Seimeisen

is he single

So basic!

・R指定 - Sink
・相川七瀬 - サイレントノイズ
・a crowd of rebellion - 梟
・LM.C - ツメタイヒカリ
・緒方恵美 - みらいいろ
・氣志團 - プラットホーム
・清春 - メランコリック
・GOOD ON THE REEL - 空白の日
・THE NOVEMBERS - アンドロメタモルフォーゼ
・People In The Box - エンジェルダスト
・PELICAN FANCLUB - 水色ガールフレンド
・MUCC - 3月5日。
・Plastic Tree - ゼロ (re-recording)
 
Source: https://www.barks.jp/news/?id=1000144244#utm_source=tw_BARKS_VISUAL&utm_medium=social&utm_campaign=tw_auto
 
None of the bands are covering Sabbath, so I'm gonna rampage and riot in the streets. Also, disappointed that Sink is appearing on this release. But I'm cool with a crowd of rebellion covering 梟 (can't wait to hear their vocalist actually sing in actual Japanese), THE NOVEMBERS covering Andrometamorphosis, and Plastic Tree themselves re-recording ZERO. 

If only that fundraising campaign wasn't cancelled then they'd probably still be going

That was a pretty okay Royz song

me to me when im hungover:
 

not quite the dumpster fire I lowkey came for, nothing special at all. pls get g0th lycaon sfx backkkk
 
japan loves their mediocrity, they're probably imagining themselves as the next SID or smth already
 

The real Ruki died in 2004 and the'Ruki' we've known ever since then is a paid impersonator hired by the management.

Whenever they play a gig without Sustain the Untruth I feel like I've won the lottery.

I attended two of the shows on this old school tour in osaka and posted them on Facebook. Decides I might just as well repost them here:
 
Day 1:
"
I just attended the best show of my life, and it was a MUCC live.
 
The best way I can describe it is as if I went back in a time machine to 2001 and attended one of their oneman lives. They performed only old songs, including tracks so old several fans noticably did not recognize then, like Kranke (my favorite song!) and Koibito. The entire live felt dangerous and rough, just like one of those 90s lives where the audience are headbanging their necks off and the band is taunting them further into a frenzy. Before VK became a polished business.
 
It was super intense, during some songs the entire audience was moshing and thanks to the intense mosh I ended up in the second row in front of tatsurou during the second half of the live, where I ended up catching him as he stage dived during Orugooru. At the end, when they played Kurutta Kajitsu, we were even ordered to perform a wall of death and delivered it splendidly.
 
https://www.setlist.fm/setlist/mucc/2017/esaka-muse-osaka-japan-2be5b0e2.html
 
Tomorrow is Homura Uta day... can't wait. Dir en grey, take note. This is how you do nostalgia shows."
 
Day 2:
"
So... MUCC day 2 was every bit as good as day 1. Homura Uta day, so practically the whole album was performed, along with some songs from Antique and Tsuuzetsu.

Especially the performance of Kimi ni Sachi Are and Kurayami ni Saku Hana stood out as soulcrushingly beautiful, and tracks like Kokuen made the whole audience mosh yet again while Tatsurou kept jumping into the front rows to make us work harder.
 
Before OYOGE! TAIYAKI-KUN Tatsurou addressed me directly, asking if I knew the lyrics (since I was seemingly the only foreigner at least in the front of the venue). I made an OK sign and he looked surprised and happy and made some comment about it, and then we all sang it together, the entire venue.
 
During the wall of death during Kurutta Kajitsu today, he jumped into the audience and participated for a bit before being rescued back onto the stage. 
 
To be honest, unless MUCC makes further nostalgia tours, I might not attend any more of their lives in the future. Nothing can top this tour no matter how hard they try. Sure, I'd like to see a Zekuu and Kuchiki no Tou tour as well, but until that happens I might just lay off their lives in the future.
 
