inartistic

In light of this potentially tragic news, vk.gy will introduce a new feature, wherein you can call your favorite artists fat and ugly. #staystrong

In light of this potentially tragic news, vk.gy will introduce a new feature, wherein you can call your favorite artists fat and ugly. #staystrong

In light of this potentially tragic news, vk.gy will introduce a new feature, wherein you can call your favorite artists fat and ugly. #staystrong

In light of this potentially tragic news, vk.gy will introduce a new feature, wherein you can call your favorite artists fat and ugly. #staystrong

In light of this potentially tragic news, vk.gy will introduce a new feature, wherein you can call your favorite artists fat and ugly. #staystrong

In light of this potentially tragic news, vk.gy will introduce a new feature, wherein you can call your favorite artists fat and ugly. #staystrong

In light of this potentially tragic news, vk.gy will introduce a new feature, wherein you can call your favorite artists fat and ugly. #staystrong

In light of this potentially tragic news, vk.gy will introduce a new feature, wherein you can call your favorite artists fat and ugly. #staystrong

they were obvious hacked by vk.com

Idk where to put this or how to title it... sorry mods! But I came across an old thread (Wtf is Ains), and thought I'd dump a short history of Yukika/Ains. Only it turned out to be way longer than I expected, and had some crossover with non-Ains labels. So... I thought I'd dump it in the general section. Maybe this can turn into a general discussion of vk labels? (Didn't see anything similar extant when I searched.) Anyway, here:
Yukika (雪花) is a dude who was vocalist of a band called ETCETERA (エトセトラ). They were on their own label, called ● drop cafe, which I think he owned. Later, they joined a bigger label called ● CLIMAX ENTERPRISE.
 
------------------------------------------------------------
Yayoi (弥生) is a dude who was in the bands Vice†risk and La'miss fairy, among many others. Back in the day, he owned a label called ● Eternal, which was in turn a sublabel of KISAKI's ● Matina label.
Eventually, ● Matina closed, and so did ● Eternal. Later―around the same time that KISAKI opened his new label ● UNDER CODE PRODUCTION―Yayoi opened a new label called ● CLIMAX ENTERPRISE.
------------------------------------------------------------
ETCETERA eventually disbands, and ● CLIMAX ENTERPRISE closes, whatever. Afterward, Yukika forms a band called Fils, but they operate without a label and disband pretty quickly. Yukika then forms the band CLUTCH (クラッチ) under his own record label, ● Culminate Screen.
 
------------------------------------------------------------
● Culminate Screen mostly had shitty bands, but there was this one group called CATHELINE (キャサリン)... They got a little popularity, jumped ship to Speed-disk, and became R-18, then R-15, then R Shitei (R指定).
------------------------------------------------------------
CLUTCH disbands, ● Culminate Screen closes, whatever. Yukika keeps at it, forms a new band called Buddy, and starts a new label, ● A heretic sound music.. Here's where it starts getting interesting:
Yukika gets lucky, and signs this band called ALSDEAD to his label. Somehow, they get a little popular, and he's probably making money from his label for the first time ever. Meanwhile, this little band called Valluna (ヴァルナ) starts hanging out around label (without actually joining), so that's pretty cool.
Cut to late 2009. Remember that Yayoi guy, the president of the label that Yukika's band ETCETERA used to be on? Yeah, that guy suddenly has a new label called ● FIREBALL―which has no artists, btw―and Yukika slides ● A heretic sound music. right in there as a sublabel of ● FIREBALL. That's definitely some tax evasion shit, right?
Like 3 minutes later, ALSDEAD mysteriously announces that they're “graduating” from ● A heretic sound music.. The next month, Yukika's like, “Hey guys, ● A heretic sound music. is closing.” (Haq;ch. and Navir, the two unsuccessful bands on the label, are just left to fend for themselves.) But don't worry! Yukika has formed a new label: ● Galaxy, which is also a sublabel of ● FIREBALL. (Yukika even co-sponsors one-day revivals of ● Eternal and ● CLIMAX ENTERPRISE with Yayoi, 'cause they're totes great friends now.)
 
------------------------------------------------------------
Btw, did you catch that? He transforms his label into a sublabel, then immediately closes it and forms a new sublabel under the same company. He keeps the one band who was somewhat successful, and drops off the other two in some barren desert somewhere. That's definitely some tax wizardry, right? Or maybe just a cute way to end those other bands' contracts?
------------------------------------------------------------
So ● Galaxy is here, and they've got the somewhat successful ALSDEAD band. Then, surprise surprise, Valluna (ヴァルナ) joins ● Galaxy.
 
