Eraser

Soo looking forward to this! lynch. is one of the few band that has never disappointed me.

I really want them to stop making these awfully bland black & white covers for the regular editions. It just represents the unimaginative nature of their music these days, sadly.

Lament. new single & mini-album will be released in 2016/11 and 2017/1, respectively.

To just add to the points above - many of the people who have TRIED to contribute news have been constantly antagonized and oppressed by trombe's actions. @Traxanis NOT the only one to have experienced this. What most of you guys DON'T see are the endless complaints about trombe that the staff receives from other members about how their own contributions are being impeded upon. Other great contributors like YNS and numetal were mentioned - the difference is that they don't actively try to prevent other people from contributing as well. They do their part for the community and allow others to do the same. No one has EVER been against trombe posting news. Hell, he's free to post as much news as he wants as often as he wants, but there's no need to step on other people's toes.
 
And to even assume that the staff did not value trombe's contributions is absurd. trombe has been problematic for years now and the staff have tried their hardest to work with, honor, and appease trombe because his contributions were so meaningful. But what do you do when you give someone a special rank, color, and their own special set of permissions - when you give them the power to contribute more efficiently and they just abuse that power? What do you do when you're a staff member trying to address a problem and your efforts to communicate and work out said problem are blatantly ignored? What do you do with a user who is constantly praised and literally the member with the most likes on the entire forum BY FAR, yet this member bitches and moans when a few threads (out of hundreds posted every week) don't get any replies (despite plenty of page views)?
 
The staff have literally bent over backwards for trombe. If It was up to me, I would have perma-banned his ass ages ago - because I wouldn't want to keep dealing with his constant bullshit, his shitty attitude, and his inability to actually talk shit out and reason. Fuck that, he can kick rocks. Dude was fuckin' temp-banned for a week. A MOTHERFUCKING WEEK. Bruh...And yall think the mods don't value this guy? No one in their right minds would continue to put up with this nonsense if they didn't actually give a shit.
 
I mean, I get it. I understand that emotions are high and people are upset about losing a contributor as outstanding as trombe, but at the end of the day, It should also be understood that trombe is leaving of his own accord - not because of the staff, or "trolls", or some ridiculous behind-the-scenes plot. So again, I say good. You should leave if you're not willing to cooperate and be a part of this community.
 

It's truly incredible what this band has become in these past years. Incredibly messy and pointless.

Nice find, looks amazing! However, I'm pretty sure they got the idea from 12012.

INTERSTING:
 
So it seems the COVERS FOR DOGMA AND UGLY are part of  so called MOTHERLAND CHRONICLES by TOBIAS KWAN so we could easily look on another new release after UGLY or next MOVEMENT!! CHECK IT OUT!!
 
We will have to wait and see...
 

 
 
CREDITS: GAZETTE FANS

I'm not even listening to the leaks but this prick is still reminding me how fucking unbearable GazettE fandom is.

I still like it better than just a one-word album title. Theres too much of that

There's still Katatonia albums to pass the time!

It was painful to watch someone unboxing this thing in a fast food restaurant.

Why does that Kai screenshot feel like a meme to me.. "I deny everything" lol

"THE GAZETTE's New Song Is Japan's Answer To Bands Like KATATONIA"
 
 

not baddd~

Artist: MUCC Album: T.R.E.N.D.Y. -Paradise from 1997- 1. 睡蓮 (Suiren) 2. D・f・D (Dreamer from Darkness) 3. B.L.U.E -Tell me KAFKA- 4. HATEЯ 5. レインボー (Rainbow) 6. Rendez-Vous 7. TONIGHT
Rating: | Something old, something new – finally something decent!
 
I love MUCC, I really do. That’s why I’ve been a bit pissed at them for not getting their act together ever since they dropped that monstrosity of an album Karma. Sure, they had some quality songs along the way, but not enough that I could bear listening to a whole album of theirs without cringing every few minutes. So, understandably, I approached their latest offering, T.R.E.N.D.Y. -Paradise from 1997- with extra caution… only to find that my fears were pretty much baseless. Let’s see how this giant of a 'mini' album goes, shall we?

First off, "Suiren" is a fitting opener with its faint background vocals and ominous guitar strumming that soon turns into an insistent synth riff, leading into chunky distorted guitars reminiscent of the band’s heyday of nu-metal stylings. Just from these beginning few minutes it’s evident how MUCC upped the game this time, mixing something old with something new. As promising a start as it is, I can’t help but feel that the track’s a tad too long for its own good (almost 8 minutes, seriously?). Next up is "D・f・D (Dreamer from Darkness)", delivering another riffalicious outburst followed by surprisingly laid-back verses. The guys soon pick up the level of aggressivity though, as well as the pace, with varying results. Some metalcore-wannabe riffage, that proverbial dead horse, also finds its way into the mix, but not in annoying amounts. A solid song, all in all.

Next up, we’re treated to something lighter as "B.L.U.E -Tell me KAFKA-" begins – or so we think! Miya whips out his heavy metal chops once again, reliably chugging along with a steady drumbeat. I have to give props for the wonderful chorus, guitar solo and sick breakdown as well. It’s a song that perfectly showcases MUCC’s gentle and powerful sides equally. As "B.L.U.E" winds down, we’re led into the next number, "HATEЯ", with a peculiar poppy beat (Tatsurou & co ain’t no hollaback girls!). Despite this initial light-hearted impression, "HATEЯ" turns out to be the obligatory zetsubou-ridden teenage angst anthem of the day. It’s not as lame as it sounds, thankfully, throwing in some well-needed tempo changes and a soaring, melancholic chorus with an exotic touch.
With that, it looks like we finally arrived at the calmer point of the release, as evidenced by Tatsurou’s gentle singing over some simple but touching guitars. "Rainbow" isn’t exactly what you’d call a standout track, but it proves to be a breath of fresh air after the intensity of the previous songs. With its subtle atmosphere, emotional (but not sappy!) melodies and steady mid-tempo beat, it would’ve even fit on an album like Gokusai. The follow-up, "Rendez-Vous", changes it up with an interesting electro-rock mixture yet again, complete with dubstep-inspired breakdown (that actually sound somewhat decent). Despite all its efforts to become memorable, it falls a bit flat though. Thankfully, we have "TONIGHT" to close this T.R.E.N.D.Y. mini album: a weird Frankenstein-monster of cheesy heavy metal clichés and gang-chorus punkiness, but it totally works! It’s never a bad thing to end your album on an energetic note.

All in all, I’m quite impressed with what MUCC cooked up in the studio this time around! I went in with no expectations whatsoever, but these guys proved that they still know how to craft catchy and memorable tunes, even if not quite at the same level as, say, in their glory days. All these past years I’ve been waiting and waiting for them to deliver something cool, and they finally came through. Moreover, the mini album (even if the songs themselves are pretty long) has an ideal length: it’s almost begging me to start over again and again. And that is what I shall do.


Support the band! T.R.E.N.D.Y. @ iTunes (US)
T.R.E.N.D.Y. @ CDJapan
T.R.E.N.D.Y. @ Yesasia