Zeus

I'm forced to take this article with a grain of salt after noticing they took quite a few liberties with explaining the subject.

My first issue being with the fact that he takes an entire two paragraphs to basically say that no one knows if the Burning Keiretsu is real, and then goes on to make assumptions for the rest of the second part about what the Burning Keiretsu do and how they organize their business. He just literally wrote there's no source of information on them. Where is the author getting his facts from?




Without numbers and quantitative data, this means nothing. He glosses over this until the next section, where he begins to take one or two examples to show that Burning indeed does exist...except he's saying that all official sources have never put Burning down on paper. So how does one come across this data? How is this data verified? He said that he found it on "JASRAC". I looked around on JASRAC and couldn't find a thing. This isn't to say that the author is making this up, but if you discover this data you need to record it in case it suddenly becomes "lost", and if you're talking about a company that doesn't want to be known you better include date and time of retrieval as well as a cache stored somewhere. Saying "I found this at some undisclosed time in the past" is shoddy reporting.

After I skipped to the end and found nothing resembling a bibliography or a list of sources, I stopped reading. He may have some valid points here and there about the general structure of the industry but with no sources I have no idea how much of this is accurate and to what degree.

I'm just posting this as a disclaimer before people go all "OMG LIKE CORPORATE MONOPOLY" all over this topic.

Score: | Despite the fact that Materials Left Aside sounds like a leftover collection, it's got some redeeming qualities.

Materials Left Aside doesn't do anything I haven't heard before. But during a time where originality is associated with good music and following the standard is associated with running out of steam, UNDIVIDE shows that you can play by the book and still come up with something listenable.

UNDIVIDE is composed of drummer Sujk and guitar wizard Leda, both members of the visual kei band DELUHI. Forging an unlikely partnership with vocalist Kirito, the three set out to create metalcore that could rival almost anything I'd hear an American band produce. The difference between UNDIVIDE and your run-of-the-mill metalcore band is that Leda has skill. Not content with simply chugging over Kirito's vocals and Sujk's double bass for four minutes at a time, Leda plays at the level you would expect an ex-GALNERYUS member to be at. At times, you wonder if this is the product of what a band would sound like if DragonForce and Atreyu had a baby.

This band seems to focus a lot on English lyrics, which Kirito sings acceptably. I can understand most of what he sing-screams which I could see being a plus to people who want to understand the lyrics to the songs. What also happens to be another strong point of this band is varied song structure. The guitars are consistently switching it up, providing an incentive to go back and listen to some songs more than once. I should also mention the electronic effects that were used tastefully. Part of the problem with drummer Sujk's solo release Arkhelism was the lack of balance in the mix. UNDIVIDE hits the balance that was missed on plenty of releases before it. They aren't immediately apparent on every song, but the songs would sound that much more hollow if they were missing.

Materials Left Aside does have some shortcomings, shortcomings which reflect both in the band as a whole and in this mini. Firstly, with as good as Kirito's pronunciation of English is he has a very small vocal range. This means that UNDIVIDE can only do so many things before Kirito is out of his element, which makes every song sound cut from the same cloth. Until the Day is a good example of this phenomenon - when the song moves into a different direction and starts getting a little funky, Kirito can't adapt. The song has no choice but to delve back into the heaviness before you realize how much Kirito's vocals don't fit, which leaves me with a bitter taste in my mouth over the missed opportunity.

Secondly, Leda's bass duties automatically show that the skills he picked up during his time with Galneryus haven't gone to waste. However, the fact that he's still the only guitarist and the only bassist in the band tells me he still can't manage to assemble a band where people can play on his level. Kirito is prevalent on almost every song but doesn't stand out in any way. Sujk drums in the background, consistently good and switching it up, but the only thing that my ears seem to want to hear is five layers of Leda's guitar causing sonic destruction over everything his fingers touch. The fantastic ending instrumental White Hole is a good example of what I mean.

Following off of my Sujk comment, the drums on this release sound awful due to the crummy production. This is an example of "nothing else but Leda matters" syndrome, which held DELUHI back and is doing the same thing with UNDIVIDE. He's a tad too low in the mix whilst having only one type of loud thwack thwack thwack associated with his drumming and bass kicks. His cymbals have a sort of St. Anger tinge to them and are indistinguishable from the small electronic touches in most of the songs. This is ultimately disappointing, considering Sujk displays on this release how far he has come from his one-speed drumming antics from previous bands.

But at the end of it all, Materials Left Aside sounds no different than any other metalcore release I've heard, which is its biggest failing. Verses, choruses and solos all blend together into one another, much like all the songs do. Once I'm done, I can remember the individual elements that made it good but not what any song in particular sounds like. If it's not memorable, that says a lot.

Considering this is the end of the run for UNDIVIDE, Leda should start his next band by recruiting Meku from GALEYD.

Score: | Despite the fact that Materials Left Aside sounds like a leftover collection, it's got some redeeming qualities.

Materials Left Aside doesn't do anything I haven't heard before. But during a time where originality is associated with good music and following the standard is associated with running out of steam, UNDIVIDE shows that you can play by the book and still come up with something listenable.

UNDIVIDE is composed of drummer Sujk and guitar wizard Leda, both members of the visual kei band DELUHI. Forging an unlikely partnership with vocalist Kirito, the three set out to create metalcore that could rival almost anything I'd hear an American band produce. The difference between UNDIVIDE and your run-of-the-mill metalcore band is that Leda has skill. Not content with simply chugging over Kirito's vocals and Sujk's double bass for four minutes at a time, Leda plays at the level you would expect an ex-GALNERYUS member to be at. At times, you wonder if this is the product of what a band would sound like if DragonForce and Atreyu had a baby.

