Spectralion

( maybe ) one of the good things about this band is that if you don't like this song, just wait a month or two for the next one. They do tracks like this, and then they do other kinds. 
 
I'm still constantly playing the A-side of their last single by the way. Love it

new album come 2030? 

Asagi foretold this prophecy which is why D started flopping hard enough to get dropped from Avex. Wonderland has truly been saved!

9GOATS fans on twitter thirsty af
 

I'm just curious if they still have the 5k dedicated stans to buy that AYCE edition alone, considering their physical sales been plummeting a.f., and best-of releases typically sell shit in comparison to the actual albums.
 
those other 2 types are legit direct2landfill material, I hope their label invested into some biodegradable plastics for this release batch.

Greetings, Monochrome-Heaven! Welcome to our first installment of Recommended Tracks for the year 2017! Things are already off to a great start and we've got a wonderful selection of new songs to recommend! So let's get straight to it!  
 
(We apologize if some videos aren't available due to region restrictions!)
 
  @fitear1590's Picks
 
"A Little Picture" by ユナイト
"A Little Picture" by UNiTE.

2016 was a fairly slow year for UNiTE., with only a maxi-single and three digitally released tracks. Although a bit over-produced, "A Little Picture" is a joyous return for the band. While I haven't gotten my hands on a physical copy to check the liner notes yet, I'd bet that the guest saxophone is by RUPPA. For those who are looking forward to listening to the entire release, head on over to streaming services like Spotify! The single's PV is simple, but delightful, featuring some of the best production value for the band's videos so far. Filtered through a soft pastel aesthetic, we get to see the members frolic around in a paint studio. #literallyartkei  
"偽りへの招待" by テマネキ 
"itsuwari e no shoutai" by temaneki

I've also gotta keep an eye on the little guys! As far as I know, temaneki are a trio of newbies in the scene and, boy, are they rough around the edges. Their look is lacking some serious polish and their production is out of whack. And yet, I'm drawn to their first single! Clunky synth arrangements aside, I am loving their melodies. The chorus has the kind of dramatic edge that I live for in VK. I'm curious to see where temaneki will go from here!  
"Shimokitazawa" by Ailiph Doepa

Now this is my kind of random discovery. As far as I can tell, no one has posted about Ailiph Doepa on MH yet, but I'm sure they would be up a lot of people's alleys. They've got the quirky, spastic touch of bands like The Blood Brothers or early バックドロップシンデレラ (Backdrop Cinderella), but with the djent savvy to pull off some bursts of truly heavy stuff. Plus, the band seem to have a great sense of humor, with stage names like Eyegargoyle (vocals) and Donaldy Ketchup (drums). I am going back to check out the rest of their discography, stat!  
"透過幕" by Soanプロジェクトwith芥
"toukamaku" by Soan Project with Akuta

Collaborative 'projects' aren't uncommon in VK: HIZAKI grace project, Kisaki Project, ～Lily Project～, and so on. Well, Soan Project happens to be the latest, most notably featuring Moran drummer and composer Soan, with vocalist Akuta (Chanty, ex-Administrator). I hadn't been following the Soundcloud samples prior to the release, so when I heard the mini, I was going in 'blind.' It doesn't sound like Moran x Chanty by any means, but I'm still impressed--it's cool to hear these musicians work in a new style! This particular track is angsty with gorgeous backing piano and an epic guitar solo. Next month, Soan's collaboration with Temari (ex-Amber gris) comes out!  
@beni's Picks
 
"ケルベロス" by 相対性理論
"Cerberus" by Soutaiseiriron

Sotaiseiriron have been around since 2006. While the band tend to keep to themselves, as shown by their lack of appearances in promotional pictures and music videos, Sotaiseiriron have a massive fanbase. For those who have never heard of them or have yet to try them, don't leave that experience waiting any longer! Trust me. Those who already know and like singers like Bonjour Suzuki and DAOKO will have a field day with Sōtaiseiriron too because of the similar vocal work. Yakushimaru Etsuko's whimsical yet cute voice against the rocking music and repeated strings and chords make for a funky, sweet tune. That chorus is undeniably adorable and won't be leaving your head any time soon. And how could I not bring up the music video? An Okami-like animated sequence of a baby Cerberus can only mean one thing: cuteness overload.  
"Bitter" by 緑黄色社会
"Bitter" by ryokushaka

This newly debuting band (yes band, don't let the music video fool you too into thinking it's a solo artist!) are instantly showing a lot of potential. Thanks to the bright music video, the tune takes me back to acts like Sugar's Campaign and Awesome City Club. While the video is simple at best, it's still a pleasure. I can't be the only one finding myself joining in with their singer Haruko Nagaya's random hand dancing in the chorus! For those interested, their first mini album Nice To Meet You?? dropped earlier this month!  
 
"成仏できない" by メランコリック写楽
"joubutsu dekinai" by melacholic-sharaku

If there's a band I'm sure JPopsuki and AramaJapan! will jump on sooner or later, it's melancholic-sharaku. The Seiko Oomori like vocals are becoming a real trend with some breaking indie acts recently, and these guys are no different. But what I love about them is the insanely catchy pop chorus. By the first chorus on my first listen, I was sold. Nothing more can be said for these guys other than I hope they stick to this path. For those who like a good time and want something new, goofy (just check out that MV) and obscure for now, melancholic-sharaku are your order.  
 
"after that" by ぼくのりりっくのぼうよみ
"after that" by Boku no Lyric no Boyomi

I was recommended by @CAT5 to try this guy's second album release Noah's Arc. It's a great 2017 album and chock-full of brilliant songs, one of them being "after that". For such a young artist, at the age of 18, bokuriri is already proving to be a star. The composition reminds me of other musical geniuses I've been impressed with such as Nakashima Koh. bokuriri has quite the distinctive voice and his lyrical delivery even changes from singing to rap. It's no surprise then that he came from the Utaite scene, going under the name of Shigaisen before he became the professional artist we see today. This is a masterpiece of a track that I hope encourages you to give the full length album a go!  
"Hit It Up" by Omoinotake

"Hit It Up"? More like Groove Me Up! While the vocals could leave something to be desired, the sheer music quality of this smooth, swinging track doesn't disappoint. The tune gets progressively more involved, with the climax being solos of everything involved, from the piano, to the trumpet and vocals! This feelgood track gets better with each and every listen. I'm sure glad I stumbled on these boys!  
@emmny's Picks
 
