beni

Lycaon grabbed my attention from the get go due to insanely catchy choruses and one hell of a beautiful vocalist (yes, both visually and vocally), and they've given us all of this, once again, in a juicy fifty-six minute album consisting of eighteen tracks. The opener has a sort of Halloween sound with various monster cackles and screams that change into a healthy dose of dubstep, a feature that we've come to expect from the band. The dark sound flows remarkably well into '追憶,' which cleverly includes strings much like the first SE to carry on with this creepy atmosphere. This sullen tone continues into 'Dark Night.' I found this one too chaotic, but 'Liar' makes up for this. This track has that reminiscent choppy sound found very often in their songs. It's the repetitive chugging of guitars I have grown quite fond of. This sound welcomes the catchiest chorus in the whole album. Even though the 'Engrish' inclusion is rather unpleasant to many, the tiny dose of 'Liar' before Yuuki's whispers get to our ears makes for a very appealing chorus. Right after this kick-ass song, we get the first single of the album, 'Shadow.' Their latest batch of singles were my favourite single tracks of 2014, and even in this massive tracklist, their appeal isn't diminished one bit. We come to the mid part of the album with the second SE insertion. The eerie vocalisation continues with, fittingly, a camera clicking in this one, while a young girl's whispers echo. This ends with the camera clicking and film rolling.
 
We then come into track seven, introduced by the little girl's creepy chuckles. The shortest track of the album, 'marionette,' is impressive on many levels. It's heavy, with brilliantly set out drums and guitars chugging together in a violent yet coherent manner. 'marionette' is simple and easy to follow. This is made ever so obvious when thinking back to the previous mess that is 'Dark Night.' It's memorable and a definite stand out point. Unfortunately, this cannot be said for the following track. While its progression is just as fluid as 'marionette,' '君を壊すガラスの衝動' is the least memorable song of the album. It's likely thanks to Yuuki's orgasmic 'ahs' during the climax that I didn't dose off. And the next track doesn't help put the hype train back on track. The rather disagreeably placed third SE follows (after just two songs, really?), which is of a jazzy nature and quickly rides into 'Rouge;' yes, a jazzy tune. It's a very appreciated sound after the bombardment of hard hitters previously. Yuuki's exotic tone really makes this one to pay attention to, much like the final song of this album. The more cleverly placed 'ahs' in this one are much more rocking with the beat itself. Now things are definitely coming back together as we get to the next single track, '馬鹿ね。.' While its loudness will probably put some listeners off, it's a thrilling listen and very fun. It's another track placement I approve of greatly, introducing the only ballad to the album, 'アネモネ.' While not an impressive ballad, it's a lovely ice breaker yet again for its much slower tempo against the quicker tracks. It's also my favourite song when it comes to the tracks that flow into the SE's.
 
Moving onto '売女 -SE-,' it has an almost pirate like sound to it, and mixes the eerieness of the first SE's sound along with the girl whispering again. The last single track, '悪女の微笑,' slaps us in the face and picks us back up with high energy. Who can really deny those whip sounds? Saucy. The album carries on strong with another powerful song, 'ILLUSION.' It's similar to 'marionette' with its straightforward structure, but it may take a couple spins until you're digging it since it's not as impactful. This is very much the same case for the following track, 'メランコリック.' There's just enough diversity in each song to keep these last few tracks from sounding too similar. And we finally get a little shriek from Yuuki after... fifteen tracks. And if you now ignore the overused SE's, the album would've ended on a very positive note with 'ジプシー.' Now this is the type of seductive Lycaon we need more of! With a very passionate tone to it thanks to the tango sound and those lovely, attention-grabbing castanets, this one is actually much more inviting to dance to than when the guys 'drop the bass' in their louder songs. What's more, this newly heard sound of theirs does wonders to Yuuki's already sensual voice. His voice makes for a very exotic track without the guys needing to use the gimmicks they once did before when it comes to trying to achieve this sexy sound. On this best note to end with, let's forget about the fifth SE for now.
 