This band seems to focus a lot on English lyrics, which Kirito sings acceptably. I can understand most of what he sing-screams which I could see being a plus to people who want to understand the lyrics to the songs. What also happens to be another strong point of this band is varied song structure. The guitars are consistently switching it up, providing an incentive to go back and listen to some songs more than once. I should also mention the electronic effects that were used tastefully. Part of the problem with drummer Sujk's solo release Arkhelism was the lack of balance in the mix. UNDIVIDE hits the balance that was missed on plenty of releases before it. They aren't immediately apparent on every song, but the songs would sound that much more hollow if they were missing.

Materials Left Aside does have some shortcomings, shortcomings which reflect both in the band as a whole and in this mini. Firstly, with as good as Kirito's pronunciation of English is he has a very small vocal range. This means that UNDIVIDE can only do so many things before Kirito is out of his element, which makes every song sound cut from the same cloth. Until the Day is a good example of this phenomenon - when the song moves into a different direction and starts getting a little funky, Kirito can't adapt. The song has no choice but to delve back into the heaviness before you realize how much Kirito's vocals don't fit, which leaves me with a bitter taste in my mouth over the missed opportunity.

Secondly, Leda's bass duties automatically show that the skills he picked up during his time with Galneryus haven't gone to waste. However, the fact that he's still the only guitarist and the only bassist in the band tells me he still can't manage to assemble a band where people can play on his level. Kirito is prevalent on almost every song but doesn't stand out in any way. Sujk drums in the background, consistently good and switching it up, but the only thing that my ears seem to want to hear is five layers of Leda's guitar causing sonic destruction over everything his fingers touch. The fantastic ending instrumental White Hole is a good example of what I mean.

Following off of my Sujk comment, the drums on this release sound awful due to the crummy production. This is an example of "nothing else but Leda matters" syndrome, which held DELUHI back and is doing the same thing with UNDIVIDE. He's a tad too low in the mix whilst having only one type of loud thwack thwack thwack associated with his drumming and bass kicks. His cymbals have a sort of St. Anger tinge to them and are indistinguishable from the small electronic touches in most of the songs. This is ultimately disappointing, considering Sujk displays on this release how far he has come from his one-speed drumming antics from previous bands.

But at the end of it all, Materials Left Aside sounds no different than any other metalcore release I've heard, which is its biggest failing. Verses, choruses and solos all blend together into one another, much like all the songs do. Once I'm done, I can remember the individual elements that made it good but not what any song in particular sounds like. If it's not memorable, that says a lot.

Considering this is the end of the run for UNDIVIDE, Leda should start his next band by recruiting Meku from GALEYD.

Now I know a lot of things I need to catch up on!

MOAR DETAILED POST TIME:

1) You and Aion need to let me in on where you guys get all your music from.

2)
I had totally forgotten that you had given me middle 9 a few months back to check out. I started listening to it now while I was doing research and man this was fantastic! It's really chill music that's helping me to calm my nerves while I track down this really annoying recursion bug. Plus, I was looking for some more jazz music and this hit the sweet spot.

On the mix you sent me not too long ago a lot of these artists were included. I'll comment on SingerSen first and say that she's amazingly talented. I love her pop side and I love her dark, eccentric, messy side. If I had gotten wind of her album earlier I would have definitely spun this more!

With this list, I'm going to need to get started with THE★米騒動, nego (who sound fantastic by the way), 緋と陽 (I should be hung from a very tall tree by my ankles for sleeping on them for an entire year) 高橋征司 and Wuja Bin Bin.

MOAR DETAILS COMING LATER

I think you need to know something about music to be able to criticize it. No, you don't need to be a professional, nor a musician, but you need to have an idea about what makes music generally good and what makes it generally bad. 
 
Like, for example, there was this girl writing a music review blog. One of her favorite bands was, indeed, Gazette. She introduced the band and whereas our opinions about the band differed a lot, I could explain it by saying that Gazette just haven't clicked with me. BUT! When she introduced Kai, she used the sentence: "I think Kai is an excellent drummer because he's so perky and can follow the beat." At that point I realized she knows nothing about music and should not be writing a music review blog. Seriously? CAN FOLLOW THE BEAT? Is that your qualification for an excellent drummer?! Fuck me in the asshole jesus christ almighty.

As for me, only 2 of my top 10 of last year was stuff I got from CAT5, but all others were bought by myself. That said, those 2 (RBB and Siamese cats) are both releases that I intend to buy with my upcoming package. Most of my stuff are coming from JetSet Records =)
 
For CAT5, I know he has some really good connections that can arrange stuff for him, and he also buys a lot =).
 
In both cases, you just have to know some places where you can buy some lesser known stuff that ship internationally or accept CC/paypal on their digital shop. But moreso, you need to get intoo a group of enthousiasts that are sharing good Japanese music (and by that, I mean links to soundcloud/bandcamp/youtube most of the time).
 
Just get to know to which labels and artists you're interested in, and check their websites for updates. Just when you know where to look (personal preferences) it's kinda get easy to search for similar bands. For example, I love Mona Records, and once every while, I browse throught their store (discovered
yesterday that way, and intend to buy that EP when I get the chance)to see what's out, then check it out on youtube or something and then try my ultimate to obtain the release if I like it =). Sometimes it's so
easy...
 