"FIVEFOLD ENVY" by VRZEL

VRZEL helped us ring in the new year with "FIVEFOLD ENVY" in all its divine ratchetness, and for that we'll be blessed in 2017 with a whole lot more messy, guilty pleasure Gazetteisms. The brainchild of vocalist Cion, VRZEL have been active for far too long and refused to die even after a bunch of lineup changes. Within all that time, they've courted a flock of high school girls as fans, which is a pretty decent outcome for a guy who sounds like post-2010 Ruki trying to make his best impression of a post-2010 Gazette song. This is all so wrong yet so, so right; until we're called up to explain our sins...enjoy this *wink*.  
"with you" by ラミエル 
"with you" by Ramiel

Ramiel were the most pleasant surprise of 2016 for me, a totally cute pop-rock band with the concept of "love" signed onto Satanic Shimizuya records, a label known for producing Avelcain, Lycaon and Sibilebashir. They're a breath of fresh air with a sound recalling older oshare acts, and "with you" is a love letter to the genre. Melodic lead lines, nasal vocals, crack-like chorus, lovely engrish, crap production and just overall loveliness make up the song. They're lovely, in case you didn't get how lovely this already was from listening. Very lovely, super lovely...all my love to Ramiel.  
"君を殺して僕も死ぬ(嘘)" by SCAPEGOAT
"Kimi wo koroshite boku mo shinu (uso)" by SCAPEGOAT

SCAPEGOAT come back hot off the heels of their killer string of 2016 releases with their best song so far, and a strong contender for song of the year for 2017...all before 2017 even started. "Kimi wo..." is an odd, chaotic mishmash of elements yet incredibly sharp and catchy, SCAPEGOAT's signature. A lover's suicide gone wrong, the frantic chorus is broken up by wedding organs and glockenspiel throughout. Whereas a lot of bands try to play crazy, SCAPEGOAT do it for real; moving through eerily saccharine verses, building up the tension before Haru whispers the track title and all hell breaks loose.  
 
@CAT5's Picks
 
"North Park" by PENS+

PENS+ is a young, talented, and lively emo/math-rock band that plays with technical proficiency, but writes songs as catchy as they come. Arai Ryo, leader and vocalist/guitarist, lists bands like cinema staff, the cabs, and malegoat as his favorites - all of which have played a clear role in influencing PENS+. They just dropped a new split CD with American band Leer, and it's a fantastic, international pairing of quality math-rock. On "North Park", PENS+ speedily traverse the fret board while keeping your ears hooked with their bright and infectious melodies. The entire split is great, though. If you like what you hear, be sure to pick it up on bandcamp for SUPER cheap!  
"SNOOZE" by Suchmos

I'm generally pretty critical of Japanese bands that incorporate traditionally 'black' music styles, as more often than not, I feel they sound like parodies instead of authentic interpretations of the genres. Suchmos, however, has done a fairly convincing job so far. They've been riding the city-pop wave that's been trending lately, but their sound emphasizes smooth funk and soul grooves - perhaps most similar to UNCHAIN. Their new album THE KIDS just dropped, and "SNOOZE" was easily the standout track for me. It's got a bit of a gritty hip-hop feel to it mixed with some hard-driving funk-rock, yet it's entirely soulful throughout. You'll be bopping along in no time to this one!  
"close2u" by G.RINA

Speaking of city-pop, G.RINA is back with her new album LIVE & LEARN - her second foray into the style following 2015's Lotta Love. The album's a great set of catchy pop that draws heavily from 80's funk and R&B, and it's the most confident and assured that I've ever heard her. "close2u", the second track on the album, is an instant jam and G.RINA sings (and raps!) with the coolest conviction. It's a great, feel-good tune to get the year started with.  
Thanks for checking out our recommendations this month! If you have any thoughts on our list or recommendations of your own, please feel free to comment below! If you're interested in being a guest contributor, contact either @CAT5 

Just remember to not hold your breath.
 
The disbandment wind is blowing hard on them.

Preservation = piracy + time. Today's piracy will be the foundation of tomorrow's preservation efforts.

| Another solid effort but it doesn't stand out as much as it could.
 
With the head of a human, a bird's torso, a long, flowing tail, and a voice said to surpass all the gods and angels in Nirvana, the fantastical creature known as the Kalavinka is the inspiration behind 陰陽座's fourteenth album, 迦陵頻伽 (Karyobinga). 陰陽座's known for taking heavy amounts of inspiration from Japanese folklore and incorporating it into their music - even though they sound more like Iron Maiden than anything else - so this is a positively peculiar route to follow after their recent focus on Japanese deities and folklore. The Japanese interpretation of the Kalavinka is portrayed faithfully on the album cover; vocalist Kuroneko's upper torso is dressed as a winged Bodhisattva and her lower half is birdlike. It's both a gorgeous sight and a lofty proposition.
 
I'm torn on 迦陵頻伽. On one hand, the feel and flow of the album are all too familiar. I peg it as some hybrid of 金剛九尾 (Kongokyuubi) and snippets of their last two albums because of the pacing and atmosphere. 金剛九尾 ranks among my least favorite of their albums, but to its credit, 迦陵頻伽 is much more polished and straightforward, as if MATATABI had a destination in mind when composing. On the other hand, there is lots of carry over from 風神界逅 (Fuujinkaikou) and 雷神創世 (Raijinsousei), which I regard as near perfect. It's not as ambitious as their last effort, and at times it feels like they're marking boxes off a checklist, but this consistency is why they've never released a bad album. An opportunity to incorporate some Indian and East Asian influences into more songs was missed and would have greatly opened up their sound, but I can look past that. If it didn't appeal to you before, this will not change your mind.
 
Where this album impresses me is how the mystic, haunting atmosphere of their earlier eras returns. It's no longer as dark or ominous, but still present and mysterious. Opener "迦陵頻伽" really catches what I'm trying to describe here, and it's got one of the catchiest choruses in their repertoire. Centerpiece "人魚の檻" is a masterful emotional manipulator that's hogged my repeat button for the last few weeks. Those in need of a fix of heavy metal should check out "廿弐匹目は毒蝮" or lead single "愛する者よ、死に候え", and "轆轤首" is the token track where they buck all expectations and try something new. It's tone reminds me of "無風忍法帖" and it's one of my favorites of the album. The canned strings of "轆轤首" were a curious choice, and "御前の瞳に羞いの砂" sounds suspiciously familiar, but I'll admit these are minor quibbles.
 
陰陽座 is in the midst of a second renaissance after the release of 2012's 鬼子母神 (Kishibojin), breaking a streak of tepid albums with a concept so beautifully realized that it still sounds fresh today. 迦陵頻伽 stabilizes this upward trend, and while it's not the best thing ever it's pretty good.
 
