indigo

indigo's unpopular favorites of 2016
It's a little after midnight here, so basically I missed the deadline, but it's still sunday somewhere! I'm not in it for the prize really, I just wanted to get this list out there for fun so I didn't really invest in creativity, it's just a simple list. I imagine these artists won't appear on many - if any - lists. It's good to have a bit of diversity too, right?
 
Some of these videos might be blocked for you, my apologies for that!
 
Here are the Japanese albums I enjoyed the most last year!
 
#1
 
ムニムニ (Munimuni) - A KILLS A
 
I feel like this album would be on a bunch of EOTY lists if it wasn't for the hmm... unique vocals. I have never been bothered by his voice, though. And he uses his lower register a lot more on this mini-album anyway. I must admit the vocal melodies and delivery can be for an acquired taste. Every time I hear someone say "I love the music but can't stand the vocals" about a band I enjoy, it makes me particularly happy for some weird reason. Few of us have been waiting for new Munimuni material for ages and finally we got a new mini-album! A KILLS A is only 17 and half minutes long but it's still something. And that something is 17 and half minutes of quality music: melancholic rock with fucking awesome atmospheric, wailing shoegazey guitar. Just listen to it on BIG MONEY or NEO SONG, for example. Third song &4 is the weakest point on the album but it's still good.
Sample song
 
Highlights: BIG MONEY, NEO SONG, KOGEN
 
#2
 
Age Factory - LOVE
 
I'm not entirely sure, but I like to think that this album is about a summer, two teenagers and first love. As you know, everything feels 10 times worse when you're a teenager, especially a break up. This album has that whole bittersweet, exaggerated end of the world atmosphere. You could almost cut these feels with a knife. I simply adore the vocalist's voice, I just want to give him a man-hug and say "it's alright". It's near impossible to pick a favorite song, they're all my favorites. This album needs to be listened to from start to finish as one consistent piece of music. For me "LOVE" hit hard, one of my favorite rock albums in a long time. 
Sample song
 
Highlights: EVERYTHING, maybe with the exception of Veranda
 
 
#3

iri - Groove it
 
I stumbled upon iri's music randomly. I saw the cover art and was intrigued. A few youtube song samples later I was excited. After the full album I was hooked. The album is influenced by urban music; R&B, soul, funk, hip-hop. The production on the album is smooth and groovy. The list of producers include mabanua (ナイトグルーヴ), STUTS (Wandering) and Kenmochi Hidefumi (breaking dawn, フェイバリット女子) among others. iri's voice is soulful and despite her young age she sounds mature. There's even some parts where she is rapping but she is comfortable with it, it doesn't sound awkward or try-hard. Perfect music for a night drive in the city!
Sample song
 
Highlights: breaking dawn, Wandering
 
#4
 
友川カズキ (Kazuki Tomokawa) - 光るクレヨン (Gleaming Crayon)
 
Tomokawa has been around for a long time. He's been churning out albums regularly for 40 years and I think we're close to 30 studio albums by now. He's known for his avant-folk style of music and Gleaming Crayon continues on the same line. The most well-known characteristic of Tomokawa is his idiosyncratic voice, I'd describe his technique as "coughing-your-lungs-out". It's desperate, disgusting, intimidating. Most of the time his voice is accompanied by acoustic guitar. There's also some occasional instruments; distressing drums, scary strings, sporadic saxophone, you name it but which ever the instrument, it's always a harrowing feat.
Sample song
 
Highlights: つつじ, 愉楽
 
#5
 
SALU - Good Morning
 
I remember when I saw the PV of first single Tomorrowland and thought to myself "this is trash". Well, since then I have changed my opinion a bit, it's still my least favorite song though but the rest of the album makes up for it. The opener "All I Want feat. Salyu" is a strong one. It's nothing like "Tomorrowland". It's an emotional song, with a piano-based beat. The subdued "la la la's" which serve as a chorus are beautiful and last minute lets Salyu shine. The production on this album is great for the most part, it's soulful. There's jazzy horns, piano aaaaand I just noticed that I love to list instruments. SALU flows on these beats effortlessly and he got some good hooks. There's surprisingly lot of singing too, like on "How Beautiful" and "Lily". All featuring artists do a great job, there aren't any rappers but singers Salyu and Mika Nakashima and trumpeter Kuroda Takaya. Especially Salyu almost steals the show on her feature.
Sample song
 
Highlights: All I Want feat. Salyu, How Beautiful, タイムカプセル
 
#6
 
Yellow Studs - door
 
There are bands that I wish would evolve with every album, and then there's bands like Yellow Studs. They have basically been doing the same thing since forming - garage-ish rock with hints of jazz - never really changing their sound, and damn I'm glad they haven't! They have nice melodies, raspy vocals and great instrumentation with catchy guitars, cool upright bass and some lovely keyboard/piano. I've always enjoyed their faster tempo songs the most, and this album proves it true again. おはよう (Ohayo) is a great example, it might be one of the best songs they've done so far and it's one of my favorite songs of 2016! It's simply a fun album which never fails to lift my spirits. 
Sample song
 
Highlights: ガラクタ, おはよう

indigo's unpopular favorites of 2016
It's a little after midnight here, so basically I missed the deadline, but it's still sunday somewhere! I'm not in it for the prize really, I just wanted to get this list out there for fun so I didn't really invest in creativity, it's just a simple list. I imagine these artists won't appear on many - if any - lists. It's good to have a bit of diversity too, right?
 
Some of these videos might be blocked for you, my apologies for that!
 
Here are the Japanese albums I enjoyed the most last year!
 
#1
 
ムニムニ (Munimuni) - A KILLS A
 
I feel like this album would be on a bunch of EOTY lists if it wasn't for the hmm... unique vocals. I have never been bothered by his voice, though. And he uses his lower register a lot more on this mini-album anyway. I must admit the vocal melodies and delivery can be for an acquired taste. Every time I hear someone say "I love the music but can't stand the vocals" about a band I enjoy, it makes me particularly happy for some weird reason. Few of us have been waiting for new Munimuni material for ages and finally we got a new mini-album! A KILLS A is only 17 and half minutes long but it's still something. And that something is 17 and half minutes of quality music: melancholic rock with fucking awesome atmospheric, wailing shoegazey guitar. Just listen to it on BIG MONEY or NEO SONG, for example. Third song &4 is the weakest point on the album but it's still good.
Sample song
 
Highlights: BIG MONEY, NEO SONG, KOGEN
 
#2
 
Age Factory - LOVE
 
I'm not entirely sure, but I like to think that this album is about a summer, two teenagers and first love. As you know, everything feels 10 times worse when you're a teenager, especially a break up. This album has that whole bittersweet, exaggerated end of the world atmosphere. You could almost cut these feels with a knife. I simply adore the vocalist's voice, I just want to give him a man-hug and say "it's alright". It's near impossible to pick a favorite song, they're all my favorites. This album needs to be listened to from start to finish as one consistent piece of music. For me "LOVE" hit hard, one of my favorite rock albums in a long time. 
Sample song
 
Highlights: EVERYTHING, maybe with the exception of Veranda
 
 
#3

iri - Groove it
 
I stumbled upon iri's music randomly. I saw the cover art and was intrigued. A few youtube song samples later I was excited. After the full album I was hooked. The album is influenced by urban music; R&B, soul, funk, hip-hop. The production on the album is smooth and groovy. The list of producers include mabanua (ナイトグルーヴ), STUTS (Wandering) and Kenmochi Hidefumi (breaking dawn, フェイバリット女子) among others. iri's voice is soulful and despite her young age she sounds mature. There's even some parts where she is rapping but she is comfortable with it, it doesn't sound awkward or try-hard. Perfect music for a night drive in the city!
Sample song
 
Highlights: breaking dawn, Wandering
 
#4
 
友川カズキ (Kazuki Tomokawa) - 光るクレヨン (Gleaming Crayon)
 
Tomokawa has been around for a long time. He's been churning out albums regularly for 40 years and I think we're close to 30 studio albums by now. He's known for his avant-folk style of music and Gleaming Crayon continues on the same line. The most well-known characteristic of Tomokawa is his idiosyncratic voice, I'd describe his technique as "coughing-your-lungs-out". It's desperate, disgusting, intimidating. Most of the time his voice is accompanied by acoustic guitar. There's also some occasional instruments; distressing drums, scary strings, sporadic saxophone, you name it but which ever the instrument, it's always a harrowing feat.
Sample song
 
Highlights: つつじ, 愉楽
 
#5
 
SALU - Good Morning
 
I remember when I saw the PV of first single Tomorrowland and thought to myself "this is trash". Well, since then I have changed my opinion a bit, it's still my least favorite song though but the rest of the album makes up for it. The opener "All I Want feat. Salyu" is a strong one. It's nothing like "Tomorrowland". It's an emotional song, with a piano-based beat. The subdued "la la la's" which serve as a chorus are beautiful and last minute lets Salyu shine. The production on this album is great for the most part, it's soulful. There's jazzy horns, piano aaaaand I just noticed that I love to list instruments. SALU flows on these beats effortlessly and he got some good hooks. There's surprisingly lot of singing too, like on "How Beautiful" and "Lily". All featuring artists do a great job, there aren't any rappers but singers Salyu and Mika Nakashima and trumpeter Kuroda Takaya. Especially Salyu almost steals the show on her feature.
Sample song
 
Highlights: All I Want feat. Salyu, How Beautiful, タイムカプセル
 
#6
 
Yellow Studs - door
 
There are bands that I wish would evolve with every album, and then there's bands like Yellow Studs. They have basically been doing the same thing since forming - garage-ish rock with hints of jazz - never really changing their sound, and damn I'm glad they haven't! They have nice melodies, raspy vocals and great instrumentation with catchy guitars, cool upright bass and some lovely keyboard/piano. I've always enjoyed their faster tempo songs the most, and this album proves it true again. おはよう (Ohayo) is a great example, it might be one of the best songs they've done so far and it's one of my favorite songs of 2016! It's simply a fun album which never fails to lift my spirits. 
Sample song
 
Highlights: ガラクタ, おはよう

indigo's unpopular favorites of 2016
It's a little after midnight here, so basically I missed the deadline, but it's still sunday somewhere! I'm not in it for the prize really, I just wanted to get this list out there for fun so I didn't really invest in creativity, it's just a simple list. I imagine these artists won't appear on many - if any - lists. It's good to have a bit of diversity too, right?
 