And ofcourse, sometimes a random purchase also might turn out to be a gem =)
For me personal I discovered Akiko Ando (and thus kusuguru when she formed that band later), Shibata Satoko and SHIBATA/HOLA that way amongst others. Only heard some bad recorded stuff by Akiko Ando and bought the album, while the other two were only 500 yen demos which turned out to be amazing.
 
Knowing the right people to get stuff from is only a small thing for myself, as I download almost nothing. Over the last two months, downloaded only 8 albums (androp, float down the liffey, RBB, Siamese cats, this town needs guns, the cabs, Uri Gagarn, and tarte tatin),
It mostly resides self-exploring, getting recommendations and purchasing (in my case at least)
 
 
@Deith
Well, see above actually xD.

This fits the subject even if the The GazettE is used as an example, so I shall keep going here. 
 
What I think Augie meant, is that music is a whole. Aesthetic choices are conscious decisions on how their work should sound, and approaching it in the manner where the reviewer picks up a few various things, tells how much they suck and concludes with the work not being up to par or whatnot is not very constructive. I feel this way is flawed and often leads to missing the point, and the reviews ending up as laundry lists of various things perceived as problems seldom elaborated further, and the vomit laced icing on the cake of fail being attempts at wit. And you know, I wouldn't even mind, unless the reviewer tried to appear as an
authority. Not having this "knowledge" is fine, but trying to come off as if you do is not. 
 
If your thoughts weren't even close to this Augie, I'd like you to expand upon what you said. 
 
 
ALSO!  Many people often yelling "Opinions!" and "This fucking sucks u ignorant stan!" in the same breath. You can't have both. 

Firstly, I'd like to think that having a sense of hearing is important. ; )

I'm a million years late, but as they say, "better late than never!"

2012 was been a wonderful year for Japanese music & abroad. Here are my personal favorite albums and EPs of 2012. I've divided them into 2 parts - Japanese and non-Japanese!  I've also provided full sample tracks from each album.

Please feel free to leave any comments!

Japanese Picks!

ATATA - TATAT


tags: alternative, emo, post-rock
Sample song: General Headquarters

After releasing a string of demos, ATATA has finally released their first full length and it is thoroughly fantastic! Consisting of ex. Bandwagon, nenem, Retromania, Mirror, Holstein, and 3cm tour members, ATATA combines all of the punk, post-rock, and emo/hardcore elements from these bands into one seriously rocking package!


ar - YON


tags: rock, indie-pop, electronic, folk
Sample song: breakin' Mama&Papa

sleepy.ab is usually regarded as Japan's answer to radiohead, but the lesser known ar is also very noticeably influenced by them as well. However, such a simple comparison doesn't do ar's sound any justice. They're much more colorful and adventurous than the aforementioned bands, manage to span several genres within the same album, and yet they somehow maintain their own unique sound. The aptly named "YON" is the ar's 4th full album and does a wonderful job of showcasing the band's highly imaginative musical palette.

COgeNdshE - cogency


tags: post-rock, experimental, female vocals
Sample song: un deux trois

Zankyo records is well respected amongst fans of indie and post-rock due to their impressive roster of quality bands (mudy on the 昨晩, the cabs, and te' to name a few), and COgeNdshE is a welcome addition to the label. Their music isn't as easy to digest as some of their label-mates, however. Cogency has a dark, often brooding quality to it and is chock-full of unusual rhythms and time signatures. In addition, the hauntingly melodic female vocals provide a stark contrast to the music itself. The band focuses more on creating a solid atmosphere as a single unit as opposed to employing overly flashy instrumentation in an attempt to highlight themselves as individual musicians. This album is perhaps a bit more left-field than most Monochromians are accustomed to and may require several listens to truly wrap your head around, but it's a rewarding listen if you're willing to give it a try...or two!

ESNO - Visionary


tags: electronic, jazz, female cocals
Sample song: RR

Debut album from ESNO, the new project of jazz/hip hop producer Kenichiro Nishihara. In contrast to his normal material, Nishihara has taken a decidedly electronic approach on this album and it's quite possibly his best work to date.

FilFla - Fliptap


tags: electronic, folktronica
Sample song: Morse Mall

4th album from FilFla, one of Keiichi Sugimoto's many monikers, and the the latest addition to the "’10 Songs In 20 Minutes’ series by music label Someone Good. Given the duration, Fliptap emphasizes the essentials of FilFla's sound - a stunning mishmash of organic elements like acoustic guitars and field recordings, and vibrant electronic programming. Short, but oh so sweet!

fresh! - What Are You Doing In This Confusion?


tags: hardcore, avant-garde, progressive, instrumental
Sample song: ハイビスカス

fresh! have been around for a few of years performing on the Japanese underground circuit, but have finally released their first proper album - the aptly titled "What Are You Doing In This Confusion?". This album is one nonstop cacophony of hectic drumming, disharmonic guitar noodling and obnoxious saxophone screeching. fresh! fits right in with bands like NATSUMEN and PANICSMILE. I can only imagine how killer their lives shows are!

GAGLE×Ovall - GAGLE×Ovall


tags: hip-hop, smooth-jazz, soul
Sample song: Heaven Feat. Shea Soul

For those that follow the non-mainstream Japanese hip hop world, GAGLE×Ovall is a match made in heaven! The amount of talent between the 2 groups is undeniable. Gagle (consisting of MC Hunger, DJ Mu-R, and DJ Mitsu the Beats) is already a powerhouse, but with the added abilities of Ovall (Shingo Suzuki, Mabanua, and Shingo Sekiguchi/Vusik) these guys are pretty much incapable of producing anything less than quality.

