Since everyone's waiting for someone else to kick things off, I'll do it lol. My list is divided into 3 categories, each with 10 of my favorite releases, max 1 per band per section. The categories are (a) singles; (b) albums and mini-albums; (c) non-regular releases, which include live-limited/distributed CDs, digital releases, CDs of session bands, units, shuffle bands, and so on.
As before, a caveat: I listen exclusively to visual kei and my list reflects that. Also, this list is called “hiroki’s favorites”, which is to say, music that speaks most intimately to me on various levels and has the kind of sound I'm attracted to. I make no pretense of this being the best that the scene has to offer anyone, since that's something only he/she can seek out on their own.
For me--and saying this will no doubt induce significant eye-rolling--2016 was by some distance the best year of visual kei in terms of music released (disbands are a separate matter). It took me incredibly long to assemble a list of 10 per category because in each case I could easily have cited 50 that would ordinarily waltz into my top 10 list any other year. The competition this time was unreal. I considered appending an honorable mention section to each category but I thought better of making an already lengthy list even more unwieldy.
Lastly: even though I made this list more as a cathartic exercise than a serious attempt to make others fall in love with my bands, I'll be delighted if you decide to leave a comment. So please feel free to let me know what you think! ^^
Since it's apparently no longer possible to embed the mp3 directly I've uploaded snippets on Youtube (already a couple of copyright warnings so far). I'll keep my thoughts as short as possible; it's quite pointless to repeat 'I LOVE THIS SO MUCH' 30 times...
Here we go!
TOP 10 SINGLES
#10
Blu-BiLLioN / S.O.S.
BB leads the way among kira vk bands that have made it relatively big - a tough ask these days. They aren't even in my top tier of bands, but can I just say how proud I am of them?? Please make it to Budokan one day
#9
ビバラッシュ / Merry-Merry-Merry-Go!!-Round☆
I'm glad to see the Vivarush guys expanding their repertoire from the signature Fukuoka electro-rock sound that characterized their previous band. 透明な影 is an example of something you wouldn't have heard in A≠ris (Ruimaru spoke of the difficulty he encountered writing lyrics to this song). It seems Osaka is currently experiencing a mini-revival for this style of vk so hopefully that works in their favor.
#8
vistip / CONTRAST
Probably the closest post-CHIMERA vistlip has come to giving me that feeling which made me fall in love so hard with them when they started out. The chorus of CONTRAST is classic vistlip; just listen to how Tomo duplicates the same 2-bar phrase over the IV-V-iii-vi progression. But theory-speak is unnecessary; their sound + Tomo's lyrics pull me into their world like no other band can and that's all the matters. I demand more of this magic for your 10th anniversary this year please.
#7
Purple Stone / 歌舞伎町バタフライ
If you've been around MH for more than 3 days you'd probably have realized that I kinda love Purple Stone. I have no freaking clue why they are only #7, but that just attests to how crowded the field is. Anyway, it's nearly impossible to choose between 歌舞伎町バタフライ and パニックパニック!. The latter definitely kills at lives, but 歌舞伎町バタフライ probably has the edge on record so I've gone for that here. The B-side "RIVER" is Purple Stone's grandest song, and "Paradise Dance" a fantastic live track that I've enjoyed every single time.
#6
グラムヘイズ / 妄想スパイス
There's only one reason why I’ve picked this single over ラストシーン for glamhaze: its B-side 優しい街 kills me every time I hear it. Satoru's dreamy love letter to a Tokyo that has mercilessly turned its back on him continues to tear at my heart. Musically this song fuses a sparkly cascading soundscape reminiscent of DOF with a controlled intensity to produce an experience at once subtle and epic. It's very difficult for fans to accept glamhaze's imminent disbandment, but at least we have Satoru's solo project to look forward to.
#5
弾丸 NO LIMIT / ソノ嘘ホント
I can't believe how much Dangan has grown in such a short period of time. They write memorable melodies with unbelievable ease and Miyuu sounds ridiculously good every single time. I'm also kinda obsessed with Yusuke at this point (oops). Everything about this single is perfect except its album art (what?).
#4
Lydiar / the Elpis
I wasn't too into Lydiar's first single, however a friend of mine loved it so much I told myself to stick with them a little longer. It turns out that it wouldn't be long before they decided to disband anyway, which was a real shame because their 2nd single was really everything I love. For that alone I'll always remember them <3 I suspect coyomi's almost-out-of-control vocals would be unbearable to some, but they work for me!
#3
Ank lily. / 解けた糸
Every year a band emerges from nowhere and snags one of the top spots in my singles list and along with it a permanent place in my heart. Last year was DiCE and this year it's Ank lily. I've been a great admirer of Rui since Emu. and buccal cone but this single excels on a whole new level. Hopefully Rui comes out of his semi-retirement mode soon...
#2
アンフィル / Step by step
Definitely the hardest decision I've had to make on this list. Not with regard to the position, but which Anfiel release? It's almost scandalous that a release like ラヴァ doesn't make it, but a band can only blame themselves for releasing 1 very very good single and 3 very very very good singles in a single year, right? On a more serious note, the split second Shogo's vocals enter this song after the guitar intro has got to be one of my all-time favorite moments in visual kei. The very first sounds he makes shift the mood so dramatically that I’m still blown away each time I go back to the track. Have I told you that I love Shogo??
#1
BLESSCODE / Imperial City
If #2 was the hardest decision, this was the easiest. Hyperbole alert: I feel rather strongly that Imperial City is the best visual kei song I've ever heard. SORRY NOT SORRY. Surprisingly I'm not the only one who feels this way *winks* Witnessing this single drop in April was the equivalent of watching a soccer match where one team has scored 20 goals by half-time. It isn’t even close. At this point I don't even feel like describing what is it specifically about this song that I like. I still get goosebumps when I hear the chorus. It has become trite to claim that one "loves everything" about a song, except that's literally true in this case. I simply cannot imagine a song in this style that's done better. 99.9/100, 0.1 penalty for their decision to disband.
band name seems to actually be ナイトメアシンドローム (nightmare syndrome).
nothing concrete out on them obvs but i'm not particularly getting my hopes up; spooky cute is a pretty crowded field at the moment, and that name is... so unoriginal! visual kei really loves the words nightmare and syndrome... first song will be probably be called EGOTIST or something