------------------------------------------------------------
ALSDEAD was, like, doing pretty good. But right after their first release through ● Galaxy, they jumped ship to their own label, ● CTA Works ('cause they're assholes?). ● Danger Crue scooped them up after, which is a pretty big deal, 'cause, like... ● Danger Crue isn't major, but it's as close as most visual bands will ever get, and it has major distribution through ● SONY. It seems like they really fell off after that, but maybe that's just in the overseas community.
------------------------------------------------------------
That Valluna (ヴァルナ) band is doing well, like really well. Which, in the VK world, means it's time for a disbandment. So, Valluna (ヴァルナ) disbands, and the important members immediately come back as DIAURA.
DIAURA is doing super well; so much so that their album is distributed by the major label ● CROWN, which is rare for a tiny label like ● Galaxy. So Yukika and Yayaoi must be dragging home small bags of money every day, which is great. But eventually, Yukika gets smart, and is like “fuck this, I want all the bags of money”; so in early 2012, mentions of something called ● Ains start springing up. ● Galaxy is still publishing releases and sponsoring lives, but this ● Ains thing is being mentioned too.
Smash cut to March of 2012, and ● Galaxy has, like, lowkey disappeared, and all of DIAURA's activities are going through ● Ains now. Considering ● FIREBALL seemed to only ever be a shell company for ● Galaxy, I guess it closed too.
------------------------------------------------------------
I wanna talk about Yayoi some more.
Way back in 1979 (supposedly), some dude founded an entertainment company called EXCEL. That dude turns out to be Yayoi's father! In the 90s, ● EXCEL RECORDS released some omnibus CDs featuring Yayoi's then-current band, ANGEL DUST. (KISAKI's band, MIRAGE, was also on those CDs, so I guess that's how KISAKI and Yayoi hooked up, which lead to KISAKI giving Yayoi the ● Eternal sublabel of ● Matina.)
Anyway, around the time when Yukika closed ● Galaxy and formed ● Ains, EXCEL was reorganized into ● EXCEL ENTERTAINMENT, with Yayoi as the new president. The new ● EXCEL ENTERTAINMENT has had several clients―including KISAKI and some people from bands belonging to ● Eternal/● CLIMAX ENTERPRISE―but the company doesn't actually do anything, as far as I can tell. I guess it acts as a talent agency, but all of its clients are already being managed by record labels, so what's the point?
More recently, Yayoi formed the new record label ROCKSTAR RECORDS. (And, of course, all of that label's artists are simultaneously signed with ● EXCEL ENTERTAINMENT.)
------------------------------------------------------------
Ok, ok, it's 2012, ● Ains exists as its own entity, and DIAURA is helping Yukika drag home bags of money, which he gets to keep to himself this time. Now that he's making Trump Checks™, Yukika can afford to sign a new act, so he snipes people from the band RELOAD (リロード) to form Grieva (グリーヴァ). Just for shits and giggles, they're on their own ● Ains sublabel called ● MadWink.. (I truly assumed that ● MadWink. was created just for aesthetic reasons, but maybe it's some weird tax evasion thing too, idk.)
Grieva (グリーヴァ) is literally (literally, kids) a Dir en grey cover band (with other influences thrown in there, but it's mostly Deg), but they're like, killin' it. So Yukika tries to strike lightning twice, and creates a GAZETTE (ガゼット) cover band, Gossip (ゴシップ), also under the ● MadWink. sublabel. At the same time, KUROYURI TO KAGE (黒百合と影) forms under a different ● Ains sublabel called ● yamikakumei (闇革命). (Again, I assume the sublabel is for aesthetic purposes.)
Soon after, Grieva, Gossip, and KUROYURI TO KAGE release a coupling CD which is published by ● UNIVERSAL MUSIC. (This doesn't mean they're major, or that they left ● Ains. I'd assume it's probably some sort of test for ● UNIVERSAL MUSIC to see if they want to deal with ● Ains more in the future.)
Now, here's the most recent weirdness:
Some new band MEDIENA (メディーナ) appears, and they give off major “● Ains vibes”―in the sense that their graphic design is clearly done by the ● Ains graphic designer, and their release schedule is put together in a way that's similar to ● Ains bands. They're also always playing at ● Ains lives, but they clearly state that they're on a label called ● V-eyes RECORDS, which has nothing to do with ● Ains. ...Or does it? When their release was put up on iTunes, the publisher was listed as ● Ains; so I guess that explains that, lol. I personally consider ● V-eyes RECORDS to be a “secret sublabel” of ● Ains, though I have no official statement to back that up, and can't give a reason why they'd do that (tax stuff?).
There's also a new band called MALISEND, whom some people assumed to belong to ● Ains. I actually think that's wrong, at least when they formed.
Early on, MALISEND was clearly not using the ● Ains graphic designer, and their first releases were not announced in the same way that ● Ains releases are (ie. not using the same marketing staff). Also, tbh, their first look was not up to ● Ains quality. And finally, I want to mention that their first releases were completely independent (independent UPC & no label listed). However, their most recent release was through a new label called ● Culminate―and was published by ● Ains, according to Brand X. So, in my opinion, MALISEND did not form under ● Ains (like MEDIENA probably did), but is now signed to another “secret sublabel” of ● Ains. (Might the name ● Culminate be a tribute to Yukika's early label, ● Culminate Screen?)
And here we are
------------------------------------------------------------
To recap...
Yukika forms drop cafe
↓
Yukika's band joins CLIMAX ENTERPRISE
↓
Yukika forms Culminate Screen
↓
Yukika forms A heretic sound music.
↓
Yukika meets up with Yayoi, the former president of CLIMAX ENTERPRISE
↓
Yayoi forms FIREBALL, and Yukika transforms A heretic sound music. to a sublabel of FIREBALL
↓
Yukika closes A heretic sound music. and makes a new FIREBALL sublabel called Galaxy
↓
Yukika forms a new, standalone label called Ains
↓
Yukika transfers DIAURA to Ains and closes A heretic sound music., and Yayoi goes to EXCEL ENTERTAINMENT
↓
Yukika makes an Ains sublabel, MadWink., for Grieva
↓
Gossip joins the sublabel MadWink.
↓
KUROYURI TO KAGE joins the new Ains sublabel, yamikakumei
↓
Grieva, Gossip, and KUROYURI TO KAGE release a coupling CD which is published/distributed by UNIVERSAL (but they're not major)
↓
MEDIENA forms under an unofficial/secret Ains sublabel, V-eyes RECORDS
↓
MALISEND forms independently, but joins what might be another unofficial/secret Ains sublabel, Culminate
------------------------------------------------------------
Idk, I hope that was enlightening or entertaining to someone! Please let me know if you have any comments or corrections!
I've always found the world of VK record labels to be really fascinating. KISAKI's label history is deliciously convoluted, but I think Yukika actually beats him out, lol.

