XII is 12012 at their best.
01. Vicious Of Absolution:
-As composed by Hiroaki, historically the band's lead compose, The string opening set the song up to be much more somber and passive than expected. Wataru sings smoothly in a low-mid range throughout. The tone of the song is forlorn but curious and wandering, tumbling between slight tension and depressiveness and hopeful questioning. Despite the mellow progression, this is a very interesting full length opener. It immediately gives the impression that we are closer now to pre-2010 12012 than we have been since the first hiatus, somehow without losing anything else. (4.25/5)
02. Story Of A Different Dimension:
-The most energetic track on XII opens with manic guitar riffs sounding like it was built from fragments of many different riffs from different moments in 12012 timeline, it's a very surprisingly catchy riff once you hear it a few times, the first time it is simply hard to remember from how it jumps around. Classic, emotionally driven Wataru vocals that will get fast traction with long time 12012 fans and hopefully new ones alike. The chorus starts off playing with the high vocals that he has been throwing himself into for the past 2 years, and ends up unfolding into something truly great before folding flawlessly back into the main riff of the song. Difficult not to keep repeating this one. (5/5)
03. The Red:
-Wataru's piece of the story. Heavy. Immediately embracing the heaviness of the band's "current" state. Unapologetically metal, the harsh vocals have seen significant improvement too. The first growl is accompanied by an awesome riff which reminds me a lot of Shitataru Mourou from Dum Spiro Spero. The Red actually branches out into quite a well-rounded song. The screaming segment at 1:32 seems initially like a bit of a cheap pop (throw surprise heaviness in your face following calm and quiet) but the short vocal part from 1:51-2:10 had me absolutely hooked. THEN the song goes right back to the previous screaming part, now reinforced, sounding more powerful and more fitting all at once. It was at this point I knew I had more than enough to love about this one. Even if the second chorus doesn't have anything new to offer, I must agree that the length is a bit too much. (4.5/5)
04. Alone:
-The fourth song on XII brings us back to 12012's former sound again, as well as the soft side of their spectrum. The isolated sounding guitars in the opening are very cool though the instrumentation is very simplistic featuring a strong bass line as composed by Enya Tomoyuki. Normally this is the type of song that they may not have captured me with in 2008, but the current lineup and the sheer emotion that it shows at this point in their career feels special to me, the vocal solo at 3:12 is so moving. (4/5)
05. Aqua:
-The song on this release that I originally saw the most praise for is the one that I am the most torn about. A soft, jazzy lead-in brings us to some filtered, distant sounding vocals that for some reason remind me of Luzmelt. This is the song that you could see may be influenced by 9Goats Blackout and Sukekiyo. I think they actually executed this well, the short guitar solos, heartwarming piano interludes and relaxed strings in the background were all so well received when I heard them. What hurts this song more than it's low energy is the lack of vocal melodies (which I didn't see any of on the other songs on the album) it is essentially a repeating chorus for a whopping 9 minutes. For this to go on nearly as long as Diru's Diablos with only a single line to sing is to set yourself up for challenges. Something a bit reassuring to me is towards the end of the song, once it reaches climax and starts floating out the door, I am reminded so fondly of ANIMA MUNDI, possibly my favorite Rentrer en Soi song. 9 Minutes is still too much, but don't let it scare you away from playing this one while you have time. (3.75/5)
TOTAL: (4.3/5)Stars.
Hope my references and comparisons didn't ruin this one..