JariBu Afrobeat Arkestra - NO MORE PATIENT


tags: afrobeat, funk
Sample song: No More Patient Prt 1&2

Along with KINGDOM AFROCKS, JariBu Afrobeat Arkestra is one of the Japan's premiere afrobeat bands in a small, but flourishing scene. Their last album "Mediacracy" ALMOST made my list for 2011, but the production value wasn't quite as dynamic as I'd hoped for. Thankfully, that's been rectified on this new album and JAA's grooves are more sonically tangible than ever!

Jimanica - Torso


tags: electronic, experimental, instrumental
Sample song: Walking Behind

Jimanica is a drummer and laptop musician who is one-third of the trio "d.v.d" (drums visuals drums) and also 'partners in sound' with fellow electronic musician, Ametsub. Torso is Jimanica's 3rd solo album is a dynamic assortment of live drumming, electronics, and fractured vocal lines (provided by Anna Yamada, Hitomitoi, and Koshi Miura).

KATUSI from EL SKUNK DI YAWDIE & EXTRAVAGANZA - Rhythm Messenger


tags: reggae, jazz, acoustic
Sample song: マチマチ feat. CHAN-MIKA&長崎真吾

As you can somewhat gather from his name, KATUSI is the drummer/percussionist from the little-known bands EL SKUNK DI YAWDIE & EXTRAVAGANZA!. Rhythm Messenger is KATUSI's solo effort in which he features various musicians and singers over his Cajon playing/Drumming. In addition to reggae and jazz, there's a variety of "organic" genres to be found throughout the album. Some awesome features include Likkle Mai, EKD, CHAN-MIKA, and 千尋 (Chihiro)!

KINGDOM☆AFROCKS - SanSanNaNa


tags: afrobeat, funk, jazz
Sample song: No Son Tuyas (Not Yours)

SanSanNaNa is the 2nd studio album from Japanese afrobeaters, KINGDOM☆AFROCKS. Their first studio album Fanfare made it on my list last year, but the grooves here are just as prominent and uplifting!

LAGITAGIDA - CartaMarina


tags: instrumental, progressive-rock
Sample song: Yellow Shark

Just a few months after their first EP, instrumental prog-rockers LAGITAGIDA have returned with their 2nd EP and they mean business! The band consists of members from the now defunct bands mahiruno, Green Milk From The Planet Orange, and school food punishment. They site their major influences as Frank Zappa, Led Zeppelin, King Crimson, Can, The Mars Volta, Battles, Metallica, Slayer, and Melt-Banana. CartaMarina is intense from beginning to end and proves that LAGITAGIDA is worthy of sharing the stage with Japan's best instrumental bands.

LITE - PAST, PRESENT, FUTURE


tags: math-rock, post-rock, female vocals
Sample song: Bond

LITE is no doubt one of Japan's finest instrumental acts, and their latest EP, PAST, PRESENT, FUTURE offers a glimpse into the band's evolution over the years. From their humble beginnings as a traditional post-rock band to their more experimental, vocal-driven compositions that strive to defy classification.

Matryoshka - Laideronnette


tags: modern classical, ambient, IDM, female vocals
Sample song: Cut All Trees

Absolutely gorgeous modern classical pieces embroidered with subtle electronic glitches and angelic female vocals. The tone of Laideronnette is epic and highly emotional - captivating from start to finish.

middle 9 - Cettia Diphone


tags: post-rock, jazz
Sample song: Deja

Cettia Diphone is middle 9's third album and continues the band's tradition of immaculately fusing jazz and post-rock. With only five tracks spanning about 30 minutes, I only wish this one were a bit longer!


M-KODA - Inga


tags: idm, electronic, ambient
Sample song: Glow

Only in his early 20's, M-KODA (real name Satoshi Kodama) is young, but already producing music like a seasoned pro. Inga is his 2nd full album and it exhibits just the right amount of minimalism - not overly melodic, but not subtle to the point that it's boring either.

mmm (ミーマイモー) - ほーひ


tags: folk, indie, female vocals
Sample song: 無題

2nd full album from the indie-folkstress, mmm (pronouced me-my-mo)! Fortunately, she hasn't fallen into a sophomore slump - in fact, she's managed to produce an even better folk album than her first! With her unique voice, memorable songwriting, and endless charm, I don't think this woman is capable of doing any wrong. ;3

Moe and ghosts - 幽霊たち


tags: hip hop, experimental, indie,  female vocals
Sample song: ルー=ガルーガール

Splendid debut album from the enigmatic underground hip hop unit, Moe and Ghosts, who unsurprisingly, describe themselves as a "ghost coast hip hop group from Japan". The production on 幽霊たち has a distinct "underground" feel with many experimental liberties taken, while the rapping/vocals are all handled by the equally interesting female known as Moe (萌); who has a remarkably dynamic flow and style. The tone of moe's voice is also atypical for hip hop, but then again, this is not your typical hip hop album. : )

nego - SANSARA


tags: dub, psychedelic, tribal, experimental, club
Sample song: Raga Naja

Sophomore album from the fascinating, hybrid-band, NEGO. Mixed and mastered by none other than KASHIWA Daisuke, SANSARA (meaning "metempsychosis" in Sanskrit) is a riveting album that utilizes simplicity and repetition at the core, and builds around that core a diverse wall of sound that is utterly entrancing! Members from bands like sgt., kacica, ROVO, egoistic 4 leaves, and WUJA BIN BIN have all given praise to NEGO and this album!