↑
I agree with you that it's somewhat pointless to discover the truth here. And like you, I love the legend of KISAKI and the scene that blossomed around him―whether or not he's a really good person is somewhat irrelevant, as I'll never spend time with him.
But, that being said, I think it's still important to dig into this. When it comes to VK, we're the historians; no one else cares about this shit! So if we find something interesting, I think it's part of our duty to investigate and record it, just for history's sake.
It sucks that digging into KISAKI is often from a witch-hunt point of view, and as a fan, I don't like that... but I think it's important nonetheless .
---
I'm really convinced that the bands are real. Hopefully somebody can figure out the remaining ~tape mysteries~... and maybe when pigs fly, KISAKI will step in and give the *real* truth 8D

Idk where to put this or how to title it... sorry mods! But I came across an old thread (Wtf is Ains), and thought I'd dump a short history of Yukika/Ains. Only it turned out to be way longer than I expected, and had some crossover with non-Ains labels. So... I thought I'd dump it in the general section. Maybe this can turn into a general discussion of vk labels? (Didn't see anything similar extant when I searched.) Anyway, here:
Yukika (雪花) is a dude who was vocalist of a band called ETCETERA (エトセトラ). They were on their own label, called ● drop cafe, which I think he owned. Later, they joined a bigger label called ● CLIMAX ENTERPRISE.
 
------------------------------------------------------------
Yayoi (弥生) is a dude who was in the bands Vice†risk and La'miss fairy, among many others. Back in the day, he owned a label called ● Eternal, which was in turn a sublabel of KISAKI's ● Matina label.
Eventually, ● Matina closed, and so did ● Eternal. Later―around the same time that KISAKI opened his new label ● UNDER CODE PRODUCTION―Yayoi opened a new label called ● CLIMAX ENTERPRISE.
------------------------------------------------------------
ETCETERA eventually disbands, and ● CLIMAX ENTERPRISE closes, whatever. Afterward, Yukika forms a band called Fils, but they operate without a label and disband pretty quickly. Yukika then forms the band CLUTCH (クラッチ) under his own record label, ● Culminate Screen.
 
------------------------------------------------------------
● Culminate Screen mostly had shitty bands, but there was this one group called CATHELINE (キャサリン)... They got a little popularity, jumped ship to Speed-disk, and became R-18, then R-15, then R Shitei (R指定).
------------------------------------------------------------
CLUTCH disbands, ● Culminate Screen closes, whatever. Yukika keeps at it, forms a new band called Buddy, and starts a new label, ● A heretic sound music.. Here's where it starts getting interesting:
Yukika gets lucky, and signs this band called ALSDEAD to his label. Somehow, they get a little popular, and he's probably making money from his label for the first time ever. Meanwhile, this little band called Valluna (ヴァルナ) starts hanging out around label (without actually joining), so that's pretty cool.
Cut to late 2009. Remember that Yayoi guy, the president of the label that Yukika's band ETCETERA used to be on? Yeah, that guy suddenly has a new label called ● FIREBALL―which has no artists, btw―and Yukika slides ● A heretic sound music. right in there as a sublabel of ● FIREBALL. That's definitely some tax evasion shit, right?
Like 3 minutes later, ALSDEAD mysteriously announces that they're “graduating” from ● A heretic sound music.. The next month, Yukika's like, “Hey guys, ● A heretic sound music. is closing.” (Haq;ch. and Navir, the two unsuccessful bands on the label, are just left to fend for themselves.) But don't worry! Yukika has formed a new label: ● Galaxy, which is also a sublabel of ● FIREBALL. (Yukika even co-sponsors one-day revivals of ● Eternal and ● CLIMAX ENTERPRISE with Yayoi, 'cause they're totes great friends now.)
 
------------------------------------------------------------
Btw, did you catch that? He transforms his label into a sublabel, then immediately closes it and forms a new sublabel under the same company. He keeps the one band who was somewhat successful, and drops off the other two in some barren desert somewhere. That's definitely some tax wizardry, right? Or maybe just a cute way to end those other bands' contracts?
------------------------------------------------------------
So ● Galaxy is here, and they've got the somewhat successful ALSDEAD band. Then, surprise surprise, Valluna (ヴァルナ) joins ● Galaxy.
 