 
Support the band!
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Greetings, monochromians and netizens at large! Here are my Top 30 Favorite Songs of 2016! Every year, there are tons of amazing songs released that, while not belonging to my fav. albums of the year, still heavily impact my musical experience. So for once, I wanted to highlight these songs! Unlike my AOTY list, every song here is Japanese. I also chose not to include songs by artists that made my AOTY list.
 
As I mentioned in my AOTY thread, I usually never bother ranking lists, but I wanted to give it a shot this year for fun. These rankings are super erroneous, though, as I could prefer any of these songs over another on any given day. XD So...yeah, don't read too much into the actual ranks, ahaha.
 
As always this, list isn't meant to be taken objectively. If you have any thoughts, please feel free to share! And if you're curious about any of the songs, please do check out the short sample clips I've created! 
 
Shall we begin? 
30

"UNDYING" by the GazettE
  the GazettE's 'Dark Age' has been...same-y to say the least, but "UNDYING" has stood out as one of my favorite songs from this era - probably because it sounds like a mess, with the band trying their hardest to be progressive. It's an enjoyable mess, though, and as usual, it never takes much for Ruki an co. to win me over.
29

"KEIREN" by qujaku
  THE NOVEMBERS have been on a mild decline since 2014's Rhapsody in Beauty, and qujaku are slowly creeping in to capitalize on all of that lost potential. the loud, pummeling art-punk of "KEIREN" is captivating, and I can't wait until this band releases a proper debut!
 
28

"matsuo basho" by suiyoubi no campanella
  suiyoubi gave me a scare with the release of UMA, wherein the group's characteristic sound was subverted by incorporating several different producers, but they quickly followed up with "matsuo basho", reviving my hopes in the process. As long as Hidefumi remains the sole producer, I doubt they can go wrong.
27

"2772" by ZA FEEDO
  Experimental pop outfit ZA FEEDO has a plethora of talent and potential, but unfortunately, they've yet to truly find their sound. The groovy and soulful "2772", however, is a fantastic indicator of where they should focus their efforts!
26

"gods" by mothercoat
  Sadly, mothercoat released only this single last year, but it's the band doing what they do best. Quirky, upbeat indie-rock that's both buoyant and super infectious!
25

"gourmet kikou" by fujin club
   Organic pop with bright melodies and crisp, colorful instrumentation = instant love from me! I like to imagine this song as the musical equivalent to a Ghibli movie. It's cozy, endearing, pure, and full of wonder!
24

"sayanora anata" by ayano kaneko
  Young indie singer-songwriter ayano kaneko made an instant fan out of me with this one. "sayonara anata" is the perfect blend of carefree indie-pop and adorably earnest folk-rock.
23

"LAST HERO" by BLUE ENCOUNT
  BLUE ENCOUNT are amongst the kind of major-label rock bands in Japan that I don't typically gravitate towards (stuff like ONE OK ROCK, KANA-BOON, KEYTALK), but I'd be damned if "LAST HERO" isn't one of the most catchy and fun tracks that I've heard in 2016. That and, I blame @benifor bringing my tastes full circle and getting me to appreciate the poppier side of life again.  
 
22

"Sunshine Freeway" by I love you Orchestra
  In spite of their brilliant line-up, I love you Orchestra has yet to truly strike a chord with me, as I found their work a bit too erratic and unfocused, but with "Sunshine Freeway", the band has found a great balance between their spastic tendencies and accessibility; making this a coherent and easily memorable track.
21

"wither mind" by girugamesh
  I'm only familiar with girugamesh's material from about 2013 and on (shout out to @togz for actually getting me to listen to them), so while I can't compare their early works to their recent stuff, I've come to enjoy the synth-laden alt. metal that seems to be characteristic of their final days. "wither mind" sums this sound up perfectly, and it was the highlight of their farewell mini-album for me.
20

"tabun, kaze." by sakanaction
  This is your average sakanaction song: danceable, synth-driven rock with big, sing-a-long choruses - and thankfully, 'average' for sakanacation means that's it's frikkin' great! It's been about 4 years since their last original album, and I'm practically salivating for more!
19

"short hope" by akai ko-en
  As bright and talented as the girls in akai ko-en are, their music has been hit-or-miss in my book - a sentiment that became especially true for me after they went from inventive indie-upstarts to a full blown Jpop band, seemingly overnight. They definitely get things right on "short hope", though, showcasing a kind of hip and smooth, r&b-esque side that I've yet to hear from them. Not to mention, I'm in love with Chiaki I'm in love with Chiaki's vocals! ^_^;;;
18

"voice" by SOSO BREAK THE WALL
  I'm still thanking @Hakoniwafor indirectly introducing me to this band, as I most certainly would not have heard it about them otherwise. "voice" is the kind of dark, mournful female-fronted alt-rock that I've been craving since me-al art's third album and the demise of REDЯUM. SOSO released a solid EP last year, but I need MORE!
 
 
17

"Talisman" by Boris
  Forbidden Songs, the 2nd disc from Boris's reissue of 2006's Pink, is comprised entirely of unreleased songs, and it could have easily been released as a brand new album on its own. The songs are just that good. "Talisman" is an absolutely crushing stoner-doom number that harkens back to 2002's Heavy Rocks, but is equally apt as an extension of Pink.
16

"The UNreal" by Silhouette from the Skylit
  I've been casually following this band for a few years now, and while they're consistently solid, every now and then, they put out a song that really sticks with me. "The UNreal" is a charging tune done in their usual electro alt-rock fashion, and it's both funky and commanding.
15

"yotaka" by kiryu
  I'm super new to Kiryu, as I've only heard their material from 2015 and on, but they've been one of my favorite VK discoveries of recent times. Admittedly, I wasn't too impressed by their full length last year, but I loved the entire single for "irodori". "yotaka" was the first b-side for this single and its frantic, cacophonous mix of metal, traditional Japanese motifs, and VK melodrama is everything I've come to love about Kiryu!
14

"kami-iro awase" by binaria
  2016 has been a busy year for Annabel. Not only has she continually wowed me with her work in siraph, but she also released a solo EP in addition to cranking out both a single and an album with binaria. I actually consider binaria to be somewhat of an anison supergroup, with both Annabel and the renown Nagi Yanagi on vocals. I like to imagine that they're this generation's Maaya Sakamoto and Akino Arai, respectively. "kami-iro awase" serves as the OP for an anime called "Danganronpa 3", and it's a brilliantly penned track with subtly ingenious instrumentation - very similar to some of school food punishment's material.
13