Re-Trick - re:Re-Trick


tags: jazz, club-jazz
Sample song: Regeneration

While some of the more popular of acts of Japan's jazz scene have been on a steady decline (quasimode and jabberloop come to mind), Re-Trick has only been improving! After the release of their last album in 2010, the band went on hiatus for about 15 months, but they haven't missed a beat. As the title of the album implies, re:Re-Trick is a bit of a self-cover album since half of the tracks are re-recordings of early tracks. However, each of those tracks have been redone masterfully and in most cases, aren't even identical to the originals. And of course, the new tracks maintain re-trick's originality and technical prowess. Hands down, my favorite jazz album of 2012!

ROTH BART BARON - 化け物山と合唱団


tags: folk, indie
Sample song: Campfire

I was initially introduced to this band by MH's resident Japanese folk expert, Aion, a year or 2 ago and I've been following them ever since. The world of Japanese folk music is vast and saturated with mediocrity, so it's easy to point out the greats from the fakes - and ROTH BART BARON is the former. Their music has a simplistic beauty to it and it's evocative without being either overly sappy or too depressive. Hopefully, these guys will release a full length one day!


Tam Tam - Meteorite


tags: dub, reggae, alternative, female vocals
Sample song: dry ride

Meteorite is the first full album from the obscure, reggae/dub outfit, Tam Tam. While they employ a lot of traditional elements from reggae/dub, their sound also incorporates pop and alternative sensibilities - giving them a young and fresh appeal.

THE★米騒動 - 十九歳でぜんぶ終わる


tags: rock, garage, female vocals
Sample song: ストランゲーゼ30番地

2nd mini album from the young garage rock trio, The rice panic. They have a fantastic, raw energy that's reminiscent of MASS OF THE FERMENTING DREGS' more agressive side.

TK from 凛として時雨 - flowering


tags: alternative, indie-rock
Sample song: flower

Solo album from Rin Toshite Shigure vocalist and distinguished guitarist, TK (Toru Kitajima). Even with the ensemble of strings, piano, and additional electronics, flowering isn't much of a departure from rin toshite's sound. In fact, it shows just how much influence TK has over the band. Though this isn't much of a gripe considering the consistently high quality of rin toshite albums. Naturally, TK remains above par.

Wienners - UTOPIA


tags: punk, hardcore, pop, electronic
Sample song: 三原山の怪獣

2nd full album from wienners! Wild, zany, and fun punk that sporadically fuses elements of pop, hardcore, and electronica. Highly energetic with hardly ever a dull moment.

Wuja Bin Bin - Wuja Bin Bin


tags: jazz, avant-garde
Sample song: Middle Age Riot

Wuja Bin Bin is the new project of ex. ex-BEAT CRUSADERS' keyboardist, KEITAIMO, but this is no ordinary project. WBB is more like a super-group of superb indie and "under the radar" musicians. Within the line-up you have achico (on button down/KAREN), jazz trumpeter Shinpei Ruike, Satoru Takeshima (EGO-WRAPPIN & THE GOSSIP OF JAXX), Takuji Nomura (goodluckheiwa/natsumen/sakerock), Keisaku Nakamura (toe/hotel new tokyo/stim/kowloon) and more! Wuja Bin Bin's debut is an amazing mix of jazz, progressive, and experimental elements.

アルカラ - ドラマ


tags: indie-rock, alternative
Sample song: 踊れやフリーダ

I consider Arukara the flag-bearers of a particular brand of rock in Japan that see bands blending traditional elements of "indie-rock" with pop sensibilities. While many attempt this style, trying to appease the indie/DIY fans and exert mass appeal at the same time, Arukara simply excels at it. Whether they're doing ballads, instrumental tracks, or simply rocking out, they always manage to remain catchy and melodic without compromising their skills as musicians. Drama does a wonderful job at showcasing the band at their best.

キリコ - Greyhound...


tags: hip-hop, underground, female vocals
Sample song: Layered

subenoana is one of my favorite Japanese indie labels, as they're constantly releasing some of the most interesting, abstract and experimental Japanese hip hop. Although kiriko is usually very left-field, his new album features a more accessible sound full of soul and jazz-laden samples (courtesy of DJ OLDFASHION) and a host of female rapper/singer collaborations. Kiriko's flow and style remain very off-kilter though, which makes for a unique and refreshing listen.

コトリンゴ - La memoire de mon bandwagon EP


tags: pop, singer-songwriter, female vocals
Sample song: Ghost Dance

Stunning EP from Ryuichi Sakamoto's handpicked protege, Kotoringo! For this EP, Kotoringo formed a trio with Shige Murata (□□□, Cubismo Grafico Five, Circle Darko) on bass and Jumpei Kamiya (Akai Kutsu) on drums - and of course, herself on piano. As always, kotoringo has managed to produce some of the most exquisite pop music around and proves that she is in a league of her own.

スガダイロー - 春風


tags: free-jazz, avant-garde
Sample song: 不屈

New album from the insanely talented avant-garde pianist, Suga Dairo. His previous album actually made it onto my BEST-OF 2011 list; however, this work is almost entirely different. 46 minutes of pure piano work without the accompaniment of bass, drums, or vocals. Replete with broken melodies and meandering improvisation, this album may not be the easiest listen for some, but may be rewarding to those with an ear for the uncanny.

トクマルシューゴ - In Focus?


tags: folk, indie-pop
Sample song: Helictite (LeSeMoDe)

5th album from singer-songwriter and multi-instrumentalist, Shugo Tokumaru. Extravagant and meticulously crafted folk-music with a cartoon-ish flare. Superb~!

