this album is, despite of its seemingly chaotic structures, a very melodic one with song-craftsmanship beyond all their previous releases, beatiful stuff there. i'll start with a trackbytrack
01 December:
classic dreamy boris stuff, hello there "my machine" loving it, great opener
∑/10
02 Elegy:
heavy stuff, but very melodical aswell, i like takeshis vocals in this one, which is rare
┼/10
03 Evil Stack
well, a noise-filler/transition, works fine, but doesn't need a score
04 Monologue
starts of as another dreampop/rock song and goes into epic monumental rock of sorts.
intentional or not, i would have preferred the leadguitar to be in tune very much
Δ/10
05 Method of Error
sperimental doom-noise-stuff with some stoner-sludge-blues in the later bits, need a bit more time to get into it (some issues here i'll adress later on...)
¶/10
06 Bataille Suere
Stomping supergroovy drop G# StonerDoom. this song will SLAY live!!!!
↕/↔
07 Perforated Line
see "Evil Stack" + awesome twist in the end
08 Castel In The Air
boris, i love it when you're creepy
€/10
09 Mirano
another actual "conventional" song on this album, and a beautiful at that, beatifully melodic at times and still undeniably boris all the way, takeshi could've tried a few more vocal-takes tho
this one will be great live too
√/10
10 Canvas
droooooooooooooooooooooone, nuffsaid
œ/10
11 Maeve
sperimental noise-collage-outro. works fine, no rating needed
BUT!
(tl;dr, sounds like shit)
and i'm terribly sorry to always be the douche that's nagging about production and mixing and stuff, but this is just terrible. i don't know what happened to boris, if they changed the mixer/producer or whatnot, they sounded so incredibly good a few years back.
hell "aileron" from heavy rocks 2011 is my personal blueprint of what psychedelic/stoner/doom/sludge/yourmum SHOULD sound like, attention please, original heavy rocks, pink and the likes were awesome too.
but ever since second edition "new album" came out its like a wet dog farting in your ears.
and i'm not talking about low-budget and DIY stuff or static-noise and the likes (although i'm pretty sure that noise could've been avoided aswell, but ok, that's part of the charme i guess)
there doesn't seem to be a single cymbal hit on the entire album that doesn't clip into the digital reds, which results in the sonic equivalent of stepping on a lego... with your ears!
all that treble-heavieness is most unpleasant with the vocals where every single drop of spit of takeshi is so incredibly annoying, beeing plastered all over your face and/or tatooed on your foreskin.
those can be wanted effects for noise-glitch-industrial and stuff, so to some amount of boris catalogue aswell, but there's really no point to it on a record like this.
also what is the point of heaving the arguably best and most monumental hoover-dam-like amplifiers and drumkits if you then record/mix it with what seems like a mixture of an iphone and a gameboy color (mastered on a toaster perhaps...)
with heavyrocks aileron you can listen to it on ridicculous levels, with the higher the volume, the higher the pleasure (dammit, i once booked the studio in the middle of the night just to do exactly that, probably three hours of nearly live-level heavy rocks satisfaction)
with everything from newalbum onwards even at moderate levels it just makes you want to pearce needles through your ears to make it hurt less.
please make the loud song comparison yourself, aileron vs. methodoferror...
i guess i'll once again, just like with cosmos, have to do my own personal "remaster" just to make it sort of tolerable, because i very much would want to listen to this frequently, but in it's current state this is just torture for me.