"EDGE" by nowisee
  Speaking of anison, nowisee (pronounced "noise") is a rather enigmatic audio-visual project that specializes in creating songs with their own, unique animations, so it surprises me that they've yet to actually do a song for anime. They've been highly prolific over the past 2 years, but the recently released "EDGE" has become favorite track from their rapidly expanding catalog. It's an electronically infused pop-rock power-ballad, with graceful verses and a monumental chorus. And yes, I fully accept my inner-weeb. ; )
12

"Shandy" by TK from ling tosite sigure
  TK has been a flat-out disappointment these past few years, so it should come as no surprise that the best song he released last year is actually a re-recording of a classic ling tosite sigure song from 2010 - back when he was at the top of his game. Surprisingly, TK hasn't altered the original too much, and he hasn't watered it down either. Instead, it's a more organic version that faithfully captures the same epic intensity of the original. Hopefully, TK will begin to take a few more cues from his past.
11

"Mother Fucker" by Limited Express (has gone?)
  It's so refreshing to hear these veterans of the Japanese underground still kicking ass after nearly 20 years in the game. Their latest album All Ages was a wild, alt-punk ride that showed the band is still as vital and crazy as ever. "Mother Fucker" stuck with me in particular, but it's emblematic of the entire album:  turbulent drums, chaotic sax, groovy post-punk basslines, erratic riffs, and YUKARI’s ear-piercing vocals!  It’s noisy, it’s bonkers, and it’s a hell of lot of fun!
10

"F.A.K.E." by lynch.
  "Listening to a Lynch album all the way through is like the musical equivalent of living on macaroni for an entire week." said one @Disposable some time ago, ahaha. I'll never forget that line. I agree with him, but I do enjoy lynch. quite a bit. I think it's due to their creative stagnation that I've come to expect at least one major jam from them with each new album. In 2015, it was "EVOKE", and last year gave me "F.A.K.E.". I also have to thank @Flame-Xfor making this song infinitely cooler by using it in his awesome AMV for Gundam IBO. Now I inadvertently associate it as the actual opening theme for that anime, and it's glorious.
09

"lost/stand/alone" by cinema staff
  2016 was a great year to be a cinema staff fan. They released a super solid album and an excellent single/EP, both of which showcased their range and continued viability in being both talented rockers and compelling pop songwriters. I thought "lost/stand/alone" was the perfect example of this duality, with its catchy emo riffs, coercive drumming, and Mizuki's bright, soaring vocals. I've yet to hear anyone I've liked better doing this style.
08

"Youth" by Young Juvenile Youth
  Young Juvenile Youth, consisting of vocalist Yuki and producer/beatmaker Jemapur, are fairly new, but they already stand out within the greater Jpop landscape. Not exactly trip-hop, and not exactly electro-pop either, "Youth" sports a sound that I can name no contemporaries for in Japan. It's the kind of sleek, minimal electronic music that you'd sooner expect to hear out of London than Tokyo. The synths in "Youth" are meticulously layered and arranged, and the beat is just chill enough to garner a contemplative head-nod. It's also accessible, but not overtly poppy. This duo definitely has my attention, and I'm curious to see where they go in 2017.
07

"shirobara no lullaby" by aoi teshima
  Aoi Teshima's image has always been a direct reflection of her music. Her songs exude the same level of elegance, class, and modest beauty that she does, and as such, her most recent album Blue library was expectedly lovely. "shirobara no lullaby" was particularly extravagant. It's a stunningly somber, psych-folk song that harkens back to 70's kayōkyoku ballads and even reminds me a bit of Douji Morita. Exquisite!
06

"I Love You" by Chocolat & Akito
  I feel like Chocolat & Akito have gone grossly underrated by the western Jpop fanbase. While most overseas Jpop fans were praising Seiko Oomori for including hints of Shibuya-Kei on her latest album as if she single-handedly revived the genre, Chocolat & Akito -actual vets of the movement- were busy releasing quality music as usual. The married couple's latest venture saw them team up with Californian surf jazz twins The Mattson 2 and the results were lovely. "I love you" was an instant favorite for me, as Chocolat & Akito did a fantastic job of merging their beautiful vocal melodies and their sunny, shibuya-kei flavors with the jazzy psychedelia of The Mattsons.
05

"Nightseeing" by Klan Aileen
  I was instantly mesmerized upon watching the original video for this song, and sold even more on this band after hearing the re-recorded version. They left such a big impression that I'd automatically shoehorned them into a spot on my AOTY list without even hearing the album yet. Sadly, the it didn't turn out the way I'd hoped, but "Nightseeing" has a permanent spot on my playlist. It's a riveting, noisy psychedelic-rock track with killer riffs. Hopefully they do more of this style in the future.
04

"M.U.T.E" by PELICAN FANCLUB
  According to some fans, OK BALLADE wasn't PELICAN FANCLUB's strongest release, but it was the first one in which any of their songs were able to leave a significant impact on me. "M.U.T.E" has this surprisingly smooth and groovy, western-indie feel to it. I can't really explain why, but it just feels "right", aha. I may not be as devout a fan of these guys as @fitear1590or @seurong, but "M.U.T.E" has provided me with a fantastic incentive to sign up to the "FANCLUB".
03

"Tokyo" by ame no parade
  ame no parade has been...highly conflicting for me. Kohei has quickly become one of my favorite vocalists, and I enjoy the band's general sound and aesthetic, but my gosh, their songwriting has been incredibly stagnant - especially after going major in 2016. "Tokyo", however, is one of the best songs they've ever written. It takes on their usual format of minimalistic verses, and big pop choruses, but actually manages to be engaging in the process. Not only that, but the song just has a really amazing vibe to it. I think the PV, where Kohei is openly singing and dancing through the streets of Tokyo on what seems to be a beautiful evening, perfectly sums up how this song feels.
02

"blues" by Galileo Galilei
  Galileo Galilei called it quits last year, as they left us with their final album Sea of Darkness. The album wasn't as gloomy as its title suggests, though. In fact, it was full of the light and airy pop-rock that their career was known for. However, the aptly titled "blues" was the most emotionally poignant moment on the album for me. It's an enthralling track with amped-up instrumentation and a passionate vocal performance from Yuuki Ozaki. In a farewell message from the band, they expressed that they put all of their last thoughts into this album, and in this track, you can literally feel the heartache and sorrow that they've experienced on their road to the end. 
01

"us" by Aimer
  Annnd finally, my number one track! If you've bothered reading this far, then bless you!  
 
