Peace Heavy mk II

(yeah....)

Jig is actually both of those people.

Probably the only Penicillin cover act I wouldn't find offensive.

Finally!!!!!

Throwing my initial skepticism aside, I decided to give YOHIO's album a spin. Much to my surprise, what I found was something beyond my wildest dreams.
 
The record begins with a tasteful intro track that immediately sets the epic and grandiose mood of the album. As soon as the dubstep break kicks in, we can feel his undying urge to "break the border" which can be attributed as the overarching concept of the whole release. Next, we are treated to a couple of powerful and immensely catchy visual rock tracks. The overall spirit of innovation is present throughout, as the artist breaks those borders that limit genre classifications, melding his art into something transcendental - it's a musical "REVOLUTION" (to quote the title of one of the more outstanding and totally not tired songs of the record).
 
YOHIO shows us his versatility even more in the next segment (this album can easily be divided into separate thematic parts that make up a whole concept, but more about that later) that contains a more poppy type of music. Be it the infectuous power-pop of Heartbreak Hotel or the simply matchless never-before-heard intense beauty of Sakura, falling (penned together with Gackt, another maestro whose innovative song structures amaze us year after year now) YOHIO decides to conquer our hearts, taking no prisoners. Little do we expect the shocking continuation...
 
The album takes a sudden darker turn with the arrival of the next track. INNOCENCE is like the unrelentingly aggressive yet captivating masterpiece MEJIBRAY or the DIR EN GREY guys have tried and tried but failed to conceive over the past years. When YOHIO screams, he screams for all of us, and we immediately make that connection subconsciously - a transcendental and almost religious experience/bond between artist and listener. This feeling is then heightened and pushed to the extreme on the next set of more emotional songs, of which the highlight is TIMESCAPE, a totally necessary and interesting piano instrumental.
 
YOHIO continues with another instrumental number, this time showcasing his impeccable guitar skills. Seriously, for a moment I thought I was listening to Steve Vai but then I realized - YOHIO is the Steve Vai (Su...Suteibu Waii?) the Japanese market never had. Thus, in this sense BREAK the BORDER becomes much more than a mere album (however fascinating it might be): it is a cultural mission statement, a proclamation of creativity and the generous offer to hand down that exceptional creative streak to the thousands... no, millions who will surely be listening! Finally, the album closes with the ever-strong title track, concluding this fantastic musical journey.
 
In conclusion, we can say that YOHIO's debut album is not only a flawless set of songs but a concept album chronicling the inner drive and torments of the artistic mind. The first segment (tracks 1-3) does what, indeed, is in the title of the album: it breaks down the borders with its unusually innovative approach. The second part (4-9) symbolizes the conflictual emotions and desires he carries, a genius bogged down by the mere earthly elements of this world, the artistic spirit forever tied to ever-fallible physicality that entraps it. After we have broken all borders what remains? This fascinatingly diverse musical "anarchy" is calmed and concluded by the ending segment (10-12) that delivers the message of purity and staying true to oneself. The artist is reborn like a phoenix from the ashes, and can begin his musical adventures anew, sometime, somewhere...
 
A truly beautiful album if I ever heard one. This will no doubt be mentioned among the classics, when we take a look back a few decades later.
 
Fooled ya? ;D Happy April 1st!

Not sure if serious.

Why is one a fluorescent yeti?

^That's because they're not omggggggveekayyy xDD
They sucked. But had one of the best/cutest drummers in the buisness, Levin (ex-La'cryma). Hopefully he'll continue.

It can be done. But it hasn't been done RIGHT.
1. Native language only - no Japanese names, etc.
2. Don't market themselves as a "VK" band. Nobody in the real world is going to know what that is. And VK fans will just mock you.
3. No cliches. No lolita. No stupid belly-shirts. It looks terrible on Japanese people and even worse on everyone else. If I was going to form a VK band, I'd look for inspiration from couture/high-fashion first.
4. For fuck's sakes, learn how to DRESS. Every foreign "VK" band I've ever seen has had nerds in horrible Hot-Topic esque shit (ARM-WARMERS), horrible makeup, or both. Dress for your body. Drag queens are your friend. Even the most busted faces can turn it out with the proper contouring.
5. Make good music. Have a theme. VK is all about themes.
Here's proof it can be done. Behold, a white person looking fabulous in VK.
http://24.media.tumblr.com/tumblr_m8cot ... o1_500.jpg
See also: Jimi.
EDIT: And for the record, Seremedy look fucking terrible. YOHIO is the only one who has got it right. The rest can go.

How does one feel overwhelmingly existing?

I don't care about any explanations right now, they're one of my favorite bands, it hurts me they're going to disband. It isn't easy to understand when you don't care about the band this much... but they're very special to me, so it makes me sad.

I'm glad he still isn't wrinkly and gross.