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ギャロ/THE GALLO various comment DVDs/photosets/live distributed CDs 2 old live distributed CDs, each containing 3 tracks. 7 old comment DVDs (1 is more of a sample dvd including live footage) Photos include 4 live shots purchased via convenience store in Japan 2010, two artist photos of Kaede and Wajow, 2 group photos (1 is signed by all members) 1 very large poster (Alice in world's end era) ask for picture! I do also have chekis of Jojo and Hikaru but I'm not sure where they are, if anyone wants them I can search my room and hopefully find them 😂 All items are shipped from Sweden. I'd like to sell the DVDs/CDs in a bunch but of course they can be purchased separately aswell. If anyone is interested, leave a comment or message me to discuss prices.

Hi, I’m in need of lyrics to the Gallo’s Kerberos lyrics appear on the video, can solenoidy translatora this to english?

SCAPEGOAT presents 全国TOUR 『死体は語る』Koriyama Club #9 2016/6/7 So I really wanted to see The Gallo while I was in Japan, and perhaps my best chance was to head up to Koriyama (about an hour away on the Shinkansen), a not particularly noteworthy city but that didn’t matter to me much. The day before I actually tried to use the 7-11 all in one business machine (or whatever they call it) to buy a ticket through Ticket Pia but the p-code listed on the website returned no results (maybe this was because the show was less than 24 hours away?). So with no more reassurance that I could get in after a train ride other than the fact that it didn’t say ‘Sold Out’ anywhere I boarded a train bound for Fukushima. I arrived at the venue (which had a real marquee out front!) about an hour before the doors opened hoping they had a ‘box office’ of sorts where I could buy a ticket. It turns out I could not, but maybe the most helpful staff member ever assured me if I came back at showtime I’d have no problem getting in. And when I returned he was super gracious about making sure I knew where the stage and bars were, props to you Club #9 guy. I imagine because this show was a bit more in the boondocks then the Tokyo or Osaka concerts I’d been attending, this was the first time I was the only foreigner in attendance… and I think I got a couple more (not unwarranted) looks of “what’s this old white dude know about VK?” than before. (All the attendees were super nice when we had reason to interact… which was mostly when I wanted to make sure I wasn’t blocking somebody’s view haha). This show started at a ridiculous 4 in the afternoon… do VK fans not have jobs or is it literally all high school girls and me in here? I think the entry foyer and bar might both be about the same size as the stage area at Club #9… yet they still have all the merch crammed here at the back. (though again the venue proves smarter than me because it was far from sold out and probably would’ve appeared painfully empty if they let people spread out any further.) Before the first band I headed up to the bar to grab a drink and marvel at the various band posters plastering the walls of the place. I don’t always even bother to cash in the drink ticket they make you buy at the door… but Club #9 actually uses little laminated tickets and I would’ve felt like a dick keeping that, intentionally or otherwise. On to the bands! IV - A band I’d never heard of. They’re like a filler VK band. Not good or bad. Hit the exact beats you’d expect them to. Here’s the headbanging at the waist part, here’s the jumping one way and then back the other part, etc. The worst part was the singer headbanging like he didn’t want to mess up his hair, get the fuck outta here with that. The bassist had a shirt that said “Less Stress More ____” with a block of white to fill in the blank, he definitely should write something in there. (or better yet get a cute fan to do it!) IV were eminently forgettable at this stage of their career. Forgot any melodies from their songs as soon as they stepped off the stage. As they were exiting the drummer tossed his water bottle into the crowd and it hit the floor and rolled limply to the feet of a girl near the back. After a second or two she resigned herself to picking it up and then offered it to fans of the band as they were filtering away from the stage. Between sets I spotted my first pair of earplugs on an audience member… though maybe there have been others with them covered by their hair. Iggy - To someone unfamiliar with VK you'd be hard pressed to explain the difference between IV and Iggy’s sets. But Iggy were acting like they *meant* it and having fun on stage. That feeling can come through a little bit on CD but is a huge factor in a live show. Iggy actually give me slightly Heisei-Ishin vibes during some tracks, so I was excited to see their set. The halloween looking guitarist came out with black make up smudged all around his mouth and lips and was definitely wearing gym shorts. I mean, they were VK-ified with some pointless zippers, but they were definitely just basketball shorts. Their bassist busted out a quick little slap solo that perked up my ears, not because it sounded great but because it sounded so unique in a VK song. The vocalist liked to make prolonged eye contact with people in the audience not participating, and also just used a girl up front to lean his foot on so he could get closer to the crowd at one point. Ouch. They played the song that stuck with me longest after the show/on the train ride home… always a good sign for a band. Nihilizm - Another band I have a soft spot for but would be hard pressed to explain why I like them over a hundred other bands that basically sound the same. I mean, I’ll be honest, the vocalist is not a very good