------------------------------------------------------------
ALSDEAD was, like, doing pretty good. But right after their first release through ● Galaxy, they jumped ship to their own label, ● CTA Works ('cause they're assholes?). ● Danger Crue scooped them up after, which is a pretty big deal, 'cause, like... ● Danger Crue isn't major, but it's as close as most visual bands will ever get, and it has major distribution through ● SONY. It seems like they really fell off after that, but maybe that's just in the overseas community.
------------------------------------------------------------
That Valluna (ヴァルナ) band is doing well, like really well. Which, in the VK world, means it's time for a disbandment. So, Valluna (ヴァルナ) disbands, and the important members immediately come back as DIAURA.
DIAURA is doing super well; so much so that their album is distributed by the major label ● CROWN, which is rare for a tiny label like ● Galaxy. So Yukika and Yayaoi must be dragging home small bags of money every day, which is great. But eventually, Yukika gets smart, and is like “fuck this, I want all the bags of money”; so in early 2012, mentions of something called ● Ains start springing up. ● Galaxy is still publishing releases and sponsoring lives, but this ● Ains thing is being mentioned too.
Smash cut to March of 2012, and ● Galaxy has, like, lowkey disappeared, and all of DIAURA's activities are going through ● Ains now. Considering ● FIREBALL seemed to only ever be a shell company for ● Galaxy, I guess it closed too.
------------------------------------------------------------
I wanna talk about Yayoi some more.
Way back in 1979 (supposedly), some dude founded an entertainment company called EXCEL. That dude turns out to be Yayoi's father! In the 90s, ● EXCEL RECORDS released some omnibus CDs featuring Yayoi's then-current band, ANGEL DUST. (KISAKI's band, MIRAGE, was also on those CDs, so I guess that's how KISAKI and Yayoi hooked up, which lead to KISAKI giving Yayoi the ● Eternal sublabel of ● Matina.)
Anyway, around the time when Yukika closed ● Galaxy and formed ● Ains, EXCEL was reorganized into ● EXCEL ENTERTAINMENT, with Yayoi as the new president. The new ● EXCEL ENTERTAINMENT has had several clients―including KISAKI and some people from bands belonging to ● Eternal/● CLIMAX ENTERPRISE―but the company doesn't actually do anything, as far as I can tell. I guess it acts as a talent agency, but all of its clients are already being managed by record labels, so what's the point?
More recently, Yayoi formed the new record label ROCKSTAR RECORDS. (And, of course, all of that label's artists are simultaneously signed with ● EXCEL ENTERTAINMENT.)
------------------------------------------------------------
Ok, ok, it's 2012, ● Ains exists as its own entity, and DIAURA is helping Yukika drag home bags of money, which he gets to keep to himself this time. Now that he's making Trump Checks™, Yukika can afford to sign a new act, so he snipes people from the band RELOAD (リロード) to form Grieva (グリーヴァ). Just for shits and giggles, they're on their own ● Ains sublabel called ● MadWink.. (I truly assumed that ● MadWink. was created just for aesthetic reasons, but maybe it's some weird tax evasion thing too, idk.)
Grieva (グリーヴァ) is literally (literally, kids) a Dir en grey cover band (with other influences thrown in there, but it's mostly Deg), but they're like, killin' it. So Yukika tries to strike lightning twice, and creates a GAZETTE (ガゼット) cover band, Gossip (ゴシップ), also under the ● MadWink. sublabel. At the same time, KUROYURI TO KAGE (黒百合と影) forms under a different ● Ains sublabel called ● yamikakumei (闇革命). (Again, I assume the sublabel is for aesthetic purposes.)
Soon after, Grieva, Gossip, and KUROYURI TO KAGE release a coupling CD which is published by ● UNIVERSAL MUSIC. (This doesn't mean they're major, or that they left ● Ains. I'd assume it's probably some sort of test for ● UNIVERSAL MUSIC to see if they want to deal with ● Ains more in the future.)
Now, here's the most recent weirdness:
Some new band MEDIENA (メディーナ) appears, and they give off major “● Ains vibes”―in the sense that their graphic design is clearly done by the ● Ains graphic designer, and their release schedule is put together in a way that's similar to ● Ains bands. They're also always playing at ● Ains lives, but they clearly state that they're on a label called ● V-eyes RECORDS, which has nothing to do with ● Ains. ...Or does it? When their release was put up on iTunes, the publisher was listed as ● Ains; so I guess that explains that, lol. I personally consider ● V-eyes RECORDS to be a “secret sublabel” of ● Ains, though I have no official statement to back that up, and can't give a reason why they'd do that (tax stuff?).
There's also a new band called MALISEND, whom some people assumed to belong to ● Ains. I actually think that's wrong, at least when they formed.
Early on, MALISEND was clearly not using the ● Ains graphic designer, and their first releases were not announced in the same way that ● Ains releases are (ie. not using the same marketing staff). Also, tbh, their first look was not up to ● Ains quality. And finally, I want to mention that their first releases were completely independent (independent UPC & no label listed). However, their most recent release was through a new label called ● Culminate―and was published by ● Ains, according to Brand X. So, in my opinion, MALISEND did not form under ● Ains (like MEDIENA probably did), but is now signed to another “secret sublabel” of ● Ains. (Might the name ● Culminate be a tribute to Yukika's early label, ● Culminate Screen?)
And here we are
------------------------------------------------------------
To recap...
Yukika forms drop cafe
↓
Yukika's band joins CLIMAX ENTERPRISE
↓
Yukika forms Culminate Screen
↓
Yukika forms A heretic sound music.
↓
Yukika meets up with Yayoi, the former president of CLIMAX ENTERPRISE
↓
Yayoi forms FIREBALL, and Yukika transforms A heretic sound music. to a sublabel of FIREBALL
↓
Yukika closes A heretic sound music. and makes a new FIREBALL sublabel called Galaxy
↓
Yukika forms a new, standalone label called Ains
↓
Yukika transfers DIAURA to Ains and closes A heretic sound music., and Yayoi goes to EXCEL ENTERTAINMENT
↓
Yukika makes an Ains sublabel, MadWink., for Grieva
↓
Gossip joins the sublabel MadWink.
↓
KUROYURI TO KAGE joins the new Ains sublabel, yamikakumei
↓
Grieva, Gossip, and KUROYURI TO KAGE release a coupling CD which is published/distributed by UNIVERSAL (but they're not major)
↓
MEDIENA forms under an unofficial/secret Ains sublabel, V-eyes RECORDS
↓
MALISEND forms independently, but joins what might be another unofficial/secret Ains sublabel, Culminate
------------------------------------------------------------
Idk, I hope that was enlightening or entertaining to someone! Please let me know if you have any comments or corrections!
I've always found the world of VK record labels to be really fascinating. KISAKI's label history is deliciously convoluted, but I think Yukika actually beats him out, lol.

