality of the music was still good (In re: Who's Back?)
Kuu's was decent, but far from her best work. Most of it is likely to grow on me if I let it. (In re: Walk of My Life)
 
Anywho, otherwise it's mostly K-Pop acts with careers in Japan that I like.... Girls' Generation I think I actually prefer in Japanese and 2NE1 gave it their best effort, but they need to stay in Korea (or do an English album.... maybe as long as CL gets her solo debut first and within the next 4 months). Additionally, I am freaking in LOVE with Square One and beyond m-flo. When they got all trip-hop and EDM I think they really found their sound. Although I've always liked Verbal's features with Crystal Kay and BoA.
 
Oh and Crystal Kay is pretty good too. Not consistently good, by any means, but she has talent. Rule Your World is my JAM. 
 
Namie Amuro is someone I got into fairly recently, I like nothing before Uncontrolled and even on that I only like In the Spotlight. I loved Feel and her song with Jolin Tsai is phenomenal. 
 
My appreciation for Ayumi Yamasaki goes as far as her Inu Yasha song and maybe 2 or 3 tracks from her dance album last year. I ALWAYS listen to her albums to see if I like her more, but.... I rarely, rarely ever do. 
 
Other artists with Japanese Pop careers I listen to on a very passive basis:
After School
Kanon Wakeshima
TVXQ
4minute

*inhales* I was born ready for this topic.
 
My most favorite J-Pop artist is Koda Kumi, but if you factor in K-Pop artists with careers in Japan then it becomes BoA. Either way, these women are everything to me. They're basically the asian versions of Cher and Madonna to me, they don't come more important. 
 
In terms of either of their most recent releases: 
BoA's pissed me off that it was all singles, but the quality of the music was still good (In re: Who's Back?)
Kuu's was decent, but far from her best work. Most of it is likely to grow on me if I let it. (In re: Walk of My Life)
 
Anywho, otherwise it's mostly K-Pop acts with careers in Japan that I like.... Girls' Generation I think I actually prefer in Japanese and 2NE1 gave it their best effort, but they need to stay in Korea (or do an English album.... maybe as long as CL gets her solo debut first and within the next 4 months). Additionally, I am freaking in LOVE with Square One and beyond m-flo. When they got all trip-hop and EDM I think they really found their sound. Although I've always liked Verbal's features with Crystal Kay and BoA.
 
Oh and Crystal Kay is pretty good too. Not consistently good, by any means, but she has talent. Rule Your World is my JAM. 
 
Namie Amuro is someone I got into fairly recently, I like nothing before Uncontrolled and even on that I only like In the Spotlight. I loved Feel and her song with Jolin Tsai is phenomenal. 
 
My appreciation for Ayumi Yamasaki goes as far as her Inu Yasha song and maybe 2 or 3 tracks from her dance album last year. I ALWAYS listen to her albums to see if I like her more, but.... I rarely, rarely ever do. 
 
Other artists with Japanese Pop careers I listen to on a very passive basis:
After School
Kanon Wakeshima
TVXQ
4minute

This actually all sounds and looks really great to me, I've genuinely liked all their releases since and including Nil, even if they weren't great all the way through... So I'm sure im going to really like this as well. Everything seems on point and well thought out. I'm really here for this era.