Todays Setlist:
HOMURA UTA (intro)
ZETSUBOU
SHIAWASE NO SHUUCHAKU
KOKUEN
YAKEATO
KARE GA SHINDA HI
KIMI NI SACHI ARE
MAMA
SHIGATSU NO RENGESOU
BOKU GA HONTOU NO BOKU NI TAEKIREZU TSUKUTTA HONTOU NO BOKU
KURAYAMI NI SAKU HANA
USO DE YUGAMU SHINZOU
KAERANU HITO
KOKONOKA
OYOGE! TAIYAKI-KUN
SUISOU
MAE E
SUIMIN
Encore:
YUME NO MACHI
SHOUFU
DAIKIRAI
KURUTTA KAJITSU (WARAI)"
 
Hope someone here finds it interesting to read!

Two DEG albums, MUCC's latest album, MERRY's 個性者ブレンド・クラッシック (picture disc, legitimacy is debated; pic discs sound like garbage), a few singles by cali≠gari, that's pretty much it.
 
It's too bad VK doesn't embrace vinyl. With their "50 type releases" business model, I could see them doing a wide variety of different colours to go with different types. And they would most certainly do live-limited vinyl colours, just to be extra cunty.

Wow. From comparing apples to pears to comparing apples to mathematical theorems.

I liked LP when I was 11, tried to get into them again when I was 14 but just couldn't. Still though......
 
WHAT! THE! FUCK! MY BRAIN HAS LEFT THE BUILDING

WHAT THE FUCK

As long as depression isn't treated as the fuckin life-ruiner illness that it is, as long as people think it's not thaaaat of a big deal, we'll keep losing people to it.
 
wasn't a fan, but this is such a shame. RIP.

Two DEG albums, MUCC's latest album, MERRY's 個性者ブレンド・クラッシック (picture disc, legitimacy is debated; pic discs sound like garbage), a few singles by cali≠gari, that's pretty much it.
 
It's too bad VK doesn't embrace vinyl. With their "50 type releases" business model, I could see them doing a wide variety of different colours to go with different types. And they would most certainly do live-limited vinyl colours, just to be extra cunty.

I hate when they make such a good ballad with disastrously short duration, such as Emotive and Senkou.

I was gonna reference that album but I forgot its name XD I'd pay good money for it to be fair

@Seimeisen@TheZigzagoon Yeah, that's what I'm thinking as well. Basically their first collection album (Dainihon Itangeishateki Noumiso Gyaku Kaiten Zekkyou Ongenshuu) re-recorded would be very cool. 

I'd love to hear their older stuff re-recorded. 絲 is one of my favourites from TRACES 2, and it's a shame that it and reila are the only pre-NIL re-recording. I still enjoy TRACES 2 very much, but I still think that most (if not all) of the post-STACKED RUBBISH songs were unnecessary to include, and it would have been better to instead re-record more 2002-2004 songs.

Re-recordings seems to be in fashion now. Would be cool if they re-recorded some early stuff. 

I think songs like Wakaremichi, Haru ni chirikeri, Best Friends, Wife, Machibouke no kohen de, Shiawase na hibi etc etc need re-recording, I'd love a full indies period re-recording album
 
That 15th anniversary live NEEDS a DVD, I'm honestly envious of those who got to experience that!
 
Traces Vol.2 was alright, the downfall was that they took on a big task by not having a sound guy master the stuff for them etc, instead they did it all themselves (I think Uruha was their sound guy for the most of it, and I read that it was a challenge for him)

Legends
 
Stayin' sharp and consistent since 2010 to this very day. To me they're what Lynch is to others without the perpetual disappointment; they always release sort of the same thing and it's prime top shelf Royzcore that does exactly what I want it to. Imagine that it's like ordering a good drink in a bar where you've done it a thousand times before, but it's high-octane new visual that looks awesome and makes you unwilling to buy any of their singles because the types come with different track lists. Anyway, good stuff and easily the best band on BP atm imo. For an introduction I'd say try their second album, tho I've seen people insist that they jumped some sort of a shark after the first but I don't see it
 
OHP