ハイスイノナサ - 動物の身体


tags: math-rock, post-rock, indie, female vocals
Sample song: logos

haisuinonasa's first full album is every bit as fabulous as their previous 2 mini albums suggested it would be. While the band has always mixed several genres (math-rock, post-rock, electronic, etc), they've really been able to let loose and expand their musical prowess to new areas on this full length. At this point, trying to dissect their music into genres would be futile. Despite the varying elements, their sound is so cohesive that it's nearly indescribable. Whatever haisuinonasa has become, I only have one word for them - EXQUISITE.


伊集院幸希 - THIS IS MY STORY 憐情のメロディ


tags: soul, pop, doo-wop, female vocals
Sample song: 家に帰ろう

First full album from the obscure, but lovely singer-songwriter, Ijuuin Yuki. THIS IS MY STORY is like a blast from the 50's/60's past - even the production of the album is tailored to suit Yuki's impeccable retro-pop sound. Vocally, she sounds similar to early 90's Bonnie Pink, who also had a retro vibe around that time. All-around great tunes~

八十八ヶ所巡礼 - ○△□


tags: rock, progressive, experimental
Sample song: ((((未練))))

○△□ is 88kasyo's 3rd full album, with their previous 2 albums being released in 2011 and 2010 respectively (all in the month of August btw). With releases so close together, you'd think it would be hard for a band to maintain the quality of their work, but that hasn't been the case with this trio. 88kasyo has only improved and grown even wilder with each release. Their skills are simply undeniable (srsly, their guitarist does more on his guitar in one song than some bands with 2 guitarists do in an entire album *cough*thegazette*cough*). But more importantly than their skills as musicians is their ability to craft songs that are unique, refreshing, and keep your ears craving more. Their previous album made my into my top picks of 2011, and they've managed to do so again this year.


小南泰葉 - 嘘憑キズム


tags: pop-rock, female vocals
Sample song: ルポルタージュ精神病棟

Impressive major debut from the up-and-coming singer/songwriter, Kominami Yasuha. She plays an edgy, yet radio-friendly brand of pop-rock that harkens back to early "Muzai Moratorium" days of Shiina Ringo. It's not often that you come across quality major artists, but Kominami is definitely one worth keeping an eye on!

空きっ腹に酒 - 僕の血


tags: indie-rock, punk, hip hop
Sample song: 記憶

Imagine throwing bands like qomolangma tomato, usotsuki barbie, and UHNELLYS into a blender - you'll likely end up with a concoction like this band. "Boku no chi" is Sukipparanisake's first full album and is a spastic mix of indie-rock, punk, and hip hop with just enough craziness to keep your ears excited from start to finish.

緋と陽 - タイヨウニホエロ


tags: hardcore, emo, post-rock
Sample song: いざ沙らば

hitohi's first EP made my best-of list last year, and their new EP is equally as deserving. While the band's songwriting seemed to meander aimlessly a few times on the last EP, they've made noticeable progress in streamlining their "mathy-proggy-postrockish-folky-hardcore" sound. Unfortunately, this EP is only 4 tracks long, but each one is epic in it's own right! ; )


鎮座DOPENESS & DOPING BAND- だいぶ気持ちいいね!


tags: hip-hop, alternative, experimental
Sample song: ヒップ ホップ IS...

With the bulk of Japan's hip hop culture filtered through the likes of MTV, it's tough to find Japanese rappers that really understand the essence of hip hop, but thankfully, CHINZA DOPENESS knows what hip hop is all about! CHINZA has formed a band (THE DOPING BAND), which consists of the up-and coming reggae songstress, CHAN-MIKA, percussionist and producer, IZPON (from KINGDOM☆AFROCKS, Panorama Steel Orchestra, and Orquesta, Nudge! ) with the rest of the members coming from the disbanded reggae/dub outfit 犬式 a.k.a Dogggystyle. This is anything but your typical rap record, as CHINZA and the DOPING BAND play a diverse array of styles including funk, jazz, reggae/dub, as well as your more traditional, old-school hip hop numbers. CHINZA and the DOPING BAND aren't out to talk about their swag or brag about material riches, they simply want to show you a good time!

高橋征司 - N41°


tags: ambient, glitch, minimal
Sample song: first report

This album nearly flew under my radar, as it was released under an obscure, fledgeling label called Te Pito Records. Seiji Takahashi's first album, N41° is only the 3rd release from this label. I bought this on a whim, but was pleasantly surprised by the quality of it! Incredibly soothing ambient soundscapes!

Non-Japanese Picks!


Big K.R.I.T. - 4evaNaDay


tags: hip-hop, southern
Sample song: Boobie Miles

Big K.R.I.T. represents an era of southern hip hop that has become all but extinct. His style harkens back to early days of UGK, 8ball&MJG, Outkast, Goodie Mob, and Devil the Dude - all of which he pays homage to in his lyrics. And just like Pimp C( one of his major influences), Big K.R.I.T. produces all of his own material. Technically, this is a mixtape, but it's clear that Big K.R.I.T. takes the utmost integrity in his work, as this plays just like an album.

Catherine Feeny - America


tags: folk, singer-songwriter, indie, female vocals
Sample song: Spill it all Over the Ground

Atmospheric and rhythmical folk music with female vocals. The music itself is subtle and pretty, which poses an interesting contrast to Catherine's socially and politically driven lyrics

Elle Varner - Perfectly Imperfect


tags: r&b, pop
Sample song: Sound Proof Room

Elle Varner's debut album is the perfect example of what I think a modern r&b album should sound like - great production, great song-writing, and amazing vocals with no auto-tune in sight. I should also not that Elle has an incredible rasp to her voice that really makes her a treat to listen to.

