fitear1590

23 minutes ago, The Moon said:

I wish he'd release another Chanson album. I really enjoyed his last one, and being a big fan of chanson, it was fun to hear them translated into Japanese.

This af. I love Kaya's version of "C'est si bon"!

"Frabjous" is quite a word.

YES, Corinne Bailey Rae! The entire album didn't stick with me unfortunately, but there are some major 2016 highlights like "Been to the Moon," "Green Aphrodisiac" (the video is really interesting and...sensual), and "Horse Print Dress". She's got a unique voice and it works well with the 'neo soul' stuff.

Chouchou sounds noice from the sample! Shit, JYOCHO aka uchu conbini 2.0 went under my radar but this sounds tight. Gotta contact @Peace Heavy mk II, cause I know he's all about that #SPAAAACE math-pop. The Seshen sounds really nice too.

I need to finally check out siraph. I wasn't aware of the haisuinonasa connection, so that's a good incentive!

I'm not sure if everyone realized you had two lists this year

So honored PELICAN FANCLUB made it on your list! That song is one of the main ones from OK BALLADE to stick with me and I agree, it does have that interesting 'western indie' feel to it.

Other notes:
-Fujin Club's sound and aesthetic is so vibrant; thanks for sharing them earlier this year!
-I was ready to toss Akai Ko-en in the crapper after they butchered Spitz on the compilation last year, but damn, this smooth vibe is actually kinda working!
-digging SOSO BREAK THE WALL's sound!
-yasss, Kiryu! I love that they've become one of your go-to VK bands! Solid choice, for sure.
-I think I lost the gene for yelpy punk stuff like Limited Express (has gone?) over the years (even thoughh I love stuff like Kulu Kulu Garden, Afrirampo, etc.)... Listening to the entire album made me crazy, haha.
-Aoi Teshima sounds dark and beautiful! Really looking forward to checking her out!

Thanks for providing samples for everything!

2 hours ago, 『 A F E R N I 』 said:

I guess it's okay, its not as great as crystal synth kei. I'd really like to see that make a return, some of the best vk songs had that nice crystal, sparkly nostalgic synth. (2005-2012 VK)

Ha, "crystal synth kei". Sounds nice! I think I know what you're talking about, but do you have any specific examples?

3 minutes ago, Carmelzors said:

Frankly speaking there has been always a huge ( HUUUUUUUUUGE) batch of vk acts going for rather sloppy, plastered synthcraft per each era visual scene had during its existence.

I definitely understand that, but for me, this particular style of synthwork detailed in this thread really gets under my skin and makes me reach for the skip button faster than anything.

I remember back in 2011 when REALies came out with "NuAGE" and a lot of people accused them of having super sloppy synths with no sense of dynamics, myself included. However, compared to what I'm calling the "treble synth kei" style that seems pretty prevalent now, that REALies song sounds innovative!

We need to talk about the elephant in the neo VK room.

What the hell is with "treble synth kei" and why does it seem like this style is gaining more and more traction? Not only is it the same exact synth in each song, but it is always used in the same one or two rhythms. Lemme give you some specific examples in chronological order so you know exactly which sound I'm talking about.

2008: Girugamesh
2011: Suzaku, REALies
2012: LM.C
2014: メカクシ (mekakushi) , ROYZ, MAJOLICA
2015: anfiel, MegaMasso, Jupiter, DIV
2016: i.Rias, 0.1gの誤算, LONDBOY
2017: Soan project

What's most alarming to me is how ubiquitous this trend is in the scene. It's not just limited to the poppier or host-kei bands--even if just for one song, it's also gotten to Jupiter (supposed to be metuhl!!), DIV (a momentary fall from grace for the VK kings of electronic), and the upcoming Soan project (even art kei, dear god, why?!). What's next, are Kiryu gonna use it? The god and death stars?

This is by no means an exhaustive list of offenders; in fact, help me fill out the list! I have a sick obsession of getting to the bottom of this grating trend. I'm particularly curious if the sound predates Girugamesh in 2008 (thanks to @nekkichi for bringing this example to my attention in VK Tropes You Can't Stand thread) and/or if there are many other examples between 2008-2013.

I can definitively say that this is one of my least favorite aspects of VK at the moment, but am I just overreacting about treble synth kei? What are your thoughts on it?

Discuss!

On 1/15/2017 at 9:39 PM, CAT5 said:

@fitear1590- I loooooooove your format, it's super unique!