If you're already a big fan, consider yourself sold on this and addicted for sure (I can see fellow Lycaon lovers doing a great job in pushing this love as already witnessed daily; shoutout to @blackdoll). The track placements are hit and miss, with some very overused interludes. However, each song manages to stand by themself even when being suffocated by a lengthy album. What's even more surprising is that the album seems to end all too quickly! But, if you're new to them, then, steer clear of the hype for now. While this is most definitely an improvement in their musicial direction being more accepted, this is a release with too much of everything they've got to give in it. Enjoyment might not be the main problem with this if you do try, but just managing to get through it all might be asking for too much.
 
Score:

Lycaon grabbed my attention from the get go due to insanely catchy choruses and one hell of a beautiful vocalist (yes, both visually and vocally), and they've given us all of this, once again, in a juicy fifty-six minute album consisting of eighteen tracks. The opener has a sort of Halloween sound with various monster cackles and screams that change into a healthy dose of dubstep, a feature that we've come to expect from the band. The dark sound flows remarkably well into '追憶,' which cleverly includes strings much like the first SE to carry on with this creepy atmosphere. This sullen tone continues into 'Dark Night.' I found this one too chaotic, but 'Liar' makes up for this. This track has that reminiscent choppy sound found very often in their songs. It's the repetitive chugging of guitars I have grown quite fond of. This sound welcomes the catchiest chorus in the whole album. Even though the 'Engrish' inclusion is rather unpleasant to many, the tiny dose of 'Liar' before Yuuki's whispers get to our ears makes for a very appealing chorus. Right after this kick-ass song, we get the first single of the album, 'Shadow.' Their latest batch of singles were my favourite single tracks of 2014, and even in this massive tracklist, their appeal isn't diminished one bit. We come to the mid part of the album with the second SE insertion. The eerie vocalisation continues with, fittingly, a camera clicking in this one, while a young girl's whispers echo. This ends with the camera clicking and film rolling.
 
We then come into track seven, introduced by the little girl's creepy chuckles. The shortest track of the album, 'marionette,' is impressive on many levels. It's heavy, with brilliantly set out drums and guitars chugging together in a violent yet coherent manner. 'marionette' is simple and easy to follow. This is made ever so obvious when thinking back to the previous mess that is 'Dark Night.' It's memorable and a definite stand out point. Unfortunately, this cannot be said for the following track. While its progression is just as fluid as 'marionette,' '君を壊すガラスの衝動' is the least memorable song of the album. It's likely thanks to Yuuki's orgasmic 'ahs' during the climax that I didn't dose off. And the next track doesn't help put the hype train back on track. The rather disagreeably placed third SE follows (after just two songs, really?), which is of a jazzy nature and quickly rides into 'Rouge;' yes, a jazzy tune. It's a very appreciated sound after the bombardment of hard hitters previously. Yuuki's exotic tone really makes this one to pay attention to, much like the final song of this album. The more cleverly placed 'ahs' in this one are much more rocking with the beat itself. Now things are definitely coming back together as we get to the next single track, '馬鹿ね。.' While its loudness will probably put some listeners off, it's a thrilling listen and very fun. It's another track placement I approve of greatly, introducing the only ballad to the album, 'アネモネ.' While not an impressive ballad, it's a lovely ice breaker yet again for its much slower tempo against the quicker tracks. It's also my favourite song when it comes to the tracks that flow into the SE's.
 