Was trolling through old auctions, and found this:
 
On 2008-07-01, basokiya1217 sold Lebia 「滅びの序章」 (from the image, it's the same tape we're familiar with). On 2008-08-02, night22com sold Lebia 「滅びの序章」 (same tape, again), and mentions that “at this time, KISAKI called himself AINE.”  
Just thought it was interesting that, even before KISAKI started selling fake copies of this tape as his own, people were selling this as a KISAKI band (albeit under a different name). In fact, I wonder if night22com bought the tape from basokiya1217, thought it was the KISAKI band, and re-sold it as such; maybe KISAKI buys it the second time, and re-sells copies years later?
 
Of course we should blame KISAKI for putting fake information about “滅序章” in beyond the kingdom, but maybe it's this night22com person's fault that we have this fake demotape floating around lol
 
(Btw, I still can't help but think the person on the left in the Levia cover looks a lot like KISAKI, but I guess it's just coincidence.)
 
Edit: oh, I should point out that neither basokiya1217 nor night22com were KISAKI. He has a certain “style” in posting auctions, and neither of them match it; plus, their periods of activity overlapped with his account, so I'm sure they were all different people.
 

【EVIDENCE OF EXISTENCE】
Here's the evidence that I could find of these bands being *real*:
-
https://twitter.com/KISAKI_OFFICIAL/status/297370748589338624
KISAKI played recorded versions of songs of Levia~LAYBIAL~SHËY≠DË at his 20th anniversary live. It's not really “proof” of anything, but this was a history live, so there should have been someone who was a fan of the bands that were ripped off (VICE∞RISK, 業, Levia[non-KISAKI]), and who would have noticed if KISAKI was playing those songs...
-
As someone else mentioned, on 2007-11-19 in his HOLIDAY blog, he mentioned meeting ex-Levia member 美憂, who is married and has a child.
-
https://twitter.com/KISAKI_OFFICIAL/status/154273353094537216
On 2012-01-04, he posted in his Ameba (now deleted) that he met Levia members again. Most of them married with children now. He also posted a pciture of 美憂's child this time (also on Twitter ↑), as well as a picture of that guy's shop. (Google/Tineye didn't return any results when I searched the images).
-
http://music3.2ch.net/test/read.cgi/visual/1066131643/
Earliest web mention of these bands that I can find is on 2ch in 2003. So at least we know his *canon* band history included these bands way before BEYOND THE KINGDOM.
-
Again, not proof of anything, but the canon lineup of SHËY≠DË features 紫緒, who was in HISKAREA. I automatically doubt that KISAKI would make up a fake band with a known musician in the lineup, if it weren't real...
-
松本 博, the owner of Wakayama livehouse OLD TIME at which Levia supposedly performed a lot of oneman lives, actually commented in BEYOND THE KINGDOM about seeing KISAKI's junior-high band Levia as regulars who were popular. So that seems to confirm a lot for me, unless they faked that comment (I already checked―the 松本 博 is real.)
---
【REALLY WEIRD STUFF】
This one is sort of reaching, but bear with me. Check out the cover of the Levia “滅びの序章” demotape again (which was copied from the Levia[non-KISAKI] “滅びの序章”, remember?).
Now check out this image by hyura again. The image on the left. I know it's near the LAYBIAL sign, but it's only 3 members (LAYBIAL had 4), and LAYBIAL didn't play a live on 1994-09-21... but Levia had 3 members and did play their first live on 1993-09-21. So could that picture be of KISAKI's Levia?
And if so... looking at that supposed Levia[non-KISAKI] scan, couldn't you see KISAKI on the left and the other two guys on the right (compare the eye-makeup, the hair, the chokers, the suit jackets)...?
-
I can't claim anything from this, but you have to admit that it sort of looks like Levia and Levia[non-KISAKI] are one in the same, at least from comparing those two pictures.
That would be the ultimate mind fuck if that were the case, because the Levia[non-KISAKI] demotape has 5 tracks which, as far as I know, aren't stolen from anything...
---
【CONCLUSIONS】
Personally, I think Levia~LAYBIAL~SHËY≠DË were *real*, since they've been mentioned for so long (at least since 2003), way before there was a book about KISAKI or he had some “legacy” of being a 15-year-old genius who was playing oneman shows. Also, I can't imagine KISAKI and FOOL'S MATE would be so bold as to fake a comment from the owner of a livehouse who knew Levia. And finally, I don't think KISAKI was lying when he posted about meeting ex-Levia members... but if he was, then he's been purposefully sprinking those things throughout his blog for 7 years which just seems to be way beyond his level of thinking IMO.
So like I said, I think the bands are *real*, but I'm not sure if the demotapes ever were... I see a couple of possible scenarios:
1. The *canon* demotapes were *real* but were also fake/stolen (even at the time of their release).
2. It's been so long that KISAKI has no clue what his early bands released, so he just made it up for BEYOND THE KINGDOM. In that case, there are *real* demotapes, but probably completely different from the *canon* ones.
3. There are *canon* demotapes are also *real*, but KISAKI's been seeding the net and auctions with fake copies, while he maniacally holds on to the only real copies that are left. In that case, the titles are still stolen from other releases... (This would fit in nicely with the crazy theory that Levia is the same as Levia[non-KISAKI]!)
-
So I guess my posts didn't really give any clear conlusion, but I hope you've gained some more evidence to make your own (or at least see that the situation is even weirder than some simple lying).

