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Velocantide

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  1. Like
    Velocantide got a reaction from wesjrocker in Something I've finally realised about modern VK...   
    I was just listening through some VK top lists of 2015.
    This may not be very representative, but... UGH. Sorry, just in case I'm going to offend anybody here.
    I am not surprised that, despite their skills and dedication, half of that stuff sounds so fucking similar. Maybe because they're in the same key, using similar chord progressions. But I think to myself: Damn, VK has gotten stale as hell. The chorus is mostly just a nod to their other material. I don't even know how or why they produce B-sides on top of that. MEJIBRAY had two funny examples, just showing the chorus, and ugh. Same key, similar chord progression.
    This just shows me why I've gotten sick of VK. There might be a few exceptions, but they're what they are: Exceptions. Listening to 30 samples of different songs basically tells me: Hey, here we are. Lyrically, we use the same tropes over and over, just worded differently. The prettier you are, the better. There's like two notes that are different in our main melody than in our previous single. Wow.
    The rest of the song may sound different, but it all sounds so damn similar.
    It's not that it sounds bad, it's just getting indistinguishable. I used to be able to tell these bands apart, but now I simply can't. It's just like a big pile of mashed potatoes without taste, nor salt. That's BORING.
    Seriously, no wonder I've gotten away from it. Same formula everywhere. It's as if every single band is aiming to make their song usable for an anime intro or outro. IT ALL STARTS TO SOUND THE FUCKING SAME.
    I know it's close to impossible to innovate in a certain genre, but these bands aren't even trying. They're just using the same means to an end over and over and over and over. And people are still wondering why VK has lost so much popularity overseas? Well, you know, cool/pretty looks/makeup aren't everything. The music has to be recognisable. And whatever I heard just now is just something utterly and completely replaceable.
    They all need to step out of their comfort zone ASAP, or else they'll be deadweight over here in Europe. I keep hearing of new bands all the time, and out of 100, maybe 2 to 5 are interesting. That makes for a really awful statistic, peeps. It's horrible, and I'm starting to get ashamed about the fact that I used to like this.
    I suspect the main reason is the horrid music industry in Japan. But somebody has to counter it. I'm sure that some bands try, but they just fail to get recognition due to their innovation. But this scene needs just that in order to survive. Otherwise, it's pretty much dead - and only clings to hardcore fans buying their Type A, B, C, D, E, special edition singles for ridiculous prices.
     
    It just doesn't give me anything anymore. Does anybody feel the same? Can somebody name me artists that are exceptions to this rule? Please elaborate.
    Thank you kindly.
     
    TL;DR: Excusing myself upfront. Stating that VK is stale as fuck nowadays. Or maybe I didn't notice before, and now I do. Captain Obvious. Moved on. Asking for your thoughts.
  2. Like
    Velocantide got a reaction from platy in Something I've finally realised about modern VK...   
    I was just listening through some VK top lists of 2015.
    This may not be very representative, but... UGH. Sorry, just in case I'm going to offend anybody here.
    I am not surprised that, despite their skills and dedication, half of that stuff sounds so fucking similar. Maybe because they're in the same key, using similar chord progressions. But I think to myself: Damn, VK has gotten stale as hell. The chorus is mostly just a nod to their other material. I don't even know how or why they produce B-sides on top of that. MEJIBRAY had two funny examples, just showing the chorus, and ugh. Same key, similar chord progression.
    This just shows me why I've gotten sick of VK. There might be a few exceptions, but they're what they are: Exceptions. Listening to 30 samples of different songs basically tells me: Hey, here we are. Lyrically, we use the same tropes over and over, just worded differently. The prettier you are, the better. There's like two notes that are different in our main melody than in our previous single. Wow.
    The rest of the song may sound different, but it all sounds so damn similar.
    It's not that it sounds bad, it's just getting indistinguishable. I used to be able to tell these bands apart, but now I simply can't. It's just like a big pile of mashed potatoes without taste, nor salt. That's BORING.
    Seriously, no wonder I've gotten away from it. Same formula everywhere. It's as if every single band is aiming to make their song usable for an anime intro or outro. IT ALL STARTS TO SOUND THE FUCKING SAME.
    I know it's close to impossible to innovate in a certain genre, but these bands aren't even trying. They're just using the same means to an end over and over and over and over. And people are still wondering why VK has lost so much popularity overseas? Well, you know, cool/pretty looks/makeup aren't everything. The music has to be recognisable. And whatever I heard just now is just something utterly and completely replaceable.
    They all need to step out of their comfort zone ASAP, or else they'll be deadweight over here in Europe. I keep hearing of new bands all the time, and out of 100, maybe 2 to 5 are interesting. That makes for a really awful statistic, peeps. It's horrible, and I'm starting to get ashamed about the fact that I used to like this.
    I suspect the main reason is the horrid music industry in Japan. But somebody has to counter it. I'm sure that some bands try, but they just fail to get recognition due to their innovation. But this scene needs just that in order to survive. Otherwise, it's pretty much dead - and only clings to hardcore fans buying their Type A, B, C, D, E, special edition singles for ridiculous prices.
     
    It just doesn't give me anything anymore. Does anybody feel the same? Can somebody name me artists that are exceptions to this rule? Please elaborate.
    Thank you kindly.
     
    TL;DR: Excusing myself upfront. Stating that VK is stale as fuck nowadays. Or maybe I didn't notice before, and now I do. Captain Obvious. Moved on. Asking for your thoughts.
  3. Like
    Velocantide got a reaction from fitear1590 in 愛狂います。(Aicle.): 5 Levels of Crazy   
    I still remember them from their first V.A. single. I think it was Chocolate Biscuit Cream. Back in 2007-ish, I guess? I thought they were terrible. I didn't even like Necronomicon. But Hammerhead and PsychoxLetter won me over. They were a cool band. Kinda miss this diversity and craziness nowadays. Them not being around anymore is a bit regrettable, but hey - I think Yeti are cool, too! Just not as crazy and over the top - but they're cool.
  4. Like
    Velocantide got a reaction from hariwenjiyu in Does VK do it for you anymore?   
    I completely agree. The lack of interesting approaches is just causing burnouts to the genre, seeing that it shoudln't be tied to a genre in music (which it isn't, usually).
    But the repetition kills the excitement. Japan's labels are horrible, especially in terms of VK.
    One of my friends living in Japan met MUCC two years ago, and they were unhappy and lacked funds to sustain themselves. This is sad, and this needs to stop. It's sad to see them squeeze out creativity for the heck of it, while being exploited. No wonder critics don't enjoy their music anymore.
  5. Like
    Velocantide got a reaction from suji in D new maxi single "MASTER KEY" release   
    I honestly think Irokui pulled the Alice in Wonderland theme off better.
    Asagi is starting to get me creepy vibes by this point. :/ And I loved their older stuff.
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