Moving onto '売女 -SE-,' it has an almost pirate like sound to it, and mixes the eerieness of the first SE's sound along with the girl whispering again. The last single track, '悪女の微笑,' slaps us in the face and picks us back up with high energy. Who can really deny those whip sounds? Saucy. The album carries on strong with another powerful song, 'ILLUSION.' It's similar to 'marionette' with its straightforward structure, but it may take a couple spins until you're digging it since it's not as impactful. This is very much the same case for the following track, 'メランコリック.' There's just enough diversity in each song to keep these last few tracks from sounding too similar. And we finally get a little shriek from Yuuki after... fifteen tracks. And if you now ignore the overused SE's, the album would've ended on a very positive note with 'ジプシー.' Now this is the type of seductive Lycaon we need more of! With a very passionate tone to it thanks to the tango sound and those lovely, attention-grabbing castanets, this one is actually much more inviting to dance to than when the guys 'drop the bass' in their louder songs. What's more, this newly heard sound of theirs does wonders to Yuuki's already sensual voice. His voice makes for a very exotic track without the guys needing to use the gimmicks they once did before when it comes to trying to achieve this sexy sound. On this best note to end with, let's forget about the fifth SE for now.
 
If you're already a big fan, consider yourself sold on this and addicted for sure (I can see fellow Lycaon lovers doing a great job in pushing this love as already witnessed daily; shoutout to @blackdoll). The track placements are hit and miss, with some very overused interludes. However, each song manages to stand by themself even when being suffocated by a lengthy album. What's even more surprising is that the album seems to end all too quickly! But, if you're new to them, then, steer clear of the hype for now. While this is most definitely an improvement in their musicial direction being more accepted, this is a release with too much of everything they've got to give in it. Enjoyment might not be the main problem with this if you do try, but just managing to get through it all might be asking for too much.
 
Score:

I think it's hilarious to sing along to Though in order to avoid the embarrasment I'd rather not.
 
  There you go
 

Lycaon grabbed my attention from the get go due to insanely catchy choruses and one hell of a beautiful vocalist (yes, both visually and vocally), and they've given us all of this, once again, in a juicy fifty-six minute album consisting of eighteen tracks. The opener has a sort of Halloween sound with various monster cackles and screams that change into a healthy dose of dubstep, a feature that we've come to expect from the band. The dark sound flows remarkably well into '追憶,' which cleverly includes strings much like the first SE to carry on with this creepy atmosphere. This sullen tone continues into 'Dark Night.' I found this one too chaotic, but 'Liar' makes up for this. This track has that reminiscent choppy sound found very often in their songs. It's the repetitive chugging of guitars I have grown quite fond of. This sound welcomes the catchiest chorus in the whole album. Even though the 'Engrish' inclusion is rather unpleasant to many, the tiny dose of 'Liar' before Yuuki's whispers get to our ears makes for a very appealing chorus. Right after this kick-ass song, we get the first single of the album, 'Shadow.' Their latest batch of singles were my favourite single tracks of 2014, and even in this massive tracklist, their appeal isn't diminished one bit. We come to the mid part of the album with the second SE insertion. The eerie vocalisation continues with, fittingly, a camera clicking in this one, while a young girl's whispers echo. This ends with the camera clicking and film rolling.
 
We then come into track seven, introduced by the little girl's creepy chuckles. The shortest track of the album, 'marionette,' is impressive on many levels. It's heavy, with brilliantly set out drums and guitars chugging together in a violent yet coherent manner. 'marionette' is simple and easy to follow. This is made ever so obvious when thinking back to the previous mess that is 'Dark Night.' It's memorable and a definite stand out point. Unfortunately, this cannot be said for the following track. While its progression is just as fluid as 'marionette,' '君を壊すガラスの衝動' is the least memorable song of the album. It's likely thanks to Yuuki's orgasmic 'ahs' during the climax that I didn't dose off. And the next track doesn't help put the hype train back on track. The rather disagreeably placed third SE follows (after just two songs, really?), which is of a jazzy nature and quickly rides into 'Rouge;' yes, a jazzy tune. It's a very appreciated sound after the bombardment of hard hitters previously. Yuuki's exotic tone really makes this one to pay attention to, much like the final song of this album. The more cleverly placed 'ahs' in this one are much more rocking with the beat itself. Now things are definitely coming back together as we get to the next single track, '馬鹿ね。.' While its loudness will probably put some listeners off, it's a thrilling listen and very fun. It's another track placement I approve of greatly, introducing the only ballad to the album, 'アネモネ.' While not an impressive ballad, it's a lovely ice breaker yet again for its much slower tempo against the quicker tracks. It's also my favourite song when it comes to the tracks that flow into the SE's.
 