【DISPUTING THE MYTH_CEO DEMOTAPES】
Let's start talking shit:
-
1. 滅びの序章 (green / black)
● This tape was never in the canon discography. The canon discography does have a “滅序章” (notice only two characters missing), but that one is supposed to have 5 tracks.
● Levia[non-KISAKI] has a demotape called “滅びの序章” which had the exact same cover. Rarez Hut actually sold it: http://www.rarezhut.net/product/levia-%E6%BB%85%E3%81%B3%E3%81%AE%E5%BA%8F%E7%AB%A0
● Remember, on my copy of the grayscale version, the insert appeared to have been longer originally... well, as posted here, Levia[non-KISAKI]'s tape had an insert that was longer (with member info + tracklisting)... I wonder if KISAKI had this Levia[non-KISAKI] tape and just ripped that part off and used the remaining insert for his fake demotape???
-
3. 「KELOID」 -Not For Sale-
● This wasn't listed in the canon discography (only a version with 2 tracks was), and is clearly modern-made/fake.
● The track used for the demotape is familiar... hold that thought
-
4. 「KELOID」
● Again, clearly faked, as per inkjet printing and such. At least the cover/tracklisting matches up to the canon discography, but as pointed out, the tracks are stolen from a VICE∞RISK demotape.
---
【IT STARTS GETTING WEIRD】
OK, so here's where it gets weird. “「KELOID」 -Not For Sale-”, the *semi-canon*, faked demotape that KISAKI sold me via auction. That 2:40 track which is completely different from the “「KELOID」” version...
Champ mentioned that she traded somebody for some SHËY≠DË demotape rips... I traded for the same rips with that same person.
...The Levia “「KELOID」 -Not For Sale-” version of KELOID is the same track as SHËY≠DË's FUNERAL from the “DARK SIDE” rip which I traded for!!
...And as Champ pointed out, FUNERAL by SHËY≠DË is actually FUNERAL by 業!
!_! ?_?
So just by pure coincidence (...??????), KISAKI sold me a fake Levia demotape which featured a track by 業, and someone traded me for fake SHËY≠DË demotape which featured the same track by 業. Coincidence? Or maybe KISAKI mixed up his fake files? Either way it's interesting...
-
Also, I'm quite embarassed to admit it, but I thought I'd figured out what Levia - 滅びの序章 (the actual music on the demotapes which KISAKI sold me) was stolen from, but I can't remember now @_@.
---
Still more to come...

【EXCLUSIONS】
I posit, but can't prove, that KISAKI (1994 solo project) and De=prive are *real*, bringing the scope of my posts to Levia, LAYBIAL, and SHËY≠DË.
KISAKI (1994 solo project)
It is *canon* that KISAKI released a solo demotape in 1994 with STELLA MARIA vocalist Ray. The rest of the [disputed] canon discography wasn't known until 2007's BEYOND THE KINGDOM, but this demotape was listed on UNDER CODE PRODUCTION's website since at least 2004. That, and the fact that it features a (relatively) well-known musician (STELLA MARIA's vocalist Ray), I find it unlikely that this release/artist was faked.
De=prive
This is actually the least-known band in KISAKI's history. In fact, it's *non-canon*―that is, it came from Japanese VK fans rather than KISAKI himself. Since there's no reason for fans to lie about such a small band (with no releases), and because Japanese VK fans are rather trustworthy with information (moreso than overseas fans or KISAKI himself), I'm comfortable asserting that De=prive was *real*.
(If KISAKI's *canon* live history is *real*, I would guess that De=prive was the unnamed session band in 1994.)
---
【MYTH_CEO DEMOTAPES】
As pointed out in previous posts, KISAKI has been selling shit (anonymously) via Y!J auctions. In early 2014 he started selling Levia demotapes, and I bought almost all of them. Here are descriptions of those, followed by an update (canon + semi-canon) Levia discography:
-
1. 滅びの序章 image
● Green-tinted insert with cover art and spine, but no tracklisting or member information. Contains one track, 2:11, presumably 滅びの序章.
● I believe this is the same one that someone else purchased (although their copy was sold much later, I think).
-
2. 滅びの序章 (grayscale) image
● Same cover, but grayscale. Again, no tracklisting or member information, same 2:11 track as before.
● Again, not listed in *canon* discography―according to *semi-cannon* auction description, live distributed.
● However, it does appear to be old (rather than modern-made), as there is some yellow discoloration and wear on the insert. Additionally, the top of the insert appears frayed, as if it was originally longer, but was carefully torn apart.
-
3. 「KELOID」 -Not For Sale- image 1 / image 2
● Insert is clearly modern-made―background is pixellated while text box is sharp and uses a (sort of) modern font. One track, about 2:40, presumably KELOID.
● Not listed in *canon* discography (there is a canon KELOID, but it has two tracks and different cover art). According to *non-canon*, live distributed.
-
4. 「KELOID」 image
● Again, modern-made, as the insert was clearly printed with a modern inkjet printer, and creases/wear are printed images rather than physical features. It features two tracks, KELOID (5:30) and PRAY (3:57).
● This is listed in the *canon* discography, and features the correct cover art.
● Note that this tape's version of KELOID is 5:30 while the previous one was 2:40... and they're completely different songs.
● And let me just point out that KISAKI saw the same person buying these two tapes with the same Y!J account within the span of one month... you'd think he would at least use the same song in his faked demotape o-o.)
-
So here's our updated Levia discography, with *semi-canon* entries in blue:
Levia
　　1993-01-10 - 滅序章
　　　　1.滅序章 / 2.PROLOGUE / 3.蒼ノ真相 / 4. Die&DEA / 5. EPILOGUE
　　????-??-?? - 滅びの序章 (green)
　　　　1.滅びの序章
　　????-??-?? - 滅びの序章 (black)
　　　　1.滅びの序章
　　????-??-?? - 「KELOID」 -Not For Sale-
　　　　1.KELOID
　　1993-12-21 - KELOID
　　　　1.KELOID / 2.PRAY
　　1994-01-23 - My Duel
　　　　1.My Duel