Some of these videos might be blocked for you, my apologies for that!
 
Here are the Japanese albums I enjoyed the most last year!
 
#1
 
ムニムニ (Munimuni) - A KILLS A
 
I feel like this album would be on a bunch of EOTY lists if it wasn't for the hmm... unique vocals. I have never been bothered by his voice, though. And he uses his lower register a lot more on this mini-album anyway. I must admit the vocal melodies and delivery can be for an acquired taste. Every time I hear someone say "I love the music but can't stand the vocals" about a band I enjoy, it makes me particularly happy for some weird reason. Few of us have been waiting for new Munimuni material for ages and finally we got a new mini-album! A KILLS A is only 17 and half minutes long but it's still something. And that something is 17 and half minutes of quality music: melancholic rock with fucking awesome atmospheric, wailing shoegazey guitar. Just listen to it on BIG MONEY or NEO SONG, for example. Third song &4 is the weakest point on the album but it's still good.
Sample song
 
Highlights: BIG MONEY, NEO SONG, KOGEN
 
#2
 
Age Factory - LOVE
 
I'm not entirely sure, but I like to think that this album is about a summer, two teenagers and first love. As you know, everything feels 10 times worse when you're a teenager, especially a break up. This album has that whole bittersweet, exaggerated end of the world atmosphere. You could almost cut these feels with a knife. I simply adore the vocalist's voice, I just want to give him a man-hug and say "it's alright". It's near impossible to pick a favorite song, they're all my favorites. This album needs to be listened to from start to finish as one consistent piece of music. For me "LOVE" hit hard, one of my favorite rock albums in a long time. 
Sample song
 
Highlights: EVERYTHING, maybe with the exception of Veranda
 
 
#3

iri - Groove it
 
I stumbled upon iri's music randomly. I saw the cover art and was intrigued. A few youtube song samples later I was excited. After the full album I was hooked. The album is influenced by urban music; R&B, soul, funk, hip-hop. The production on the album is smooth and groovy. The list of producers include mabanua (ナイトグルーヴ), STUTS (Wandering) and Kenmochi Hidefumi (breaking dawn, フェイバリット女子) among others. iri's voice is soulful and despite her young age she sounds mature. There's even some parts where she is rapping but she is comfortable with it, it doesn't sound awkward or try-hard. Perfect music for a night drive in the city!
Sample song
 
Highlights: breaking dawn, Wandering
 
#4
 
友川カズキ (Kazuki Tomokawa) - 光るクレヨン (Gleaming Crayon)
 
Tomokawa has been around for a long time. He's been churning out albums regularly for 40 years and I think we're close to 30 studio albums by now. He's known for his avant-folk style of music and Gleaming Crayon continues on the same line. The most well-known characteristic of Tomokawa is his idiosyncratic voice, I'd describe his technique as "coughing-your-lungs-out". It's desperate, disgusting, intimidating. Most of the time his voice is accompanied by acoustic guitar. There's also some occasional instruments; distressing drums, scary strings, sporadic saxophone, you name it but which ever the instrument, it's always a harrowing feat.
Sample song
 
Highlights: つつじ, 愉楽
 
#5
 
SALU - Good Morning
 
I remember when I saw the PV of first single Tomorrowland and thought to myself "this is trash". Well, since then I have changed my opinion a bit, it's still my least favorite song though but the rest of the album makes up for it. The opener "All I Want feat. Salyu" is a strong one. It's nothing like "Tomorrowland". It's an emotional song, with a piano-based beat. The subdued "la la la's" which serve as a chorus are beautiful and last minute lets Salyu shine. The production on this album is great for the most part, it's soulful. There's jazzy horns, piano aaaaand I just noticed that I love to list instruments. SALU flows on these beats effortlessly and he got some good hooks. There's surprisingly lot of singing too, like on "How Beautiful" and "Lily". All featuring artists do a great job, there aren't any rappers but singers Salyu and Mika Nakashima and trumpeter Kuroda Takaya. Especially Salyu almost steals the show on her feature.
Sample song
 
Highlights: All I Want feat. Salyu, How Beautiful, タイムカプセル
 
#6
 
Yellow Studs - door
 
There are bands that I wish would evolve with every album, and then there's bands like Yellow Studs. They have basically been doing the same thing since forming - garage-ish rock with hints of jazz - never really changing their sound, and damn I'm glad they haven't! They have nice melodies, raspy vocals and great instrumentation with catchy guitars, cool upright bass and some lovely keyboard/piano. I've always enjoyed their faster tempo songs the most, and this album proves it true again. おはよう (Ohayo) is a great example, it might be one of the best songs they've done so far and it's one of my favorite songs of 2016! It's simply a fun album which never fails to lift my spirits. 
Sample song
 
Highlights: ガラクタ, おはよう

indigo's unpopular favorites of 2016
It's a little after midnight here, so basically I missed the deadline, but it's still sunday somewhere! I'm not in it for the prize really, I just wanted to get this list out there for fun so I didn't really invest in creativity, it's just a simple list. I imagine these artists won't appear on many - if any - lists. It's good to have a bit of diversity too, right?
 
Some of these videos might be blocked for you, my apologies for that!
 
Here are the Japanese albums I enjoyed the most last year!
 
#1
 
ムニムニ (Munimuni) - A KILLS A
 
I feel like this album would be on a bunch of EOTY lists if it wasn't for the hmm... unique vocals. I have never been bothered by his voice, though. And he uses his lower register a lot more on this mini-album anyway. I must admit the vocal melodies and delivery can be for an acquired taste. Every time I hear someone say "I love the music but can't stand the vocals" about a band I enjoy, it makes me particularly happy for some weird reason. Few of us have been waiting for new Munimuni material for ages and finally we got a new mini-album! A KILLS A is only 17 and half minutes long but it's still something. And that something is 17 and half minutes of quality music: melancholic rock with fucking awesome atmospheric, wailing shoegazey guitar. Just listen to it on BIG MONEY or NEO SONG, for example. Third song &4 is the weakest point on the album but it's still good.
Sample song
 
Highlights: BIG MONEY, NEO SONG, KOGEN
 
#2
 
Age Factory - LOVE
 
I'm not entirely sure, but I like to think that this album is about a summer, two teenagers and first love. As you know, everything feels 10 times worse when you're a teenager, especially a break up. This album has that whole bittersweet, exaggerated end of the world atmosphere. You could almost cut these feels with a knife. I simply adore the vocalist's voice, I just want to give him a man-hug and say "it's alright". It's near impossible to pick a favorite song, they're all my favorites. This album needs to be listened to from start to finish as one consistent piece of music. For me "LOVE" hit hard, one of my favorite rock albums in a long time. 
Sample song
 
Highlights: EVERYTHING, maybe with the exception of Veranda
 
 
#3

iri - Groove it
 
I stumbled upon iri's music randomly. I saw the cover art and was intrigued. A few youtube song samples later I was excited. After the full album I was hooked. The album is influenced by urban music; R&B, soul, funk, hip-hop. The production on the album is smooth and groovy. The list of producers include mabanua (ナイトグルーヴ), STUTS (Wandering) and Kenmochi Hidefumi (breaking dawn, フェイバリット女子) among others. iri's voice is soulful and despite her young age she sounds mature. There's even some parts where she is rapping but she is comfortable with it, it doesn't sound awkward or try-hard. Perfect music for a night drive in the city!
Sample song
 
Highlights: breaking dawn, Wandering
 
#4
 
友川カズキ (Kazuki Tomokawa) - 光るクレヨン (Gleaming Crayon)
 
Tomokawa has been around for a long time. He's been churning out albums regularly for 40 years and I think we're close to 30 studio albums by now. He's known for his avant-folk style of music and Gleaming Crayon continues on the same line. The most well-known characteristic of Tomokawa is his idiosyncratic voice, I'd describe his technique as "coughing-your-lungs-out". It's desperate, disgusting, intimidating. Most of the time his voice is accompanied by acoustic guitar. There's also some occasional instruments; distressing drums, scary strings, sporadic saxophone, you name it but which ever the instrument, it's always a harrowing feat.
Sample song
 
Highlights: つつじ, 愉楽
 
#5
 
SALU - Good Morning
 
I remember when I saw the PV of first single Tomorrowland and thought to myself "this is trash". Well, since then I have changed my opinion a bit, it's still my least favorite song though but the rest of the album makes up for it. The opener "All I Want feat. Salyu" is a strong one. It's nothing like "Tomorrowland". It's an emotional song, with a piano-based beat. The subdued "la la la's" which serve as a chorus are beautiful and last minute lets Salyu shine. The production on this album is great for the most part, it's soulful. There's jazzy horns, piano aaaaand I just noticed that I love to list instruments. SALU flows on these beats effortlessly and he got some good hooks. There's surprisingly lot of singing too, like on "How Beautiful" and "Lily". All featuring artists do a great job, there aren't any rappers but singers Salyu and Mika Nakashima and trumpeter Kuroda Takaya. Especially Salyu almost steals the show on her feature.
Sample song
 
Highlights: All I Want feat. Salyu, How Beautiful, タイムカプセル
 
#6
 
Yellow Studs - door
 
There are bands that I wish would evolve with every album, and then there's bands like Yellow Studs. They have basically been doing the same thing since forming - garage-ish rock with hints of jazz - never really changing their sound, and damn I'm glad they haven't! They have nice melodies, raspy vocals and great instrumentation with catchy guitars, cool upright bass and some lovely keyboard/piano. I've always enjoyed their faster tempo songs the most, and this album proves it true again. おはよう (Ohayo) is a great example, it might be one of the best songs they've done so far and it's one of my favorite songs of 2016! It's simply a fun album which never fails to lift my spirits. 
Sample song
 
Highlights: ガラクタ, おはよう

indigo's unpopular favorites of 2016
It's a little after midnight here, so basically I missed the deadline, but it's still sunday somewhere! I'm not in it for the prize really, I just wanted to get this list out there for fun so I didn't really invest in creativity, it's just a simple list. I imagine these artists won't appear on many - if any - lists. It's good to have a bit of diversity too, right?
 