Moving onto '売女 -SE-,' it has an almost pirate like sound to it, and mixes the eerieness of the first SE's sound along with the girl whispering again. The last single track, '悪女の微笑,' slaps us in the face and picks us back up with high energy. Who can really deny those whip sounds? Saucy. The album carries on strong with another powerful song, 'ILLUSION.' It's similar to 'marionette' with its straightforward structure, but it may take a couple spins until you're digging it since it's not as impactful. This is very much the same case for the following track, 'メランコリック.' There's just enough diversity in each song to keep these last few tracks from sounding too similar. And we finally get a little shriek from Yuuki after... fifteen tracks. And if you now ignore the overused SE's, the album would've ended on a very positive note with 'ジプシー.' Now this is the type of seductive Lycaon we need more of! With a very passionate tone to it thanks to the tango sound and those lovely, attention-grabbing castanets, this one is actually much more inviting to dance to than when the guys 'drop the bass' in their louder songs. What's more, this newly heard sound of theirs does wonders to Yuuki's already sensual voice. His voice makes for a very exotic track without the guys needing to use the gimmicks they once did before when it comes to trying to achieve this sexy sound. On this best note to end with, let's forget about the fifth SE for now.
 
If you're already a big fan, consider yourself sold on this and addicted for sure (I can see fellow Lycaon lovers doing a great job in pushing this love as already witnessed daily; shoutout to @blackdoll). The track placements are hit and miss, with some very overused interludes. However, each song manages to stand by themself even when being suffocated by a lengthy album. What's even more surprising is that the album seems to end all too quickly! But, if you're new to them, then, steer clear of the hype for now. While this is most definitely an improvement in their musicial direction being more accepted, this is a release with too much of everything they've got to give in it. Enjoyment might not be the main problem with this if you do try, but just managing to get through it all might be asking for too much.
 
Score:

Hell no. Four years is nothing. Age doesn't matter and shouldn't mean anything when it comes to love. It'd be weird if you didn't love her is all, haha.
 
Is it weird I can't stand seeing bags on the floor? I have to pick them up and move them to a higher platform/elsewhere with a gap from the ground or I have to try to ignore it if I can't.

Heh, thanks. I'd tread carefully when it comes to taking these posts all too serious though, because when it comes to certan genres during certain time periods I will have no such thing as critical sense, and this is probably something you've noticed if you've read my thoughts on films or some period of time. Films are for me what candy are to kids. It doesn't have to be good to please the shit out of me and make me jump in my sofa or dance out on the lawn.
 

^ Sure, why not.

anyone up for a small ffa session at around the usual time today? o: so bored

Artist: LM.C Single: PERFECT RAINBOW Score: Just a couple colours off from being a "PERFECT RAINBOW"
If you’ve previously released a mini-album titled "PERFECT FANTASY" within the same year with a similar tracklist of eight songs in total, then you’re asking for comparisons. Since "PERFECT FANTASY" was a personal favourite release in 2014, you might already have guessed that I’m not that impressed with the rap rocking electro duo this time. I must confess I judged "PERFECT RAINBOW" with their other mini-album in mind, but who can really blame me? It did, indeed, fall short of my expectations on first listen. But let’s get on to the undeniable comparisons later and dive head first into this colourful rainbow.