singer. He’s like the epitome of an over nasally VK vocalist. But he was an imposing figure on the metal riser at the front of the stage screaming and snarling at the audience. Nihilizm also looked great, they came out with those red lace bands over their eyes that I think is just an aces look. They probably had the breakdown that sounded the most like legit deathcore (and there’s nothing I love more than skinny Asian boys who look like they’re cosplaying Louis XIV’s leather daddy courtesan rocking those downtuned guitars the fuck out.) Between sets I saw a bunch of those bowls (one of which I bought later) come out of girls’ bags… The Gallo must be next! ギャロ (or 大日本黒鶏主義者聯盟 as they’re going by for this tour for reasons I don’t know) - all had slightly matching sparkly black marching band inspired outfits (except for the support guitarist ). The stage left guitarist handed out small paper plates to the crowd before the music began so that even people who didn’t have an official Gallo bowl and spoon could join in the clapping (damn it I could’ve brought mine!) So I like The Gallo and their kind of weirdo, a little jangly take on VK; and the band lived up to that billing live. Jojo had lots of ‘I just escaped a mental institution’ faces and the other members too did lots of things I can’t describe as anything other than ‘weird’. Had some fun crowd participation bits. In addition to the bowl clapping, there was also one song wherein the crowd did a miniature version of the wave back and forth across the venue. During another the crowd all did that ska dance with the short little kicks I can’t remember the name of from high school…. Ahhh memories. Jojo, whose vibrato is just as intense live, could really wail like a banshee and was even a bit scary when doing so thanks to his blood red contacts and matching red lips. The guitarist could really bend backwards with the best of ‘em and did a lot of… I can’t really describe it was like he was feathering his strings with his fingers picking softly and rapidly. Their best bit of fun on stage was when the guitarist and bassist lined up behind Jojo and would pop out in opposite directions, or wave their arms to make a kind of hindu goddess figure from the front (if you’re as old as I am… think that Cosby Show intro with all the arms haha). Again, though, the support guitarist kind got left out of this. The song with the theremin did not have any theremin in it live (neither pre-recorded or extra-disappointingly played on stage). When their set ended the PA played a Gallo song and some of the crowd did the synchronized furi as if the show were still happening, glad to see the Gallo fans have as much fun as the band. (Though I must say Jojo seemed kinda angry or slightly detached during this performance, though again he’s a weirdo maybe it’s just part of the act.) Savage - Oh hey this is Depain with a new name (literally, not just that they sounded like them)! I would’ve paid them $100 to play Black Bother Barbarian. So they do dark/heavy VK with poppy choruses… which isn’t breaking any ground on wax but works for me live. When you’re not great musicians you can bury that shit in distortion if you’re playing metal! So the vocalist used to be charmingly bad but now he’s just average, I think I prefer the former. He does have a lot of confidence on stage though, and a slight oral fixation if how much he stuck his fingers in his mouth or spit water at the crowd is any indication. His best move of the night was crouching low on the riser, tumbling backwards into a reverse roll of sorts, then springing up perfectly timed to a big guitar/drum hit. I noticed the drummer looking totally envious of the other members during the ‘moshing’/diving part that he was stuck behind his kit not grabbing and throwing a bunch of pretty girls around. Ah the life of a drummer. Does anyone know which song of theirs (I’ve never listened to Savage) had the ‘whoa-oh-oh’s part? I rather liked that song, and enjoyed that the guitarist and bassist led the ‘whoa-oh’s rather than a pre-recorded vocal track. Reign - Reign, like And before them, are basically right at the center of the VK bell curve… it’s hard to have a take on them. They did do some cool roto-headbanging that included switching direction halfway through. Bet that took some rehearsing. Scapegoat - As the curtain opened one band member was standing on the riser posing with a scythe over his shoulders (which was probably intended to be badass but he also had a hat with feathers on it, which when lit from behind, may as well have been a straw hat lending the scene some serious scarecrow in a field vibes). To my surprise the scarecrow dude turned out to be the drummer… very rarely does the drummer get a chance to shine up front like that. And even more strange that the drummer had the most elaborate outfit of the four, in addition to the floppy hat he also had a very high vinyl collar. Scapegoat began their set with a piano and acoustic guitar ballad. Which would’ve been a really awesome move except we just listened to a pulsating SE track for their intro. The acoustic stuff should have just literally come first for more impact. Their bassist may have been the first VK bandman I’ve seen whose makeup was probably covering up a bit of a five o’clock shadow. He also achieved the lowest note I’d heard at any of these shows… he had my organs shaking during one track. So Scapegoat are by all appearances VK pros, and have some songwriting chops, but their tunes have just never clicked with me. It was a fun live, but I still left feeling that they were missing something. But I fully acknowledge that this is probably a failing on my part and not theirs. Different strokes and all that.