Some of these videos might be blocked for you, my apologies for that!
 
Here are the Japanese albums I enjoyed the most last year!
 
#1
 
ムニムニ (Munimuni) - A KILLS A
 
I feel like this album would be on a bunch of EOTY lists if it wasn't for the hmm... unique vocals. I have never been bothered by his voice, though. And he uses his lower register a lot more on this mini-album anyway. I must admit the vocal melodies and delivery can be for an acquired taste. Every time I hear someone say "I love the music but can't stand the vocals" about a band I enjoy, it makes me particularly happy for some weird reason. Few of us have been waiting for new Munimuni material for ages and finally we got a new mini-album! A KILLS A is only 17 and half minutes long but it's still something. And that something is 17 and half minutes of quality music: melancholic rock with fucking awesome atmospheric, wailing shoegazey guitar. Just listen to it on BIG MONEY or NEO SONG, for example. Third song &4 is the weakest point on the album but it's still good.
Sample song
 
Highlights: BIG MONEY, NEO SONG, KOGEN
 
#2
 
Age Factory - LOVE
 
I'm not entirely sure, but I like to think that this album is about a summer, two teenagers and first love. As you know, everything feels 10 times worse when you're a teenager, especially a break up. This album has that whole bittersweet, exaggerated end of the world atmosphere. You could almost cut these feels with a knife. I simply adore the vocalist's voice, I just want to give him a man-hug and say "it's alright". It's near impossible to pick a favorite song, they're all my favorites. This album needs to be listened to from start to finish as one consistent piece of music. For me "LOVE" hit hard, one of my favorite rock albums in a long time. 
Sample song
 
Highlights: EVERYTHING, maybe with the exception of Veranda
 
 
#3

iri - Groove it
 
I stumbled upon iri's music randomly. I saw the cover art and was intrigued. A few youtube song samples later I was excited. After the full album I was hooked. The album is influenced by urban music; R&B, soul, funk, hip-hop. The production on the album is smooth and groovy. The list of producers include mabanua (ナイトグルーヴ), STUTS (Wandering) and Kenmochi Hidefumi (breaking dawn, フェイバリット女子) among others. iri's voice is soulful and despite her young age she sounds mature. There's even some parts where she is rapping but she is comfortable with it, it doesn't sound awkward or try-hard. Perfect music for a night drive in the city!
Sample song
 
Highlights: breaking dawn, Wandering
 
#4
 
友川カズキ (Kazuki Tomokawa) - 光るクレヨン (Gleaming Crayon)
 
Tomokawa has been around for a long time. He's been churning out albums regularly for 40 years and I think we're close to 30 studio albums by now. He's known for his avant-folk style of music and Gleaming Crayon continues on the same line. The most well-known characteristic of Tomokawa is his idiosyncratic voice, I'd describe his technique as "coughing-your-lungs-out". It's desperate, disgusting, intimidating. Most of the time his voice is accompanied by acoustic guitar. There's also some occasional instruments; distressing drums, scary strings, sporadic saxophone, you name it but which ever the instrument, it's always a harrowing feat.
Sample song
 
Highlights: つつじ, 愉楽
 
#5
 
SALU - Good Morning
 
I remember when I saw the PV of first single Tomorrowland and thought to myself "this is trash". Well, since then I have changed my opinion a bit, it's still my least favorite song though but the rest of the album makes up for it. The opener "All I Want feat. Salyu" is a strong one. It's nothing like "Tomorrowland". It's an emotional song, with a piano-based beat. The subdued "la la la's" which serve as a chorus are beautiful and last minute lets Salyu shine. The production on this album is great for the most part, it's soulful. There's jazzy horns, piano aaaaand I just noticed that I love to list instruments. SALU flows on these beats effortlessly and he got some good hooks. There's surprisingly lot of singing too, like on "How Beautiful" and "Lily". All featuring artists do a great job, there aren't any rappers but singers Salyu and Mika Nakashima and trumpeter Kuroda Takaya. Especially Salyu almost steals the show on her feature.
Sample song
 
Highlights: All I Want feat. Salyu, How Beautiful, タイムカプセル
 
#6
 
Yellow Studs - door
 
There are bands that I wish would evolve with every album, and then there's bands like Yellow Studs. They have basically been doing the same thing since forming - garage-ish rock with hints of jazz - never really changing their sound, and damn I'm glad they haven't! They have nice melodies, raspy vocals and great instrumentation with catchy guitars, cool upright bass and some lovely keyboard/piano. I've always enjoyed their faster tempo songs the most, and this album proves it true again. おはよう (Ohayo) is a great example, it might be one of the best songs they've done so far and it's one of my favorite songs of 2016! It's simply a fun album which never fails to lift my spirits. 
Sample song
 
Highlights: ガラクタ, おはよう

Can't wait for this:
 

Chef - I decided to watch something lighter for a change and ended up watching Chef, which, as the title suggests is a food porn movie flavored with some family "drama". I didn't expect to be blown away by this film and I wasn't but I enjoyed it. The music was pretty great:  soul, funk, blues and so on. And Sofia Vergara (who's in a side role), what a babe! She stole every scene she was in. 7/10

Thanks for the heads up!
 
This is an older song but the songtitle is very fitting now.
 
 

I dunno much about what objectively good hip-hop is, but Run The Jewels have just surprise-dropped their new album RTJ3 for free, so yayyyyy
 
(on track 3 right now, so far they're as good as ever)

So since I already released the MH Discord server into the wild last night in this thread on a whim, I figured I might as well make an official thread for the thing.
 

 
What is Discord?
 
So basically it's a skype/teamspeak alternative, it includes both text and voice chat. Don't let the gaming eccentric vibe throw you off, since the tool has been proven to be great for communities like ours as well. You can join our server and create a discord account by clicking the banner above, from there you have several options on  how to access the room. You can use discord straight form your browser, download the desktop app (recommended), or you can download the official app on android and IOS.
 
If anyone has any questions or suggestions, please use this thread to discuss. I'm currently the owner of the server and am running it atm so any help is greatly appreciated.
 
 

I'll be in plug in about 2 hours for anyone who's down!
 
plug.dj/monochrome-heaven

Re-playing Tomb Raider (2013) on PC.
 
Also seriously considering buying Steep, I want to play it sooo much but not sure if I wanna pay 60 euros for it..

Awwwwwwwwwwwww yeah, it's that time again! What time? Time to recommend a fresh batch of new tracks!  
November may not have been the busiest month of the year, but boy do we have some sexy tunes in store for you!  A big thanks to our guest contributors this month: @Delkmiroph, @Ada Suilen, and @Lestat!  As usual, we apologize if some videos aren't available due to region restrictions. I hope your bodies (and ears) are ready for some new tunes!
 
 

 
@Zeus' Picks
 
"浮融 / fuyuu" by 有村竜太朗 (Ryutaro Arimura)

"浮融 / fuyuu" is my track of the month for November 2016, accompanied by a shift in the seasons that compliments the song when I'm out for long walks. The release of デも / demo snuck up on me; I hold Arimura in high respect for all his work with Plastic Tree despite my dislike for most of their output, but I had not heard of this until it appeared in my recommendations queue. I got what I expected - a gloomy exploration in alternative rock - but there's more here. Plastic Tree never clicked for me, but "浮融 / fuyuu" birthed a new appreciation for his unique musical talents. It's a simple, distorted set of guitar chords that forms the backbone of this emotional roller coaster, and it complements Ryutaro's vocals like a duet between two flirtatious lovers in the heat of an affair. To start the album off proper with a seven minute epic speaks to the confidence and strength of "浮融 / fuyuu". It doesn't revel in complexity or tease with build up for a predictable explosion of emotion. It's a very straightforward, melancholic, and powerful song. Definitely check this out!
 