Instrumental opening track ‘VantaBLACK’ is a very fantastical and imagery inducing intro. Starting off with some futuristic, spacey sounds, faint piano keys can be heard after these inclusions, then turning into electric currents. It flows into ‘JUST LIKE THIS!!’ wonderfully, which starts with more fittingly used piano taps and Maya soothingly sing a few romantic Engrish lyrics. After this quiet starting point, we’re treated to that massive electro party sound we all know and love by these dudes. The track is brilliant and really stands out after the strong opener. It’s sure to get long-time fans comfortable with its reminiscent sound to older LM.C jams. With a catchy beat and a chorus bursting with energy, it’ll get you up, dancing, and hyped for more. In contrast, ‘MOGURA’ is a dark and heavy song. As the only song to be spotlighted outside the mini-album release, it’s a solid track. However, within this tracklist, it stands out like a sore thumb due to it having a sound not all gumballs and rainbows as would be expected from the pair, ultimately making the track fall flat in the long run. What follows is ‘Amnizia,’ an instantly toe tapping number thanks to its repetitive drum beat. The simple structure and sound actually make this one of the more enjoyable tracks. It's catchy as soon as it begins!
‘Minor Leaguers’ Song’ comes next, and similar to 'MOGURA,' this one's got an interesting spin on sound. It's reminiscent to punk bands like ‘Good Charlotte,' due to it sounding as perfect as one of those cheesy school anthem sing-along songs. While there’s more going on than in previous tracks, it’s actually not that captivating. This track mixes the rapping with an anthemic approach vocal-wise with little bits of parade/orchestra marching like features such as the trumpets and overlapping vocal effect. However, a nice addition to it is the trumpets at the end of the chorus that play in tune to the lullaby ‘Twinkle Twinkle, Little Star;' fitting for a band who often sing about stars. Enjoyable as it is during the listen, in the end, all this makes for is a forgettable track. ‘LADY TALK’ has an 80s disco sound which is a very charming inclusion. The electro currents are old school sounding, and it’s a smooth and slow track which reminds me of ‘PLASTICZOOMS.’ But you know it’s still LM.C you’re hearing with their cheerful tune and sparkly chorus! The following track, ‘キミヨサラバ,’ has a steady tempo just like 'LADY TALK,' and it keeps to a straight path as well. Being the ballad of the mini-album, it's a very pleasant one which still keeps your attention. We come to the end of the rainbow with 'BRAND NEW RAINBOW.' Opening up with a playful funfair sound, the track is highly energetic and doesn't tire, giving the mini-album a closer more pleasing than its opener.
What LM.C has accomplished brilliantly is sticking to the same types of tracks in both releases. We’ve got the disco tune, ‘JUST LIKE THIS!!,’ the mysterious piece, ‘Amnizia,’ the positive track, ‘Minor Leaguers’ Song’ and the ballad song, ‘キミヨサラバ,’ to name just a few examples. The opening and closing tracks are, really, the stand out points of this mini-album, starting and ending the mini-album on a high. The release has a few new and different sounds, which indicates the duo are experimenting with their style. This is all good on its own, but it’s still got some polishing to do. When I’m not comparing it to "PERFECT FANTASY," it’s good. When I’m judging it on its own, it’s still just good. Maybe if both mini-albums were put together as a full-length album, it would've gotten four stars, since "PERFECT FANTASY" is truly perfect. While "PERFECT RAINBOW" is far from perfect, don’t judge this release by its title.

Wishing a VERY big happy birthday to today's lot; akri, famana and Naaaaani!~ Guys are awesome, enjoy your day.

If anyone wants to check out and vote in my "Best of 2014" photo contest, that would be most appreciated! Basically, I went though and picked out my top 20 shot I took and edited in 2014 and I thought it would be fun to have a vote to see what people think is my best work.
 
