Furik

Cardi B ain't safe from the legendary trap nihonjin chanteuse and her food-court crowds
 
I wonder how long this embarrassing phase is going to last for her
 
is she gonna drop an official mosburger urban EP
 
is Japanese rap doomed or saved

this bitch isn't even the first result on spotify for "satsuki" how does he expect to sell an album

DEXCORE has officially been uploaded onto Spotify as of today. 

I'm lowkey speechless and I'll have to buy a dozen healing crystals or smth to ground myself and separate art from the artist to enjoy ReS again at this point.
 
I wonder what was her thought process if she considered this a worthwhile risk

Seriously, Satsuki used to be queen back in the day.
Girl is seriously busted as fuck, now. I dunno what she's doing with her life.

Why is she rapping? Who gave this the okay?

This is how I would describe all their albums. I figure you can start with what sounds appealing to you and make your way around. My personal favs are Macabre, Vulgar, and Arche.

Gauze - Classic 80's/90's jrock with a bit of bite, a nice mix of pop songs and heavy metal
Macabre - An evolution of Gauze with more experimentation
Kisou - Crunchier, heavier, and more industrial than the previous two
Vulgar - An evolution of Kisou, heavier, more industrial and refined. Still retains a fun upbeat atmosphere. Strong Western rock influence.
Withering to Death - A stripped down form of Vulgar with less industrial sounds. Even stronger Western influences and a darker more vicious listening experience.
Marrow of the Bone - Raw, violent, unrefined and dark. Very depressing and hopeless atmosphere.
Uroboros - A change in direction. Injects strong oriental and spiritual vibes into their sound. The album is a journey.
Dum Spiro Spero - It's like an exaggeration of Uroboros. Takes the sounds from previous album and intensifies everything. More spiritual vibes, heavier, more contemporary/avantegarde song writing.
Arche - A return to form. You can hear a bit of all their past work mixed in with their current sound. Overall, a softer more tame listening experience.
 

Start from the beginning and work your way forward. It's a time investment but it's interesting to follow the bands evolution and as a new listener you have a chance to do it much faster than the rest of us could. 

SHUT UP! THATS FUCKING BULLSHIT!
BLOOD TASTES LIKE VANILLA!

It’s not good but at least they are making an effort of releasing it on multiple streaming platforms. I guess they know they have a decent following abroad. 
 
I think they put out more good stuff than crap anyway so I’ll let this pass. 👍

It’s not good but at least they are making an effort of releasing it on multiple streaming platforms. I guess they know they have a decent following abroad. 
 
I think they put out more good stuff than crap anyway so I’ll let this pass. 👍

It'll probably surface sometime in the next two weeks.
 
Release date is 25th April, which is almost no time at all.

Looks exactly the way I thought it would sound. 

Totally agree. Best album since ARCHE for sure. Much meta in concept. So memes. It's good to see them poking fun at themselves for a change instead of taking everything so seriously.
 
My personal favourite tracks are 'Self-Indulgent Pretentiousness' and 'WE MADE VK BRÖÖTAL'. I'm sure I'm not alone in thinking that 'Another Song About Suicide' is absolutely the greatest album closer they've done to date, seconded only by Taiyou no Ao.
 
The cover of TOOL's 'Maynard's Dick' is just icing on the cake.
 
Even though 75% of this album is just remakes, I still feel it'll go down as one of DEG's finest works. Hearing the entirety of Lindbergh's speech in the new MASK is especially poignant, especially after the crushing brutality of the new shovel-djent version of Zakuro. Don't know about you guys, but I absolutely love that they gave The Domestic Fucker Family the JEALOUS -reverse- treatment.
 
I wonder if they would have performed 'INWARD SCREAM pt. 524' live the same way as it appears on the album or whether they'd have just continued on with 525 in the next show. Shame we'll never know. The coolest thing is that if you take all 523 previous INWARD SCREAMs and play them back-to-back at 325 times the speed, they actually make a demo of this song.
 
It's sad we'll never see them live again. But hey, I guess being on the road for over 20 years will do that to a band. I'm happy we were able to get one final great effort from them before they disbanded. 

love this new album, can't believe ningen wo kaburu led us to believe it would suck

TOMORROW NEVER DIES is a fan favorite I believe because of the message. It's a song Ruki wrote for fans and encouraging them not to commit suicide, that it's not the answer even if life is hard. So I'm thinking that's part of the reason why people love it so much, even if the song itself isn't so great. At least two of my friends within the fandom have TOMORROW NEVER DIES tattooed on them.

