seikun

On 6/8/2018 at 6:04 AM, suji said:

[tracklist]

01. 僕は雨 (Boku wa Ame)

02. 残骸 (Zangai)

03. 咲き誇る薔薇　悲しみのように (Sakihokoru Bara Kanashimi no Yō ni)

04. DISCORDANCE

05. SNOW THE DARK ( VER : 3.0 )

06. NEVER END

07. PERSONIFIED PAIN

08. 夢魔 (Muma)

09. MONSTER

10. 覚醒 (Kakusei)

 

[DVD_Tracklist]

01. SNOW THE DARK ( VER : 2.0 )

02. SHADOW

03. GARDEN

 

 

Like it.

Nice they're trying with 90's VK sounds, but the tracks sound somehow weak. It's like most bands that bring back old school VK focus on pre-GAUZE era Dir en grey while there is a vast number of bands to take influence from that seem pretty much ignored/forgotten such as Aliene Ma'riage, Syndrome, Lar~Mia, AZALEA, etc.

This song is actually good; it's stuck in my head. The only thing I don't like is that tiring synth, I can't stand it.

As a non-native, I misheard some lines. When he says "When there's nothing to hide we will find" I heard "When there's nothing to hide we will fight". The way he pronouned the final  "d" in find* made it sound like fight* to my ears.

I don't know what you, native speakers of English think about HYDE's English.

Has anybody seen that picture where Kyo (Dir en grey) is sitting on Emiru's lap?

I remember a friend of mine had it years ago.

15 hours ago, cvltic said:

  Reveal hidden contents

此ノ世界ノ果テ
詩/緋那 曲/摩稀

見果てぬ夢に全てを捧げよう
空虚なこの世界　望みなど無い

美しいものだけ見つめていたい
目蓋を閉じたなら思いのままに…

歯車廻す群れの中キチガイ気取れ
無情なこの世　取り残されて

美しいものだけ集めていたい
目蓋を閉じたなら見せられて行く…

夢と現の狭間で狂しいのは誰
影と踊り泣き笑う白昼の夢遊病者

「うつし世は　ゆめ　よるの夢こそ　まこと」

見果てぬ夢に全てを捧げよう
私は枯れる　この世は残る

醜い情景に染まりたくない
目蓋を開けたなら奪われていく…

絶望は想いを殺す　夢は夜開く
神と成り地獄を描く　真実は此処に在る

(if you would like more than just the kanji i.e. romaji/translation lmk)

I thought this was literally an impossible one.

Thank you very much!

Hi.

I'm looking for the lyrics of 此ノ世界ノ果テ by AZALEA, the old school Visual Kei band.

If someone can post that would be awesome.

Thanks.

I don't know who they are but the music in the first video sounds interesting. It's just the chorus I'm not convinced with, too poppish.

I can hear guitar being played. Very unusual in this band whose music is saturted with computer-generated sounds.

I liked the energy of this band. Something comedic about them.

KISAKI should re-open Under-Code Productions, recruit Satsuki and guide him in every step.

Are they performing this year?

It's now 10 years since the band began activities.

HYDE has also fallen prey to the horrible synth I despise in today's VK bands.

No English, Kamijo until you receive proper lessons.

The vocalist sounds like suffering from dysphonia...

I don't like the looks of the basist; it doesn't suit the style of the band.

Any videos of this?

I don't know why bands like this have guitars and bass, they're literally just accessories.

Bring back the times when Visual Kei bands had guitars and a bass being the music line with nice hypnotising solos and etc.

...

A band like this doesn't need to go "Visual Kei".

I think the musicians are good, but I feel like this band lacks something musically. It's like the songs are somehow soulless, repetitive and cliche to some extent. Probably working on solo intros with some level of complexity, emotion and beauty could fix it. I also feel the vocal is always in some kind of comfort zone where his singing is sort of monotone; his singing needs melodic fluctuations.

I think the band would benefit if the vocal improved his singing. The musicians are great so the vocal needs to live up to that level.

Kind of cool name for a band.

Visually they seem to combine late 80's early 90's and early 2000's aesthetics.

I would like to listen to studio version of their music to have a better view of their music.

Nice pics.

I still wonder if there any pics of Noir fleurir members.

I don't think Visual Kei bands ever tried to break into the west; I think it was the west that was interested in their music and managed to bring them over to the west. For most VK bands it was quite a surprise their music had an audience outside Japan.

Kind of liked this sample, but the tired synth I always complain about gets me on my nerves. No need for such overused irritating sound. He instead needs a leading guitar with powerful lines to fill his music.

Hope he does good.

Hmm, I think the band needs to prioritise guitars and the bass with nice guitar and bass lines.  So much focus on the synth immediately lowers the quality of their music. 

Kagrra used to add the Japanese-ness with their musical instruments and they did it greatly. I'm tired of overused monotonous-sounding guitar lines that make you feel nothing and can barely being heard.

Although I'm now wondering if they actually now how to play the guitar and bass or it is just an act...