123Sandman321

They are in a dire need of a hiatus, for a year, at least, because this is getting worse and worse. The new Youtuber bullshit is just a cherry on top of all that trashpile. It feels like BPR wants to milk out every last yen, 'til Mahiro actually goes blind.

They are in a dire need of a hiatus, for a year, at least, because this is getting worse and worse. The new Youtuber bullshit is just a cherry on top of all that trashpile. It feels like BPR wants to milk out every last yen, 'til Mahiro actually goes blind.

They are in a dire need of a hiatus, for a year, at least, because this is getting worse and worse. The new Youtuber bullshit is just a cherry on top of all that trashpile. It feels like BPR wants to milk out every last yen, 'til Mahiro actually goes blind.

I would call this anything but generic (and I listen to a metric fuckton of -core music). Each instrument in each part of the song is expertly layered in the mix and they complement each other perfectly. No repetitive drumming patterns, outstanding guitarwork with some nice tones, a little bit of ambiance here and there, with a competent vocalist on top of it all. The only thing missing is just a little bit more grit in the vocals, maybe some screams, but it's still an amazing song anyway. I'm really excited to hear more.

If you are willing to sacrifice the well-being of your child for your career, you shouldn't have your own children in the first place. My point is that if either of the parents isn't ready for the commitment, they shouldn't go through with it. 

If you are willing to sacrifice the well-being of your child for your career, you shouldn't have your own children in the first place. My point is that if either of the parents isn't ready for the commitment, they shouldn't go through with it. 

If you are willing to sacrifice the well-being of your child for your career, you shouldn't have your own children in the first place. My point is that if either of the parents isn't ready for the commitment, they shouldn't go through with it. 

I would call this anything but generic (and I listen to a metric fuckton of -core music). Each instrument in each part of the song is expertly layered in the mix and they complement each other perfectly. No repetitive drumming patterns, outstanding guitarwork with some nice tones, a little bit of ambiance here and there, with a competent vocalist on top of it all. The only thing missing is just a little bit more grit in the vocals, maybe some screams, but it's still an amazing song anyway. I'm really excited to hear more.

The guitarwork touched my soul.

Using a Strandberg on this kind of trash is utter HERESY

Vocals: Akane (ex. D.I.D.), Sho (DIMLIM), Hazuki (lynch.), Jey (ex. FIXER)
Guitar: Retsu/Ryuuya (DIMLIM), Leda (Far East Dizain), Reo/Yusuke (lynch.)
Bass: Fujiwara Misaki (Sokoninaru), Sho (ex. D.I.D.)
Drums: Hiroshi (DIMLIM), Yusuke (ex. DADAROMA)
 
Quite hard for me to choose. I reaaaally tried to narrow it down

Vocals: Akane (ex. D.I.D.), Sho (DIMLIM), Hazuki (lynch.), Jey (ex. FIXER)
Guitar: Retsu/Ryuuya (DIMLIM), Leda (Far East Dizain), Reo/Yusuke (lynch.)
Bass: Fujiwara Misaki (Sokoninaru), Sho (ex. D.I.D.)
Drums: Hiroshi (DIMLIM), Yusuke (ex. DADAROMA)
 
Quite hard for me to choose. I reaaaally tried to narrow it down

Vocals: Akane (ex. D.I.D.), Sho (DIMLIM), Hazuki (lynch.), Jey (ex. FIXER)
Guitar: Retsu/Ryuuya (DIMLIM), Leda (Far East Dizain), Reo/Yusuke (lynch.)
Bass: Fujiwara Misaki (Sokoninaru), Sho (ex. D.I.D.)
Drums: Hiroshi (DIMLIM), Yusuke (ex. DADAROMA)
 
Quite hard for me to choose. I reaaaally tried to narrow it down

Seeing Y'all complaining so much takes me back to MUCC's Ryuusei/Gokusai days. People were all screaming MUCC IS DEEEAD, then they released LIBRA and people were YESSS MUCC IS ALIVE!
 
'Karma' killed MUCC again, just to be revived again few releases later...
 
 
I don't know where all the doomsayers were when they released songs like 遮光事実, さくらの詩, 肋骨少女, 遭難, 大塚ヘッドロック, 胃潰瘍とルソーの錯覚, 軽蔑, 脳姦少年, 「追落」 -ついらく-, 問題作, ピクトグラムさん...
 
I'm pretty excited about call of rescue, not so much about the other one. I still expect great things about them

Am I really the only one who think that Verxina is the worst project of hiro ??
指切り is a total mess
 
12 years ago he leaded gossip, which was simpler but pretty more interesting IMV
 

Architects, 3 times, with each of those 3 tickets sold in 3 years, it hurt more.

I like what I hear, so far.
 
And considering this seems like a chorus, the heavy might still be hidden somewhere (Even MUCC release the occasional heavy track and they have every shade of DEZERT lipstick on their dick), tho I wouldn't hold my breath, considering the first few notes transitioning into the chorus.
 
 
 

They will have a new release "COVER EP"(title?). More details TBA later. 
 
They will also have a one man final at Shibuya WWW on 2019.06.08.

I have a slight feeling he ain't gonna teach some beginner chords, there. I even doubt he knows them with all the sweeps and tapping he does.

Today's setlist...THESE ARE ALL ORIGINAL SONGS..👀

ehm
 
 
 
Edit: I still like their shit, but straight up lifting riffs note for note leaves a bad first impression.

"Let's put synths everywhere, to cover up the fact that we can't write any interesting guitar melodies whatsoever."
 
The vocalist sure tries, but his voice, lisp aside, is so unappealing to listen to. Plus...I'm still waiting for the day, when vocalists who can't scream for shit just stop forcing that stuff in. It's plain terrible.
 
I really wanted to get into them, to understand what y'all find so good about them, but everything they've released so far is just so half-assed and comes off as kinda incompetent. I'll give the album a spin, but...eh, I don't expect it to get much better.
 
Killer visuals, tho. 5 stars

ehm
 
 
 
Edit: I still like their shit, but straight up lifting riffs note for note leaves a bad first impression.

ehm
 
 
 
Edit: I still like their shit, but straight up lifting riffs note for note leaves a bad first impression.

ehm
 
 
 
Edit: I still like their shit, but straight up lifting riffs note for note leaves a bad first impression.