-Please, credit me if you re-post my lyrics, thank you! ^^ - Romaji : Lyrics : Jojo Music : Andy Shinjuku sokai de senryougun to kenka ni akekurete kiritsu ni kiba wo muku Hinkon no soko de yasuzake -bakudan- ni yoi nagara kyoukatsu wo kurikaesu Keishuu wo yaburisute ashita wo takushita baken ga benjo ni mai ochiru Dai Tokyo ni shouri ni kotoba wo onpu ni nosete dai kakumei no uta ga hibikimasu Shinjuku sokai de baishunfu ni hamono wo tsukitsukete seken ni kiba wo muku Konran no naka de kuchibue wo fuki nagara goukan wo kurikaesu Keishuu wo yaburisute ashita wo takushita baken ga benjo ni mai ochiru Dai Tokyo ni shouri ni kotoba wo onpu ni nosete dai kakumei no uta ga hibikimasu Fuyukai na jidai ni umarete akuma to keiyaku wo kawasu Fuyukai na jidai ni umarete akuma ni tamashii wo urisabaku Danshou -okama- no munagura wo tsukande chuushaki wo ubai tori kakuseizai -hiropon- wo kimeru Dai Tokyo ni shouri ni kotoba wo onpu ni nosete dai kakumei no uta ga hibikimasu Dai Tokyo ni shouri ni kotoba wo onpu ni nosete dai kakumei no uta ga hibikimasu Yume wo kurai tsukusu akuma domo ga hara wo sukasete kanshaku wo okosu ____________________________________________________________ ¤ All words surrounded by "-" are the words I actually hear instead of the written lyrics.　 (I'm not really sure of these words but I've found some articles on the Internet which can correspond to the written lyrics ^^) ____________________________________________________________ Kanji : 詞：ジョジョ 曲：アンディ 新宿租界で占領軍と喧嘩に明け暮れて規律に牙を剥く 貧困の底で安酒-ばくだん-に酔い乍ら恐喝を繰り返す 競週を破り棄て 明日を託した馬券が便所に舞い墜ちる 大東京に勝利の言葉を音譜に乗せて大革命の歌が響きます 新宿租界で売春婦に刃物を突き付けて世間に牙を剥く 混乱の中で口笛を吹き乍ら強姦を繰り返す 競週を破り棄て 明日を託した馬券が便所に舞い墜ちる 大東京に勝利の言葉を音譜に乗せて大革命の歌が響きます 不愉快な時代に生まれて悪魔と契約を交わす 不愉快な時代に生まれて悪魔に魂を売り捌く 男娼-オカマ-の胸倉を掴んで注射器を奪い獲り覚醒剤-ヒロポン-を決める 大東京に勝利の言葉を音譜に乗せて大革命の歌が響きます 大東京に勝利の言葉を音譜に乗せて大革命の歌が響きます 夢を喰らい尽くす悪魔共が腹を空かせて癇癪を起こす

-Please, credit me if you re-post my lyrics, thank you! ^^ - Romaji : Lyrics : Jojo Music : Jojo/Wajow Mayonaka no shinshitsu wa risoukyou -UTOPIA- de yamiyo no shindai -BED- wa yuuenchi desu Akumu ni mushibamareta risoukyou -UTOPIA- de kirei na otokotachi wo kaiasaru Iseya ni tadayou abura no kouki -kaori- de kanbi na omoide ga kousaku suru Ibi na goumon kigu no kaitenmokuba -MERRY-GO-ROUND- ni yuuga ni matagari modaete yuku no Fukashigi na kanransha kara kubitsuri shitai wo nagame nagara shikkin suru no Satsutaba ga maichiru Kawaii anata ni omoi kogarete dakareru yoru ni wa yume wo kurau akuma no sei de karada ga uzuku