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Status Updates posted by Himeaimichu
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I'm trying to make a mashup of the old and new versions of Zan by Dir en Grey, but I have no idea what the key is for either song. Can someone help?
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Interesting, I think I found the guitarist who seemed to really inspire a lot of Guruguru Eigakan's music, especially Amano's guitar playing. He's a famous Ryukoka/Enka musician
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Which Vkei song was the first to experiment with rap-metal? The earliest I can think of is Shikkou Yuuyo Sannen from Kagerou, released in 2001.
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What's the difference in content between the VHS's, "Cuartet 2004.1.7目黒鹿鳴館 Symphony of 「Creativity」-Blue「-」Ogre-)" and "Cuartet 2004.1.8目黒鹿鳴館 Symphony of 「Destruction」-Red「-」Ogre-)"
Like, which songs does each have on them?
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Which came first? The Omnibus series titled Deep More Deep, or the Vasalla song from 1998 titled Deep (More Deep) Blue?
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Mo Bamba by Sheck Wes is just the 2018 version of the musical disaster that is Turn my Swag On by Soulja Boy
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I'm trying to mod GTA San Andreas, and I legit actually said "WHY IS THE MOON STILL THE FUCKING MOON?"
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It must be Batman's signal
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Himeaimichu reacted to this
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There is, for the PS2 version
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Himeaimichu reacted to this
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Can anyone recognise the members in the first band on this? All I recognise is Saki (Cuartet) and Shin (Cuartet) and Satsuki (Mist of Rouge). I'm wanting to know so I can list the band name on the members' histories on vk.gy. So far, the only members I know were in the band were the people I listed, Ruki and Uruha from The GazettE, and of course, Yayoi.
For those who don't know, it's Sakae Hebi-zoku, the session band for Eternal records. Even though it's safe to assume all Eternal bandmen were once in it, it's safer just to list the confirmed ones.
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My friend bought me Cuartet's 2nd single, 『CORE』-code 219/344 . Expect some lossless rips and some scans soon.
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Does anyone know what Aika from Cuartet and Triggah is doing, as of recent?
Is he in any session bands, or did he just completely retire from the Vkei scene?-
I only know for triggah. The vocalist created a band called DARIAN MARIAN and also had a solo project for a while. the band is on a haitus due to vocalist vocal chord problems
Profile:
https://visualioner.com/2019/01/01/band-profile-darian-marian/
Gt. erina (ex-Dio, Triggah, etc.) his most recent activity was doing support for David in 10/26/2018 has been doing support for him and various many other bands and sessions.
Dr.燵(tatsu) (ex-TRIGGAH) was in a band called ハルシオン(halsion)
Ba.龍輝(ryuki) (ex-華音(kanon)-->RUDE(support)-->ISDEAD, TRIGGAH(support)
was in the Ex-Licker band called アカシジア(akathisia) also was in a session band called high five in 2016
As for there old members before the single ENVY AND JEALOUSY im unsure
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Did Green Herb Straight Tea Time ever released anything? They seem to be the leftover members of what was the Gazetto-Cuartet-Casuga collective.
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I just realised, the PVs for Cuartet's "Sexuality" and Nightmare's "Gianizm Tsuu" were probably filmed in the same place. Both have the knock-off Cambodian Angkor Wat statues lol
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It's 2018. It's easy to make a good sounding record with drum programming, amp-sims, getting good quality mics being easier, etc.
With all this... why in the hell does Starwave's production still sound like utter crap?
It's so easy to make a good sounding record. Just put in a good amp-sim, get some good drum samples, recording vocals is not that hard. At this point, I'm convinced Kiwamu purposefully removes the bass and midrange.
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Maybe they just want it to sound like that? Maybe that's what they like?
I'm in a band (and some), and while we could record everything better (you know, used 5 mics for the drums instead of 2, told the guitarist we want a clear sound, produced it better and so on), we don't want to. We have a very clear vision for what we want, and even though a "better" (aka more polished) production would probably get us a few more fans, it's not what we're after. It's not in our interest. First and foremost we want to please ourselves with the music.
As far as programmed drums goes, it all depends on the music performed. And if you ask me (something you didn't he e he he he hrhaha heh) programmed drums really only suit a few types of music such as hip hop, different kind of industrial music, music where you don't rely on regular beats and so on. Programmed drums in regular rock, punk and metal are usually annoying as fuck no matter how good the actual samples used are.
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This is Starwave Records I'mtalking about here. I doubt Kiwamu's half assed production is for artistic purpose, as he cares more about easy cash grabs and keeping his bands on a tight leash, than he is actually promoting the art of Visualkei. He's more concerned running a practical pyramid scheme than he is about furthering any art.
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Did old Devil Kitty ever release any other PVs than just DQNなエセ麺カノ?
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I love Devil Kitty and Deadly Sanctuary... but what is up with those drum samples Yuuga uses?
Like, they sound like the default drums on a children's keyboard or on a SNES Game
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Recently got back into Devil Kitty. Except this time, I'm actually taking the time to listen to their full discography instead of just listening to Hello Katty and DQN on repeat lol
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I've seriously been sleeping on STEREO.C.K. They're really good, and sort of keep the Kagerou sound, but with a twist
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Lol, the David Wu guy, who claims to report girls with premium snap chats to the IRS took my bait and shared a post of mine on FB
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Does anyone know if a larger, more hi-res version of this picture of The GazettE exists somewhere?
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I'm so used to pokemon hacks, I can't even play vanilla pokemon games anymore. I'm too spoiled by being able to actually get every pokemon without trading
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I love WW2 games, but I seriously dislike a lot of the people who play them. It seems that every time I play Red Orchestra 2, there is always some ultra-political dude trying to talk about politics in the team chat. Like... THE TEAM CHAT ISN'T FOR THAT. FOCUS ON THE GAME
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Does anyone know if DJ D-Nice from Boogie Down Productions made any music or produced anything since he left the group in '92?
It seems like most of the careers of the members, minus KRS-One, ended after 1992. Especially the ones who left before the release of Sex and Violence