Esperanza Spalding - Radio Music Society


tags: jazz, soul, female vocals
Sample song: Crowned & Kissed

4th album from the amazingly talented multi-instrumentalist and jazz vocalist, Esperanza Spalding. On this record, Spalding flawlessly delves into pop, soul, and funk while retaining the jazz and classical sensibilities that she's had from the start. Lovely~


Gary Clark Jr. - Blak and Blu


tags: rock, blues, soul, r&b, rock&roll
Sample song: When My Train Pulls In

Impressive debut from Gary Clark Jr. that tackles a plethora of different genres, (rock&roll, blues, r&b, soul, and doo-wop) and does so without fault. While each style is performed  wonderfully, my only gripe is that the album loses it's cohesiveness amongst all of the genre-hopping. So while this album doesn't exactly provide a smooth track-to-track listening experience, it is however, a g

Grasscut - Unearth


tags: electronic
Sample song: Pieces

 British independent record label Ninja Tune is one of my absolutely favorites, as they specialize in a variety of electronic genres and manage to maintain a consistent level of quality. With a sound that lies somewhere between modern classical and electropop, British duo Grasscut is no exception to Ninja Tune's excellent lineup.

Hiatus Kaiyote - Tawk Tomahawk


tags: soul, breakbeats, indie, female vocals
Sample song: Mobius Streak

Hailing from Melbourne, Australia, (senedjem, did you draw the cover art? ) Hiatus Kaiyote is a quartet dubbed as a "future soul" band. They're definitely much more forward-thinking than most contemporary soul acts, as they attempt to meld elements of hip hop, jazz, and other more subtle elements into a sound of their own.

Hidden Orchestra - Archipelago


tags: downtempo, instrumental, jazz, electronic, ambient
Sample song: Disquiet

Splendid release from another one of my favorite UK labels, Tru Thoughts. Hidden Orchestra's music is a cinematic boiling pot, borrowing equally from genres like jazz, electronic, classical, ambient and hip hop. Each track is brimming with intensity under the surface, yet they all maintain an overwhelmingly subtle exterior. It's perhaps because of this permeating contrast that the band's name couldn't be more fitting.


Invalids - Eunoia


tags: math-rock
Sample song: Ursine Valor

Math-rock heavily influenced by early Maps & Atlases - from the vocals to the toy-like guitar tones! Awesome!


K.Flay - Eyes Shut EP


tags: hip-hop, indie, female vocals
Sample song: Stop, Focus

The prospect of a white female rapper has always been taboo, but K.flay pretty much destroys all expectations. Not only can she flow, but she also sings and produces all of her own material as well. This girl is just dope all around.

Kaki King - Glow


tags: instrumental, acoustic, world
Sample song: Great Round Burn

6th album from guitar virtuoso Kaki King, which in entirely instrumental in contrast to her previous albums. The primary focus here is King's masterful guitar playing which she serves up through a worldly assortment of styles; all done in a very cinematic fashion.

Krizz Kaliko - Kickin' & Screamin'


tags: hip-hop
Sample song: Kill Shit (Feat. Twista And Tech N9ne)

4th album from rapper/singer and Tech N9ne's right-hand man, Krizz Kaliko. There aren't many rappers around with a style as vigorous and creative as Krizz Kaliko's. His flow in impeccable, he can actually sing (like, really sing), and his production is varied and dynamic. An excellent hip hop album from start to finish!

Ladylike Lily - Get Your Soul Washed


tags: folk, indie, female vocals
Sample song: Prickling

Marvelous debut from French folkstress, Ladylike Lily. Haunting and beautifully melodic folk tunes reminiscent of Germany's Entertainment for the Braindead.

Lianne La Havas - Is Your Love Big Enough?


tags: neo-soul, folk, female vocals
Sample song: They Could Be Wrong

2012 has seen a great deal of impressive debut albums and Is Your Love Big Enough? is one of them. Lianne La Havas' sound is a stunning mix of neo-soul and folk, and her vocals are absolutely heart-melting!


Lucy Rose - Like I Used To


tags: folk, indie-pop, female vocals
Sample song: Watch Over

Melancholic and ethereal folk music riddled with post-rock-esque sensibilities. Wonderful!


Marriages - Kitsune


tags: post-rock
Sample song: Ride In My Place

Thanks to Ito for introducing me to this band. Marriages is a new band consisting of Greg Burns and Emma Ruth Rundle as the core duo - both members are formerly of the band Red Sparowes. Dark and grungy post-rock with male/female vocals.

Mina Tindle - Taranta


tags: indie-pop, folk, french, female vocals
Sample song: Pan

Mina Tindle is a French musician whose debut album is a delightful collection of lilting folk and indie-pop tunes sung both in English and her native tongue. She's already being compared to the likes of Feist and to a lesser extent, Cat Power.

Mt. St. Helens Vietnam Band - Prehistory


tags: indie-rock
Sample song: The Day

Frankly speaking, a lot of American indie-rock can be flat-out bland - especially compared to the indie-rock scenes of Canada and Japan. However, Mt. St. Helens Vietnam Band has a keen melodic sense, both vocally and instrumentally, that keeps them floating above monotony. They actually remind me a bit of OGRE YOU ASSHOLE circa 2007/2008 - which can only be a good thing!