I'm busy with real-life stuff lately, so still working through it... but in the mean time:
There's a ton of meat to chew through here. So for your benefit and mine, let's define some terms and bounds:
---
【TERMS】
I'll use these terms to differentiate between the “alternate realities” that we're working with:
● “canon” - official; information given by KISAKI and recorded in multiple publications
● “semi-canon” - information from KISAKI but in an unofficial capacity (eg. information in his secret auctions)
● “non-canon” - information from a 3rd party (eg. rips floating on the net)
● “true” - something that actually happened or exists in real life
---
【BAND HISTORY】
So here's our *canon* (but not necessarily *true*) version of KISAKI's band history. Note that I'm only listing the begin dates of these bands―not every single appearance or revival.
● 1992~ SCARE CROW (roadie)
● 1993~ Levia
● 1994~ LAYBIAL
● 1994~ SHËY≠DË, garden (support), KISAKI (solo project)
● 1994~ garden, Ruby (support), SHËY≠DË (one day revival), De=prive (session?)
● 1995~ STELLA MARIA, 廃人黒薔薇族 (session)
● 1996~ La:Sadie's
● 1997~ MIRAGE, アンチフェミニズム
● 2000~ Syndrome
● 2003~ 妃&関西貴族, KISAKI PROJECT
● 2004~ Phantasmagoria
● 2010~ 凛 -the end of corruption world-
● 2014~ 凛 -THE END OF CORRUPTION WORLD-
---
【DOPPLEGANGERS】
I'll quickly touch on dopplegangers. Many of KISAKI's early (canon) bands were followed by later bands with the same name. I'll designate those with [non-KISAKI].
● Levia[non-KISAKI] - active around 1993(?); V. 冬樹 / G. 沙霧 / B. AINE / D. HIRO
● LAYBIAL[non-KISAKI] - Matina band active around 1999
● GARDEN[non-KISAKI] - Matina band active 2000~2002
● De≠prive[non-KISAKI] - First band of Madeth gray'll vocalist, active possibly around 1995~1996?
---
【WHAT WE'RE INTERESTED IN】
This thread is questioning two things, as I see it:
1. Are KISAKI's early bands *real*?
2. If so, are those early bands' discographies *real*?
KISAKI's time in the following bands is conclusively *real*, based on multiple sources of information, extant releases, photos, videos, etc.:
● SCARE CROW, garden, Ruby, STELLA MARIA, 廃人黒薔薇族, La:Sadie's, MIRAGE, アンチフェミニズム, Syndrome, 妃&関西貴族, KISAKI PROJECT, Phantasmagoria, 凛
The following bands are *canon*, but their *real*-ness is questioned:
● Levia, LAYBIAL, SHËY≠DË, KISAKI (first solo project), De=prive
---
【DISCOGRAPHY】
Here are the *canon* discographies of the bands which we're questioning (anything in green is *non-canon*):
Levia
　　1993-01-10 - 滅序章
　　　　1.滅序章 / 2.PROLOGUE / 3.蒼ノ真相 / 4. Die&DEA / 5. EPILOGUE
　　1993-12-21 - KELOID
　　　　1.KELOID / 2.PRAY
　　1994-01-23 - My Duel
　　　　1.My Duel
LAYBIAL
　　1994-05-01 - MISS
　　　　1.Dejavu / 2.MISS / 3.virgining Pleasures / 4.Refuse / 5.MOTHER / 6.One More Love
　　1994-05-30 - カケラ
　　　　1.カケラ
　　1994-06-20 - 混乱
　　　　1.混乱
SHËY≠DË
　　1994-07-01 - 奴隷華
　　　　1.DOLL / 2.奴隷華
　　1994-09-01 - 瑠璃の雫
　　　　1.insanity / 2. XXXXX / 3.夢遊病者
　　1994-10-01 - DARK SIDE
　　　　1.CRIME / 2.FUNERAL / 3.苦悩二果テニ (or 1.DARK SIDE ?)
KISAKI (solo project)
　　1994-11-10 - ONCE...
　　　　1.ONCE... / 2.届かぬ思い
Note: in Levia's canon biography the line “DEMO TAPE発売記念2DAYSワンマン公演開催” indicates that a live was held to celebrate the release of a previous demotape. These lines don't indicate additional demotapes, as some of you were confused about.