 

I remember hearing and enjoying that Yuna & Usher track, but I was completely ignorant to the fact that she released an album! I need to get my hands on that asap. I remember you playing Steady Holiday before in plug, and that sounds great as well. I've been seeing that Mitski album on a lot of year-end lists, so I might have to give that a go too!

Thanks so much for checking out the list, d00d! I'm glad you found a few things that interested you.

I'll be commenting on your lists in the next few days!

6 minutes ago, shiroihana said:

As for me I literally don't remember 90% of my dreams ;__;

Same, but maybe more like 95% for me! It's a shame!

So, what does everyone think?

I'm really disappointed that they've done the obnoxious treble synth kei thing again, to an even stronger extent than in "DATURA". Plus, the melodies are just messy.

I wonder if we'll get a PV or something soon... One can hope!

-Runner-Up International Releases-
 

 
XI. Ópalo Negro by PAPA TOPO
Sample 1 / Sample 2 / Sample 3

Summary: A fun debut album of camp, horror, and disco pop.
Characters: Irreverent Mallorcan band who never take themselves too awful seriously.
Analysis: Four years ago, Papa Topo was a duet who made cheeky indie pop. After losing one vocalist, leader Adrià regrouped and returned with a full band. This year, the quartet released their first full album and it was worth the wait. Ópalo Negro convincingly weaves together the band's love of kitsch and B-movie horror with ballads and orchestral pop. At 14 tracks, the album traverses many styles and even briefly slips between languages (the Mallorquin dialect of "Davall ses flors des taronger" is a particular treat).


XII. Waste by Ulzzang Pistol
Sample 1 / Sample 2 / Sample 3

Summary: An outsider's mellow, but compelling take on K-pop.
Characters:  A gas mask-clad Filipino Koreaboo with a harem of vocal collaborators.
Analysis: Everything about Ulzzang Pistol's music is dripping with 21st century digital aesthetics. Even without the album art, if one were to visualize his music, you might  imagine cyberspace shrouded in pastel haze. His programming is always lush, but my favorite thing about his sound is his buoyant, sublime work on the keys, as in "화장 재료/Paint." The featured vocalists are well-chosen, sometimes adding to the cutesy atmosphere, while others like Yukari ("Long Distance") add a more mature influence. Overall, this is an improvement over his first album, Girlfriend.

  
XIII. Under the Influence by Steady Holiday
Sample 1 / Sample 2 / Sample 3
Summary: Meticulously-crafted, hypnotic baroque pop.
Characters: The inner workings of somber solo chanteuse Dre Babinski.
Analysis: This one was a pretty late discovery in the year, but what a goldmine! Steady Holiday's music is like a fine art exhibit, with everything adorned with exquisite detail, but god forbid anyone touch anything! But if this is how Babinski works alone, I'm all for her continuing to revel as a solo artist. Her music and soft lullaby vocals are tantalizing and, at times, such as on "Your Version of Me," damn near sinister. 

 
XIV. House of Souls by Tele Novella
Sample 1 / Sample 2 / Sample 3

Summary: Retro.  Wild West. Psychedelic. Halloween.
Characters: A hodgepodge of indie veterans from one of my consistently favorite scenes: Austin, Texas
Analysis: This stunning debut album seamlessly blends the band's diverse influences. Listening to House of Souls conjures up images of tumbleweed blowing through a deserted town at sunset. Or should I say, a 'ghost' town, because the band is all about the spooky synths of a Halloween soundtrack. Echoes of the members' previous bands are apparent in the psychedelic tinge. The glue that holds it all together is Natalie Ribbons's husky voice and alluring lyrics.


-International Release of the Year-
 
XV. All My Demons Greeting Me as a Friend [Deluxe Version] by AURORA
Sample 1 / Sample 2 / Sample 3
Summary: Ethereal, introspective, epic; a debut pop record for the ages.
Characters: A young, eccentric Norwegian introvert who comes alive when she takes the mic.
Analysis:  At just 19 during the release of the album (and surely younger during the recording/writing of the album), AURORA is a creative force to be reckoned with. Most of her tracks feature slick production with sumptuous synth arrangements.  Sia may be a much stronger technical vocalist, but AURORA's focus on dark, personal lyrics and less conventional take on pop music lead me to see a bit of a connection between the two artists. They're both quirky in certain ways, but AURORA has more of a dreamlike quality to her.  The deluxe version of the album will bewitch you for over an hour and is preferred to the standard version, which omits the superior acoustic version of "Murder Song (5, 4, 3, 2, 1)" or the hauntingly chilling "Wisdom Cries". Moreover, the bleak fantasy aesthetic in her videos/imagery is all part of the experience. What finally sealed the deal for me was seeing her perform live, so if you enjoy her on record, I hope you'll also get the chance to see her in concert!

