Paraph

I want to become Virge's private masseuse

"since sadness of that man surely begins to rain as for it"

-Phantasmagoria, hikari ni furu ame

 
 

"since sadness of that man surely begins to rain as for it"

-Phantasmagoria, hikari ni furu ame

 
 

"since sadness of that man surely begins to rain as for it"

-Phantasmagoria, hikari ni furu ame

 
 

"since sadness of that man surely begins to rain as for it"

-Phantasmagoria, hikari ni furu ame

 
 

Kim Petras

it was all about High Style Paradox 1 tbh
 

D'espairsRay's [Coll:set]
 
 

older favs:
i my ai mai - vidoll
D'espairsRay - Reddish -DIVA ver-
Gardenia - MALICE MIZER
MAZE - VELVET EDEN
deadman - this day. this rain.
guren - the GazettE
BUCK-TICK - ROMANCE
Kagrra, - kotodama
Kagrra, - yume izuru chi

newer:
Sioux - beyond
La'veil MizeriA - INSOMNIA
ヴァージュ - 「夜想」

best post of the year. thank you.

Frantic EMIRY ~second crisis~ will release a new mini-album titled 『EDEN』on 2019.07.17. 
 
Limited Edition (CD+DVD; 2,800 yen+taxes)
【CD】
「Amethyst Rain」
「Blue Romance」
「Cruel Pain」
「DESIRE」
「Dusty mirror」
「Holy Night EMIRY With The Witch」
【DVD】
「World End」Music Video
 
Regular Edition (CD; 2,300 yen+taxes)
【CD】
「Amethyst Rain」
「Blue Romance」
「Cruel Pain」
「DESIRE」
「Dusty mirror」
「Holy Night EMIRY With The Witch」

I can't but think of the people here going through an album's production with a fucking tape measure and a try square looking for some hot takes as utterly ridiculous dilettantes who are on a quest to rate and evaluate everything they come across from dogs to cats to hotdogs and shoehorning them into some system of cosmically applying universal worth, like a senile bookie trying to get one over the plebs of the board that has rigged the game so many times to his own favor that he has come to believe that's how it's supposed to be played. Unsurprisingly this takes place mostly on the threads related to Dir en grey in one way or another, and I hope that one day whoever supplies the audio equipment to these people decides to send them boxes of tapes containing different bass frequencies and one note sounds recorded with different studio presets, so that they can spend the rest of their lives busy with their ear pressed against the speaker being fully content about that crystal clear HQ sound, because god forbid we'd have to see these people writing about music again when they could be spending their parents money on audio jacks and Pepsi instead. Some of the best releases in rock music history sound like they were recorded with an Xbox 360 headset so fuck off already with this shit and go watch the past seasons of american idol on VCR and pretend to be Simon like you really want to.
 
Considering what vk has been doing from X's look to Kiyoharu's simulated hanging on stage to today, I don't think the word edgy has a place in the conversation with any other role than as a praise full of positive connotations only. While some people sure are eager to please and orientate themselves towards the lamestream taste with their hands and knees begging for their family to listen to their shitty japanese music at family gatherings and hand out positive affirmations, the rest ought to know that the only thing that really matters to any autonomous subject is the sincerity of their self-expression and the intellectual integrity that's solely their own. The general impulse of the public is to take the edges out of everything and grind them down into submission and guilt over being "lame" and "embarrassing," so hopefully instead of edgy music the people here can find things with the coarse edges done polished down so smooth that they'll trip and fall on their heads, becoming completely paralysed and unable to use their hands to write anything as stupid as they are in the future. 
 
 

i think Artistical Glint is Megaromania's best album. 

Wanted to write this up sooner, but better late than never!
 
Spent the end of April/beginning of May in Japan - during this time I got to attend two live events, this was the first of those. I've been a die-hard Aie fan since deadman so I absolutely couldn't pass up an opportunity to see him (and Kazu, too!!) play live.  I quite enjoy most of the god and death stars output and had heard many good things about eStrial so I ventured out to Ikebukuro on a rainy evening to see them do their thing.
 
It was one of my first nights in Tokyo and I am a bit, uh, directionally challenged without the aid of a map in larger city settings, so despite leaving quite early I missed my first train changeover and ended up turning a 15 minute trek into a 45 minute anxious train ride, landing me at the show 15 minutes late and a few songs into eStrial's set.
 
I descended the staircase into RUIDO K3 and emerged into the long, narrow live hall, quickly moving to the back of the rather full crowd. eStrial played a set of jazzy, upbeat tunes that had half the crowd participating in some light furi. Vocalist/guitarist Yumeji slid effortlessly through every manner of funky lick, matched in skill and precision by bassist Mina Takahara and drummer Atsuto (who was looking a fair bit more casual here than his time in Sugar - ten years ago at this point???). 
 
I wish I knew more of their songs as I found them to be a ton of fun, bassist Mina being a particular standout as she really knew how to keep energy levels high. She was sporting a huge grin almost the entire set and kept the entire crowd engaged. Much of the band banter made me wish I had a far better grasp of Japanese than I do (read: somewhere between almost none and not being a total know-nothing ass 😶) as Atsuto had the crowd chuckling quite a bit between songs. 
 