 
@emmny's Picks
 
"雨音" (Amaoto) by emmureé

 
The rain sound resonates along with the ringing of a guitar string
Not so much ringing, rather droning in its distortion
The clouds roar once more, and spill forth the rain
While a kind voice speaks from above
The kind rain sound
Fills your ears
Simultaneously a screech
And a pitter-patter
The rain which cleansed your hands
Now becomes snow
And you'll sit, looking at the sky
Waiting for the rain sound to fill your ears again
 
 
@fitear1590's Picks
 
"アシンメトリ (asymmetry)" by ねごと (NEGOTO)

NEGOTO are long-time faves, but their 2015 album VISION did not impress. As they took a year and a half off from releases, I anxiously awaited their comeback in November 2016 with アシンメトリ (asymmetry) e.p. The eponymous track sounds like a glorious return to form.  The band has always had a synth pop flair, but this time around, they go for a lush electronic sound.  "Asymmetry" also features a colorful concept PV meant to be played across two smartphone screens; this is similar to THE NOVEMBERS's "きれいな海へ (kireina umi e). This is the first step back in the right direction for NEGOTO and I'm curious to see where they go from here!  
"ふとん史 (futonshi)" by メガマソ (Megamasso)

Fresh out of their hiatus, Megamasso hit the ground running with a double A-side single. "Futonshi" is a fun game of 'spot the VK trope,' forging a hodgepodge of so many of the scene's signatures: a paradoxically royal and cheap string arrangement, an emphasis on melodic guitar riffs that sound like half neo-classical/half video game BGM, traditional Japanese chord progressions, an out-of-the-blue refrain, and very trendy (trebly) synthwork. It's not the most original track, but it sure is catchy as hell (this is Megamasso, of course) and all three members seem to be in top form. Welcome back, guys!  
 
@doombox's Picks
 
"Kaiju" by [Alexandros]

It's not too often we get to see the aggressive side of [Alexandros] break from their snarky, sarcastic lyrical style to come across quite this straightforward. "Kaiju" is a funky, slightly grungey, yet fierce take on a sentiment that is relatable to many of us feeling stuck or stagnant in our current circumstances. None of the instrumentation is particularly technical or ground-breaking, but the open arrangement allows the chorus to come in like a punch to the face and the message of the track to take the spotlight. Who wouldn't want to 'rawr' like a big shot kaiju, right? 
 
"Omega" by Crystal Lake

It's been a hot minute since a Crystal Lake release hit me the way old releases used to, in the same vein their Dimension and Into The Great Beyond albums did. And though Ryo's vocal style and Gaku's drums are still very much what help make current Crystal Lake the metalcore monster that they are, the depth and emotional tone of "Omega" is a total throwback to the old days. It's definitely one of their first tracks in a long time I'd recommend to those who may have taken a step back for the last couple of years. Though, judging from the rest of True North, it may very well be the final shred of this style they had in them. So enjoy it while you can.
 
 
"RED ZONE" by RAZOR

Yet another new 'super-band' has arrived! RAZOR made a pretty explosive entrance onto the scene with their "RED ZONE" preview this month. My anticipation for the full mini album release is extremely high as the band is full of familiar faces from BORN, Sadie, and MY BACTERIA HEAT IsLAND. And "RED ZONE" has not disappointed me since the more I hear it, the more I genuinely love it. The chorus is catchy and melodic, the verses rip, and everything about the musicianship is as solid as one would expect from these veterans. It's also worth mentioning that they look positively awesome. So if you haven't had the chance to hear them out yet, now is the perfect time.
 
 
@beni's Picks
 
"MonSter" by ZYUN.

ZYUN. is a new artist on the block who just debuted this May with a previous mini-album. What first stood out to me was the artistry of the MV, and the fact that I was positive ZYUN. was a woman. Turns out she is in fact a he, who was already famous before his debut as a fashion designer and concert promoter.  Props to him for single-handedly working his own magic into his music as the producer of the outfit designs, music videos, photo concepts and cover/booklet images. The imperfection of his vocal control is so appealing even when he's stretching his voice too much. It makes for this ballad to stand out and catch the listener's attention. This is one new artist I'll be keeping an eye on from now on, and I think you should too.
 
"シューティングスター (Shooting Star)" by Half time Old

Boy band? Tick. Nasally high pitched vocals? Tick. "Shooting Star" sung in Engrish to kick start the chorus? Tick. There's so much to enjoy with this one. From the super rocking instrumental segments to the instantly memorable and groovy chorus, Half time Old prove they're a force to be reckoned with. It may be typical J-rock infused pop, but you have to admit when it's a hell of a good one. Its theme is astronauts and space. Now tell me how you could not fall in love with the out of this world tune?
 
"まほうのカギを手に入れたら/むすびズム (Mahou no Kagi wo Te ni Iretara)" by musubizm

This infectious tune is my favorite discovery of this month, without any contest. I've had in on repeat ever since I stumbled on it, and let me tell you why. Even though musubizm is tooth achingly pure idol through and through, the sound is clearly rock. It reminds me of all female bands like SCANDAL, especially with one particular singer with an especially nasally voice just like SCANDAL's Tomomi. Who my favourite is in that band is obvious due to that individual trait, so you can tell who my bias is with musubizm already. It's yet another reason why this song kicks butt! So even though it's idol, don't let that put you off. As is often the case with idol groups, each female's voice is distinctive and the group vocals always sounds amazing, like listening to another unit of Macross Δ's Walküre. I'm impressed and excited for more to come.
 
"khaki circle" by SWIM SWEET UNDER SHALLOW

SWIM SWEET UNDER SHALLOW is a name I've known for a while now, but have never felt anything towards them. With their fourth album now out, in which they give the option of paying or nabbing it for free over at their website, this is the leading track to the release. And I sure am glad I gave them another chance. Their sound reminds me of PLASTIC GIRL IN CLOSET mixed with Swinging Popsicle. It has that shoegaze-y edge, but mostly very much indie, both musically and vocally. And I love that about them. Plus it's a male and female duo, both on vocals. You know I'm sold on that magic combination. "khaki circle" is simply divine, with a soothing and romantic lullaby structure and sound, yet also engaging enough to not be a bore.
 
"生花 (Seika)" by ATOLS feat.YURiCa/花たん (hanatan)

No words can describe the perfection of this track. Theatrical and atmospheric is just a basic description of it. Our @CAT5 had directed me to this tune, and it instantly clicked for me as well. ATOLS, a Vocaloid producer unit, was a new name to me but YURiCa is nothing new, as she is easily one of the few Utaite (cover singer on Nico Nico Douga & YouTube) singers I completely adore. This song uses her powerful and absolutely stunning voice that beats plenty of major/famous artists' vocals to make quite the impact. You know it's YURiCa, but I've never heard her touch music as massive as this before. She sure better keep it up. It has an anison feel to it, but on such a grand scale, it leaves a lasting impression and makes for an instant jam. "Seika" doesn't shy away from being pounding and in your face with its electronic sound, and with YURiCa's signature beautiful voice, amazing vocal range and vibrato, you know it's a match made in heaven. As a YouTube comment simply put, it's "overwhelmingly perfect".
 
 
@togz's Picks
 
"Taking Off" by ONE OK ROCK

Looks like ONE OK ROCK are taking off with another musical direction change. Their new track "Taking Off" was released recently as a teaser for their upcoming album Ambitions which will be obtainable in January. While the song still sounds authentic to OOR's style, it's fresh and offers a lot of vocal variation. The instrumentals aren't very complex but they help power up the chorus melody. It's catchy, memorable, and overall a fun a listen.
 
"Six Feet Under" by Crystal Lake

Before "Six Feet Under", Crystal Lake released their music video for "Omega" which offered more dynamics. With only two minutes and seventeen seconds to listen to, this track gets straight to the point. It's a completely different vibe than "Omega" and gets me even more excited for their album release on November 30th. "Six Feet Under" is a real head banger with its chaotic guitar riffs, the lowest of growls, and heavy double bass work. Both of these songs will be available on True North.
 
"倒錯症レジスタンス(tousakushou resistance)" by DIAURA

I've personally only heard of DIAURA's earlier works and haven't followed them in some time, but when I heard this song I was instantly interested again. The vibe in this song really brings me back to when I first heard them because I feel the vocals and instruments work well together to create a heavy, upbeat, but melodic environment. Definitely a band I'll be paying attention to again.
 
"WOLFMAN" by コドモドラゴン (Codomo Dragon)

 
コドモドラゴン (Codomo Dragon) is another act that I used to follow but stopped somewhere along the way, but this track brought me back. It starts off with a distanced drum and funky bass line. It's a cross between punk and funk that leads in to a really good vocal line. But funk and punk isn't all that's offered in this song. There's very quick guitar work but also some heavy riffs. The chorus is an interesting key change as well. I've got my eyes and ears on you コドモドラゴン.
 
"色眼鏡 色彩皆無 (iromegane shikisai kaimu)" by ラッコ ( LACK-CO.)

If anyone knows me at all, they'll know I'm forever Tenten biased. Naturally I hopped on the ラッコ ( LACK-CO.) bandwagon as soon as this video was released. Aside from Tenten's unique vocals, the music is also technical in some places. From this song alone, this new unit is a good combination between My BACTERIA HEAT IsLAND and KuRt if you keep Tenten's vocals in mind. I'm really excited to hear more from this group, but most of all excited to see some of these members still active in the music scene. 
 
 
@CAT5's Picks
 
"ビハインド (behind)" by cinema staff

It's been a mere six months since cinema staff's latest full length album eve, and they're already back with a Triple A-side release titled the Vektor EP. While eve was an exemplary exercise in the band's trademark indie-styled pop-rock, Mizuki and the gang seem to be taking off the kid gloves on this new EP. "behind", the third A-side, has been released as a promotional video, and it's already one of the most explosive cinema staff tracks in years! At roughly about two minutes, the song packs in some of the band's more spastic tendencies, proving that they haven't forgotten any of their emo or punk influences just yet. It's great to hear these guys rock out again!
 
"アラジン (aladdin)" by 水曜日のカンパネラ (suiyoubi no campanella)

Two seconds into this song and you'll think you're listening to Micheal Jackson's "Thriller." Seriously. Producer Kenmochi Hidefumi wasn't exactly subtle in paying homage to the MJ classic. Yet I find it peculiar that I've not seen too many people commenting on this fact, and those that do, don't seem to be bothered by the blatant plagiarism either. Why? Well, it's simply well done, that's why. It's a sign of true artistry when you can take something so well-known and transform it into an entirely new entity, and suiyoubi have managed just that. In fact, "aladdin" is such an earworm that after a few listens, you'll completely forget that this song references anything other than suiyoubi's own, unique brand of Jpop.
 