Fuck all of DEG’s production. They never get that shit right. 

Please just give me that same "Vulgar" guitar tone from the last three re records,fuck utafumi production.

Can't believe the full song is finally up. It's a bit tricky but I found it at [THE CONTENT OF THIS POST IS FOR PREMIUM MEMBERS ONLY.  YOU NEED A MONOCHROME HEAVEN PREMIUM ACCOUNT TO ACCESS THIS POST]

I’ve had a Heresy membership for the past three years and to be honest I find it relatively cheap compared to other bands. I’m excited to see what they have in store for members during this new era. That being said, I think for what you pay for, you don’t get a whole lot out of it when it comes to their international fans. That’s to be expected. 
 
I’m not the biggest GazettE fan nor are they my favorite band but I do appreciate that they’ve since earned the respect they deserve over the years and continue to push out good music for what it’s worth. I don’t mind supporting them any way I can because after bands like 12012 and Sadie calling it quits, there’s only a few other Japanese bands that I even care about anymore.
 
I’m getting older, I’m married, have a kid on the way, work way too much and really don’t have the time to get into new music like I used to. So, seeing the GazettE still active and doing their thing and seeing them grow from their Cockayne Soup days to NINE really puts a smile on my face. 

I’ve had a Heresy membership for the past three years and to be honest I find it relatively cheap compared to other bands. I’m excited to see what they have in store for members during this new era. That being said, I think for what you pay for, you don’t get a whole lot out of it when it comes to their international fans. That’s to be expected. 
 
I’m not the biggest GazettE fan nor are they my favorite band but I do appreciate that they’ve since earned the respect they deserve over the years and continue to push out good music for what it’s worth. I don’t mind supporting them any way I can because after bands like 12012 and Sadie calling it quits, there’s only a few other Japanese bands that I even care about anymore.
 
I’m getting older, I’m married, have a kid on the way, work way too much and really don’t have the time to get into new music like I used to. So, seeing the GazettE still active and doing their thing and seeing them grow from their Cockayne Soup days to NINE really puts a smile on my face. 

I’ve had a Heresy membership for the past three years and to be honest I find it relatively cheap compared to other bands. I’m excited to see what they have in store for members during this new era. That being said, I think for what you pay for, you don’t get a whole lot out of it when it comes to their international fans. That’s to be expected. 
 
I’m not the biggest GazettE fan nor are they my favorite band but I do appreciate that they’ve since earned the respect they deserve over the years and continue to push out good music for what it’s worth. I don’t mind supporting them any way I can because after bands like 12012 and Sadie calling it quits, there’s only a few other Japanese bands that I even care about anymore.
 
I’m getting older, I’m married, have a kid on the way, work way too much and really don’t have the time to get into new music like I used to. So, seeing the GazettE still active and doing their thing and seeing them grow from their Cockayne Soup days to NINE really puts a smile on my face. 

I’ve had a Heresy membership for the past three years and to be honest I find it relatively cheap compared to other bands. I’m excited to see what they have in store for members during this new era. That being said, I think for what you pay for, you don’t get a whole lot out of it when it comes to their international fans. That’s to be expected. 
 
I’m not the biggest GazettE fan nor are they my favorite band but I do appreciate that they’ve since earned the respect they deserve over the years and continue to push out good music for what it’s worth. I don’t mind supporting them any way I can because after bands like 12012 and Sadie calling it quits, there’s only a few other Japanese bands that I even care about anymore.
 
I’m getting older, I’m married, have a kid on the way, work way too much and really don’t have the time to get into new music like I used to. So, seeing the GazettE still active and doing their thing and seeing them grow from their Cockayne Soup days to NINE really puts a smile on my face. 

deaf ppl

I’ve had a Heresy membership for the past three years and to be honest I find it relatively cheap compared to other bands. I’m excited to see what they have in store for members during this new era. That being said, I think for what you pay for, you don’t get a whole lot out of it when it comes to their international fans. That’s to be expected. 
 
I’m not the biggest GazettE fan nor are they my favorite band but I do appreciate that they’ve since earned the respect they deserve over the years and continue to push out good music for what it’s worth. I don’t mind supporting them any way I can because after bands like 12012 and Sadie calling it quits, there’s only a few other Japanese bands that I even care about anymore.
 
I’m getting older, I’m married, have a kid on the way, work way too much and really don’t have the time to get into new music like I used to. So, seeing the GazettE still active and doing their thing and seeing them grow from their Cockayne Soup days to NINE really puts a smile on my face.