no Aishiau kachi mo nai otoko ni dakareru yoru ni wa yume wo kurau akuma no sei de anata wo omou no Anata no yume wo miru Akumu ni mushibamareta risoukyou -UTOPIA- de kirei na otokotachi wo kaiasaru Nakae no sakuraniku wo tannou shite bishu wo abite nikuyoku wo musaboru Hiwai na shokei kigu no jidou tetsudou -ROLLER COASTER- wa sakasama ni jogoku e ochite yuku no Kiteretsu na misemonokoya de kikei to youjo ga odori nagara shikkin suru no Satsutaba ga maichiru Kawaii anata ni omoi kogarete dakareru yoru ni wa yume wo kurau akuma no sei de karada ga uzuku no Aishiau kachi mo nai otoko ni dakareru yoru ni wa yume wo kurau akuma no sei de anata wo omou no Anata no yume wo miru Dobugawa ni kyuukutsu na jinsei wo haki suteta dobugawa ga zouo de kuroku nigori hajimeta Koufukuron ni okeru souiten ni kansuru kousatsu wa kikagakuteki na aijou ni keitou suru koto ga youin de ari Urashakai no rekishi kara shimatsu kokkeiron no kyuumei ni te ronsou ga shuusoku wo mukaeru koto wo yosoku suru Ibi na goumon kigu no kaitenmokuba -MERRY-GO-ROUND- ni yuuga ni matagari modaete yuku no Fukashigi na kanransha kara kubitsuri shitai wo nagame nagara shikkin suru no Satsutaba ga maichiru Kawaii anata ni omoi kogarete dakareru yoru ni wa yume wo kurau akuma no sei de karada ga uzuku no Aishiau kachi mo nai otoko ni dakareru yoru ni wa yume wo kurau akuma no sei de anata wo omou no Kawaii anata ni inochi wo kakete tsukushi tsudzukeru kara hedo no soko de eien -towa- no aijou -ai- wo anata ni sasageru no Kawaii anata ni inochi wo kakete tsukushi tsudzukeru kara hedo no soko de eien -towa- no aijou -ai- wo anata ni sasageru no Anata no yume wo miru Mayonaka no shinshitsu wa risoukyou -UTOPIA- de yamiyo no shindai -BED- wa yuuenchi desu ____________________________________________________________ ¤ All words surrounded by "-" are the words I actually hear instead of the written lyrics. ____________________________________________________________ Kanji : 詞：ジョジョ 曲：ジョジョ/ワジョウ 真夜中の寝室は理想郷-ユートピア-で闇夜の寝台-ベッド-は遊園地です 悪夢に蝕まれた理想郷-ユートピア-で綺麗な男達を買い漁る 伊勢屋に漂う油の香気-香り-で甘美な思出が交錯する 萎靡な拷問器具の回転木馬-メリーゴーラウンド-に優雅に跨がり悶えて逝くの 不可思議な観覧車から首吊り死体を眺め乍ら失禁するの 札束が舞い散る 可愛い貴方に思い焦れて抱かれる夜には夢を喰らう悪魔の所為で身体が疼くの 愛し合う価値も無い男に抱かれる夜には夢を喰らう悪魔の所為で貴方を想うの 貴方の夢を見る 悪夢に蝕まれた理想郷-ユートピア-で綺麗な男達を買い漁る 中江の桜肉を堪能して美酒を浴びて肉欲を貪る 卑猥な処刑器具の自動鉄道-ローラーコースター-は逆様に地獄へ墜ちて逝くの 奇天烈な見世物小屋で畸形と幼女が踊り乍ら失禁するの 札束が舞い散る 可愛い貴方に思い焦れて抱かれる夜には夢を喰らう悪魔の所為で身体が疼くの 愛し合う価値も無い男に抱かれる夜には夢を喰らう悪魔の所為で貴方を想うの 貴方の夢を見る 溝川に窮屈な人生を吐き捨てた　溝川が憎悪で黒く濁り始めた 幸福論に於ける相違点に関する考察は幾何学的な愛情に傾倒する事が要因で或り 裏社会の歴史から始末された黒鶏論の究明にて論争が終息を迎える事を予測 萎靡な拷問器具の回転木馬-メリーゴーラウンド-に優雅に跨がり悶えて逝くの 不可思議な観覧車から首吊り死体を眺め乍ら失禁するの 札束が舞い散る 可愛い貴方に思い焦れて抱かれる夜には夢を喰らう悪魔の所為で身体が疼くの 愛し合う価値も無い男に抱かれる夜には夢を喰らう悪魔の所為で貴方を想うの 可愛い貴方に命を賭けて尽くし続けるから反吐の底で永遠- 永久-の愛情-愛-を貴方に捧げるの 可愛い貴方に命を賭けて尽くし続けるから反吐の底で永遠- 永久-の愛情-愛-を貴方に捧げるの 貴方の夢を見る 真夜中の寝室は理想郷-ユートピア-で闇夜の寝台-ベッド-は遊園地です