"PANDORA" by EVO+

EVO+ is a female utaite, which is usually an area of music outside of my wheelhouse and something @beni knows more about, but what a serendipitous discovery this has been for me! Having teamed up with doujin music producer ATOLS, EVO+ just released her first EP titled PANDORA, and the title track for it is gorgeous. EVO has a deep, sultry croon and her vocal melodies have a vague, anison feel to them, but when the beat drops, you know this is something really special. The production is very hip, with a few trap elements, but it's also got a really organic and earthy feel to it - not unlike suiyoubi no campanella. The utaite scene may be based around cover songs, but if this song is what happens when they get original, then I need to hear more.
 
"env Reg." by 網守将平 (Shohei Amimori)

I first heard Shohei Amimori back in 2014 on a compilation titled Forma. 4.14 put out by Japan's finest label for IDM - PROGRESSIVE FOrM. His track was easily one of the standouts, so I was definitely interested when I discovered he'd be releasing his first album early next month on the same label. But now that I've heard this track, my excitement IS OVER 9000!!! Seriously, I love this. "env Reg." is intelligently produced electronic music, yet it's also fun and groovy too (watch out, METAFIVE!)! Just to add icing to the cake, it features one of my favorite indie-pop artists on vocals - Babi. I have such high hopes for the album!
 
"Crystal Chrysalis" by world's end girlfriend

world's end girlfriend probably needs no introduction, as anyone into post-rock or IDM to any extent has likely come across his moniker by now. If you haven't, well, his music is an expansive amalgam of beautiful, cinematic soundscapes, twisted distortion, and gritty electronics. His latest album LAST WALTZ is expectedly massive, and I admit, choosing a standout is next to impossible. The epic, thirteen-minute "Flowers of Romance" would have been an easy choice, and the equally gargantuan "Radioactive Spell Wave" would have been just as apt, but there's something about "Crystal Chrysalis". It's got a certain atmospheric gravitas to it. The other songs are generally more overt and in-your-face, but the power of this track lies in its subtlety. It's deeply atmospheric, yet haunting all the same. Brilliant.
 
 
"Discal Smoke" by LASTorder

PROGRESSIVE FOrM is hands-down one of my favorite labels. They've had a rather dismal output in recent times - and understandably so, as the many artists on the label have set the bar quite high - but they seem to be making a comeback, and I'm happy to feature yet another artist from the label in my picks this month! LASTorder has always been pretty good, but I dare say he's reached a stellar peak with this track. "Discal Smoke" has your standard IDM glitchy-ness and LASTorder's typically bold drums, brilliantly combined with analog instrumental bits, and very tastefully implemented vocal samples. This track was instant love from the very first second, and it just gets better as it progresses. Delicious!
 
 
"Waltz For Real World" by uyama hiroto

Uyama Hiroto will probably be viewed as the spiritual successor to his peer and collaborator, the late Nujabes. However, with all due respect, I would say that Hiroto's new album freeform jazz has propelled him into a league of his own. The album, while technically not "free-jazz" certainly feels less bound than his previous works. It's a more musical effort overall, and the drumwork is especially more organic than previously, as opposed to the straightforward boom-bap approach that similar artists take. In fact, you can hardly categorize this as just "jazzy hip-hop" anymore. The entire album only features one rap feature (and thankfully so, because I can't stomach cheesy backpacker rap!).  freeform jazz is such an exquisite listen that I honestly can't choose just one track to recommend, so hopefully the heartfelt melodies of "Waltz For Real World" will persuade you guys to delve further!
 
 
Guest Recommendations
 
 
@Lestat's Picks
 
"天上天下唯我独唱 (Tenjou tenge yuiga dokushou)" by Gossip-ゴシップ-

Semi-nationalists Gossip-ゴシップ- conclude their dynamic year with their sixth and final release of 2016, now headlining the propaganda papers with this November's distribution of 天上天下唯我独唱 (Tenjou tenge yuiga dokushou). Ensuing their exceptional maxi-single 東京スキャンダル (Tokyo Scandal), compilation album 脳味噌回転愚流愚流地獄-黒歴史盤- (Nomiso kaiten guru guru jigoku - kuro rekishi ban -) and the following three consecutive monthly singles, the group continues to yell its 'Banzai!' at the rising sun. The title track delivers us with classic —if we can call it as such, with a mere two years under their belt— Gossip-ゴシップ- elements with which this band has its boot stiffly put between visual kei's door; the bellowing ring of sirens, footsoldiers marching toward warfare, and Saku's patriotic chants loudly supporting an emanating blitz. And what follows is an unforgettable, catchy offensive, ready to go down in history.
 
"Ash" by GOTCHAROCKA

Have you been searching for a fool-proof method to brighten up your day in only a short matter of time, or do you simply need a well-deserved break from the abundance of gloomy-sounding bands surfacing in the Japanese music scene? Look no further, as GOTCHAROCKA will surely and effortlessly lift your spirits with their ever-positive atmosphere while the month is growing colder. This time, they provide you with another warm and tight embrace in the form of "Ash", an optimistic and encouraging message conveyed to you in a presentation of melodic and sprightly riffaging, up-beat drums, and glossy, light singing. Be sure to make use of this song, as these three smiling guys will want you to remember this memo; "Keep playing until your grief is gone." 
 
 
@Ada Suilen's Picks
 
"Re:incarnation" by Insanity Injection

This year brought up another great superband in the visual kei scene; their name is Insanity Injection and the members who compose it are known for bands like Aliene Ma'riage, Glamscure and Das:Vasser, so the hype has been real since their first announcement. Then they released three singles, all of them solidified their style and the first mini album, where this epic track is featured in, confirmed their strong position in the scene; eleven minutes of greatness and technique, where each element, from the vocals (the coupling of Kyouka x Chaos has been simply awesome!), to the instruments, and the background effects assume a peculiar meaning with sudden stylistic changes inside the melody. The band shows that they cannot fail at whatever sound they make.
 
"深紅に揺らめく、儚き鶺鴒 (Shinku ni yurameku, hakanaki sekirei)" by Chariots

Another incredible comeback in the visual kei scene is Riku, with his solo project's respectful new line-up featuring people of VII-Sense and UnsraW fame made this year brighter for me. After releasing three solid singles they go strong with a mini-album, where the title-track is the most powerful and astonishing part of the release. This emotional ballad is reminiscent of Phantasmagoria's golden age where Riku unleashes his deep and suggestive voice in a powerful and fascinating rock sound. A sure synonym of their glorious return.
 
 
@Delkmiroph 's Picks
 
"猫夢 (Nekoyume)" by 有村竜太朗 (Ryutaro Arimura) 

Like everyone knows, Ryutaro started his own solo project after many years in Plastic Tree. With the promise of his first solo release of 1996-2011, 「デも／demo」 impressed me with some songs (I have not heard the mini album fully yet). But "Nekoyume" is very expressive to me and I would say that this is a personal style of Ryutaro's that reminds me of the last releases of Plastic Tree. "Nekoyume" is energetic and catchy at every chorus, and the AC. Version gives the song more life, but I love both versions equally!
 
"END TRIP" by Insanity Injection

I definitely love this release from Insanity Injection. I followed them since their first release, but I did not hear their digital releases. I think I should get to them.  "END TRIP" is a very deep and solid song that makes me think that someone is still doing great work in the visual kei scene. Chaos' voice with Kyoka is a great combination which brings a melancholic mix into the whole mini-album. Of course it reminds me of some other bands which is also why I like it. I would love to go to a concert of theirs to watch all this dark insanity. It's great when the name of the band already expresses this to the listener.  
 
"愛のゆくえ (Aino Yukue)" by きのこ帝国 (Kinoko Teikoku) 

I discovered this shoegaze/dream pop band this year (exactly two month ago). Kinoko Teikoku won me over when I heard their first album eureka, but I was more excited for this new album that they announced for this month. I had the expectation that they were becoming more dream-pop with each release. It's now normal for them in my opinion. "Aino Yukue" is an enjoyable song that's half shoegaze and more dream pop (I guess). It's a totally soft and sweet melody with strong beats as the title track of the album. I appreciate the album, and this song mostly.  I believe that this song is all cute and lovely.    
 
 
Thanks for checking out our recommendations this month! If you have any thoughts on our list or recommendations of your own, please feel free to comment below! If you're interested in being a guest contributor, contact either @CAT5 or @doombox! See you all next month! ^_~

Killing a bunch of Negan's men with a rocket launcher is pretty savage, though.
 
On another note, it may not be today, or tomorrow but I can't wait for Rick to bury that axe in Negan's head. : 3

I always associated (Japanese) city pop with these bands with young male members with trendy clothes, colorful caps or beanies and guitar straps adjusted a bit too tight. And chill chunez.
 
jk but not rly
 
...So bands that have already been mentioned like yogee new waves, the fin., never young beach (notice the marine theme, maybe it should be sea pop? beach pop?)
 
I have to agree with the blog post on city pop being more about the certain vibe and aesthetic rather than a similar sound.

No point making a new thread, here's some new info:
 
Their album "METEO" will be released on 2017.03.08
 
Tracklist:
01. Messenger Boy
02. 朝の4時
03. 細い杖
04. Cosmic Wonder Bowler
05. LA
06. Fried Bird
07. 何あせってんの
08. 魔術師
09. フルサト
10. マス釣り
11. Finish Field
 
Aaaand here's a PV for "細い杖 (Hosoi Tsue)". There's also english translation of the lyrics in the video description.
 
