Aferni

......Wtf is is going on?

This is just a joke........
 
 
Right........
 
RIGHT.....?!

I really hope they publish an Album soon, mainly because I want to hear a full version of My Head Bursting Open Call A Doctor. Hopefully the next release contains it.

Basically.
 
It's just music. Anyone who is taking it that seriously is probably not enjoying it as much as they could. Go. Be free little butterfly, and go listen to new things. Seriously. No one is mad because you want to listen to other music. VK isn't a prison. You can go explore other things. Heck, you might even come back to it some day. *le gasp*

Congratulations! You have realized how shallow the depths of visual-kei is. Now feel free to look beyond the lake that is visual kei and move into the ocean of alternative J-music.
[/sarcasm]
But in all honesty, the reason why we split the download forums into two is precisely because of users like you - people that tire of visual kei music but not necessarily Japanese music and are looking for a bit more. Don't limit yourself because of labels or phenomena or "omg what would zess think!?!?!". If you don't like visual kei anymore, look elsewhere. I guarantee you there's plenty of music in Japan alone to keep you occupied.

BabyFetal
Sex Japan
Plastic Glooms
Same Shade
La Puta
Ayabig
Feature Feature
MatenRaw Opera

^ I know right? that's an awesome idea
 
I like it how active they're on Twitter and Vine
 
I know the quality is not really good
They're talking about Christams (during their Childhood)?
 
http://us.twitcasting.tv/mbhi_official/movie/119002826

don't care about TeddyLoid but this amv is fucking awesome and deserves its own thread. 

I'm waiting for an album..the preview is just too good.
 
 
and also these..
 

 

 

 

 

 


 
 
 
I love how Ryo , Daisuke , and Koryu do cover's of MBHI's songs. <3

@Aferni: THIS.
 
That is first and foremost on my list too

RELEASE THIS NOW

RELEASE THIS NOW

THIS WEEK IN AKAME GA KILL!:
Absolute fucking non-sequitur! I swear to God that was the most jarring transition I've ever seen in anime. What happened to the fight? That was like one episode of Dragonball Z ending with Goku and Frieza about to fight, and the next episode starting with all the Namekians on Earth. How are they going to go back and explain what happened now without everything seeming so out of place?
Also we only have three episodes left apparently? They're catching up to the manga fast since they skipped ~20 chapters with one episode, but they also decided to do an original ending so I have no idea how it will play out now.

Started Akame Ga Kill yesterday and I've seen 6 episodes so far. My biggest problem with this show is that it's shounen. All those ridiculous and huge weapons and that "every character must look different and unique and weird!!!" mentality. Yeah, maybe I have myself to blame for that but it just annoys me that this could be something way better, but I guess that goes for 90% of the shounen series imo. Another problem is that the writing is so amateurish and the back stories of the characters so far feel way too rushed and even stupid. But I've heard that it gets better so I'll just keep watching.

Not a chance. They suck.
 
Their first demo was good.
 
Then...they became generic. This first album isn't really good. In fact, all the songsound the same.
 
But, I think they will become an influent band with new neophytes (like MEHIBRAY, Royz and bands like that who are famous but not good).

Artist: アルルカン Album: ニア・イコール Score: It's called near equal because all the songs are just as good as one another.
In life, the first impression is everything. This applies even to music, doubly so for visual kei bands. The first visual kei band in a long time able to combine metalcore with dubstep in a way that didn't make me want to smash my head against a wall, アルルカン's single 墓穴 left a good impression on me. With all their ducks in a row, the announcement of their first full album piqued my interest. I was curious to see what direction this nascent band's first full-length would go in, how many risks they would be willing to take, and how far they bend their approach to music before something gives.
 
However, the second impression is just as important. アルルカン play it safe with near equal, opting to neither amaze nor disappoint. Previously released singles 墓穴 and Eclipse hover a cut above the rest, but there's not a gulf of difference between the old tracks and the new tracks. If anything, they all sound interchangeable. This is both a good and a bad thing.

This is a good thing because it shows that the first few releases weren't a fluke. Their overall sound remains the same, borrowing elements from their peers while also excelling at what they play. 暁-aki- has nice growls with a penchant for catchy hooks and the guitarists have an ear for good riffs. Many of the songs give off the same vibe and toy with the same ideas in a different way. I understand that they are a new band still finding their way, but their bag of tricks is small. They've already recycled such ideas like the dubstep sample over a breakdown, or the overused aggressive verse/uplifting chorus dynamic. As always, the melodic parts kick ass, but it wouldn't hurt to let in a few more influences take over during those moments. The melodic bits are 90% of why this band sounds as good as it does.

