Lestat

L.A. Guns - Over The Edge

Danger Danger - Six Million Dollar Man What did you think you would have achieved by now before, but haven't?

New York Dolls - that's all I have to say. amber gris - Love in the first. Vasalla - REGRET La'Mule - How do you... die? Vasalla - D･N･A DESIRE×××nil×××alone DEATHGAZE - Suicide Dance Jupiter - Classical Element Creature Creature - Phallus Phaser La:Sadie's - 「腐乱ユエニ」 己龍 - 桜絡ミ DIR EN GREY - DIFFERENT SENSE No real personal favourites in this list. I guess going with Creature Creature can never go wrong.

Let's just hope Rame manages to keep this together. It is always quite difficult to determine whether or not he enjoys something as I cannot quite read his personality at all — but he shouldn't let this slip. BFN is one of the few 'new' (with rooted members, still) bands I do enjoy nowadays, likely because they feature members who are deeply settled in the scene and know actually how to settle a sound that is to be memorable, distinct and original.

It's still somewhat astonishing to see that people continue to think that Kisaki was the bullying asshat in 凛 (and in Phantasmagoria's later stages), where it was actually Riku being one of the greatest disinterested douchebags of all existing time. Both toward the fans as well as the bandmembers. I actually think Kisaki somewhat flourished in personality (I'm not saying this because I'm his asskisser) and became a bit more open toward his audience, his attitude has changed a lot in a positive way whereas I couldn't actually stand to look at Riku's face during a live.

Kamijo - Moulin Rouge.

Phantasmagoria LAREINE RENTRER EN SOI VIDOLL NightingeiL Also: E'm~grief~, Vior gloire, ネガ, UnsraW, D'LORE.

Holy fucking shit yes. I am still looking for more material beside their 'In The Dark' record and the split with Gilles de Rais. But they're so impossible to find.

YOHIO comes from a very rich family, that is the only reason he gets to play with guys like GACKT.

I've actually never enjoined Sui's more harsh vocals and like his melodic vocals better.

There goes another gem.

Why don't they just call it neo-glam metal? It's not visual kei, gods.

L o l, this is sarcasm right?

Today I won a World of Warcraft: Warlords of Draenor expansion (pointless to me, as I do not play the game at all), and a PC version of Call of Duty: Advanced Warfare. And on top of that, a day in the editorial office of Power Unlimited, the Netherlands' biggest gaming magazine and website.

That priceeeee - anyone got a way to avoid custom costs on that?

Glad there are still bands out there who dare to step out of the comfort-zone regarding vocals.

It's French/English spoken and set in Paris, but it's actually a Legendary Pictures produced picture, thus American. Some good titles... seeing as I cannot seem to find the most underground of underground (and underrated), the ones I'll name are probably already known to you, as well. "The Last Will and Testament of Rosalind Leigh", The Dyatlov Pass Incident (Devil's Pass)", "The Quiet Ones", "Devil's Due", "The Unborn", "The Possession of Michael King", "Grace, the Possession", At the Devil's Door", "The Possession", "Shutter", "The Devil Inside", and those are the ones that are highest up on my list of recently watched.

I feel as if I am running dry on what horror sub-genres I enjoy. I do not quite feel anything for slashers and gore (quite frankly, it is not that I do not enjoy them because of the fright, but I simply do not see the appeal of flying guts and intestines) and am always leaning toward hauntings, possessions and classes related to other demonic ánd angelic entities of any sort. Perhaps I am simply not looking in the right place, but I am having a difficult time finding good titles. Recently I have seen As Above, So Below, (it did actually catch my attention because of the title itself — with me being a BEHEMOTH fan) and it did honestly have me on the edge of my seat (bed). It has been some time I did actually grow anxious about a film and while I have seen relatively bad commentary regarding this title (however, I cannot quite ever find positive commentary on the horror genre on popular movie-collective websites such as IMDB), I do absolutely recommend it to those who have not seen it yet. It is mind-twisting and often confusing yet holds a certain thrill I had not experienced in some time. The idea of being trapped so far underground has always been maddening to me, and especially with this wrenched version of hell I certainly did enjoy myself diffidently.

I finally decided to give Destiny a rest — doing the same thing over and over again (a sign of obsession?) just isn't much fun anymore. I am not even certain whether I shall purchase the DLC the moment it comes out next week, it's time for something else for a while after having played every single day since the release date. Currently I am involved in Pokémon: Omega Ruby and Far Cry 4. Both are keeping me entertained quite a lot and I have a hard time deciding between the two of them, haha. I am also still attempting to finish the Assassin's Creed series up until Unity, but the games are so time-consuming.

I heard so many homophobic comments today — ew, get these narrow-minded people out of my life. — and to avoid double posting, I finally got that damn shiny Sunkern on GPX+, it took me a freaking year and 1531 eggs to hatch it. Most useless Pokémon there is but I am happy with this piece of crap.

I've disliked quite a few artists and bands as they were favourites of people who treated me terribly — abused my trust every day, stole from me, threatened me, etc. Those were mainly Satsuki and lynch., however this is no longer the same as I've completely dismissed those people from my life and I happily listen to these artists.

There is no structure in this track at all? I cannot even explain it; the music simply does not work, if one can even call it as such, it does not flow or go well together and it seems like all four members just recorded a separate piece for their instrument without even having listened to the other. Within the guitar work there is no distinct usage of chords or musical scales, not in the slightest. TZK does not even sound like he is trying, his vocals are so messy and it sounds like they recorded the entire track in one single recording by pasting each other's parts over the rest, because MiA and Meto are missing notes everywhere and the vocals are different in every verse that repeats itself.

Raven makes me cry with how terrible it sounds, like... what is that crap? I cannot believe how people did/do overhype that track. Just give me Slivers.exe, KILLING ME, Sabbat and カルマ-瓦礫のマンティコーラース-, anything where they weren't generic yet, that makes me happy enough.

That probably won't happen. Their first three releases were so solid, man. Everything after that went downhill like a freight train.