Miku70

Went ahead and translated this addicting song by request from @platy. Although I work in translation I don't have much experience translating lyrics but I hope you guys enjoy.
 
Just a couple of notes. For anyone that doesn't know, "ojamashimasu" doesn't really have a direct translation. It literally translates to "I'm going to be a nuisance/bother" and is usually used when entering someone's house in Japan to acknowledge that your host is allowing you to "intrude" (enter) their house. Although "ojamashimasu" is said multiple times throughout the song I tried to translate it in various ways that I personally believe conveys the meaning of their usage in the song better. The whole song is one big perverted metaphor for intruding on, or more specifically violating a girl.
 
Note: "Chome" is one part of Japan's crazy address system and denotes districts of a town. The song basically travels through different districts (district 1, district 2 etc) which are also metaphorical. He's going to ojamashimasu every part of the girl.
 
English translation is my own and I wrote up the romaji myself.
Kanji taken from Batsu's official Twitter (https://twitter.com/BATSUmamire).
Any feedback/suggestions welcome!
 
---
 
 
Kanji
 
Romaji
 
English
 

Here's the next translation in the 死因 (shiin) series.
 
What's Batsu's cause of death this time? It's kurashi―day-to-day life, or more simply, 'living'.
 
---
 
 
Kanji
 
Romaji
 
English
 

That one time when Puffy AmiYumi performed in Dallas earlier this year. I kinda wanted to go because they were my gateway to Japanese music, but I didn't feel comfortable going alone, and I have no friends anyway so :)))

I missed seeing Vidoll when they toured overseas. I hadn't even known about them at the time, but I still regret not going (or knowing about it) since they disbanded a couple of years afterwards.

1. Nightmare  (Through the good and the bad).
2. Jakigan Meister  (bless Sakito for giving us this project honestly).
3. Penicillin/ anything that Hakuei does  (I'm in the 1% of people who like his singing).
4. Mamireta  (They remind me of like old gazette and kagerou combined somehow).
5. The Gazette  (up until fadeless which was their last good release, imo).
6. Kuroyume  (And Kiyoharu's solo stuff. SADS is hit or miss for me).
7. Miztavla  (And I'm going to be an sob and put Velbet here since it's like I'm basically following Riuki).
8. Razor  ( And BORN. see above, but with Ryoga).
9. Golden Bomber  ( Their cheerful/goofy music just makes me smile. And it's pretty catchy).
10. The Thirteenth (Whom I actually like more than Sadie. Even though they were good too).

I know guys like Rin (Scarlet Valse), Yuiha (Mikansei Alice), and Izumi (Schwarzkain) post in English sometimes.

I distressed  and stressed so much >.<" and I no sense of direction.  Yes, I lost with Google maps so many times.  On time I know the  palce it's okay.
If  I go in Japan, will be a person 😊. SUMMER DIVE ~Kan toro PEACH☆BEACH~
 
I love this band so much, so my favourite song ? I don't know . Maybe  Odoru Mehuren Tokei  / Odoru Märchen Tokei  or Candy Holic  ?  I love Tekesuta Kousen  , SUMMER DIVE ~Kan toro PEACH☆BEACH ~Itai Onna ~NO PAIN, NO LOVE? JAPAIN GIRLS in LOVE~ ( because members are  girls school uniforms 🤗)Mousou Mo Mou Sorosoro  ( because this song tall me),Negaigoto wa Hitotsusa ( because it's a sad song).
 
For the b-sides : Rinne no Tsumi,  Kirikiri Kirikiri..., Touhi Kairo,Mousou Aikouka, 3P,LOCK ON ☆The☆ O NEW Sekai,Koritsu Hospital, Orange Dream,Let's brand new wave, Passion !,Kawayu's ЯocК,Bird no Higeki,Bo K Mental Clinic, Gendai SOLDIER NOW.,Juuryoku Scandalous, Kimi No Machi,Love Me♡Tender,Itsumo no kiss de , JUMBO, Baloon Girl Bo ,Nee and  Kimi wa Itsuka Kagi ni Naru ~truth or lie~.
 
For me it's very difficult to choice because I love many songs of them in their releases 😥😣.
 

I totally agree! I went to LMFAO in Stockholm and was in the front and there was also lots of pushing, hitting and violence going on. I could not enjoy the LIVE and was just furious at the other "fans" being such asses.
 
My friend was pushed back from front to 5th row.
 
