Furik

I don't know why everyone is so upset over the track listing song titles. lynch. has always used crappy one-worded song titles in all caps but all the songs turn out good, so.

I don't know why everyone is so upset over the track listing song titles. lynch. has always used crappy one-worded song titles in all caps but all the songs turn out good, so.

Wait... So was DOGMA 2nd mov.? What was 1st?
I don't get GazettE's recent campaign at all but I'm excited.
Although I'm pretty sure DEG did Ugly better.

My bae and I at Pride yesterday. We were drunk.
 

[kai strikes again]

I'm more surprised that the URL and Twitter name were even available...

I've been pleased with them since their comeback so I will not be disappointed.

Feeling I've been waiting my whole life to jump back into this review section:
 
----TRACK BY TRACK REVIEW----in spoiler  
----QUICK REVIEW----
 
Pros: 
The theme is executed very well throughout the album
Ruki's screams and expanded range
Women vocals are effective and sound really good, but not overly used
Less electronics and more focus on playing instruments
Probably the most brutal Gazette has gotten and it's great
Noticeable Reita
 
Cons:
Nothing really outside of usual Gazette
Some cheesy overly Gothic feels to some of the songs
Lacking any real ballads
 
HI-LIGHTS - RAGE, DERACINE, GRUDGE, DEUX, OMINOUS
LO-LIGHTS - NIHIL, BIZARRE, LUCY, BLEMISH 
 
OVERALL: 4/5
 
This sh*t....THIS SH*T RIGHT HERE GAZETTE  is a huge step in the right direction! You're getting back to your greatness. As said before, there is definitely a distinct Gazerock sound that is in every Gazette song, but that's why I fell in love with them. For the past couple of albums with Sony, I've felt like they weren't really trying as hard. THIS is the fire in Gazette that I needed to see that indicates Gazerock isn't dead. Even the songs that aren't that great aren't HORRIBLE. Everything on here is definitely listenable and will get a play from time to time. There are some tracks that really jump out and make the soul they were lacking in their other releases show (see hi-lights).
 
A mash up of all the things they've done post DIM while removing the weakness (GOT RID OF MOST OF TOXIC/DIVISION ERA ELECTRONIC BLEEPS AND BLIPS! THANK GOD). A couple of dips into DIM era and hints of other bands sprinkled here and there (Diru, Slipknot, lynch to be exact) pretty much makes this album.  They are the band who also utilize female vocals the best  to enhance their songs. This album is definitely in the top 3 of Gazette albums...I might dare say it is #2 TBH. GOOD SHOW, GAZETTE! GOOD SHOW!!
 
EDIT:
And...I'm over the album...lowering score 3/5 for loss in longevity. Still best thing since Sony.

On first listen it seems like a decent album, but I think that's mostly because of the fact that this heavier, more aggressive style hides their weaknesses a lot better than the stuff they were doing from Toxic-Beautiful Deformity. For the most part the guitar-work is still extremely dry, Ruki's vocals are still very limited, etc. Basically, it's still very much a post-DIM GazettE album, for better and for worse.

Their best album since DIM.
Will proper review and edit this post soon.
8/10

Their best album since DIM.
Will proper review and edit this post soon.
8/10

Their best album since DIM.
Will proper review and edit this post soon.
8/10

Their best album since DIM.
Will proper review and edit this post soon.
8/10

The intro to 'Bizarre' has an old D'espairsRay vibe.

lmao @ the title changes of this thread

The Nanny would be better.

Eagerly looking forward to his next release, ''THEME FROM SEINFELD''

So I cut my hair yesterday