Pretty much every like, share, and favorite counts as a vote. - https://www.facebook.com/media/set/?set=a.834431983289752.1073741888.364489880283967&type=1
 
And if you want to see the album in higher quality on Flickr - https://www.flickr.com/photos/60154274@N00/sets/72157650894940376/

omg, you did my one. ;w;
I personally love it. I can never tell if the vocalist is good or bad at it. My first 'Engrish' I heard was Ruki, and I thought he was perfect. ^^; Now having heard more, I find it difficult to be picky or dislike most music, so 'Engrish' never bothered me, it's actually become something I'm very fond of. For example, ONE OK ROCK and PLASTICZOOMS (these guys are very great!). There's just a certain kind of charm and pull they have with them singing in 'Engrish' most of the time. I much prefer Japanese over English though, so, while I love it, I wouldn't want more than what I already hear so, I'm going to go with the second option but, with an exaggeration on 'nice.' (pretend it say it's god damn brilliant on this one for me) : 3

This Rhapsody is beauty album is quite nice (just gave it a first try today). Almost skipped that terribly dull going-nowhere "intro" track but other than that most of the stuff was pretty cool. Especially the noisyyyy rawk tracks and the closing quiet number.

I've never really followed lycaon, though I do remember enjoying their song "chain of collar" back in 09. According to my last.fm I've listened to MRC, and...I can't even recall how it sounds. However, I did try the new album out today and

Voted for everyone already.
 
Guys, let's make the GazettE's profile page on last.fm look prettier. 
 
http://www.last.fm/music/the+GazettE/+images/103566473

THE NOVEMBERS

http://the-novembers.com/
https://www.facebook.com/THENOVEMBERS
https://twitter.com/the_novembers
 

Discography Albums
2008年06月04日 picnic
2010年03月10日 Misstopia
2011年08月03日 To (melt into)
2013年11月30日 zeitgeist
2014年10月15日 Rhapsody in beauty
EP
2007年11月07日 THE NOVEMBERS
2009年03月18日 paraphilia
2012年11月07日 GIFT
2013年05月15日 Fourth wall
Singles
2011年08月03日 (Two) into holy
2014年05月14日 今日も生きたね
Videos:




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This thread is necessary. Any other fans? ;3

Do I sound weird if I say... none? Sex for me is about doing something intimate with someone you have intimate feelings for, not jumping on top of the next moving object, thrusting to completion, and changing the playlist.

Oh, cool. Maybe I should join in sometime and see what it's like.

Been a while ;; Hooray for Bear again~ *many cheers* Treating this as my movie dictionary. x)
 

 
Plot summary:
Two seemingly unconnected souls from different corners of the United States make a telepathic bond that allows them to see, hear and feel the others experiences, creating a bond that apparently can't be broken.
 
Other Info:
Released in 2014, Bellwether Pictures, indie paranormal drama and romantic comedy.
 
Thoughts:
Romantic, funny and sweet, 'In Your Eyes' is the recent random movie I decicided to try on Netflix and I was surprised to have enjoyed it as much as I did. I don't usually rewatch movies, but I had to watch the film again after viewing it in one sitting late at night. The acting seems natural and effortless. You really feel for the characters and connect with that which only emphasises the heightened emotions you'll feel at the climax of the film. Movie stars Zoe Kazan and Michael Stahl-David are just meant to be shipped in this, and it's sometimes an aggravating watch during moments in which they try to break apart to get back to their lives when they're meant to be. Apart from one intimate scene which I skipped just because I feel these scenes are a bit too much, it didn't seem awkward at all. It's an honest and loving film which deserves more attention. My newest addition to my favourite movies.
 

I missed a lot of bday, I'm sorry guys! I want to redeem myself.
 
 
Happy birthday to :
 
(28) Yuki No Sai
(and a big thank you for your contribution to MH with your fab uploads!). Greatly appreciated.
 
 
And happy birthday to these people too:
 
(26) Karumo
(25) saturnine
(29) go_toe
(18) kaoru_gusta
(24) DogManX
(27) mikan
 
 

What do you think of 'Engrish' in Japanese music?
Poll suggested by the eternally fabulous @beni   
 
To submit a poll for the MH POLL OF THE WEEK, P.M. @CAT5 with your poll question, choices, and state whether it's multiple choice or not.

I stress over everything but I don't do anything. Holy nuggets. This is how to live, woo~

I stress over everything but I don't do anything. Holy nuggets. This is how to live, woo~

amen
 

All of it at 6 o'clock in the morning while typing up review. #YOLO XD