-Japanese Artist of the Year-
 
XVI. クウチュウ戦 (koochewsen)
Sample 1 / Sample 2 / Sample 3
Summary: With two kick-ass mini-albums and endless PV entertainment, Koochewsen are the clear winners of 2016 for me.
Characters: A ragtag, virtuoso quartet who can prog or pop with the best of them.
Analysis: Throughout this year, Koochewsen has sky-rocketed to become a new favorite of mine. It appears that they're slowly weaning us off their extra progressive sound, but trust me, they're not boarding the shuttle to Genericville by any means. Overall, Koochewsen had a stellar year, with two successful mini-albums (and five PVs!). Sukoshi Fushigi opens with "光線 (kousen)," exhibiting a kind of off-kilter wackiness, before moving into an extremely groovy verse. Vocalist Riyo also has an intriguing style, at once raspy and breathy, proving to be a surprisingly strong singer. But changing gears, they sound just as apt doing a more relaxed tune like "雨模様です (amamoyou desu)." On 超能力セレナーデ (chounouryoku serenade),  the opening track "ぼくのことすき (boku no koto suki)"  is a noisy helping of power pop. Plus, I always appreciate a band that can fuse talent and a good sense of humor--a combination that Koochewsen are currently killing. Their PVs are a blast--just check out "インドのタクシー (indo no taxi)" if you need proof. One of my favorite tracks, however, is "お願いUFO (onegai UFO)" which shows that the band still get their prog juices flowing now and again. Slow, creeping verses build into mighty choruses that split the sky wide open just long enough for a UFO to zip down to our stratosphere and abduct us. And lawd,  is it glorious. As a cooldown, the track graces us with a killer organ breakdown and a face-melting guitar solo. Let's hope 2017 brings even more tunes from these surprisingly accessible, psychedelic weirdos.


-Bonus-

"欲望の歌 (yokubou no uta)" by ゴールデンボンバー (Golden Bomber)
Summary: For once, they don't bomb; parody VK band produces PV gold!
Characters: MALICE MIZER/LAREINE/X-JAPAN/Dir en grey cosplayers.
Analysis: Oh. My. God. I think we collectively shit ourselves when known troll band Golden Bomber released this PV masterpiece. Whether it's chubby-faced Gacktmijo with braces or playing with the 'PV white girl' trope by having fake-Klaha chase her through the forest while striking vanity poses, the video is just a blast for long-time VK fans. I never found the appeal of this group, but I am absolutely down for this kind of hilarity.

-Surprising Releases-

  
I. 「むくあ」("mukua") by PIGLOW in GLOOMY
Sample

Summary: They've got the looks, the music, and the name. What more can you ask for from a new VK band?
Characters: Randos, unless you listened their ex-band (Axia)
Analysis: I love to download a release at random and be pleasantly surprised. That was absolutely the case with PIGLOW in GLOOMY. I'm particularly drawn to their dynamic compositions, which are writhing, atmospheric, and appropriately heavy. Plus, the vocalist gives me light 己龍 (Kiryu) vibes! I might have a new fave on my hands!

  
II. Chapters by Yuna
Sample 1 / Sample 2

Summary: The chill version of Yuna you didn't know you needed.
Characters: Malaysian singer-songwriter, plus some features by Usher and Jhené Aiko.
Analysis: Yuna is a bit of a curious one. I adore her Malaysian discography, which is filled with vibrant folk pop tracks. For some reason, this energy literally has not translated to her international (English-language) discography. But with her latest album, she has undergone a metamorphosis. As a fan of laid-back 'chill' music, I was flabbergasted to hear her put out a song like "Crush." Overall, I still prefer Malaysian-language Yuna, but this is definitely a nice change of pace for her international sound.