And they even had an age restriction 18+ there..... so yeah, they don't have to be teens. People in their 20s can also be assholes. Unfortunately one or two years don't make such a big difference behaviour-whise

I would say the GazettE fandom is one of the worst. I remember a live my friend went to Japan, a foreigner bit a Japanese girl for Ruki's water bottle hard enough to make her bleed. Ruki even tweeted about it. 

Then stories of fans punching each other and acting rude. 

Well, I was only like half serious about that, but it isn't really such a far fetch theory. I don't live in Japan nor do I understand Japanese to be able to read Tanuki or any other sources that can be more factual but..
 
Take Taka from One Ok Rock as an example, even though he migrated from the Jpop industry (Johnny's Entertainment) of being an idol to being a JRocker, it is possible for VK artists themselves to think about migrating to Jpop/kpop/idol industry in general. (And also again, I don't know much about Kpop industry itself too but there have been more and more Japanese members in groups recently). 
 
But, I would think Jpop is a little more lax with idol training than, in Korea. Japan's idols (that debut) is that you watch them grow from being meh to being good, like you're an inspirational shit because from shit to good/awesome you become. Whilst in Korea, to debut you have to be exceptionally good. These are talent-wise mind you and not face wise yet.
 
So let's say, in the VK industry older bands like Malice Mizer, Dir En Grey, X Japan, and Luna Sea are slowly starting to retire and let's admit it, they will sooner or later or else age will catch up to them. We have their predecessors like The Gazette, Alice Nine,  and Nightmare. Bands that have been together for more than, 10 years but these people are also past their prime. 5 or so more years and they'll be like the first ones I mentioned. Where are their predecessors or roadies that became their kouhais? That they helped throughout?
 
Most of them have disbanded and some are leaving the scene. I would take examples of bands like Screw, SuG, ViViD, and Born (note most of these are under the PSC labels because I tended to focus on them mostly before I left the VK fandom for a while a couple of years ago)
 
Some of the members of those bands or other bands like them have left. Others are still continuing but, we're still seeing how they'll pull through. 
 
Now, with that information at hand, added with recent dramas/crime allegations and real VK artists that have been jailed, we now have newbie younger artists that may want to be part of the VK industry but, would find it rather hard to do so as senpais and labels would be harder to find. Not to mention that they did say in the earlier posts that the vertical hierarchy has been slowly fading (Prob because the older artists are retiring and such whilst others are still trying to recover from their disbandments and are off worrying about how their new band will survive the industry). Although, there are label companies that are owned by VK artists as well, I'm not sure of delving into that topic yet as I haven't researched about it yet.
 
So with this in mind, there would be two ways a person can go with this. 
1. If they're serious about their musician career in VK (like Anfiel maybe), it'd be harder with people flocking over the older bands because nostalgia and fear of them disbanding because of the recent trend of dissolutions from 2016-2017 or it'd be harder to make a name and find fans who will be into VK because of recent issues (like that Egoist and 12012 dudes killing their girlfriends or with the recent issue of Kisaki being a pedophile). 
 
2. If they're not serious and are just in it for the money and sex, they would think its easier to migrate into the idol industry that has been gaining more and more attention the recent years. Not to mention, Jpop has been slowly catering to Kpop culture as well of aesthetics and face value, the only problem they would encounter there would be the strict dating rule, but then again many idols can get away with that if they try hard enough. (Also, I'm not saying being an idol is easier, because seriously the idol industry is more cut-throat that in the event you don't sell or don't have fans you will starve.) with VK you can have Mitsu's and Tsunagari's but, who's to say that idols can't have them too? Not sure, so will have to research further on that part.
 
That's my take/theory on VK boys migrating into the idol industry lol and seriously, they might as well try their luck whilst they're young. The moment you're 20 when it comes to their industry, it'd be a whole lot harder to debut since, they prefer younger ones and think 20 is too old already to be an idol debuting.
 
Please take this reply in only a very small tiny bit grain of salt cuz I just love making theories and shit about things and analzying things but, please remember that I do not live in Japan or Korea, nor do I understand/can read their languages lol

fucking Yikes
 
((warning: kinda NSFW))
 

I also listened to their songs in YouTube for the longest time, too! I completely understand about the lives. When bands come tour the country I live in, it’s usually in big metropolitan cities - too far away from where I live, so I can’t go regardless  Escapism is such a good song, too I really love the songs they released with Bou ^^
Yes, and they’re very interested in foreigners, so I find there’s no need to be shy (despite the language barrier).