-Please, credit me if you re-post my lyrics, thank you! ^^ - Romaji : Lyrics : Jojo Music : Andy Rojiura no gomi yama ni suterarete Tokyo no hoshizora ni mitoreteita Maiodoru watayuki ga ho de tokete Fuyu no aika -BALLAD- ni mimi wo katamuketeita Unmei -Sadame- ga surechigau kousaten de Shitsui wo kakaete akashingou ni tachitsukusu Kurayami ni kagayaku koukyuusha -Mercedes- ni Oshikomarete nakiwameku Hiwai na ritsudou -RYTHM- de Okasareru tabi ni Ashita ga namida de kasumimasu Kanawanai koi to Oozake -Vodka- ni oborete Hedo -gero- no umi ni shizumimasu Miwaku no ritsudou -RYTHM- de Mawasareru tabi ni Ashita ga namida de nijimimasu Wasuretai koi to Oozake -Vodka- ni oborete Hedo -gero- no umi ni shizumimasu Unmei -Sadame- wo kizamikomu tokei -VEGA- no hari ga Seijaku no kage de etsuraku –yorokobi- no jikan wo tsugeru Kurayami ni kagayaku koukyuusha -Mercedes- ni Oshikomarete nakiwameku Hiwai na ritsudou -RYTHM- de Okasareru tabi ni Ashita ga namida de kasumimasu Kanawanai koi to Oozake -Vodka- ni oborete Hedo -gero- no umi ni shizumimasu Miwaku no ritsudou -RYTHM- de Mawasareru tabi ni Ashita ga namida de nijimimasu Wasuretai koi to Oozake -Vodka- ni oborete Hedo -gero- no umi ni shizumimasu Rojiura no gomi yama ni suterarete Tokyo no hoshizora ni mitoreteita Maiodoru watayuki ga ho de tokete Fuyu no aika -BALLAD- ni mimi wo katamuketeita ____________________________________________________________ ¤ All words surrounded by "-" are the words I actually hear instead of the written lyrics. ¤ I apologise, I’m not really sure if he says “Oozake” but that’s what is written (I don’t hear the “za”). ____________________________________________________________ Kanji : 詞：ジョジョ 曲：アンディ 路地裏の塵山に棄てられて東京の星空に見蕩れていた 舞い踊る綿雪が頰で融けて冬の哀歌-バラード-に耳を傾けていた 運命が擦れ違う交差点で失意を抱えて垢新語に立ち尽くす 暗闇に輝く高級車-メルセデス-に押し込まれて泣き喚く 卑猥な律動-リズム-で犯される度に明日が涙で霞みます 叶わない恋と大酒-ウォッカ-に溺れて反吐-げろ-の海に沈みます 魅惑の律動-リズム-で廻される度に明日が涙で滲みます 忘れたい恋と大酒-ウォッカ-に溺れて反吐-げろ-の海に沈みます 運命を刻み込む時計-ベガ-の針が静寂の影で悦楽-悦び-の時間を告げる 暗闇に輝く高級車-メルセデス-に押し込まれて泣き喚く 卑猥な律動-リズム-で犯される度に明日が涙で霞みます 叶わない恋と大酒-ウォッカ-に溺れて反吐-げろ-の海に沈みます 魅惑の律動-リズム-で廻される度に明日が涙で滲みます 忘れたい恋と大酒-ウォッカ-に溺れて反吐-げろ-の海に沈みます 路地裏の塵山に棄てられて東京の星空に見蕩れていた 舞い踊る綿雪が頰で融けて冬の哀歌-バラード-に耳を傾けていた