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Ada Suilen

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Posts posted by Ada Suilen

  2. Posted

    On 12/24/2018 at 1:15 PM, The Piass said:

     

    The VIP-members can pre-order the CD until 2019.01.10.

    The album will have 8 songs. (Limited edition : 6400 yen; regular edition : 3000 yen)

    Apparently, they tried to experiment by implementing jazz, classic, violins, pianos etc.

    Tell anything you want, but Mucc is one of the few bands in Japan that never failed in exploring new horizons, so I'm in with this jazzy direction!!

    deadman and doombox reacted to this

  9. Posted

    On 12/18/2018 at 2:53 AM, colorfuljinsei said:

    Album is available on Spotify, YouTube, iTunes, etc.

     

     

    *Listened to it in full. I'm gonna be honest and say, while it's not great, it's really no different than budget pop-electronic stuff. A resounding "meh".

     

    Their aesthetic is still ass, tho. Roll back on the weird furry avant garde shit, might be more palatable.

    After Miyavi leaving his rocking roots on 2010 (even doing it good rn), two of the bandomen from MEJIBRAY, i repeat, MEJIBRAY, smoke something really heavy and decided to come here with 8P-SB... maybe the meaning of their name is Eight-Peluches-Sound-Bad...

    This is me right now...

     

  10. Posted

    Spoiler

     

    Best Overall Artist/Band: Asagi, The GazettE, Dimlim

    Best Album: Dimlim - CHEDOARA, The GazettE - Ninth, Asagi - Madara

    Best Single/Maxi-Single/EP: Mucc - Jigen Bakudan, Darian Marian - Loveless, Jupiter - Theory of Evolution

    Best Newcomer: Khryst+, Sarigia

    Best Veteran: Dir en Grey, The GazettE, Mucc

    Saddest Disbandment: Fixer, Kuroyuri to Kage, Morrigan

    Most Underhyped Band: Lovebites, Unlucky Morpheus, Sarigia

    Most Anticipated Release: The GazettE - Ninth, Dir En Grey - The Insulated World, Asagi - Madara

    Band that Changed their Sound for the Best: Dezert, Fest Vainqueur, Unlucky Morpheus

    What the hell were they thinking!? Award: Reign, Mamireta, Gossip

    Best Revival/Returns: Mirage, DuelJewel

     

     

    thom35 reacted to this

  22. Posted

    8 minutes ago, kuyashii said:

     

     I agree 100% with the first part of what you said but then you accidentally said something that ended up proving your own argument: people don't compare Sho to Kyo because he sings "clear notes" (which don't really mean anything to be honest), the comparisions stem for the fact that Sho also alternates between different styles of vocals like Kyo does each particular style (low growls, high screams, the "little kid freaking out" squeals, clean vocals, etc.) Sho does is audibly influenced by Kyo. That's definitely not a rip-off like you said, It's just that some people tend to ignore how each artist is influenced by others due to exaggerated adoration and often hail their favorite artists as "the best" or "the most original at what they do" when it's simply not true. It doesn't mean that Kyo is The True OG when it comes to mixing different styles of vocals in a single song since people like Mike Patton, Jonathan Davis or Serj Tankian have been doing that much earlier than Kyo did - but when it comes to J-rock, I'm pretty sure Kyo is the one who popularized that.

    Yeah you're right, at the end it's always a "Kyo Issue" (I like him a lot as vocalist, dont misunderstand me 🙂)

  23. Posted · Edited by Ada Suilen

    This "feud" thing in music confirms how little comprehension people has of music in general... for example I read that people are pissed because Dimlim's singer uses clear notes, claiming that he is copying Kyo, as if only him can sing such in a way... there's a BIG difference between SIMILARITY and RIP-OFF! But in general the fact that people goes out because they hear something "belonging" to previous band is so boring, because music is free expression and we can choose whether liking it or not, that's it. I think there's so much useless drama about that...

    Anne Claire, Jigsaw9 and saiko reacted to this
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