 
III. YAMINABE by そこに鳴る (sokoninaru)
Sample 1 / Sample 2

Summary: Miles ahead of their first EP ~OTT titles notwithstanding~.
Characters: Former ling tosite sigure worshippers stepping into their own.
Analysis: Last year, I reviewed sokoninaru's debut EP I'm NOT a pirolian. On YAMINABE, the band has streamlined many of perceived 'gimmicks' of pirolian's PV track "pirorhythm stabilizer 〜only your world〜," but vocalist/guitarist Suzuki does squeeze in a rad solo, as he's known to do. Overall, the mini is closer in style to “夏の落とし物 (natsu no otoshimono)," which was my favorite from their first EP, so no complaints here. As far as I'm concerned, they work best when they're just a little less frantic. The mini generally follows in this vein and seems a lot less 'try-hard' than their first EP. Without much else to impress me, this was honestly one of the stronger J-indie releases of the year and certainly one that came out of nowhere. More, please! And dat album artwork.


-Unforgettable Music Videos-

IV.  "Everybody Wants To Love You" by Japanese Breakfast
Summary: 'Wait, why is it Japanese Breakfast if she's wearing a hanbok?' Shut up and let her guitar solo!
Character: Michelle Zauner, a Korean-American musician juggling penchants for the likes of riot grrrl, Grimes, and Wong Kar Wai
Analysis: How badass is this video? Zauner's project is heavily based in subversion, so forget everything you've heard about the demure Asian stereotype. She's gonna shotgun a beer, even while looking glamorous af. "Everybody Wants to Love You" is Japanese Breakfast at her most playful, so check out her full album, Psychopomp, for dream pop and grittier tracks.
 

V.  "Dove" by Pillar Point
Summary: See fabulous dancer Kia Labeija strut her stuff through the streets of Bogotá.
Character: Synth-pop solo man Scott Reitherman.
Analysis: I remember the first time I watched this music video, just being spellbound by Labeija's vitality and dancing prowess. I want to believe that some people truly glide through the market like a catwalk, just like she does. Pillar Point chose the perfect 'face' for the indisputable standout track of their album.

IV.  "Happy" by Mitski
Summary: A tragic affair, decked out in Mad Men-era aesthetics, ends with a violent twist.
Character: An angsty, yet unpredictable Japanese-American indie rocker.
Analysis: The video's YouTube description simply says 'Trigger Warning: Gore' and yet, the ending shocks people every time. Structurally, it could easily be an award-winning horror short, but the costumes of yesteryear and the subtext of the critic of reigning Western beauty standards make it all the more fascinating.  Mitski is already topping all kinds of prominent EOTY lists, so we'll probably be seeing a lot more of her! Check out her album, Puberty 2, if you haven't already.

-Outstanding Tracks-

VII.  "Room 314 feat. Mark Redito" by Neon Bunny 야광토끼
YouTube Link
Summary: Like a kaleidoscope dream, perfectly cycling between upbeat and down-tempo.
Characters: Korean solo artist, backed by the charismatic production of the man formerly known as Spazzkid.
Analysis: With programmed chimes, strums, and 'Woo,' "Room 314" is a classic Mark Redito arrangement. Neon Bunny's delicate vocals are the perfect match and as a bilingual performer, she moves in and out of Korean and English. While neither artist's music is amped up enough to be mainstream dance music, I can still see "Room 314" lighting up the dance floor! Even if you aren't a fan of mainstream K-pop, don't rule out Neon Bunny. For more tunes, check out her awesome Stay Gold album.

VIII. "She'll Never Forgive To Be Insulted." by a crowd of rebellion
YouTube Link
Summary: Real talk, heavy kei fans, is there any reason you're not on the acor train yet?
Characters: The extremes of dueling vocals.
Analysis: Their 2016 album Xanthium wasn't my favorite, but lord, the song "She'll Never Forgive to Be Insulted." brings back the crazy from some of their prior releases in full force. The track is a blazing mess, in the best way. As I've written previously, there's something uncannily VK about acor's creative take on post-hardcore composition. In this track, they mix NOCTURNAL BLOODLUST levels of harsh vocal brutality with Kiryu-esque traditional Japanese kookiness. And somehow, it works! It's always neat to see bands with crossover potential and I think acor has what it takes to reach out to a certain sect of VK fans.
 

IX.  "さようなら僕だけの人 (sayounara boku dake no hito)" by ベル (Belle)
YouTube Link
Summary: 0 parts brutal-kei, 0 parts treble synth kei; Belle does their own thing in contemporary VK!
Characters: Yumehito (ex-AYABIE/彩冷える-ayabie-,  そろばん [soroban]) and some slept-on peeps.
Analysis: Since their debut in late 2014, they mostly flew under my radar, first sparking my interest last fall with their "ビードロ (vidro)" video, which harkened back to some late 90s/early 2000s white kei guitar tones! While that song was good, this PV track from their first full album is perfucktion. The band reminds me of カルペディエム (Carpe diem) with their beautiful sense of melody and tastefully exaggerated vocals. And again, Yumehito's airy guitar tones are just lovely. There's something quintessentially VK about this band, and yet, they don't subscribe to the trends of really any other band at the moment. Carry on, guys!
 