I love Aimer's powerful croon, but she's the type of artist whose music quality depends on who she works with. Her vocals are like a hollow reed through which the intent of the producer flows. She's released some amazing tracks alongside the likes of Yoko Kanno, Hiroyuki Sawano, Androp, and Taka from ONE OK ROCK, but her most stellar work comes from a collaboration with none other than TK from ling tosite - which is ironic considering how I just ragged on him for the declining quality of his own music. In "us", TK employs all of his signature touches, but with Aimer at the helm, his songwriting feels fresh and new, as if the two of them have unlocked an entirely new dimension to their respective sounds. "us" is a beautifully haunting and epic pop-rock song. I can only hope that these two will continue to collab in the future!

Greetings, monochromians and netizens at large! I'm a bit late, but here are my top 20 Favorite Albums (and mini-albums) of 2016. In this list, I've made no distinction between Japanese and International releases, since I enjoyed much fewer non-Japanese albums in 2016 than usual. I usually never bother ranking my AOTY lists, but I wanted to give it a shot this year for fun. I do think the rankings reflect my general sentiments in a way, but...don't read too much into them lol. XD
 
Lastly, Please note that this list isn't meant to be some kind of objective statement on the music released last year - this is simply a recollection of the albums I enjoyed most in 2016. So have a look around, and if you have any thoughts to share, please feel free! (I also made some short audio samples for each track, for those who might be curious!)
 
Let's get into it!  
 
20

The Heart Speaks In Whispers by Corinne Bailey Rae
  While this album didn't entirely live up to the lofty expectations set by 2010's The Sea, there was still a lot here for me to enjoy! Corinne dabbled in her usual pop fare, but it was the strong, classic r&b and soul influences throughout the record that truly struck a chord. I adore her usually refined and elegant approach to songwriting, but it was great to hear her stretch those fantastic vocal chords and really go for it at times too.
19

SECRETS by Deep Sea Diver
  At the risk of sounding like a complete and utter weeb, I must admit that's it's been incredibly difficult for me to find American indie-rock bands that cater to my taste. There are, of course, some that I enjoy, but on the whole, few seem to possess the kind of rhythmic and melodic sensibilities that I go for. Seattle's Deep Sea Diver are an exception, though. They're certainly not innovators by any means, but they do have an understated quirkiness that I find extremely charming!
18

TAXIS by koh nakashima
  I'm a bit surprised that there's not much mention of this guy in the Western Jpop sphere. For me, he's been one of the most impressive and promising newcomers to hit the scene. He seemingly came out of nowhere, dropping two EPs - RAFT and TAXIS - just a few months apart. I found TAXIS especially appealing for its nostalgic, yet refreshing blend of house, city-pop, uk garage, and pop. This also gets extra points for being one of the few releases where me and @beni's taste actually converge! 
17

NIPPONNO ONNAWO UTAU BEST by NakamuraEmi
  Speaking of nostalgia - NakamuraEmi also won me over with an acoustic-pop style that hearkens back to early 00's jpop. Though, like Koh Nakashima, she brings a hip flair to her music and even skillfully incorporates a rap flow at times; which is something of a normal occurrence in Jpop these days thanks to acts like daoko and suiyoubi no campanella. Funnily enough, "NIPPONNO ONNAWO UTAU BEST" is simultaneously Nakamura's major debut while also serving as a best-of album for her indie material. This was my first experience with her (as it probably was for most people), and I'm nothing short of impressed. She already has a well established sound, honed from years of toiling away in obscurity, and I can't wait to hear what's next for her.
 
 
16
 

Word in the Petals by CHERRYBOY FUNCTION
  Unless you're some kind of Japanese club music aficionado, then chances are you probably haven't heard of CHERRYBOY FUNCTION. Hell, even if you're just a casual fan of electronica, coming across him or his music is unlikely given his sufficiently weak social network game and scanty remix work. Yet despite this, he's been quietly cranking out his bleeps & bloops via the small record label ExT Recordings for about a decade now, and also plays alongside more prominent electronic acts like DE DE MOUSE and TOFUBEATS. Word in the Petals is just another great dose of his colorful techno and house grooves.
15

THE NEWEST JOKE by VELTPUNCH
  Despite their prominence as one of the western fanbase's treasured indie bands of the 00's, I was never much of a VELTPUNCH fan. Even when I first listened to this album, I wrote it off as being decent, but nothing more. Yet for reasons unknown to me, I gave it another try and it actually began to click, growing on me with each repeat listen. With a whopping fourteen tracks, clocking in at over an hour, the album does drag on for a bit too long. I might have placed this higher in the list if the pleasant-but-forgettable tracks were omitted in favor of the stronger moments, but there's still more than enough raucous indie-rock fun here to keep me coming back! 
14

LAST WALTZ by world's end girlfriend
  This was actually my first time listening to a WEG record, and to be honest, it just barely made my list. Not because I didn't enjoy it, but because it's simply a massive record and I felt I hadn't properly digested it yet. Though the fact that I still included it is a testament to the impression that's it's left on me. LAST WALTZ is an expansive amalgam of beautiful, cinematic landscapes, twisted distortion, and gritty electronics - right up my alley. I'll definitely enjoy continuing to digest this one in the year ahead.
13

freeform jazz by uyama hiroto
  Uyama Hiroto will probably be viewed as the spiritual successor to his peer and collaborator, the late Nujabes. However, with all due respect, I would say that this album has propelled him into a league of his own. While not technically "free-jazz", it certainly feels less bound than his previous works. It's a more musical effort overall, and the drumwork is especially more organic than before, as opposed to the straightforward boom-bap approach that similar artists take. In fact, you can hardly categorize this as just "jazzy hip-hop" anymore. Hell, the entire album only has one actual rap feature (and thankfully so, because I can't stomach cheesy backpacker rap!). It's an exquisite listen with fantastic vibes.
12

remix04 rem by Chouchou
  I've followed Chouchou casually for years now, but this album has completely cemented me as a fan. It's a self-remix album in the which duo have reworked their songs completely into ambient piano pieces, and it's astoundingly gorgeous! It's so well done that this albums feels like a new, cohesive work of its own, as opposed to an assortment of previously released tracks. I'd love for them to continue along this style.
11

DEEPER by HITORIE
  Wowaka's musical mind never ceases to amaze me. As a former vocaloid producer, he brings to HITORIE all of the colorful melodies and infectious riffs that I love, while thankfully leaving the actual vocaloid at home. If it weren't for the tail end of the album, DEEPER would have been much higher in rank, but the first half is so strong and has received SO MUCH playtime from me that it warrants a place on this list!
10

"inori de wa todokanai kyori" by JYOCHO
  The spirit of uchuu combini being resurrected in the form of JYOCHO was no doubt the biggest year-end surprise for me. For the most part, JYOCHO picks up exactly where the band left off, except this time adding a flutist into the arrangement. Even the new vocalist Rionos is barely distinguishable from uchuu's Emichoco. All in all, It's a lovely dose of math-pop, and just what I needed in my musical diet last year.
09

