returnal

4 hours ago, Gichi Gichi said:

and the disbandment train begins...

at least it starts with something that was gonna happen any moment now as opposed to A Big Shocking Thing

god bless their fragile souls

it's great how they can do both heavy and light so freakin' well. it's never contrived

2 hours ago, helcchi said:

Ruiza was already a Johnny's when this kid was still in diapers.

multiple dudes have taken this career trajectory?? this is life changing information

tho johnnys to D and johnnys to washed-up session band are rather different haha

omfg... johnny's to visual.... now THAT'S the stuff

3 hours ago, Hakari said:

Actually not a huge fan of this song. Was hoping a little bit more of a mature sound a mixture of Kabukichou butterfly and Panic. Oh well maybe the b-side will deliver? This band seriously needs to release an album

to be fair, it -is- called "poison chocolate" so from the jump it doesn't seem that serious of a song, haha. for real though i love their goofball mode but going back to something more mature a la butterfly/aoi yami (or blending it with panic's sorta steez) for the bsides/next releases would be great—hearing aoi yami was what hooked me on them in the first place. and i swear to god they better make their next record -at least- a mini... love everything they do but all these singles is a bit much looool

it's... so... EXTRA. i love it. SO MUCH

definitely have come around to them now

a good way to make an entrance

now that's a blockbuster

lo-fi electronic kei that sounds like a usagi-chang reject and is thematically based in Inspiring pinterest posts... it's catnip to me, obviously

they're giving me like, 00s low-budget oshare vibes musically... BREAK OUT is legitimately endearing. doubt i'd ever return to them, but it's interesting as 2006-live-limited-CDr-sold-on-Rarezhut-oshare-kei

my money is on them never existing in the first place

can definitely can go for it, even if there ends up being surprise death burping in the last 15 seconds

all these kirakira boy antics and still no idea what they sound like...

it is mega cute though

*incomprehensible screaming*

good god how is 2017 treating us so well?!

1. yessssss 2. they're so productive it's terrifying

i'm excited but soooooooooooooooo impatient

it's good! it's gooooooooood! it's super frickin' good!

confused... they're not disbanding obviously (would die if they did), but what was the announcement they were hyping up? just the february live?

i love all kinds of digital everything in my visual kei but when it's so cheap, badly-done, and just gghhhhh it becomes annoying. it's like two steps away from working and the song underneath all the garageband kit sounds like it could be good—and guy's voice is good when it shines through the Warble. gotta put more effort into your electronics. up the tempo, adjust your presets, mix shit well, maybe break a few panes of glass

raito dude's got a bit of a look going, and I dig his voice (when it's... not being put through those bargain bin effects in the first few seconds of the preview...). sounds better live than studio to me, studio version just sounds cluttered and cheap(er than most rookie-kei)

5 hours ago, vanivani said:

The font is EXACTLY the one used by Grimoire in their lyrics and on their website (I haven't seen another band use it)

and written in hiragana like they do it; and the music sounds like Grimoire previews when they first started out.

Too many coincidences... I think it's either a Grimoire side project or some band copying them.

the plot thickens!

yeah... i don't see them doing anything grimore and merry badend haven't already done with more finesse