We can break up the songs on near equal into three categories. The first is the energetic metalcore numbers that form the backbone of their sound, such as opener 暁 and single 墓穴. There are some more electro rock oriented tunes such as Alive and あの窓に教わった事. Then there is アルルカン's softer side with ending track clepsydra and カレイドスコープ, where one can catch some power chords and piano on display. One look at the track list and it's clear that similar sounding tracks are close to one another. Thus, this album flows in phases instead of hopping between all the different approaches. Whether this is intentional or not I do not know, but it wouldn't be wrong of me to say they had three ideas going into this album and they made those three ideas work as best as they could.

This also leaves me with little else to say about any song in particular, as all points of praise or criticisms noted apply to most of the songs equally.

Does アルルカン miss the mark? While I would have been pleased if they had exceeded my expectations a second time, they delivered at the level I expected them to. It's an enjoyable, but forgettable album. That's not to say that near equal is bad. It's all rising action and no climax, and the abundance of familiar tracks don't help any. There are also moments in individual tracks where the transition between two phases of the music aren't as clean as they could be. There's an undeniable feeling of dissatisfaction at the end of the album, as if the blistering pace and raw energy teased at with prior singles doesn't translate well into a full album. Next time around - and there better be a second album - these rough edges should be polished up.

This is a contender for one of the top visual kei albums of the year - although that's not saying much - and アルルカン has set the bar for visual kei at a comfortable height. If this band continues activities at their current rate and find some way to make their sound more memorable, I can see them gigging at Budokan in a few years.

Three cheers to no tragedies and more music from visual kei's new poster boys.

Will be doing misheard lyrics of Jrock song's starting with NOCTURNAL BLOODLUST and Arlequin. feel free to do songs.
 
Gift Of Prophecy. [NOCTURNAL BLOODLUST]
________________________________________________________________
 
EYOOOOOOOOOOOOOO
FREYAHHHHH
GO!
 
What if you could sound rape me?
What if you could cow run me?
What if you could down run me?
WITH ASSAHMAH FAISHAHHHHH
 
Follow your fate, follow your fate, follow your fate, theres nothing you can chew.
WITH ONE I SIT AND RACE DOWN WITH YASSSAFAH EEEEEEEEEEEEEEESAFIRIE HE CHOSE EYAHHHHHHHHHHHH
 
Follow your fate my last hope is garn. Ive had no choice to be alive since i piss bourne. Follow your fate my last hope is garn. EYAIII HAVE NO CHOICE TO BE ALIVE SINCE I WAS BOAAAAAAAAAAAAAAAIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII
 
JUST LIE TO ME, DEVESTATE ME, RUSH ME EVERYTIME. A LEGAL RIGHT IS BORN JOSHIN ME TIL IT DOESNT CAKE. EYAHS MY CREATION , DICK HATES YOU I TEAAAAAAAAAAAAAAAAAAAAAAAAAAAAA. DEYOHHHHHHHEEEHHHH AHEBOTEHHHHHH ON ME FOYAI WAISHEEEEEEEEEEEYAAAAAAAAAAAAAAAAAAAHHHH. UGHOOOOOOOOOOHHHHHHHHHHHHHHHAHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHOOOO. *guitar Solo*
 
JUST LIE TO ME, DEVESTATE ME, RUSH ME EVERYTIME. A LEGAL RIGHT IS BORN JOSH ME TIL IT DOESNT CAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAKE
 
Follow your fate my last hope is garn. Ive had no choice to be alive since i piss bourne. Follow your fate my last hope is garn. EYAIII HAVE NO CHOICE TO BE ALIVE SINCE EYES BOWL. I chain a walll stupaye I cant belive yo. I wait for naillls for race , when i am not dead EYYYYYYYYYYYYYYYYYYYYYYYYYYYYYAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAIIIIIUHHHHH. YOUR FATE. YOUR FATTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTE. YOUR FAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAATE, YOUR WRUNG FAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAATE.
 
 
 
 
 
 
 
haakana [Arlequin]
___________________________________________________
 
OHHHH PEOPLE TRUST NUT, ICH TU DE RAIS
IT MAY OR MAYNO TO BE TWO
DESPAIR WAS NEVER WORTHY HOW CAME OF IT TO BE SO
STOP DANCING ON OUR GRAVE ANYMORE
 
 
 
OHHHH PEOPLE TRUST NUT, ICH TU DE RAIS IT MAY OR MAYNO TO BE TWO DESPAIR WAS NEVER WORTHY HOW CAME OF IT TO BE SO STOP DANCING ON OUR GRAVE ANYMORE   (Only did this part because laziness)

青空ギロチン
 
                                                    Aozora Guillotine is the latest release by My Bacteria Heat Island the new band of ex Kurt and ex. Kiss My Way vocalist Taira Kazuhiro aka TenTen.
 