X. "煌々と輝く (koukou to kagayaku)" by 神はサイコロを振らない (kami wa saikoro wo furanai)
YouTube Link
Summary: If Kamisai play their cards (or roll their dice) right, they can make it big!
Characters: Honestly, who are these talented J-indie boyz?
Analysis: Back in March's Recommended Tracks, saishuu introduced us to a very special band in the indie scene, kami wa saikoro wo furanai. Their polished math-rock riffs and warm, soulful vocals (pretty uncharacteristic for a scene dominated by high-pitched, shrill, and/or nasal singers) set them apart from the average newcomers. The entire mini-album sadly didn't reach the levels of this track, but man, the potential is undoubtedly here! I hope they make some strides in 2017!

From disgraceful political developments to an endless stream of unexpected celebrity deaths (including Mariah Carey's career on New Year's Eve), a lot of people are deeming 2016 to be one of the worst years yet. Will we look back and see it as exaggeration? Who knows. In any case, other media like music and film can usually be beacons of hope, but unfortunately for me, 2016 has been one of the most ho-hum years in music since I've started doing these more in-depth end-of-the-year lists. I had to start streamlining the format of my list last year to account for the fact that I was working with a small amount of EOTY-worthy releases. However, 2015 was different, because I was dealing with a series of disappointments from some of my faves, which isn't so much the case this time around.  Looks like I'm going back to the drawing board this year, so let's try a format highlighting 16 different artists/works (you know, for 2016? Get it???). While it's been the second disheartening musical year in a row for me,  I want to be fair to the few releases that nonetheless shined! In order to ensure the most breadth and variety, I made sure that there were no repeat selections throughout the various sections.

I hope you'll find this guide helpful and I look forward to seeing your feedback!

Table of Contents

-Surprising Releases-
I. 「むくあ」("mukua") by PIGLOW in GLOOMY
II. Chapters by Yuna
III. YAMINABE by そこに鳴る (sokoninaru)

-Unforgettable Music Videos-

IV. "Everybody Wants To Love You" by Japanese Breakfast
V. "Dove" by Pillar Point

VI. "Happy" by Mitski

-Outstanding Tracks-
VII. "Room 314 feat. Mark Redito" by Neon Bunny 야광토끼
VIII. "She'll Never Forgive To Be Insulted." by a crowd of rebellion
IX. "さようなら僕だけの人 (sayounara boku dake no hito)" by ベル (belle)
X. "煌々と輝く (koukou to kagayaku)" by 神はサイコロを振らない (kami wa saikoro wo furanai)

-Runner-Up International Releases-
XI. Ópalo Negro by PAPA TOPO
XII. Waste by Ulzzang Pistol
XIII. Under the Influence by Steady Holiday
XIV. House of Souls by Tele Novella

-International Release of the Year-
XV. All My Demons Greeting Me as a Friend by AURORA

-Japanese Artist of the Year-
XVI. クウチュウ戦 (koochewsen)

-Bonus-
"欲望の歌 (yokubou no uta)" by ゴールデンボンバー (Golden Bomber)

19 hours ago, Pho said:

maybe I should stop being a lazy shit and actually write a guest contribution sometime...

Yesss, gurrl!

3 Türken und ein Baby (2015)

I agree that they are fairly same-y, but "new place" is one of my favorite songs from 2015! Still spin that one occasionally.

What are your fave tracks?

I wonder why they're releasing it so late?

Broken (2012)

TGADS, aaaaaaye! The original addle apple is such an epic mini. I need to spend more time with after the addle apple though. Granted, I only listened like twice, but I guess I was taken aback by the fact that I couldn't really recognize any remnants of the original songs. It looks like I need to give it more listens with the understanding that these are basically brand-new songs, rather than simple updates/rerecordings!
 

On 12/3/2016 at 5:57 PM, CAT5 said:

I really enjoyed this TAMTAM album, and It's a welcome return to form. I don't think the sound they were going for previously was "bad", but I don't think it was for them. I think they realized that too.