 
Sounds great if you ask me!

No point making a new thread, here's some new info:
 
Their album "METEO" will be released on 2017.03.08
 
Tracklist:
01. Messenger Boy
02. 朝の4時
03. 細い杖
04. Cosmic Wonder Bowler
05. LA
06. Fried Bird
07. 何あせってんの
08. 魔術師
09. フルサト
10. マス釣り
11. Finish Field
 
Aaaand here's a PV for "細い杖 (Hosoi Tsue)". There's also english translation of the lyrics in the video description.
 
 
Sounds great if you ask me!

simple but effective!

No point making a new thread, here's some new info:
 
Their album "METEO" will be released on 2017.03.08
 
Tracklist:
01. Messenger Boy
02. 朝の4時
03. 細い杖
04. Cosmic Wonder Bowler
05. LA
06. Fried Bird
07. 何あせってんの
08. 魔術師
09. フルサト
10. マス釣り
11. Finish Field
 
Aaaand here's a PV for "細い杖 (Hosoi Tsue)". There's also english translation of the lyrics in the video description.
 
 
Sounds great if you ask me!

simple but effective!

@fitear1590 Great review! I enjoy your style of reviewing. I don't agree with all your opinions but I think I would give it the same score you did.
 
My expectations for this album were very high, like they always are with THE NOVEMBERS releases and I was a bit disappointed if I'm being honest. And it's still one of the best J-albums released this year so that's saying something about the quality of their music.
 
Some notes about the album / songs:
 
- 1000 Years is like a poor man's version of Blood Music.1985.
 
- Kobayashi's vocals on 愛はなけなし (What Little Love) make me think that he would be a great nagoya kei vocalist.
 
- I think @CAT5 put it well with there being no notable "UMMPPH!" moments that make you revisit the songs time after time. For me moments like these are the first chorus of Rhapsody in beauty with the siren guitar and Kobayashi's high notes interlocking, the killer riff starting at 1:30 in Wire (Fahrenheit 154), the chorus of 彼岸で散る青 (Jigan de chiru ao). There were no moments on "Hallelujah" where I thought "holy shit that's amazing!"
 
- My favorite songs after multiple listens: Black Rainbow, What Little Love, Just Going Far. That guitar riff in Just Going Far's "chorus" is fantastic!
 
And for lolz: 1. (To) melt into, 2. Zeitgeist, 3. Rhapsody in beauty, 4. Hallelujah
 

 

Hey, everyone! I'm back hosting our monthly song recommendations along with @doombox! October was a great month, and we've got a smorgasbord of fantastic music for you to check out! We apologize if some videos aren't available due to region restrictions.  We'd also like to thank our record FIVE guest contributors this month: @Ada Suilen, @chemicalpictures, @hiroki, @indigo, @Lestat. It's been awesome to have you guys on board. Now let's dig in!
 
@beni's Picks
 
"LOVE DOLL" by DECO*27

If there's one reason I want people to give Vocaloid a chance, it's all because of this guy right here. DECO*27 is one of the better known producers within the Vocaloid scene for having created several popular songs such as "Aimai Elegy", "Yowamushi Montblac" and "Mozaik Role". His lesser known works include his Utaite covers and contributions outside of Vocaloid, writing songs for other artists such as Hello Project!'s Buono! group. GHOST is his latest album after a two year break, and a personal anticipated release. The album is yet another release he used only Hatsune Miku in, with my selected stand out track "LOVE DOLL" originally being created for and sung by GUMI instead. "LOVE DOLL" had debuted two years ago in fact. But that doesn't take anything away from its enjoyment. It's an absolute treat to hear this freshened up by Miku instead, and included in the album. The song's emotional, metaphorical message and lyrics is another reason to appreciate DECO*27's efforts. "LOVE DOLL" demonstrates what DECO*27 does best: an insanely catchy chorus with wonderful trippy build ups all around it.    I suggest checking out Utaite uploads instead if you can't stomach Miku, specifically Soraru and/or Dari's covers. As a plus you can even see the original PV from when GUMI was the singer!
 
"flora" by 南壽あさ子 (Asaco Nasu)

Nasu, you've made me wait for almost an entire year for new material! Asaco Nasu was one of my favourite new finds from last year, and I had been anticipating any form of a new release all year, so I'm beyond ecstatic she has delivered something, and of this calibre. It was worth all the waiting even if it's now October! "flora" is the theme song for the PS Vita/PS4 game Firis no Atelier, a long running JRPG franchise Nasu has lended her voice to before. Her gentle yet lush voice takes me back to the likes of the ever so majestic Okazaki Ritsuko, which is an absolute delight since no one comes close to how she had performed, but Nasu makes it a close call. And even though it's just a ballad, "flora" is still absolutely beautiful and whimsical. Nasu's soaring notes in the chorus, and the echoing effect makes this song full of wonder and joy. "flora" is as gorgeous as you would expect.  
"Pride" by X4

I have already suggested these boys are Japan's calling to K-pop originating in their homeland (just see Future,Super Duper,Nova. You're too late with the PV now though!), and now they go and do this - a ballad. Specifically as a way to celebrate a wedding. With all five of the boys in the group dressed entirely in white like angels, I'm sold right there. X4 can be called Yuya Matushita's boyband, who already has a name for himself for the solo career he's had for almost a decade now. With both tie-in hits left, right and center, including a clear sound of successful R&B and hip-hop influences, he passed this on to X4. The group takes a breather from their louder tendencies with "Pride". Along with their other gorgeous ballad "Will You Marry Me", "Pride" steps it up, with stunning, effortless group vocals, each time all in harmony. And yet each of the boys' distinctive, powerful voices yield all on their own outside of the chorus. This is how you do a boy group!  
"NANIMONO (feat. Kenshi Yonezu)" by 中田ヤスタカ (Yasutaka Nakata)

At this point, I can safely say I am absolutely addicted to "NANIMONO". Made by the efforts of the collaboration of Yasutaka Nakata producing, and Kenshi Yonezu as singer and lyricist, this is the first time the latter has joined forces in making music. He sure should be proud! Having been left feeling disappointed in almost all of his latest efforts, I'm pleasantly surprised at how much this song has quickly grown on me. Nakata's signature Perfume sound with Yonezu's distinctive tone does wonders, making something from Yonezu sound fresh and different. It's certainly a step in the right direction in fleshing out his new sound as being his own artist outside of the Vocaloid scene. The song will be used as the theme for an upcoming movie of the same name, and will appear on their joint release with remixes of the song as the tracklist. I don't think I could ever tire of this tune, so bring it on!  
"オムライス (Omurice)" by 杉恵ゆりか (Yurika Sugie)

One of my favourite new artist discoveries of 2016 has definitely got to be this darling. I just so happened to stumble on her YouTube account, which then took me to avex, the major label she now releases music under, with this latest PV of hers. She seems to still be rather unknown even now which is just devastating. In "Omurice", the build up to the chorus doesn't give away her star potential... completely! In the bridges and verses, her tone is super adorable, exactly what you'd expect from looking at her. And then it all explodes. Every bit of zest in her tiny body reaches new heights as she's hitting all her lines and notes with such bright energy. There's definitely more to this little lady, and I can't wait to follow her and see what else she has to offer.   
 
@CAT5's Picks
"今が君の思い通りに (ima ga kimi no omoi dori ni)" by infro

Chances are, if you're not a connoisseur of Japanese emo and punk, then you may not have heard of infro. They've been around since at least 2007, when their first mini album was released, and since then, they've only released one other EP while appearing on splits and compilations here and there. Of course this is all typical of bands associated with a scene as underground as Japanese emo. So I was pleasantly surprised to see these guys release their very first music video this month, and it's a highly satisfying and earnest piece of melodic punk! So far it doesn't look like infro has any new releases planned, but this song definitely whets the appetite for more. (They also get extra points from me for performing punk music and NOT resorting to Engrish! XD)  
"Voice" by SOSO BREAK THE WALL

Do you guys remember progressive alt-rockers the brown? Well, eye, their vocalist has surfaced with a brand new project called SOSO BREAK THE WALL, and it's everything I could've hoped for! One of my biggest criticisms against the brown was eye's primary use of English, which rendered an otherwise good band mostly unlistenable for me. Fortunately,  SOSO has 'broken that wall' and eye has, for the first time I've ever heard, actually sung in Japanese! She sounds marvelous, and in combination with the music, SOSO creates the kind of mournful, female-fronted alt-rock that the J-rock world has desperately been lacking since the demise of REDЯUM and me-al art's third album! The band's debut EP will feature a slew of cool musicians from kamomekamome, ANYO, Vampillia, and more - it might very well be one of the best things to come out this year! Huge thanks to @Hakoniwa for informing me about this!  
"Rehena" by minakumari

Combining traditional Indian music with experimental, ambient, and J-pop, the sitar-wielding singer-songwriter minakumari is a bit of an anomaly, to say the least. Given the atypical nature of her music, she's neither well-known in Japan nor abroad, but she just released her fourth album REHENA, which could very well escalate her to new heights! The album is entirely produced by the renown Hirotaka “Shimmy” Shimizu (of The Cornelius Group and Plastic Ono Band fame), and the title track is one of the most upfront and engaging songs minakumari has ever made. There’s a plodding groove to it that provides a good amount of accessibility, yet minakumari’s worldly outlook remains perfectly intact. “Rehena” is an entirely fresh take on J-pop, and just as worthwhile as it is novel.  
"美しい孤独 (utsukushii kodoku)“ by paranoid void

If you’re like me and think that tricot is heinously overrated or just throw-up in your mouth at the mention of the band, then you might rejoice to know that I’ve come across a band that does what they do, but are actually good at it! That’s right, paranoid void have the potential to completely dethrone 'try-hard-cot' from their questionable reign as the female-fronted champions of Japanese math-rock. “utsukushii kodoku“ proves that not only do these girls have the chops to play math, but they actually put heart and soul into their songwriting and musicality - as opposed to lifelessly doing things by the numbers. The trio just dropped their debut mini-album POP MUSIC, and if this song is any indicator, they will be a band to watch out for.  
"Mother Fucker" by Limited Express (has gone?)