DISTORTION by THIS IS JAPAN
  These 4-piece alt. rockers appeared with yet another awesome debut EP last year. Citing influences such as Fugazi and Japanese indie legends NUMBER GIRL and Bloodthirsty Butchers, these guys play a style of rock that smashes together fun and catchy melodies with pure, spastic rawness! At a time where the smooth grooves of city-pop and the chilled sounds of western indie are trending in the J-indie world, THIS IS JAPAN is a breath of fresh air!
08

Floa by Mammal Hands
  With the emergence of acts like mouse on the keys and fox capture plan, bands fusing post-rock with piano-based jazz seem to be appearing more these days. Mammal Hands was my latest discovery in this style, and unlike their labelmates GoGo Penguin (who also released a solid album in 2016), this trio are a bit more loyal to their jazz influences. They have a pretty awesome saxophonist, which definitely supplements their jazzy predilections and gives them a more notable edge over similar bands. I like to imagine that Floa is what Uyama Hiroto would sound like if he went in a more jazzy and cinematic direction.
07

Flames & Figures by The Seshen
  The Seshen was another serendipitous new discovery for me last year. I stumbled across them while perusing one of my favorite UK music labels, Tru Thoughts, and I was enamored immediately. They make the kind of forward-thinking soul music that I love, with hints of electronica, synth-pop, and psychedelia all bundled into one, crisp, enthralling package. I've seen them described as "Little Dragon meets Erykah Badu", which is brilliant since I love those two. Apparently, they've also supported acts like Thundercat and Hiatus Kaiyote (who I also love!).
06

IKI by HITORIE
  No, you're not going crazy. This is, indeed, another HITORIE album on my list lol. They released two last year, and as you can see, I'm smitten with them both! IKI, however, is the second one to be released and also the better of the two. It doesn't have the powerhouse singles that DEEPER did, but it's the more cohesive and balanced work. Whereas DEEPER fizzles out towards the end, IKI is thoroughly engaging throughout. The amount of quality music that HITORIE released last year is just baffling!
05

A Moon Shaped Pool by Radiohead
  I'm most likely a fan of any Japanese band that you can describe as sounding Radiohead-esque - sleepy.ab, downy, trico, wooderd chiarie, ar - so it only makes sense that I'd be a fan of the masters themselves. I can't even tell you why I like them so much, but I guess their sound just speaks to my heart on a visceral level. This album is like the soundtrack to a dream of infinitely unravelling splendor. The arrangements are gorgeous and the production is as pristine and masterful as it gets. Amazing!
 
04

Ugly Slave Children by No Party for Cao Dong
  These Taiwanese rockers completely swept me off my feet after seeing what I'd easily consider my favorite music video of 2016. Admittedly, the album took a while to grow on me, with its unexpectedly danceable nature, but I've really come to love its uniquely passionate blend of grooves, mathy passages, and emo outbursts. 
03

SONASILE by Shohei Amimori
  I was beginning to lose faith in PROGRESSIVE FOrM, my favorite Japanese electronic label, as the quality of their releases have been shoddy over past few years, but Shohei Amimori has completely dispelled my growing stigma with this album! SONASILE is an absolutely incredible sonic feast of colorful IDM and sunny glitch-pop. There are also hints of modern classical and jazz piano strewn throughout, and even some very strong Shibuya-Kei influences. I'm surprised that the western fandom seems to have overlooked this one!
02

dai roku sakuhin-shu "mudai" by downy
  As expected, downy's 6th untitled album is absolutely singular! It's much different from their previous album, yet just as good. Robin Aoki's vocals are more prominent than they've ever been, and the production seems a bit more earthy and natural, as if the album was produced specifically with live performances in mind. It's brought out a new kind of warmth to their otherwise stark and cold, dystopian sound. The general soundscape of the album isn't as varied as their previous releases, but it works in downy's favor here. Instead of going for an outwardly expansive sound, the album plays out like the band exploring their own inner workings, and it's a whole new world unto itself. I'm not sure how these guys do it, but they keep evolving while remaining a uniquely potent force.
01

siraph by siraph
  You know those "create your dream band" topics? Well, I've ruminated on those kinds of subjects quite a bit and never in a million years would I have thought to create a band as perfect as siraph. These guys are literally a dream come true - mostly due in part to the god-tier combination of haisuinonasa's Yoshimasa Terui and school food punishment's Masayuki Hasuo. Terui was the driving force behind haisinonasa and Hasuo was responsible for school food punishment's best material. With both bands in the throes of oblivion (the former appears to be on hiatus and the latter has been disbanded for years), their unique sounds seemed at danger of being lost to time. Thankfully, siraph has appeared with this godsend of a debut to save the day! The EP combines Terui's offbeat, math rock-sensibilities and Hasuo's eccentric synth grooves to brilliant effect. Both composers wrote three tracks each, and while their individual styles are obvious, they couldn't be any more complimentary as a unit. Singer Annabel completes the circle, bringing with her an anison charm that completely invigorates Hasuo and Terui's already imaginative compositions. With this EP, in addition to their demos and recent single, siraph has single-handedly made my 2016!

Jin can still sing with the flu... he's been doing it for 10 years...

I bet the vocalist is inspired by DADAROMA's vocalist's strand of hair
 
(I'm sorry, I can't recall all those bandomen names)

what do you mean? what download section?

Mejibray Cover ? 
I would absolutely die xD
 
All jokes aside they look fabulous and Royz always makes killer tracks
 
Can't wait

San, Ray, Jin and Yuu! <3 <3 ;-;

Dir en Grey is one of the most well know japanese bands in the world, you can meet someone that doesn´t like japanese music at all, but they like Dir en Grey, it happens to me all the time...
Today they are know for they experimental extreme metal songs, but, one day they where just a visual kei band doing they "true" things you know, for some is hard to believe that it is the same band.
Released in 1997, MISSA is their first EP, the music was kind of similar to what they were doing in La:Sadie's, lyrical themes and etc...
So, let's go!
 
