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I always wondered how Ningen Isu is able to make the Taishogoto (A type of Japanese harp from the 1920's with typewriter keys) sound so traditional. I mean, most Taishogoto pieces are normally Koto pieces, but they don't sound so traditional, unless they decide to attach Nylon strings (which is occaisonally done). IDK, it all just may be in my head. I think more bands in general should use the Taishogoto if they want to experiment with a traditional sound, since it's quite easy to play.