For those of you that enjoy your share of aural anarchy, look no further than the new Limited Express (has gone?) album All Ages. It’s their first release in three years and a welcome site for fans craving zany, alternative punk. “Mother Fucker” is the perfect track to single out, as it sums the album perfectly: turbulent drums, chaotic sax, groovy post-punk basslines, erratic riffs, and YUKARI’s ear-piercing vocals!  It’s noisy, it’s bonkers, and it’s a helluva lot of fun!  
"Taxi" by トクマルシューゴ (Tokumaru Shugo)

Tokumaru Shugo albums are always an event worth looking forward to! His folk-infused brand of indie-pop has remained a unique commodity within Japan’s music scene, as no other artist can really replicate what he does. His new album, TOSS, while not as exciting as previous releases, has still managed to provide gems like this, however. “TAXI” delivers all of Tokumaru’s hallmarks with its infectious guitar riffs, jaunty toy instrumentation, and wonderfully wacky arrangement. It’s such a catchy and playful tune that I DARE you to feel anything other than joy while listening to this!    
"Beryl" by Marihiko Hara & Polar M

I’ve always had a keen appreciation for music scores, soundtracks, and instrumental music in general - music that tells a story, but not just that, music that invites your imagination to tell its own stories. Composers Marihiko Hara & Polar M (aka Masumi Muranaka), have managed to do just that with their new, and second collaboration album simply titled Dance. “Beryl" in particular evokes a bittersweet, nostalgic feeling with its lilting acoustic guitar and wistful post-classical piano. It’s a sorrowful, yet contemplative piece that certainly will ‘dance’ with your imagination. Beautiful~  
 
@doombox's Picks
 
"City Lights" by abstracts

After a strong album release earlier this year abstracts are back with more awesome melodic metalcore, and this time with a bit more bite! "City Lights" layers their usual bright and djent-tinged guitarwork with a fun, upbeat tempo. The result brings the band into some new, more mature territory we haven't gotten the chance to hear from them before. This composition creatively pushes the vocals to the back seat to really let the playfulness of the guitar melody shine through.  It's only a single digital release at the moment, but I hope this song is a sample of what's waiting for us on their next album!  
"アウトサイダー(Outsider)" by Kidori Kidori

The duo returned this month with their new mini album OUTSIDE and if you're familiar with the band you know they are consistently good at what they do. "Outsider" is a bit of an update on their sometimes folk-y, sometimes funky, retro garage rock sound. But both song and video are an interesting peek at this side of the band. I highly recommend checking out the entire mini album to get a proper feel of just how expansive their sound is if you have the time. Kidori Kidori never disappoint!  
"CRAZY N' SANE" by CRAZY N' SANE

I'm a little late to the CRAZY N' SANE party, but I gotta say the 90s kid in me is in love with this track! If any of you miss that ol' funky rap rock, nu metal sound CRAZY N' SANE are here to bring it to you. This band is the Korn, Limp Bizkit, and Linkin Park hybrid you never knew you needed in your life. Though the members' identities are shrouded in mystery I'd place good money there are some familiar faces from the Japanese metal scene hiding under those masks. Am I the only one thinking the screamer sounds a bit like Ikepy from HER NAME IN BLOOD?  
"5150" by THE ORAL CIGARETTES

While I thoroughly enjoy THE ORAL CIGARETTES, their releases have a tendency to be hit or miss and end up a bit same-y. Last year they had a rather hectic release schedule and I think it showed in their stunted creativity, but "5150" brings us back to the kooky-cool side of the band that I really love. The beat drives this song at a near frantic pace, but Takuya's lower vocal tone has a great soothing quality that keeps this track from flying off the rails. The combination is what makes THE ORAL CIGARETTES so special when everything comes together just right.  
 
@emmny's Picks
 
"羽花 (Uka)" by MEJIBRAY

I'm going to save y'all the shade and not use this as a means to slam MEJIBRAY for flopping consistently for the better part of two years. It's not hating, its all out of love really; I hold 'em to a high standard given their past output. I consider their SM singles compilation to be essential listening for 2010's visual kei: no one did it harder, catchier, and with more charisma than early MEJIBRAY. Their cult following and popularity is pretty apparent given how much their work is more a testament to the members' respective musicianship rather than a collective effort: MEJIBRAY's shining feature and greatest weakness is their individuality. Sometimes it just turns into an ego vs. ego vs. ego vs. ego mess of sloppy metalcore and failed experimentation. I'm happy to report "Uka" is none of that, rather an incredibly balanced and beautiful return to form. It's more layered a composition than usual; the time off they've had from spamming releases has resulted in greater attention to detail. The contrast between the thrashy verses and beautiful chorus is the basis of the track, accented by a stunningly restrained solo from the queen of wannabe virtuosity, MiA, as he undoes the heaviness in the first half with a swaying guitar-line over delicately picked acoustic chords, eventually leading the track to its closing. Balance is everything.  
"カミオ (Camio)" by Sioux

Anyone who knows a thing about me or has been a member here for more than 5 minutes also knows about my love of amber gris and all things 'art-kei'. So when kaname, ex-amber gris guitarist and composer came out with a new band with the totally 'art-kei'-riffic concept of a traveler's existential journey, I knew it was gonna destroy me. I didn't expect it to destroy me this hard though; "Camio" is a straight up amber gris throwback, with all the beautiful guitarwork, layered instrumentation and emotive vocals that came with it--except this time we have kaname on vox. That said, it doesn't sound like kaname singing over an amber gris track: "Camio" has a more mathy-tone, even if it's a ballad. His vocals lend a more indie-than-visual vibe to the track, which keeps it totally fresh, even if the vocals are a bit inconsistent. Considering I'm this enamored over a track off their first single, i have incredibly high expectations for Sioux in the future, and somehow I think this band of wanderers will leave their mark on the scene.  
"リテラシズム (Literacism)" by THE BLACK SWAN

TBS are a perfect example of a band continuing to improve with every release, sharpening their prog-kei the longer they play with each other. "Literacism" is a surprisingly pretty piece marked by contrasts. it opens with Jin crooning over a sombre chord progression, leading you to think a ballad is coming up, which isn't entirely wrong--in true TBS fashion, there's more to this six minute track than meets the eye. Once the tremelo lead guitar in the intro fades out, spastic guitarwork and Ren's blastbeats take over while Jin spits a beautiful vocal melody, unlike anything TBS has done before, all over warring instrumentation. This dichotomy fuels the track, as it floats in and out of of dreamy, slow, guitar-led sequences, blastbeats, a legitimately brutal breakdown and back again. "Literacism" is at once familiar, both with the genre and the band's prior output as well as the new, showing off some cool tricks under their sleeves.  
 
@fitear1590's Picks
 
"人間ビデオ (ningen video)" by ドレスコーズ (the dresscodes)

What do the dresscodes, the moniker of charismatic solo artist Ryohei Shima, and GANTZ, the super gory anime/manga series, have in common? I'm still trying to figure out the connection, but that didn't stop the former from penning the theme song to the new GANTZ CG film. While the track opens with some dark riffs and some creepy chanting, the chorus is pretty classic ultra-catchy songwriting that we've come to associate with Ryohei. While I have no idea how well this song meshes with the the new GANTZ adaptation (my feeling is NOT MUCH), I'll be rocking out to "ningen video" in the meantime.  
"亡霊たちの楽園 (boureitachi no rakuen)" by ニカホヨシオ (nikaho yoshio)

Remember South Penguin from this summer? Well, what do summery indie riffs dress up as for Halloween? Solo artist Nikaho Yoshio has to be the closest thing. While his style of laid-back guitar pop is comparable, there is something slightly spooky in the atmosphere and lethargic vocals of this song. The title, roughly translated as "Ghosts' Paradise," is surprisingly fitting. Fans of Tempalay should also enjoy this. Check out Nikaho's debut EP SUR LA TERRE SANS LA LUNE on November 2.  
"マイムマイム (mime mime)" by グリモア (GRIMOIRE)

The saying goes, 'If it ain't broke, don't fix it.' I'd wager that GRIMOIRE are operating under a similar motto. Since their debut single in September 2015, they've maintained their niche visual/musical concept. Though only slightly tweaking their sound along the way, they've steadily beefed up production value. I can't find information on their label (they're not even on VKDB!), but if they are self-produced, color me impressed. If you haven't been a fan of them so far, "mime mime" is unlikely to change your mind. For me, however, it's definitely a favorite, combining the creepy ambiance and arrangements from their earliest tracks with their signature chuggy riffs--one of their most balanced efforts to date. The bar around :44 (and its repeats throughout) even has an epic quality, cleverly offset by dissonant riffs--a new twist on the band's sound. Overall, GRIMOIRE are perfect VK band for Halloween!  
"Adonis" by Sioux

Finally, we have Sioux, who combo-break the spooky theme my other tracks/PVs have established. Although... maybe the members popping feathers into their hair and using a dream catcher in their logo for a 'Native American' aesthetic is Halloween after all. How problematique™!  All kidding aside, "Adonis" rules. ex-amber gris guitarist Kaname takes up vocals in this band and is seemingly backed by a bunch of talented newbies. Gorgeous guitarwork and raw, evocative vocals hit all the right spots. With only their first release, I can absolutely see Sioux's potential to help fill the void of some of the major art kei disbandments that happened over the past year.  
 