01.霧と繭
I think that this song may be one of my favorite visual kei songs of all time(It is on my top 5 songs in my last fm chart). The song stars with a wind sound and Kyo whispering some phases and then the old school octave riffage starts with drums blasting all the way, the bass tone is just amazing in this one, love it! The solo is simple but i like it very much, it just done right. The song talk's about suicide, as Kyo means that he doesn´t need his cocoon(body) anymore.
It's a fun fact, and who could imagine, that one day we could listen to a deathcore version of this song, done by the same band, but, i still preffer the original song for all it's context and epicness. Just a classic.
10/10
 
02.「S」
This songs starts with a frenetic bass drum kick ending the time count with the cymbals, then the guitar enters with a octave riff(i think they liked doing that a lot), the song has a, almost, danceable rhythm if you think about it, the vocal melody isn´t nothing special, don´t appeal to me too much. Overall its a nice song, just that.
7/10
 
03.Erode
Remember that orgasmatic bass tone? aw god... I feel that this bass intro is somehow iconic to me, the guitar melody that enter to complete the intro is very nice too, i like how the first verse has a mysterious feel leading to a nice song. The lyrics are about lost love, and maybe, about suicide... just kiding.
9/10
 
04.蒼い月
"Akai sora, aoi tsuki..." Another classic old school Dir en Grey song, i love how this song has a odd 5/4 timing. Overall, the song is kind of repetitive, but in a good way, it doesn´t have a chorus at all, just a "Blue & Die" moment.
9/10
 
05.Garden
Somehow, this is the most popular song in the EP, i think that because it is a upbeat song, not so "melancholic" as the other songs, it's more similar to the other upbeat visual kei songs of its time, it remembers me of my teenager years... Ah, forgot, nice song. C'mon sing along... "GARDEN sugi yuku kono kisetsu no naka de itsu made mooooooooooooooooooooooooooo"

8/10
 
06.秒「」深
They used to play this one a lot live, fast visual kei song uhuuuuu, headbang with your friends. Just to finish this EP in good mood, giving the feeling that they had a lot to show yet, the main riff is very nice. Ah, the song finishes with mad screaming, missed that...
8/10

This EP is undoubtedly a visual kei classic, the bass tone, the "true" feeling, classic Dir en Grey was very successful, the right band in the right time and country, no doubt this era is considered influential until today in the scene, Gri... cof cof eva...
Buy this in the first chance you have!
 
OVERALL: 8,5

.
 
Happy New Years, everyone! December was a super busy month for the ORZ crew, so we have a bite-sized selection of new tracks to recommend you guys this month, but rest assured, they're delectable as always!
 
Thanks to our guest contributors @Lestat and @Ada Suilen! As usual, we apologize if some videos aren't available due to region restrictions.
 
 
 
@CAT5's Picks
 
"紫光 (shikou)" by 八十八ヶ所巡礼 (88kasyo Junrei)

88kasyo Junrei have released an album every year, without fail, from 2009 all the way up through 2015, usually within the month of August. Having taken their prolificness for granted, most of us had assumed that a 2016 release would be given. Sadly, that wasn't the case, but Margaret and the crew must have sensed our yearnings, as they dropped this PV out of the blue shortly into December. And while no new album has been announced yet, what they've served us here is certainly appeasing! "shikou" is somewhat different for 88kasyo. These guys don't usually make a habit of restraining themselves - often taking every opportunity to noodle our faces off and pummel us with their cacophonous insanity - so it was a bit of a shock to hear how subdued this track was at first. But it came as an even bigger surprise that this track still manages to fucking rock! It's a slower tune for them, sure, but the band's musical acumen hasn't been diminished one bit because of it. Margaret employs a squeaky, rap-like flow while providing one of the band's most memorable basslines, Kenzoooooo's drumming is as coercive as ever, and Katzuya sprinkles just enough of his psychedelic guitar work in the mix to be potent. What I thought at first was 'restraint', was actually just the band exercising their instincts with a newfound control. "shikou" isn't just the 88kasyo taking it easy, it shows a mature step forward in the band's songwriting. I can't wait for what's next!
  "さよーならあなた (Sayounara Anata)" by カネコアヤノ (Kaneko Ayano) The Japanese Folk/Singer-Songwriter realm has been pretty uneventful for me this year. My personally appointed 'Celestial Goddess' of modern J-folk Ichiko Aoba proved to be mundane after all, with her humdrum follow-up to 2013's masterpiece 0. And the much less renown, but equally dear to me, mmm/me-my-mo made a brief appearance early in the year with her band Maria Hato, releasing a single titled "C.P.U" (that I wrote about in February's edition of RT), which was brilliant, but only managed to whet my appetite. Enter Kaneko Ayano. While not as quirky as mmm, and certainly nowhere near Aoba's ethereal genius, Kaneko's straightforward and simple sound has been a refreshing serving of the folky tunes I've been craving from 2016. She's released two EPs this year - hug back in April, and Sayounara Anata just recently. The title track diverges from her usual, barebones acoustic approach and includes a full band backing that really vitalizes her already emotive sound. It almost sounds like risette and ミラーボールズ (mirrorballs) were smoothly merged together - the end result is the perfect blend of carefree indie-pop and adorably earnest folk-rock.
 
"Youth" by Young Juvenile Youth

Young Juvenile Youth, YJY for short, consists of vocalist Yuki and producer/beatmaker Jemapur. Having formed in 2012 and only having released their debut EP in 2015, they're relatively new to the scene,  but have already carved out a bit of a niche for themselves. Their latest single "YOUTH" is a beacon of this musical alcove that they've built: sleek, minimal electronic music that you'd sooner hear out of London than Tokyo. Not exactly trip-hop, but certainly not electro-pop either, "Youth" sports a sound that would be difficult to find contemporaries for in Japan. The synths are meticulously layered and arranged, and the beat is just chill enough to garner a contemplative head-nod. There's also a certain accessibility to Yuki's vocals, but the songwriting feels really subtle in its pop aspects. "Youth" shows a lot of promise, and while YJY may not be topping the Oricon charts anytime soon, they do have the potential to expand on an international scale, while also being a singular force within Japan.
 
 
@beni's Pick

"The Lights" by FABLED NUMBER

Another month, another random gem found. This time it's FABLED NUMBER. The little known rock band reminds me of SILHOUETTE FROM THE SKYLIGHT, but with a pop/electronic edge. This makes for a very accessible sound, and the song's energy does not let up at any point. You'll want to continuously repeat the track in no time! They instantly caught my attention with this tune, and hopefully that's the same case for others. It's a real shame that these guys are so unknown compared to other, similar bands, as they show great potential in this latest single of theirs. Here's to hoping you also check out their debut album coming out in early February entitled ILLUMINATE!
 