 

 
 
 
 
 
We'll start with 青空ギロチン, Aozora Guillotine, Blue Sky Guillotine ect. I first heard it on youtube since MBHI uploaded it on their yt page, and I have to say it's pretty decent. Some of the riffs and playing was strange sounding in comparison with TenTen's vocals but for MBHI I think that is fitting. The reason I say that is because I feel that heaviness suits them seeing as almost all of their songs are br00tal. But as I say that it was also weird to listen to as it was in two diff tones. I honestly liked the guitar solo at the end of the song and the guitars that followed it's a rhythmic head banging moment...well for me atleast. One reason i didnt fall in love with this song is because it wasn't like their first release, Nisshin Geppo. Which was itself very heavy with lots of TenTen's squealing and what not.
 
 
Onto .汚染区域 , osenkuiki, Contaminated Area
 
Now this, was great. I liked the preview PV spot for osenkuiki and I knew I'd love the full version, the second PV spot definitely arose my interest in this song, my major interest would be this song's lyrics. I've read one line of the song's lyrics on twitter, I believe the person who posted it was the MBHI lyric bot. The line involved something pertaining to politics, and you can tell the beginning when TenTen is squealing his balls off, is squealed in English. For some reason I always hear two things at the beginning , "This shit be war we're plentiful, nuke , fire, war. You can wake up til I yell" Or "There should be war, we're pitiful , no firewall, you cant wake to liar". I hear one or the other every time i replay the beginning of the song. One part was distinguishable to me at 0:45 -0:59 "Wash out everyone we know, Wake Up....and bask". So yea, this song tell's a deep story no doubt,  it's just hard as fuck to find a full set of MBHI lyric's you know....unless you have someone to do scans of the lyric book or you yourself do them. One thing about this song that I didn't like is that it felt very rushed and by that I mean, to be a 3 minute song it kind pulled a Sonic The Hedgehog and sped by.
 
 
Next we have 世界はそれを見つめるしかない, sekai wa sore wo mitsumerushikanai, The World Can Do Nothing But Look At It
 
Now this is cute. I absolutely loved this song to the core, it reminded me of when I used to listen to Uverworld's - "Colors Of The Heart". Yes, I know that is a very unfitting comparison but this song gives a nostalgic feel to it, reminds me of my freshmen day's in high school. I'm all for MBHI's downright heavy sound but this.....they should do shit like this too, this is beautiful. TenTen's clean vocal's would have to be my favorite aspect of this song. Even though I feel they didn't fit in Aozora Guillotine they fit in this song because the tone of everything is where it's supposed to be, unlike in Aozora Guillotine where the vocals were unfitting in one part, and fitting in another part. Where as this song it's just right, like a well shaped woman, nothing too flat, nothing to big, ,not too tall, not too short , just right on target. Like a bulls eye. (That analogy and comparison was very shitty but w/e)
 
Onto PreDatoR
 
NOW THIS, THIS IS WHERE IT'S AT. You ever have that song that just fill's you with hype and make's you want to jump around to the rhythm , not like a maniac but not lazily. The kind of vibe where you're just like "Oh yeah, I'm feeling this".This song is pretty boss, feels like something you'd hear in an anime and that vision sends chills up and down my spine. MBHI is really dragging me onto it's bandwagon with this release, I'm betting the next release will win me over, they have quite the Set-list to actually preform a 3 month consecutive release but meh cant rush geneous i geuss.
 
I give this single a 9 out Of 10
 
As a person who really doesn't listen to MBHI I  recommend this to you if you enjoy a diverse type of sound (Not D.I.D. diverse because D.I.D. is better than MBHI lmao)

ATTACK ON TITAN IS TRASH! IT'S A GOD AWFUL ANIME WITH A CRAPPY PLOT

Ray session band "れいちぇるバンド改(Raychel band kai)" will perform at プラセボ(placebo) presents live "妄想記念日(mousoukinenbi)" at Birth SHINJUKU at 2015/01/07
 
"れいちぇるバンド改(Raychel band kai)" members:
Vo.ミナミ(minami) (ex-ROGUE)
Gt.ヨシト(yoshito) (ex-アヴァンチック(avanchick))
Gt.MAST (ex-VABeL)
Ba.Ray (ex-NEGA)
Dr.樹(tatsuru) (CLØWD(support))

青空ギロチン
 
                                                    Aozora Guillotine is the latest release by My Bacteria Heat Island the new band of ex Kurt and ex. Kiss My Way vocalist Taira Kazuhiro aka TenTen.
 