@tetsu_sama69's Picks
 
“CROWS” by BLESSCODE

Another supercharged release from the overflowing potential of a band, BLESSCODE. The opening of the song sets a strong rhythmic pace that thrives throughout. The track is entirely infectious with powerful vocals and amazing instrumentals that only this band are capable of. It's hard not to feel yourself compelled to dance a little as you listen to the track as it's so steady and solid. By the time you finish the song you'll be singing 'Thank you for the music' and wanting to enjoy more of what BLESSCODE brings to the table.  
“PERSONA” by THE BLACK SWAN

The wait was so long for this new release from THE BLACK SWAN and it was worth every single minute that the fans were a ball of impatient tension for it to surface. The heart beat from the start gets torn apart with a dirty cacophony of guitars and drums that don't hold back. “PERSONA” is a track that feels like a conflicting duality of darkness and rage combating each other with screams and clean vocals leading the charges in dissension. It's hard to decide which part is my favorite because the whole thing is a hard smack to the face of awesome music that any fan of the band should enjoy overall and find it difficult to not have the song on repeat.  
“Psycho Creature” by MIZTAVLA

Rhythmic synth bleeps may start off this track but it's pure deception when the rush of instrumentals start and I found myself bouncing around my room with this vibrant track. The drums are so spirited in this song and they grabbed my attention with the insane mess of power they brought forth. The vocals are a rough shambles of scattered screams and cleans that fit the overall flow. The chorus especially was an amusement ride of headbanging and chaos that made it instantly the standout track of a very solid mini-album.  
 
@Zeus' Picks
 
"quiet squall" by siraph

Snagging the ending theme song for an anime is always a double edged sword. Unlike the opening, you are not guaranteed that your audience will stay for the credits. So as impressive as it is for siraph's first single to feature as the ending for the anime Bloodivores, it's fortunate it can turn heads given only 90 seconds. siraph plays their first ace card with "quiet squall", an unexpected but not unwelcome smooth jazz tune from left field. For a band that many may have classified away as 'school food punishment 2.0', it's great to see siraph take steps towards creating their own identity so early. It's perfect to unwind to while also flexing their diverse influences, if you can look past Annabel's less than perfect English. Personally, I'm excited to see how many different directions this band can go in successfully.  
 
Guest Recommendations
 
@Ada Suilen's Picks
 
"Phoenix" by 摩天楼オペラ (Matenrou Opera)

It was thought that, after the departure of the historical guitarist Anzi, considered as a key element for this band's sound, Matenrou Opera wouldn't had been the same rock act arrived with the EP Phoenix Rising, where they went back to their origins, but not so much; in fact, each song, especially the one featured, is driven by the same unique energy and which they were from their 'golden age' (since 2009). In other hand, the recent album Chikyuu extended a lot their musical range, bringing to them a little ray of hope. A hope that versatility which always characterized them, with the guitar which this time belongs to the talented Leda; so if you saw this band as done, you got it wrong!
 
"Give me a break, stop now!" by REOL

I rarely listen to contemporary pop music, especially Japanese (apart from the great ladies of the scene), but some time ago I read about this singer and her debut in pop music, as she was in the Vocaloid scene, and several people were pretty enthusiastic about her, so I tried the first album Sigma.  And the first impression has been pretty good, even if at the first notes I thought I was listening to an idol; but Reol is definitely closer to the banging-dancing electro-pop music, which is more appreciated by the Western audience, with an eccentric use of auto-tune and engaging beats, without forgetting her charismatic presence. I tell only that you should only give her a try, since she is fresh, energetic and catchy, and you cannot resist her style.
 
 
@chemicalpictures' Picks
 
"Get up" by MONOEYES 

Takeshi Hosomi is a giant in Japanese music that I think hardly gets any recognition by western audiences... ELLEGARDEN was HUGE, the HIATUS and MONOEYES are filled with respected musicians and draw crowds all around. While the HIATUS is fully experimental post-rock, MONOEYES embrace the simplicity of ELLEGARDEN and Hosomi's earlier american rock influences. "Get Up" is a nod to 90's pop-rock sound, like Third Eye Blind, Spin Doctors, and Semisonic. Simple, straightforward guitar lines, and groovy bass and drums contrasting with Hosomi's great feelgood lyrics ("If you are sore from yesterday, the sunrise means that you are still alive" is lovely, come on!) make this a perfect sunny-afternoon-by-the-pool track for you to rock out with your friends!
 
"感情トリートメント (Kanjou Treatment)" by Develop One's Faculties

Unsurprisingly, DOF did it again. The VK gods are backing blowing our minds once again with another intense, emotional track that only they can do so well. During the first minute, the guys have already set the mood for one of their best tracks of 2016. Yuya going back and forth, with Johannes' crazy-pace drumming and a simple, yet beautiful violin line sprinkling on the back creates a powerful chorus that will be stuck in your head for a while. During the bridge, the fast tempo instrumentals while yuya keeps his vocals in check is clever and makes for a nice contrast, and shows how they already mastered the sound they are trying to achieve. It is refreshing to see how they can play with their formula to provide a different experience each time. I can only imagine how rocking this must be during their lives. It's a real shame this is a live limited release, though. Here's hoping to see it on their next full length.
 
 
@hiroki's Picks
 
"この手に在るもの (kono te ni aru mono)" by Blu-BiLLioN

Blu-BiLLioN’s "この手に在るもの" is at once a return to their signature synth-pop blend that many later bands have attempted to appropriate but few have come close to matching, and at the same time a small nudge towards the EDM elements from “S.O.S” which earned them mixed reviews from even their most ardent fans. What impressed me most this time, however, was the thoughtful restraint So-ya has exercised in his infusion of dance elements to produce an upbeat, delicately balanced title track—translated as “what I have in my hands”—which doubles as an assuring nod to the fans that the band will not recklessly abandon what they started out with even as they mature (indeed, the lyrics are all about the future instead of some hazy indistinct need to return to the past that you tend to find). Needless to say I’ve always admired Mike’s vocals; it’s versatile but never outrageously flamboyant, markedly precise but never mechanical, and he’s simply exquisite across all 3 tracks here (the groovy B-side "レプリカ (Replica)" is my personal favorite). Overall, "この手に在るもの" is an accomplished distillation of the Blu-BiLLioN’s 6-year career thus far, with a not-so-faint whiff of what one might expect from them in time to come.  
"ラストシーン (Last Scene)" by グラムヘイズ (glamhaze)

It is difficult for me to review this single without lapsing into a eulogistic mode after the awful news that グラムヘイズ will be disbanding in January. Even after having listened to many many visual kei bands I struggle to name another vocalist with Satoru’s combination of a powerful chest register, intricate gradations in his falsettos, and above all, his effective and deeply emotional tone that just tears at my heart. While tempting, it would be misleading to brand "ラストシーン" an out-and-out ballad, for its melancholic piano introduction quickly gives way to a cascade of sounds that nonetheless continue to foreground Satoru’s gripping vocals, before finally capping off with a fiery, drawn-out recapitulation. Stylistically the composition of "ラストシーン" is reminiscent of a number of JILLED RAY songs, most notably the equally expansive "DOLL", while the B-side “I say goodbye, what about you?” is a really sweet song that’s loads of fun live (lots of moshing). If this single is Satoru’s heartbreaking farewell to us, it will be one that’s painful to come to terms with even as he pleads to us, in his lyrics, to “remember that this song exists only because of you and I.”  
 
@indigo's Picks
 
"Puke" by Age Factory

Age Factory is a relatively young J-indie rock band who just released their debut full album. I'm a sucker for heartfelt music and that's exactly
what Age Factory does the best, mostly thanks to young vocalist/guitarist Shimizu Eisuke with his husky and soulful voice. "Puke" is admittedly one of the standout tracks on the album for me - with slap bass, screamed vocals and a loud, almost ferocious guitar, it's sure to make your head nod along!  
 
@Lestat's Picks
 
"Perfana" by Kaya

Succeeding the untimely demise of the simultaneously robust and tender Femme Fatale, the thespian queen-monarch Kaya re-enters upon the scaffolding, donned in an extravagant outfit plenteous in theatrical and melodramatic presence; with a performance encompassing artistical freedom, the singer once again appears to find himself in his traditional element. Self-assured and dauntless, layered thickly in unique vocal processions and otherwise uncharted areas, "Perfana" returns to us the ever-thriving solo-career of an already undoubtedly qualified artist, now formally in league with the multifaceted and accomplished KAMIJO, whose creative expertise once again flowers gracefully in the composing of the single's electronic, buoyant title-track. 
 
"今日死ぬ (Die today)" by SIKI VERNISSAGE

SIKI VERNISSAGE is the handle given to an unrestrained and seemingly limitless project whose genesis-story currently remains unknown as no information is present. Unpredictable and haphazard, "今日死ぬ (Die today)" stampedes violently from EDM Trap, to Black metal, to Crust punk, to Hip-hop, to Shoegaze and Hardcore in nine mile boots, and not one distinctive label appears to be reserved for the sum total of the grandiose debut release REPLICA. Rarely have I encountered a group this difficult to describe and this daring to embrace such a colossal range between genres. Avant-garde and hard to digest, SIKI VERNISSAGE may not be an enjoyable experience for everyone, but certainly arrives on the Japanese music scene with a monstrous entrance. 


Thanks for checking out our recommendations this month! If you have any thoughts on our list or recommendations of your own, please feel free to comment below! If you're interested in being a guest contributor, contact either @CAT5 or @doombox! See you all next month!