Being that this was one of a few two-man dates these bands had booked, it seemed clear that there was a really strong camaraderie between everyone in both bands! There was a lot of commentary that I picked up regarding Aie himself and the crowd no doubt seemed excited by his presence and the god and death stars' forthcoming set.
 
eStrial played for maybe a total of 45 minutes before the curtains closed, sending the crowd back to the bar in the corner to turn in their drink tickets. After a few moments passed, dedicated fans lined up right against the stage and I took this opportunity to grab a more ideal spot closer to the middle of the crowd. 
 
We could see band members shuffling past the entryway and behind the stage curtain and surely enough it wasn't long until a dramatic, orchestral track started playing over the PA. The crowd directed their full attention to the stage and as soon as the curtains were drawn, we were greeted by the god and death stars + Yumeji of eStrial! I found myself wondering if we were going to see Yumeji providing some secondary guitar for their set, but the ensemble jumped into a track that I didn't recognize at all, a poppy number that had Aie and Yumeji vocalizing in a goofy sort of way. The song lasted only a few minutes before the curtains closed once again, the audience left chuckling and eager. 
 
Luckily, we didn't have to wait too long, as the god and death stars proper were revealed as the curtains drew back again. Aie looked just as "cool casual" as I could have anticipated, wearing a thin t-shirt and fedora (perhaps the only person this hat looks properly good on in this day and age?) Kazu was dressed in black from head to toe, sporting a blazer that gave him a sort of "funereal" look alongside his long, slick hair. I must say, Kazu is a rather...imposing looking fellow on stage. Maybe it's because he is next to Aie, who is quite small in stature, but I found him to be quite striking in person in an almost intimidating way. Guest drummer Seiji Matsumoto (of the telephones and a number of bands that I need to take the time to check out) rounded out the trio, taking place of Otaka Jun who is away for health-related reasons (get well soon!!)
 
I will interject here and state that I can't recall their exact set due to time passing and just being...way too enamored with everything to take the time to write the songs down, so I apologize in advance for not being able to post that!
 
The band wasted no time getting into their set. Aie's signature guitar tone pulled me in immediately - that special twang reminded me of where I was and who I was watching. They played a selection of tracks from their newest album, funky ghost hollywood (most of the set was pulled from this album, understandably), to start things off. Watching them was a treat not only from the standpoint of someone who has loved their respective individual discographies (from one iconic band to the next), but simply as very clearly experienced musicians. That should go without saying, but these guys really, really know their stuff. They played each song effortlessly (my god, they really are a wonder at their instruments - I mean seriously, they're so stylistically committed and developed that it's a spectacle seeing them play the way they do).
 
Their set was fun and entirely un-theatric, perhaps the antithesis of the visual kei bands they came up in. Being that they were playing with a guest drummer, it was quite endearing to see them give him visual cues as the songs progressed (he was knocking it out of the park, no doubt, but it was nice seeing them interact in that "power trio" sort of way) The crowd was clearly having fun as they blasted through song after song and, more importantly, the guys in the band looked like they were having a ton of fun themselves. The air over the entire night felt casual and friendly, as if they were "just some guys getting together to play songs." 
 
There was some fun banter with the crowd near the middle of the set which really maintained that same "casual air" and in the end, they were done before I knew it. They got quite a few songs in (I wasn't kidding when I said they were just "blasting through them") for only playing maybe an hour-long set. I can't comment on the exact order, but the songs below are the ones I remember them playing off the top of my head. Nothing older than after the addle apple as far as I can recall. I was really pleased to hear "elephant in the room," "Good Night My Love," and "ママイズジャム" as those are some of my recent favorites.
 
薄荷
サニーゴーサニー
Good Night My Love
ママイズジャム
Life Is Beautiful
cannabis
damned
夜を歩く葡萄
濾過
elephant in the room
 
I hung around the venue for a little while since it was still very early (and there was a little part of me hoping I could shake Aie's hand, but that was wishful thinking, haha). As I watched the crowd wander back out into the rain little by little, it was obvious how varied their fanbase is, from age to personal style. Just a testament to these guys and their time/experience in the scene. 
 
Thanks for reading! Don't miss an opportunity to catch either of these bands if you can - it was a really special evening that I won't soon forget.
 
I'll have one more live report up soon for the event I attended at 高田馬場AREA on 5/6! (DIMLIM, gulu gulu, more)

i have some super ultra rarez but I'm not going to share them because I'm an asshole 

La’veil MizeriA NAZUKI shirt and cheki 
 

 
 
 

i think Artistical Glint is Megaromania's best album. 

Voyage ~sans retour~ by Malice Mizer
Gloomy and wakeful night by Vior gloire
Reset ~a revolving lantern~ by カレン
 
 

Probably this.

Voyage ~sans retour~ by Malice Mizer
Gloomy and wakeful night by Vior gloire
Reset ~a revolving lantern~ by カレン
 
 

any time a guy is trying to convince you he's a good person. he is most definitely not a good person.

Masumi has passed away on May 18. His funeral will only be held for his loved ones.