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joyless

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    joyless got a reaction from bonsaijodelfisch in Current/Dream Gear   
    I believe the SPX90 was actually secondary to Shield's twin Midiverb II setup, which produced the majority of the reverse reverb stuff. I remember reading an interview that explained most of the stuff on the albums at least was a Midiverb II patch 45 set to 100% wet signal. I have one and it does sound extremely similar to what he uses. Also fairly confident the SPX90 was heavily used by Slowdive as well, so that's tight.
     
    Surprised this thread isn't more active. Going to bump it with my new setup. Put together a sort of "minimal rig" today for smaller/local shows/anything that isn't touring when moving numerous cabs and heads likely isn't worth it.
     

     
    Sunn SL260 60w 2x12 -> Peavey Supreme 160 (slave) -> Fender GE 412 4x12
     
    The Sunn is fairly loud on its own (unsurprisingly), but with the Peavey slaved to it the sound is massive. The Sunn stays at max pretty much all the time because for some reason the tone kinda sucks at anything below 8ish.
     
    The full "touring" rig is pretty similar. Instead of just a Peavey slave, the Sunn goes into a Fender Roc Pro 1000 which powers its own 2x15 cab and then cascades into the Peavey powering two 4x12s. It's exceptionally loud and very VERY clean even at max thanks to the ridiculous headroom in the SL260.
     
    Pedalboard is fairly simple considering I play in shoegaze bands. If I recall correctly, the signal chain is:
    Electro-Harmonix Micro Metal Muff -> Behringer DD600 -> Nose True Bypass Looper (essentially serving as a footswitch for an Alesis Midiverb II) -> Electro-Harmonix Big Muff Pi -> Electro-Harmonix Holier Grail -> Digitech JamMan Solo -> amp
     
    Will probably replace the Metal Muff with its larger variant (for more tone controls) and toss a Rat II somewhere in there as well. Might also add in an SPX90 just after the Midiverb II, but only if I can find one really cheap.
     
    Finally, the guitar going into this mess is a Fender Vintage Modified Jazzmaster. I have a number of other guitars on a rack in my room, but they don't really get pulled out enough to be worth mentioning. They're all either retired live guitars or more suited for recording.
     
    As for dream gear, probably a Roland JC-120, Fender Twin Reverb, Sunn Model T (or 200S) and a number of boutique/vintage fuzz pedals that go for insane prices on ebay.
     
    Hopefully the 2 or 3 gear nerds who read this over the next few years will find it somewhat interesting?
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