 

 
 
 
 
 
We'll start with 青空ギロチン, Aozora Guillotine, Blue Sky Guillotine ect. I first heard it on youtube since MBHI uploaded it on their yt page, and I have to say it's pretty decent. Some of the riffs and playing was strange sounding in comparison with TenTen's vocals but for MBHI I think that is fitting. The reason I say that is because I feel that heaviness suits them seeing as almost all of their songs are br00tal. But as I say that it was also weird to listen to as it was in two diff tones. I honestly liked the guitar solo at the end of the song and the guitars that followed it's a rhythmic head banging moment...well for me atleast. One reason i didnt fall in love with this song is because it wasn't like their first release, Nisshin Geppo. Which was itself very heavy with lots of TenTen's squealing and what not.
 
 
Onto .汚染区域 , osenkuiki, Contaminated Area
 
Now this, was great. I liked the preview PV spot for osenkuiki and I knew I'd love the full version, the second PV spot definitely arose my interest in this song, my major interest would be this song's lyrics. I've read one line of the song's lyrics on twitter, I believe the person who posted it was the MBHI lyric bot. The line involved something pertaining to politics, and you can tell the beginning when TenTen is squealing his balls off, is squealed in English. For some reason I always hear two things at the beginning , "This shit be war we're plentiful, nuke , fire, war. You can wake up til I yell" Or "There should be war, we're pitiful , no firewall, you cant wake to liar". I hear one or the other every time i replay the beginning of the song. One part was distinguishable to me at 0:45 -0:59 "Wash out everyone we know, Wake Up....and bask". So yea, this song tell's a deep story no doubt,  it's just hard as fuck to find a full set of MBHI lyric's you know....unless you have someone to do scans of the lyric book or you yourself do them. One thing about this song that I didn't like is that it felt very rushed and by that I mean, to be a 3 minute song it kind pulled a Sonic The Hedgehog and sped by.
 
 
Next we have 世界はそれを見つめるしかない, sekai wa sore wo mitsumerushikanai, The World Can Do Nothing But Look At It
 
Now this is cute. I absolutely loved this song to the core, it reminded me of when I used to listen to Uverworld's - "Colors Of The Heart". Yes, I know that is a very unfitting comparison but this song gives a nostalgic feel to it, reminds me of my freshmen day's in high school. I'm all for MBHI's downright heavy sound but this.....they should do shit like this too, this is beautiful. TenTen's clean vocal's would have to be my favorite aspect of this song. Even though I feel they didn't fit in Aozora Guillotine they fit in this song because the tone of everything is where it's supposed to be, unlike in Aozora Guillotine where the vocals were unfitting in one part, and fitting in another part. Where as this song it's just right, like a well shaped woman, nothing too flat, nothing to big, ,not too tall, not too short , just right on target. Like a bulls eye. (That analogy and comparison was very shitty but w/e)
 
Onto PreDatoR
 
NOW THIS, THIS IS WHERE IT'S AT. You ever have that song that just fill's you with hype and make's you want to jump around to the rhythm , not like a maniac but not lazily. The kind of vibe where you're just like "Oh yeah, I'm feeling this".This song is pretty boss, feels like something you'd hear in an anime and that vision sends chills up and down my spine. MBHI is really dragging me onto it's bandwagon with this release, I'm betting the next release will win me over, they have quite the Set-list to actually preform a 3 month consecutive release but meh cant rush geneous i geuss.
 
I give this single a 9 out Of 10
 
As a person who really doesn't listen to MBHI I  recommend this to you if you enjoy a diverse type of sound (Not D.I.D. diverse because D.I.D. is better than MBHI lmao)

^ to stretch is his habit
 

D'espairsRay -> Desperate 'A' -> D'hairSpray
Dir en Grey -> Dead and Gray -> Die and Stay -> Deer and Grey -> Deer filet
Mucc -> Succ -> Muccthulhu -> Muccdonalds 
Girugamesh -> GiROOgamesh (you know, from that one Sakura-Con commercial...)
the GazettE -> the Gazelle -> the G'Annette -> the Not-It -> the Stop-It
9goats black out -> let's all black out
Sadie -> Lady -> Shady
Sads -> D:
Screw -> Nail
12012 -> 21021 -> 000101101000100
born -> died
Plastic Tree -> Plastic Fork 
SuG -> SucK -> BuG -> NuG -> GuS
Gackt -> Hacked -> Snacked  -> Gackk! the god and death stars -> the god and death star

Pulling a Demon Android :
Doing the exact same thing he did on this forum, claiming your name on something that isn't your's and throwing it into the open as well as posting old shitty rip's of old band's without posting the format, and or date that it was released along with the absence of cover art for what old shitty rip was posted.