Nagisa

That kind of happened to me with engineering too, but I found a part of the field that I enjoyed so it wasn't all bad. At least you are almost done! Good luck!

Wow! I'm jealous.
 
I have a BA in Japanese too (along with a BA in Electrical Engineering) and I am getting a Master's in Electrical Engineering right now. Honestly I would jump at the chance to go overseas to almost any country really, provided I knew the language and could get a job. 

btw 華遊(kayuu) will hold his 2-man live at Shinjuku OREBAKO at 2016/02/24
 
 
SET-LIST at 2015/11/27:
 
01.ピース
02.キューティハニー
03.幸せの仮面
04.非☆美少女戦士
05.夏祭り
06.コブラツイスト
07.ブルーマインド
08.シンデレラ
09.癒し酒場
 
EN1
01.姫の激おこ‼︎ぷんぷんソング
02.ピンクマーブル
03.幸せの仮面
04.夏祭り
05.ピース
 

I agree. I haven't listened to D in years but their vampire look was a lot better than this.

"Dirty old men" are "the spice of life"

Dir en grey - saku
the GazettE - Kichiku Kyoushi (32sai Dokushin) no Nousatsu Kouza
Rentrer en Soi/Sulfuric Acid - Neo Shaped Children

Welcome to Monochrome Heaven!

The final movement of DARK AGE is Announced! Few More months to go!!
BTW: LOVE THE SINGLE NAME!

the GazettE - Cassis (Type B )
the GazettE - Red (Regular Edition)
Dir en grey - Macabre (A Knot)
Dezert - Hen (Live Limited)

KRAD – Plantman
KRAD - SepsiS
the GazettE – UGLY (reg. edition)
 

The Gazette - Ugly
 
I'm the first to criticize release after release, but this single is really good, so well maybe my opinion about this band will change, see you in next release !

This, really. I've been going to concerts for the past 10 years and I've seen it evolve. Personally I find it one of the most annoying things when the first few rows of a venue are just people standing there with their phones up. It obstructs the view from people behind them + they get mad at you when you accidentally hit them because of a pit or a rowdy crowd. I've seen people literally watch the shows through their phones and cameras while the band's performing right in front of them. Like, go home and watch a live DVD instead? I understand the need to record at least something to make it feel like you've been there. A lasting memory. But full shows? I'm usually in the middle of crowds when I go to gigs, and I'd rather not have to watch out for someone's iphone crashing to the floor, or someone's nasty stares when they can't keep their phones still.
 
 
I'm fairly sure that's just called "setting the atmosphere" rather than "shut the fuck up, don't move, and fucking listen to mmmeeeeee." It's a type of respect to go along with what the band asks you to do for certain songs. Screaming and yelling is ridiculous imo too. Reminds me of when Dir en grey "demands" the crowd to be quiet for Kyo's acapella parts and every now and then there's this bunch of screaming fangirls who can't read situations. It ruins the moment. It really does.
 
Singing along to songs? Now that shows something.

So before i start i would like to say this is for the first time i ENJOYED all song on a SINGLE release from any band , i know many will say this is the continuation of DOGMA and i must say WHY NOT??
 
UGLY
Title song of the SINGLE i just cannot believe how RUKI improved his ENGLISH, i'm a hardcore Gazette fan so i stick whith the band for a few years now and i never thought that i might actually understand the lyrics from him is it me or he likes to curse a lot in his songs?xD Anyway the breakdowns on this song are epic, i love the SOLO from URUHA. The Guitar rifs ar just so agresive that you can feel the atmosphere all over the place.I just watched the PV and i gotta say now i understand what its like on a GAZETTE concert and i believe that RUKI said they wanted to show it in this PV. Chorus to this song is just cool. Love this song Fxxck TRAITORS!!
 
DEPRAVITY
When i first heard this song i immidietly said to myself this could easely be the TITLE SONG itself it has the same feeling like UGLY agressive,powerful,fast. This song is gonna be fun when they play it LIVE. To be honest i played this song like 100x times and again the breakdown is one of the HIGLIGHTS and i can see why so many people like it. Kai makes a good job in this song love the drums in here and i absolutely love RUKIS screaming in here solos are perfect to it! YOU SHOULD DIE!
 
GODDESS
If someone thought they would end it with ballad they were wrong. AND IM GLAD! A powerful melodic ending to this single.I love the whispering in this that slowly goes trought RUKIS high VOICE. Again very good job from the band how to keep you on your toes till the end of the song i love tha dark vibe in this!!
 
OVER ALL FOR ME ONE OF THE BEST SINGLES THEY EVER RELEASED.CANT WAIT WAIT WHAT THEY ARE UP TO WHIT ANOTHER MOVEMENT!!
 
FEEL FREE TO POST YOUR OPINIONS.

+1. Anyone claiming that "the GazettE doesn't change" needs to go back in time farther back than DIM.
They are all about change. The GazettE have been setting up hype towards the "differentness" in their next releases since Wakaremichi. Look at the progression from Cockayne Soup to Gama, then again from DISORDER to STACKED RUBBISH, and then tell me where on that spectrum would one place 大日本異端芸者的脳味噌逆回転絶叫音源集. The mini-albums themselves sound like a completely different beast than the punk influenced DISORDER, and nothing else in their discography sounds like the nu-metal/rap rock STACKED RUBBISH, and we all know about DIM so I'll leave it at that. And we can't forget about my favorite track of theirs by all time: Zetsu!
I'm just saying that people expect something different because The GazettE have set the trend of reinventing themselves every so often. TOXIC/DIVISION was their last major reinvention where they leaned towards a more electronic influenced sound, and they tried to bring together the old and the new with BEAUTIFUL DEFORMITY. It's about time for them to adjust their direction to try something new again, and to expect that after literally five years of the same electro rock influenced music is not only understandable, it is completely justified.
At the end of the day, it is up to the band themselves to make the type of music they want to make. But no band has ever gotten as influential or as big as the GazettE in visual kei by ignoring the reactions of their fans toward their music or by ignoring the demands of their record label. They really do care about what we think...maybe a little bit too much if I may say so myself. I would even say that the "dark, mysterious" vibes I'm getting from this promotional campaign is a conscious choice to capitalize on this expectation of ours. And the fact that you continue to see the same memes and responses in every GazettE thread means that they are very good at managing these expectations while keeping us interested, even when they string us along for months at a time with nothing but the album cover and some samples.
 

This is the only music forum I know, so I really like it, even though I only joined a few months ago.

bands like gazettE release singles featuring a title track that is most evenly balanced between heaviness and melody, followed by a heavier song and then a lighter one. It applies most to GazettE as they have maaaany examples of thattt

Got these in the mail today, and also finally got the digital download of TSO's new album that came with concert tickets~ 

Must. Resist. Clicking.
 
 
Damn you region lock bastard!!!!!

^ PMed

INTERSTING:
 
So it seems the COVERS FOR DOGMA AND UGLY are part of  so called MOTHERLAND CHRONICLES by TOBIAS KWAN so we could easily look on another new release after UGLY or next MOVEMENT!! CHECK IT OUT!!
 
We will have to wait and see...
 

 
 
CREDITS: GAZETTE FANS

I searched for MH on Yahoo just now and the url shortener spam site came up.