 
@togz's Pick
 
"埋葬 (maisou)" by RAZOR 

I was a little worried as to where RAZOR's line-up would take them.  After their mini-album RED INVISIBLE dropped, all my worries went away. The release is a solid listen as a whole, which you can learn more about in @Zeus' review of it here. The track that really made me move was "埋葬 (maisou)".  It's upbeat from the start, but fairly heavy for a visual kei composition. Ryoga's fast paced speaking along with the guitars builds into a really fun environment when the instrumentals and vocals come together. The phrasing is predictable, but that makes it easier to anticipate where the song is going and, in my opinion, makes for a damn good live song. Nothing is more satisfying than seeing a band and hearing them for the first time while not having to worry about whether you can follow the crowd or not. It's a song you can simply feel and really rock out to. 
  @Zeus' Pick
 
"drifting litter" by DECAYS  

It's no secret DECAYS has redeemed themselves with their transformation, and I've extolled the virtues of Baby who wanders enough in my review. What I didn't mention in the review was my favorite track on the album, and that would be "drifting litter". This hypnotic, hazy ballad is at odds with the overall direction of the album, adopting a thick, dark tone. The melody is anchored in place by the thick bass and guitar and Nakamura commands the chorus completely. The pure rock guitar solo in the middle skyrockets the song to eleven. If Baby who wanders wasn't dark or heavy enough for you, then this is what you are looking for.
 
 
@Original Saku's Pick
 
"人魚の檻 (ningyo no ori)"  by 陰陽座 (Onmyo-za)

Onmyo-za is a band that comes and goes for me. In that, I mean that they're a group who I enjoy a great deal when they release something, but I don't keep up with specifically, so more often than not it's like a nice little present that soon fades till the next one. "人魚の檻" from the band's newest effort Karyoubinga is just one of those aforementioned 'presents'. While being a whopping seven minutes six seconds long, it comes in as the longest song on the album and does not suffer for it. The track begins calm and serene then Kuroneko chimes in with her beautiful soft vocal technique that can only be described as 'heavenly'. It soon flows into the backing guitar riffs that thunder and transform the song into something more chaotic but, still beautiful. Shortly after the guitars kick in, Matatabi gets his turn with his trademark deep, powerful vocals that eventually lead into dual vocal excellence between the two. The track progresses into the instrumental bit where Maneki and Karukan show off their prowess and melt my face off in the process. The last minute and a half takes on a very 'haunting' aesthetic that slows down the tempo and closes out wonderfully.
  Guest Recommendations:
 
 
@Lestat's Picks
 
"輪舞曲 (rondo)" by 藍-AI-

I wonder if I have traversed in to the mysterious universe of Konami's Castlevania, as "輪舞曲" promptly astonishes me with an enigmatic alliance of both a devout organ and a set of dungeon-crawling synthesizers. Whoever praises the unnatural and the unknown realms will likely appreciate this on short notice, as it is fully enclosed by the strange and the dark. While an engaging bass performs its own black magic and whirs away, the track sneaks along this very murky line, slowly approaching an evanescent moment of clarity; fog clears, and for a brief moment you open a dark cellar's trapdoors toward a more flitting, yet vigilant chorus, one where the opaque and ambiguous vocals of ex-DEATHGAZE's 藍-AI- take on a transparency in the wee hour's quickly fading light. 
 
"-SHAMBARA-" by R指定 (R-Shitei)

All the while, R指定 have proven themselves multifaceted goliaths, able to mutate or evolve at will. The immensely popular band does not discriminate between dawn and dusk, and waltzes among both pop rock and heavy metal in swiftly taken steps. Give this ingenuous and tireless group a sound, concept or genre, and they will shape and form it into their very own inherent creation. One of those consistent transformations takes place in "-SHAMBARA-", wherein マモ (Mamo) and his gang do not shy away from channeling the obscure Dir en grey through otherworldly sonant assemblies and distressing squalls from the deep. This is where R指定 release their inner demons and convey their ghastly messages through tuned down equipment, a swarm of screams and breakdowns, and a lone guitar's eerie-sounding strum.
 
 
@Ada Suilen's Picks
 
"The Buddha" by LM.C

The most freaking and colorful J-rock duo of the moment achieves the important score of ten years in the music industry, and for this occasion, they decided to make this year pretty interesting; starting from the colorful rocking "MONROEwalk" and then the nostalgic and soft dyed "Rainmaker". They released their fifth album Veda this month, where they maintained and improved their eccentric and beating sound in all the shades they know best. In this track, the duo brought something mature and innovative to their sound, along with an electro-exotic vibe which never hurts, for this is one of their best tracks for sure.
 
"Ai to ai so nokosazu (Baby who wanders ver.)" by DECAYS

When this band debuted with the song "Secret Mode", they didn't convince me at all, despite of the presence of Dir En Grey's Die and the famous singer Yusuke Kobayashi, two sure winners of the genre. With the mini-album Red or Maryam, my interest for them grew more, even if I felt that something lacked. And how, with the addition of the violinist Ayasa and the pop singer Ataru Nakamura (a pleasant discovery for me), the band found out what was lacking and this new take of the song shows it, with its energy, grace and sensuality, all filtered inside a wonderful rock theme. It's a track everyone should listen to and that is quite hard to forget. 
 
Thanks for checking out our recommendations this month! If you have any thoughts on our list or recommendations of your own, please feel free to comment below! If you're interested in being a guest contributor, contact either @CAT5 or @doombox
 
 
See you all next month! ^_~

A universal truth about visual kei is that it is forever changing. The tiniest of bands can grow into an influential force given a few years, the largest of bands can end a legacy with one tweet, and there's an ever-growing catalog of unique and defunct bands lost to time whose talents will never be truly replicated. However, since nothing is original anymore, I'd love to see someone try their hand at it. I've listed a total of five bands or musicians who at one point had a unique, definitive sound I'd love to see come back.
 

D'espairsRay (1999-2007)
Sound: Dark, depressing, gothic industrial metal
 
 

Kagrra,
Sound: A classic rock sound with a cultural twist
 
 

愛狂います。(Aicle.)
Sound: Quirky, turn of the century rock and metal
 
 

RENTRER EN SOI (up to Sphire-Croid)
Sound: undescribable
 
 
 
 

A (Anonymous Confederate Ensemble)
Sound: Rock with a cultural twist
 
 
That's all for me! Given time, there are plenty more bands that I would love to see reincarnated in some fashion. What bands do you want to hear again?

BUCK-TICK has just announced a special project of sorts for their debut 30th anniversary coming in September 2017. Here is what is for certain so far:
 
- they will release an Anniversary Best Album
- they will hold an Anniversary Special Live in September
- they will hold their annual THE DAY IN QUESTION gig on 2017/12/23, and then a special two-day one on 12/28-29
- this will also be preceded by a domestic tour from October (if I'm understanding it correctly)
- aaand they will release their new album in spring 2018
 
Can't waittttt~