Quantic & Alice Russell - Look Around the Corner


tags: jazz, soul, latin, female vocals
Sample song: I'd Cry

Alice Russell has to be one of the most CRIMINALLY UNDERRATED modern soul singers around. Although she's been around since the early 2000s and has released a number of solo albums (in addition to myriad features), she has never broken into the mainstream. Though in this case, that's a good thing. While Ms. Russell may not be a household name, any soul music fan that's keen enough to look beyond the media has heard of her. On this album, Alice has teamed up with reknown Tru Thoughts producer, DJ, and musician Quantic and the results are nothing short of exceptional!

Robert Glasper Experiment - Black Radio


tags: jazz, neo-soul, hip hop, r&b, female vocals
Sample song: Cherish The Day (feat. Lalah Hathaway)

While the Robert Glasper Experiment doesn't actually play experimental music, Black Radio is Glasper's attempt to seamlessly fuse jazz with hip hop and neo-soul while remaining true to each individual element. To accomplish this task, Glasper has recruited some of the finest singers and rappers around - including, but not limited to Erykah Badu, Lupe Fiasco, Mos Def, Bilal, Lalah Hathaway and more. If you ask me, the experiment has been an unparalleled success!

Ruby Throat - O' Doubt O' Stars


tags: folk, acoustic, female vocals
Sample song: Arctic Fox

Ruby Throat is the side-project of Queen Adreena vocalist KatieJane Garside. This is their 3rd album, which continues much in the vein of their previous 2 releases. Dark, ethereal folk music with Garside's signature sweet, yet eerie croon.

Silversun Pickups - Neck of the Woods


tags: indie-rock, alternative, shoegaze
Sample song: Mean Spirits

Unfortunately, I've always neglected the Silversun Pickups - writing them off as your typical mainstream rock band before even hearing a note of their music. Thankfully, I stepped down from my delusional "indie high-horse" and decided to give their latest and 3rd album Neck of the Woods a try. Little did I expect I'd be posting this album in my best-of list, but it's simply a great all-around rock record.

SPC ECO - Don't Say EP


tags: shoegaze, eletronic, dream-pop, female vocals
Sample song: Break It Out

SPC ECO (pronounced Space Echo) are a Brittish "nu-gaze" band that incorporate elements of dreampop and electronica. In some ways, they remind me of a less experimental 101A. SPC ECO has been fairly prolific in 2012, releasing 2 Eps, a single, and an album, but I consider the Don't Say EP to be the highlight of the bunch.

Submotion Orchestra - Fragments


tags: downtempo, electronic, brokenbeat, soul, nu-jazz, dubstep, female vocals
Sample song: Eyeline

Submotion Orchestra is a 7-piece collective from the UK with a downtempo sound forged from soul, ambient, electronica, dub, and jazz. Cinematic tone, deep/bass-driven grooves, and great female vocals - this release is perfection.

Sy Smith - Fast And Curious


tags: neo-soul, acid-jazz, funk, electronic, female vocals
Sample song: Personal Paradise

Although this is her fourth album, Sy Smith has consistently flown under the radar - and for no apparent good reason. The woman is insanely talented - she has a five-octave vocal range and can sing in whistle register, and has always sidestepped convention. In fact, Smith is so cutting-edge for a neo-soul artist, that some music critics are trying to credit her as ushering in a new genre referred to as "Electronic soul" or "Electrosoul". Whatever you want to call it, Sy Smith knows how to make good music. Fast And Curious was produced by the acclaimed Mark de Clive-Lowe, and I couldn't imagine anyone better to help realize Sy's ambitious blend of 80's funk, acid-jazz, house and soul.

Tame Impala - Lonerism


tags: psychedelic rock
Sample song: Mind Mischief

Outstanding sophomore album from the Australian psychedelic rock project, Tame Impala - who is actually one man, Kevin Parker - with the other members existing merely to perform the songs he records alone live. Since their debut, Parker has been hailed as John Lennon reincarnated, which, of course, is a favorable comparison. Lonerism has been on almost every best-of list that I've read for 2012, and while I hate to jump on the bandwagon, the album really is just that good!

White Lung - Sorry


tags: punk, hardcore, female vocals
Sample song: Thick Lip

Major thanks to Jigsaw9 for introducing me to this band! Straightforward DIY punk from Canada. At only 19 minutes long, sorry is a short, but thoroughly intense record!


Wot Gorilla? - Kebnekaise


tags: math-rock, progressive
Sample song: Afraid of the Dark

Debut album from England's Wot Gorilla?. Progressive math-rock sprinkled with hints of pop and hardcore elements throughout.

歌者森 - The World in My Eyes


tags: pop, electronic, trip-hop, Chinese, female vocals
Sample song: Sirens

Lastly, yet another brilliant Debut album; this time from singersen of Beijing, China. Unapologetically eccentric pop music with a theatrical flare!

I still haven't heard PUNISHMENT, ENEMY yet

You put it perfectly Ito. I haven't been fond of any of their new projects although I know some people have, but I know even those people would rather D'espa come back than with the members continue in these new projects (if they had the choice). Something about the four of them together just sparked.

It makes me sad that all of the stuff the members have gone off to do has been relatively crap compared to D'espairsRay (imo).
 
Karyu joining Angelo is probably the worst blow, considering I don't think that bad has made a single good piece of music.
 
The Micro Head 4N's really isn't terrible, but they aren't that good either. I think I might even like them if they had a decent vocalist.
But all of this just makes me miss D'espairsRay more. I wish they would have tried some solo stuff or something, I think those would have had the potential to be more interesting. Oh well. I wonder how Hizumi's vocals are doing now.