Cat, I was curious what you were referring to exactly with "previously". Did you mean TAMTAM's previous releases (For Bored Dancers and Strange Tomorrow)? And that this new album was a "return to form" of what TAM TAM (before the name change) did?

I acknowledge that "CLIMAX" was kinda weak (that piano, ugh), but I realized that one of the things missing on the new album for me was the cool shoegazey guitar sound from tracks like "デイドリーアンドマリー" and "エンターキー". NEWPOESY is groovy, but it feels a bit too safe/clean without that guitar sound, imo.

14 hours ago, Tokage said:

is the vk landscape truly so barren this year that we have to resort to putting greatest hits albums on our end of year lists? ;^)

Well, it contained actual rerecordings and two new songs, so it wasn't a throw-away compilation album like some "greatest hits" releases can be. That's why it made the cut this year.

Really happy that Belle made the list! "さようなら僕だけの人" was a surprise favorite for me this year.  I agree with emmny that it's hard to situate the band's sound (which is exciting!), though something in the art-kei department seems apt. Like I said in my Recommended Tracks blurb earlier this year, their timeless melodies and extremely exaggerated vocals (in a good way) remind me a lot of the short-lived カルペディエム (Carpe diem).

TAMTAM's album is also pretty good, though I agree with Cat and saishuu that it's hard to find a standout in the album. They (or rather, TAM TAM) set the bar way too high with "Polarize" and I don't know if they'll ever top that track!

9 hours ago, Peace Heavy mk II said:

Probably tired of covering themselves over and over for 4 years.

 

In all seriousness though, I still have a soft spot for these guys and I hope they get some new members soon.

THIS, to both of your points, haha.
 

8 hours ago, leafwork said:

Aw, my favorite no-budget-kei band

I still don't understand how both this band and Synk;yet (probably others too!) sounded better, production-wise, before joining Starwave.

"I want to be educated! Not just hairy!"
The Peanut Butter Solution (1985)

The thread title says it all. Let's get started!


"Fuck me gently with a chainsaw."
Heathers (1988)

On 10/29/2016 at 8:06 PM, togz said:

I'm glad to see we favored the same song! I think it shows a lot of different sides just in one track but doesn't sound too choppy. 

Yesss, togz!
 

On 10/30/2016 at 0:32 AM, CAT5 said:

Awesome review as usual @fitear1590 - I always enjoy your writing!

 

I enjoy this album, but there just aren't any moments that make me go "UMPHHH!!!"

Thanks, bb!

I wonder if their new label is partly to blame for the lack "UMPHHH!!!" from a production standpoint. Granted, I also thought Elegance was lacking some pizzazz and iirc, that was still self-released like Rhapsody in beauty and zeitgeist. Hmm...
 

On 10/30/2016 at 5:31 AM, Zeus said:

You took the words right out of my mouth! I can agree with the overall sentiment that this is a great album but not their best. For me, the biggest downside is the inconsistent flow of the album. With just a little bit of re-arrangement, the entire album could have come off as more cohesive. 

Playing around with the tracklist is an interesting idea... What would your ideal track order be for this album?
 

On 10/30/2016 at 7:27 AM, indigo said:

Great review! I enjoy your style of reviewing. I don't agree with all your opinions but I think I would give it the same score you did.

- Kobayashi's vocals on 愛はなけなし (What Little Love) make me think that he would be a great nagoya kei vocalist.

Thanks so much! Also, I think your comment about not agreeing, but giving the same score sheds light on THE NOVEMBERS' unique appeal. For instance, many of us here are talking about "Rhapsody in beauty" (the song), but for me, my favorite ~dreamy~ NOVEMBERS tracks from that album are easily the album closers ("Romance" and "僕らはなんだったんだろう").

And holy shit, yes. Can we forgot DECAYS was a thing and make Nagoya Kei-bayashi happen instead?!

29 minutes ago, plastic_rainbow said:

I was gonna say where did that promo pic come from?? xD

I love it so much I don't even feel the need to rank their other albums, haha. It's actually just very hard for me to rank the others because they're kinda all over the place for me...A bit sad to see that Misstopia and picnic don't have much love though.

I simply could not prolong the use of that dweeby promo pic from Elegance and I also wasn't happy with this album's pic 

I was just telling Cat earlier this week, I've recently gained a new appreciation for Misstopia. That was my bad with the poll, I should have made it so multiple choices were possible, so we didn't have to pick one favorite, haha. Should have included their mini-albums as options too! Gahh!