benzaiten._

I just came here to say: come on dimlim get a fucking bassist for christ's sake

Due to the improved production in the remakes i think i like the most of them over the originals! The new songs on the album are straight bangers, there are no songs that i think that i disliked... maybe the last two tracks may not end on the daily play to me tho.

30 minutes ago, Shaolan974 said:

Where is Ryo in the PV ?! 

Maybe all the corona thing made it hard to record the video with him, also i think Ryo has a reeeeeeally busy agenda but i really wanted to see him there too the track was absolutely fantastic!

-pretends to be surprised-

Ok i'm sold, absolutely loved this new track! if im'n not seeing things wrong there are two guitarists again in the band!? if so, i'm so glad about it omg

2 hours ago, patientZERO said:

The cymbals aren't sustained enough to sound realistic

I'm with you on this, that's one thing that could be better but i'm so happy that doesn't sound like the mess they used on their singles before DRAGOUT anymore haha.

The song is a heavy banger! i also got the feeling that this could be an album opener, would be cool to start the album with such energy and the intro SE was cool, gives an eerie mood (and i'm glad about the fact that wasn't a random EDM piece, thanks)

Still bummed by this, some of the worst news in this already awful year

Damn i'm so worried for Mio right now...

52 minutes ago, EvilHippy said:

For me, Keibetsu is like Rasetsukoku. Which is fun and catchy.

I was going to say the same! for the heavy oriented songs on the album is one of the best to me and such a fun way to start the album with high energy

(how did we get from talking about the single to trashing songs from TIW? haha)

Got the feeling like this single was just them flexing on us, it was quite hilarious so i can't take it so seriously lol. Angel's Cry is good for an experiment in sound for them i guess but Devil's Calling is just ridiculously heavy for the sake of being heavy, i know they can do way better than that so i'll wait for the next single for their next record whenever it be.

4 hours ago, Kabukichoatmidnight said:

Am I the only one who thinks this song is extremely average and forgettable based on the standards these guys have set for themselves?

I'm with you on this, like the songs they've been releasing lately aren't that fresh anymore (can we call it a lynch. syndrome? lol)

21 minutes ago, Kelrya said:

When does the video come out? I don’t understand why the Japanese music industry is so weird about this kind of stuff,  just put it on YouTube when the song releases.

I think we won't be able to watch the full video until the next "Average blablabla video collection" DVD/Blu-Ray, same with the full TWOM music video

1 hour ago, Kelrya said:

I do think it’s strange that out of all the original lyrics, they decided to keep “one day I will fuck your parents!” which is quite possibly the dumbest lyric in their entire discography

Agree that it's a dumb as fuck lyric but it's ICONIC to this point u know

The full version of the single is really amazing! The ending felt like it was a straight punch to my face lol loving it so far. For the remake of Clever the only thing that bugs me a little is the change of the intro riff but i love what they did with the rest of the song, gained a lot of power. Also, I like this mixing a lot more than in TWOM and TIW.

https://music.apple.com/jp/album/ochita-koto-no-aru-sora-single/1524585884

Now are available some short previews of the songs,it seems that they changed a little the lyrics in Clever Sleazoid huh

3 hours ago, Saishu said:

They started losing traction long before the covid situation. 

Yeah as much as i love them that's true (specially with how they managed the release of MISC. and the album itself), but what's happening with the overseas live shows subject it's not their fault by any means  

5 hours ago, Demivee said:

This band is so dead.. 😅

But.... it's not their fault? the coronavirus situation in south america isn't even in their peak yet, doing the shows in this year is impossible and in the first half of 2021 here would be a naive and risky move for anyone.

That was actually a cool song, not what i was expecting from them but i loved every part of it! hyped++++

I don't really care for the lyrics in this band anymore, the vocals and the instrumental are straight fire in this one! loving the guitar tone and the riffs are cool (special mention to the last one, thall)

5 hours ago, pingpongdream said:

Ok, i'm in love

For what can be heard in the promotion edit i'm so stoked to listen the full version, i love the groove of it!

this is the maximum proof that god is dead

So much better than the first single, but still... nothing to be surprised. The only thing that keeps me coming back to check these guys is that i loved Seiya in Deviloof but something here is lacking

1 hour ago, Kabukichoatmidnight said:

Good point, and really hope so. Got to admit I am looking forward to this release. Only thing I find a bit weird is why re-record songs that were released in at least the last year, or two maybe, surely they will sound basically exactly the same? Unless they are making drastic changes to the actual songs themselves that seems a little pointless. But guess time will tell about that.

I think that they re-recorded all those songs because even if they were released not that long ago the production quality is absolute trash, i like most of the songs but they sound so bad that i can't stand them for too much so i'm stoked for the re-recordings tbh!

On 7/6/2020 at 2:35 PM, nikuman said:

Did anyone catch the Instagram live yesterday? It was dope as hell 

 

Also pls give the mangtanshi vid more views ❤️

 

 

Mangtanshi is a hell of a song, love the vibe that gives (and the basslines are soooooooo cool!) Btw, i didn't catch their livestream