I understand your problem! Even though I used to live in a good area for concerts (a huge city one hour away), it was rarely possible to go there because there were no trains running late. Also, Japanese bands mostly tend to tour in the same cities (Munich, Hamburg, Berlin, Cologne) that are not that close. So as a teenager with little money and no car, I rarely got to see any concerts. I could only attend my ancafe concert in 2009 because it was on a Saturday, and my family had relatives close on Cologne that my parents wanted to visit. So they took me (plus a friend of mine) by car.
 
You don’t have to speak Japanese to go to a Japanese concert though! They try to communicate with the audience in English  If you ever get the chance to see a visual kei band live, you should go for it!
 
what is your favourite song?

memna the bassist of tensai was  born 2 th January 1997, you find  this on his  Twitter
Hanabi one a guitarist of tensai  was   born  5th july 1996 , you find this here
Naoya was born the other guitarist of tensai was born 1st april 1997, you find this here
 
But I dont'know for Cult maybe he's the same age ( 20 or 22 years old) and the birth of Junia are unknown (and I know just him and Hanabi , they know each other since many years. ). Maybe he's the same age of Hanabi or he's more younger (18 or 20 years old). I don't know really ;-;.
 
But yes they are really young.
I read the same thing for him 😉.
 
For Mamireta, I think the members are twenties and Karu is probably 26 ou 27 years old because Mamireta is not his first band ( it was FULL EFFECT' since 2010 or 2011 and to 2017). So it's very difficult >.<".

memna the bassist of tensai was  born 2 th January 1997, you find  this on his  Twitter
Hanabi one a guitarist of tensai  was   born  5th july 1996 , you find this here
Naoya was born the other guitarist of tensai was born 1st april 1997, you find this here
 
But I dont'know for Cult maybe he's the same age ( 20 or 22 years old) and the birth of Junia are unknown (and I know just him and Hanabi , they know each other since many years. ). Maybe he's the same age of Hanabi or he's more younger (18 or 20 years old). I don't know really ;-;.
 
But yes they are really young.
I read the same thing for him 😉.
 
For Mamireta, I think the members are twenties and Karu is probably 26 ou 27 years old because Mamireta is not his first band ( it was FULL EFFECT' since 2010 or 2011 and to 2017). So it's very difficult >.<".

Also, I read somewhere that Tora from Alice Nine was apparently born on 1980/81 (not sure which one), so I guess that makes him 37/38 this year.

Yeah, I think the bassist was born in 1996 or so. xD

0.1g no Gosan vs mathilda LMFAO

Ruinmaru the singer of Vivarush take lessons for speak in English.
Miku the singer of An Cafe takes lessons for speak in English.
 
I don't know for others.

Under 30s
 
CHISA (ACME) 1989
Kula (ex.XALTEA) 1989
IЯU (KHRYST+) 1989
Cazqui 1990 (I’m pretty sure he’s actually born in 1989 tho)
Hisame (ex.Grieva) 1990
Iv (ex.ViViD) 1990
Ko-ki (ex.ViViD) 1990
Yuya (Develop One’s Faculties) 1990
Mii (ZON) 1990
Miyako (DEZERT) 1990
Wataru (Pisarro) 1990
逢坂虹司 (ex.モノ gt) 1991
Hibiki Shiraishi (matenrou opera sup) 1993
Katsuya (ex.CodeRebirth, Misanthropist) 1994
Tatsuki Nakanishi (Sick.) 1994
Ryuya (DIMLIM) 1995
りゅた (タソガレ二鳴ク。) 1995
Ray (DEVILOOF) 1996
Setsuna/Shota Yoshino (ex.unfate) 1998

From what I remember SUGIZO (LUNA SEA) speaks really competent English, and Tomoyasu Hotei is almost fluent.
 
I can't remember any other 'exceptional students', haha.

Takeru from SuG spent some time in the US learning. That was before the band broke up, but he did some livestreams on YouTube for foreign fans in English. Even as a solo artist, he'll make posts every now and then for western fans. 
 
That's all I remember for now. 

This in no means is me wanting to force jrockers to speak English. I just want to know. ❤️❤️❤️

Yes Takeru Born in 1987, I read that.
 
I read Mahiro is the younger of Kiryu and he's done his age in his old bands.  And I read recently Mitsuki says he had 30 's ... so I don't know >.<". 
False ! He's born in 1987, he's said that on his old blog :Ameba
 
For Tomoya and Koudai the year of their birth are unknown , but it's the same year.
 
 
 
Shinpei born in 1985 and not in 1989 because he's a senpai for Takeru in Highschool  and not a kohai , XD.
 
I read Tsuzuku born in 1986.
 
I read here that Yo-Ka born in 1987.
 
Kouki born in 1980  here.