To give some ~expert confirmation~ on a few things:
 
- myth_ceo is KISAKI. He sold UCP limited items, his own personal items, and even sold samples which he got from other bands (eg. in his blog he mentions SID giving him a sample of their new single, and then the next day myth_ceo was selling it). I'm also 100% sure that this was KISAKI himself and not a staff member.
 
- KISAKI closed myth_ceo and now has another account on Y!J, something like iyouxi or something (not on PC and can't remember the name). I know it's him for the same reasons listed above (funnily, some people actually complained on that account about him selling samples).
 
- He also has an mbok account which is something like deho_san (again, can't remember), though he doesn't use it often.
 
- His time in STELLA MARIA is 100% confirmed. In addition to tapes, we have flyers and videos confirming.
 
- His time in garden is 100% confirmed. In addition to the real tape being sold on Y!J a ton of times, there is video of garden somewhere.
 
- I'm actually 90% sure the "Once..." tape is real as well, although probably not released as "KISAKI PROJECT" as his official website calls it. The reason I'm sure it's real is that it features the STELLA MARIA vocalist, and it was mentioned on UNDER CODE's website back in 2003 at least.
 
So really what is in question (well, was in question) are the bands Levia, LAYBIAL, and SHEY=DE. As I mentioned before, I bought some tapes from KISAKI, but basically they are fake. However, I want to give some more complete info on them, if you'll just wait for another post. (And sorry for not posting before, but I was still unsure about certain things. Champ's post about the SHEY=DE tracks is what made the difference for me.)
 
I will go ahead and say this, though: although we now know that these demotapes are fake, there is still more to this plot...! Please wait for my next post.

Some of my favorites:
Sixteen photobooks planned for a 2006 release, that were cancelled due to KISAKI's tax evasion scandal around that time. About half were to be of KISAKI × random VK bands, but the rest were dedicated to VIDOLL, Phantasmagoria, CODOMO A, and hardcore bands that had played with Phantasmagoria. If I recall correctly, all of the books had been completely finished, but the company refused to release the photos. UNDER CODE must have lost a HUGE amount of money on them, and we collectively lost a good chunk of mid-2000s vk history. Distray (old Matina band) had a 5-month single campaign which was never released, and fellow Matina band LAYBIAL never released their planned full album. During their 2013 revival, DAS:VASSER announced two DVDs, but never released them. I was pretty sad about that one. Here's a partial list of cancelled releases in the weloveucp.com database.

This is a cursed post!!!

hahahahaahahhahha

I have a picture at least: https://vk.gy/releases/c-nagoya/6244/ominaeshi/

Correction on Gt.Giruru - he's actually ex-the FLox.
 
((thanks @inartistic))

Slated to host a show on 4/18 at Ikebukuro EDGE (w/ 万鬼隊 / type:『seeD』/ MIDGARD / 爆烈ストーム!! & others), DAYDALA announced on March 27th that they would render ticket #1 invalid due to reselling for profit.
 

This is not altogether unheard of -- tickets that have been resold have been banned from entry, but it's usually for bigger bands.
However, it seems the holder of #1 -- we'll call her S -- was a little confused by this choice.
She tweeted that she had definitely been the original purchaser of the ticket through legitimate means, and eventually posted the DMs exchanged between her and the official DAYDALA account. She was even able to provide a receipt of the purchase (these receipts do not contain the ticket number),  but they opted to offer her only a refund.
 

 
When S pressed them to provide proof that #1 was in fact resold, they posted screenshots from tanuki (this is historical -- it is an open secret that bands and management browse the board, but an official account posting screenshots of 1) a selling post and 2) a tanumail conversation is unheard of).
 
 

The listing originally posted on tanuki claims to have tickets #1-3. The chances of this poster being S are already fairly low as her receipt shows the price of one ticket. The odds of picking up #1 and #2-3 are stacked very high against her unless she juggles multiple SMS-verified accounts and somehow obtained #1 and #2-3, or is selling on behalf of a friend who was coincidentally able to purchase #2-3. More importantly though, the proof photo doesn't show #1 at all. Additionally, the source of the tanumail screenshot is also up for debate -- unless the band was trying to purchase the resold tickets themselves (something that has been done before, but generally by larger bands b/c I don't think DAYDALA could have afforded even the original 15,000y asking price), it seems they received it as a "tip" from someone else.

This really opened the floodgates -- why weren't #2 and #3 banned as well if this was the source? Why was #1 banned despite being the only one without solid evidence?

Their next step was to ban all of #1-3 but provide refunds upon further discussion with S. By this point tanuki was in an absolute frothing rage. People posting "for sale" posts for numbers 4-100 in a joking attempt to get them invalidated descended as DAYDALA thread after DAYDALA thread was created.
 

Member Haku attempted various forms of damage control on his individual twitter, but the horde was angry and wanted justice for S.
Finally, they rescinded their invalidation for all three tickets and gave a heartfelt apology.
 
Masato of meta-kei/tanuki-kei/meme-kei band kaitou sentai lined up to take a shot at DAYDALA for their slip-up:
"I was tired and sleeping forever. Good morning.
I had a dream that the #1 ticket I worked so hard to get was suddenly rendered invalid.
Hope it doesn't come true..."